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About The Sunday Oregonian. (Portland, Ore.) 1881-current | View Entire Issue (May 24, 1908)
THE STIXnAT nRF.finvuv pmpti a -v-r TtrtT- o ino fi . The Care of. the Hands V rvHY often it is the things that we do not do, rather than those we do, which make or mar a pretty hand. This is particularly true of the girl who lives a sheltered life all Winter and goes to a Summer re sort for the warm months. The city Slrl thinks it smart to drive a team of farm horses without gloves, and when her hands are blistered she runs to the local druggist for a patented cure. It would be much easier to don an old pair of large gloves and proteot the hands, rather than experiment with unknown lotions. One of the most baneful practices mons young girls is the Indiscrimi nate use of highly scented soaps. In nine cases out of ten these eat up the natural oil of the sktn and leave it rough. Use only warm water and soft water, with a plain, unscented pure soap. If the water is hard, add a few drops of benzoin to it. . If the bands are stained,' use lemon juice. Do not, as I saw a young girl do not long since, take a bottle of peroxide of hy drogen from the shelf and literally pour it over the tips of her fingers to remove -berry stains. .Within the next two or three days most of her finger nails broke off. If soap does not agree with your hands, try using the following almond meal in its place. It will tend to keep me skin sort and white: Hitter almond meal 6 ounces Orris root (powdered) 4 ounces Wheat flour 4 ounces White castile soap (pow dered) 1 ounce Borax (powdered) 1 ounce Oil of bergamot 2 drachms Extract of musk 1 drachm Oil of bitter almonds 10 drops Mix all the powders thoroughly and sift them before addtng the perfumes. Stir them In and sift a second time. Keep in close-shut jars. It is conven lent to keep a small quantity on the washstand in a Jar with a perforated top, so that the powder can be shaken out upon the hand or cloth when used Certain physical conditions cause ab normal perspiration in the hands, mak ing them cold to the touch and keep ing them moist, thereby ruining gloves of any sort. The following lotion Is very efficacious for arresting this con- ' dltion. It can also be used on the face In warm weather to absorb excessive greasiness: Rosewater. 6 ounces; elder-flower water. 2 ounces; simple tincture of benzoin, 14 ounce; tannic acid, 10 grains. This lotion should be well rubbed Into the skin, and if gloves are to be put on immediately, it is well to powder the hands with talcum. Mingled with the delights of pick ing wild flowers in the woods Is the I'anger of coming in contact with pot son ivy. Tills obnoxious vine grows . In the most unexpected places, and to some skins its contact means weeks of suffering. If treatment is given im mediately the Inflammation can often times be allayed. As soon as you reach home, bathe the affected parts In a so lutlon of one quart of lime water In which has been dissolved a teaspoon of soda. If the pain Is intense, add a few drops or laudanum. If you are far from a drugstore and cannot get these rem cdles, bathing with strong buttermilk is sometimes very efficacious, and good results have been obtained from rub bing fresh and very thick cream Into the skin. But all of these, remedies should not be applied at once. The girl who has abused her hands by digging in the garden or by nelp Ing with the housecleanlng and has neglected that much-needed protection of an old pair of gloves while at such work, will need a paste which will work a hurried cure. This paste is Invaluable to the girl In Business who has just two weeks' vacation and whose hands have become roughened from climbing, driving, picking wild flow era. It will tend to whiten and soften the hands with the least possible de lay. At night literally spread the hands with a thick coatin of this cream, then draw on a pair of old gloves several sizes too large and In the morn Jng wash In warm water and pure white soap: Myrrh, 1 ounce; honey, 4 ounces; yel low wax, 2 ounces; rosewater, 6 ounces. .Melt tne wax m a double boiler over n very slow fire, but do not let It boil. Just melt: now add the myrrh, which must bo in powdered form Beat these two ingredients together thoroughly, then stir in the honey and the rose watcT. Then, drop by drop, add enough glycerine to make a "spreadable paste,' beating the mixture constantly. Tanning, sunburn and freckles are much easier to prevent ttian to cure. If the skin of your hands Is sensitive, rub it with cold cream before you start outdoors, or wear a thin silk glove. There is no heat in silk gloves, and if worn sufficiently large, they leave the hand quite as free as if it were bare. The simple home remedies for tanning and sunDurn are quite as good as the patented articles, put up under fancy names and sold for fancier prices. Washing the hands in fresh butter milk is very good. American women nre generally in such a hurry that .v of them really take time to dry their hands properly. If they would not put the towel on the rack until they were perfectly sure that their hands were absolutely dry, as a nation they would have prettier hands, and softer skin the whole year round. KATHERINE MORTON. ribbon scarfs in soft. Oriental color ings, or the pliable Italian or Roman striped scarfs' and ribbons may be used for this purpose. While the lingerie or net tie is much used with the linen collar, for Summer wear, and especially with the broad, turnover collars, affected by the out door girl, the soft ribbon tie or scarf will be much used. A very beautiful quality for this purpose is a soft gros grain with a satin edge of about an eighth or a quarter of an inch in self tone. The ribbon thus used is not tied In a bow but in a knot or four-in-hand effect. Ribbons for sashes are as soft as the looms can make them, and most of this season's sashes -.are worn at the side or in the front as garnitures of the empire gown. Often the sash laid in folds and tacked into place, like a high girdle all round the waist, then under the left side, it is drawn up high, fastened in a knot or chou, and falls, soft and sweeping, to the foot of the skirt. In net dresses these sashes are made of net and ribbon in alternate strips with an edging of net or lace all the way round. Beautiful fichus are also made from shirred net or chiffon, alternating with soft rib bon, each strip about an inch and a half or two' inches wide. One of the smartest of extra coats seen in a New York shop this Spring was made from eight-inch pompadour ribbon, alternating with strips of filet lace. Such coats are 'worn with thin lingerie dresses, and are most effective when cut on Louis designs, quite loose and straight of line. Ribbons in many graduated widths are used for trimming the hems of skirts, to simulate borders. For in stance, on a stunning little suit of brown and cream checked silk, the trimmings consisted of seven rows of brown velvet ribbon, starting about an Inch and a half in width at the bottom and grading up to No. 2 at the top. Last season, the ribbons were ap plied in designs, particularly the Greek key design, but this season they are applied in one or two ways, either running straight around the skirt in graduated widths, or up and down, forming points or diamonds. Ribbon garnitures for the hair are long and sweeping, suggesting an os prey, and this means clever wiring. One of the handsomest new hair orna ments Is made from black velvet rib bon, cut and wired in perfect imita tion of the long pheasant tail feath ers, with a rhinestone ornament where the long bows and ends met. The flat, pleated ruffs of mallne or lace are in once more, and these are fastened with long loops and ends of soft ribbons. Also, faille ribbon Is made into fiat rose pleatings. finished with long loops and ends and worn so that the latter fall backward over the left shoulder. Some exquisite effects in bed jackets, fancy aprons and petticoats are shown with wash ribbon playing an impro- tant part. For wear under a chiffon or net gown, come wonderful petticoats with flounces of point desprit, decorat ed with narrow ribbons. If you have a white silk drop skirt which Is a trifle passe, make for it a flounce of the net. with white ribbon half or three-quarters of an inch wide, ap plied in tiny ruchings. Circles at reg ular intervals, or interlacing diamonds or bow knots, all done in the fine .ruching, are the simplest and most effective patterns. These ruffles can be bought ready made and they cost from 112.50 up. A deft-fingered girl can make herself a "dream" for a third of the price. Sometimes, within the circles of ruching will be seep small artificial daisies such as are used for millinery purposes, carefully applied with button-hole stltphes. Dainty aprons and matinees are made from alternate strips of wash ribbon and Val lace. For the girl who wears flannel petticoats the year round, there is nothing prettier than a ruffle of wash silk and lace, which, by the way. does not cling to the form as flannel does. MARY DEAN. Fine Art of Departing HEN I told an Intimate friend that I thought every book on etiquette should contain one entire chapter devoted to the graceful and little prac ticed art of leaving a house gracefully, she was greatly amused. "Why, every one knows how to leave a tea or dinner or dance. You just say something that every one else says to your hostess about what a splendid time you have had, and then you run along and say the same thing to another host ess." Now, that Is a very lucid and distinctly feminine explanation or description of the trick, so to speak, but unfortunately its weakness lies in the last phrase. So few persons really known enough to "run Stunning Lines in the Newest Linen and Lawn Costumes Ribbons and Their Uses DVINTY ribbon garnitures seem particularly suited to the Spring season, and this year they are be ing used in charming variety. Faille rlhbon has displaced taffetas for all purposes where a plain color is needed, while In fancy ribbons the pompadour effects . remain in high fa nr. The tinsel ribbons which were popular during the Winter are now passe, and. barring the pompadour de signs, the only fancy patterns shown are two weaves in the same color, per haps a satin polka dot on a faille ground, or vice versa. Little - or no luoire ribbon is being used, but even on light-weight Summer frocks touihes of the effective velvet ribbon may be seen. Enormous quantities of soft faille ribbon are used for millinery purposes, and eight yards are considered none too much for winding round the crown and making one of the new big bows. At the beginning of the season, flow ers almost crowded ribbons out of the millinery field, but the reaction in favor of bows has been pronounced. The bows are either long loops and many of them, or they are arranged in fat. thick choux or rose effects, with short, sharply notched ends behind the choux. For Panama hats come wondrous TUB costumes this season go to ex tremes. Either they are extremely tailored and severe, or extremely ornate and fluffy. For street, morning and athletic purposes, tailored lines ap pear, with trimming applied as to silk or cloth gowns. In the typical lingerie frock, princess lines prevail with such masses of insertion, both embroidery and lace, that the term "tub frock" seems al- dressy afternoon wear, coats and en- tire suits are inset with q-uantitles of heavy lace to which fancy wash braids and buttons are added. Wash braids come In many etvles. from the narrow soutache and flat Her cules braids to marvelous combinations of cotton or linen braid and lace, the latter set on the edge or in medallions surrounded by braid. Buttons for trimming may. be made FIGURE A SUIT IN COPENHAGEN BLUE LINEN AND BRAIDED BANDS. FIGURE C. WITH EMBROIDERED most a misnomer, and the sevlces of a dry-cleaner are more necessary than those ot a laundress. While may costumes of plain linen and lawn are noted for both morning and afternoon wear, some stunning ef fects In fine hair line stripes, dots and bordered goods are also displayed. The woman who invests in a bordered ma terial must expect to patronize the dry- cleaner when her suit needs refreshing. Very few of the tinted borders will really wash. The exception, however, is the white fabric with a single tone strioed border, and vice versa, the single tone fabric with white border. For instance, in linen you will find a white ground with a border of navy blue In bands of graduated width, or n pale blue lawn you will see a border made of diamonds in pure white. These bordered tub fabrics come In dress lengths of 12 yards each and the border appears about 46 or 47 inches apart, which for a short woman will admit of a princess effect. The preferred trimming for tailored linen suits is braid and buttons. For from molds covered simply with linen like the costume, or the linen may be criss-crossed with narrow braid, or the buttons may be crocheted or embroi dered. For very fussy frocks you see 'buttons covered with crocheting or lace or embroidery and then finished all the way round with flat frilling or pleat ing of Val lace. Pink and blue in half a-dozen shades, lavender, green and yellow are shown in linens for suits, but far smarter this season are the soft shades of gray and tan made up with heavy white lace or bias bands of self tone or even white. For tailored wash suits, pleated skirts either with or without the yoke, accord ing to the height of the wearer, and cutaway coats are shown. In more fussy costumes, the looser Louis coat is offered, with the circular skirt. The very smart coat suit shown today is in Copenhagen blue linen trimmed with bands In which braid and embroidery are combined. The skirt is cut on a circular pattern with a seam, covered. by a band of the trimming, down the front. For the very short girl, the trimming around FIGURE D. E. FIGURE banding should then be of heavy imitation Irish lace, which, by the way, washes excellently. The shirtwaist suit Is extremely natty and shows how little of the popular braid ing can be used to relieve an otherwise severe costume. This skirt of ecru lawn was laid In pleats stitched very flatly over the hips with many rows of stitching above the hem. The shirtwaist was laid In broad tucks front and back, with a The bretelles can either be sewed tightly under the outside tucks of the blouse or they can be simply toasted into place and removed when the waist la laundered. The latter is by far the best method, as the iron's point can then get well Into the gathers of the sleeves. The model In which this pattern was employed com bined grayish blue and white check, with only a hair line of the white, and trim mings of plain blue with large buttons FIGURE B SHIRTWAIST SUIT OF ECRU LINEN AND WHITE BRAID. the skirt should be dropped to Hs foot, and It also outlines the entire Jacket. In the model shown this trimming was of the linen braided in self tone, while the embroidery, tiny conventional figures In serted between the braided circles, was In a peculiar shade which was neither amber nor coral pink, yet suggested both. To make this costume even more dressy, white linen could be employed, and the double box pleat down the front. The shaped collar, cuffs of the plain shirt sleeve, the double box pleat, and the girdle, were all braided in a Bimple but effective design in white washable sou tache. The braiding on the box pleat was finished with two ornaments of white mercerized floss which will wash nicely. This style would be effective if developed In pale gray with white braid or any of the more delicate tones, like blue, pink or lavender. Lawn, linen, batiste, zephyr ginghams, percales. A remarkable feature of the present season is the use of bretelles In wash fabrics, and -while this means work for the expert laundress. It certalnlly adds to the effectiveness of the average wash costume for the slender girl. In Fig. C will be seen a pretty development of the bretelle design In a checked gingham. covered with the plain blue. It could also be made in white, with ruffles of lace or embroidery and lace-covered but tons. Figure' D shows the possibilities of shoulder straps in wash materials and was prettily developed In white batiste with narrow Cluny and Val lace. The shoulder straps can be made from odd bits of lace or embroidery or tucking edged with lace. Figure E shows a "type of waist of which every Summer girl should have at least one in her wardrobe. The simple Dutch neck emphasized by square Insets of lace is the daintiest of finishings for a Summer dinner blouse. This blouse, and skirt trimmed with deep tucks and insertion, will make a costume quite suit able for the Summer night dinner or dance. MARY DEAN. LINEN MADE IN AMERICA A Massachusetts Inventor has perfected a process of transforming flax straw Into fiber that promises to add millions to the revenue of the American farmer, and to make possible for the first time the manufacture of linen fiber in the United States. About 4.000,000 acres of lad are de voted to fiax-raising in the United States, but only the seed is utilized, and this. according to the census reports, has an annual value of nearly 20,000,000. The flax straw from which linen is made is burned. There is no means of telling how many millions of dollars have been wasted in this way, but a late bulletin of the Department of Agriculture says that Millions of tons of straw have been burned each year, most of which, In quality and length, for the production of fiber far excels the average straw from which the Russian ocasanu maka the fiber which chiefly supplies the linen fabrics of the world." By the laborious process followed abroad. It taxes from 16 to 30 weeks to transform flax straw Into linen There la first the "retting," which, in Bel gium, Is done by weighting down the flax straw in pools of water exposed to the sun, until the wood or "shive" is rotted away from the fiber. Then comes the "scutching-" or beating of the dried straw. After this it 4s "hackled" by pulling the straw through the coarse teeth of combs for the purpose of removing snarjs and tangles. The softening and bleaching processes number 25. after all this has been done, before the finished linen fab ric is ready for market. Now comes Benjamin C. Mudge. a graduate of the Massachusetts Institute of technology, with a combined mechan ical and chemical process that makes linen out of straw in 12 hours. . In place of the European method, which con sists very largely of leaving the nat ural rottening process to accomplish the disintegration of straw, Mr. Mudge goes at this work by machinery until the raw flax fiber has been wrested from the flax stalk. Then the chemical process begins and . I can testify from observation that, using three or four chemical baths, Mr. Mudge first degums, then bleaches, sof tens, and in the end makes a glossy, white and exceedingly tough fiber out of what in the beginning looked like a mass of tangled horsehair. The European method yields about 170 pounds of fiber from 1000 pounds of straw and sacrifices the seed crop. The Mudge process secures 250 pounds of straw after the seed has been saved, ic converts the "shive." wasted by the European method, into a pulp for paper making, and also saves the "tow." The one reason why linen fiber has never been made in this country is that the European process would be Impossi bly expensive unless carried out by labor of the very lowest cost. There is no labor In the United States cheap enough for this purpose and for this reason Americans have been sending over $20, 000.000 a year to Europe for linen. WAY TO MAKE FUDGE ;IRST be sure that bother any one it isn't going to to have you in the kitchen. Unless mother or cook is more than willing to have you try this recipe, the fudge may not turn out well. Fri day evening or a stormy Saturday after noon is 'conducive to good fudge making. Butter two tin or agate pie plates. Take a saucepan which will hold about three quarts. Put In the saucepan, before you put it on the stove, three even cups of granulated sugar, one cup of sweet milk, a piece of butter the size of an egg, and two squares of unsweetened chocolate. It is not necessary to grate the chocolate. Stir this mixture all to gether and put it on over a moderate fire. Stir It occasionally, especially after it begins to boll. Boil 10 minutes from the time when It first boils up hard. It will then have begun to sugar around the edge of the saucepan: take It off the stove, add a scant half teaspoon of vanilla and stir briskly for about two-minutes; then pour It out on the buttered plates. Be very careful not to stir It so long that It stiffens before It Is poured out, nor so short a time that It will not be creamy. The fudge proper is never hard nor brittle, but will melt In the month. A Barber's Keen Memory. Kansas City Star. "I believe you were in Galveston, Texas, about this time a year ago," a barber said to a man he was shaving this morning. . ' "I was, but how did you know it?" the man asked. "I shaved you there a year ago and I remember that small scar on your chin." . "You have a remarkable memory." "I have. But I remember that scar particularly. I nicked you there two years aaro In Chicago." , along." They linger and make their de parture a period of agony to everyone concerned. For Instance, I paid a Sunday after noon call not long ago at the home of a woman with whom I am on most friendly terms. I arrived Just as other callers had arisen to depart, . a pretty girl and her fiance. And simultaneously with my arrival, came the family parrot, a creature of amazing vocabulary and violent temper. My hostess had arisen to speed the part ing guests and receive the new arrlvar. The young lady and her fiance were standing and so was I. The psychologi cal moment for their departure had come when, as I remarked before, the parrot walked stolidly in. Immediately the man began to teas the bird, greatly to the annoyance of my hostess, though she held herself admir ably In hand. Every minute or so the girl would say something like: "Come. Dick, we must be going," and my host ess tried tactfully to break up the con versation between angry bird and thoughtless man. And it ended in our standing there, the three women of us. changing from one foot to the other, the girl fumbling at her gloves in an agony of embarrassment while that young man amused himself with the parrot for 18 long, weary min utes. My hostess and I marked the tlms on the clock. When they had gone, we two women looked at each other, sighed and dropped gracefully Into easy chairs. "Do you think she can ever make any thing of that man, socially?" asked my hostess, and then we both laughed. Again, I was Invited to dine with friends who live at an apartment hotel, where dinner Is served on Sunday even ings from 6 to 8. After dinner we were going to an organ recital, so we had planned to go to the dining-room directly the doors opened at 6. At 15 minutes to 6 a young woman arrived on the scene, and after a few minutes was urged by our hostess to re move her wraps and remain for dinner. She declined, saying she had another call to pay. Quite tactfully, a few minutes later, our hostess gave forth the infor mation that we were going to Professor Blank's recital. Naturally, If the girl had only come to call formally, she would ' have taken the hint, for the church was . at some distance from the hotel. , If she wished to accept the invitation to remain to dinner she should have accepted it at once. But she did neither. She sat and talked Interminably while those of us who had begged recital tickets sat In nervous suspense. Each member of the family as he or she appeared in the living-room urged the girl to take off her wraps and have dinner but. no. she must be going very soon. ' It was 20 minutes past six when she left. We got Into the Sunday night crush in the dining-room, reached the church so late that we were seated far back under the gallery, and missed the opening number. And because a thought less girl had not mastered the fine art of taking her departure. There Is nothing more ill-bred than outstaying your welcome, and I am quite sure that many young people do this simply because they do not know when or how to take their departure. Never say you are going until you are ready to start. Do not rise to make your adieu and then remember something you want to talk about and keep your hostess standing indefinitely. Once you decide to go, go! Say good afternoon or good evening to others in the room, go directly to the hall, gather up any wraps you may have left there, and depart at once. Do not expect your hostess to accompany you into the hall and stand and chat in terminably with you, leaving other guests In the parlor. Once you have said "good bye," her place is with those who are still her guests. If you stumble upon a dinner party, when you are making a lata Sunday afternoon call, do not apologize. Simply make a very formal call of ten minutes or 15 at the most and depart, as if you had never intended to stop longer. A formal .call should never run lees than ten minutes or more than 90. If other guests arrive Just as you meant to depart, do not embarrass your hostess by going with her to the door as she starts to receive the newcomers. Give her time to receive them and introduce you, then after a few conventional re marks, you can take your departure and leave the newcomers to the attention of your hostess. Never try to outsit a new arrival. It looks as if you .were afraid you might miss something! The tactful man or woman always recognizes when the call Is made at an Inopportune moment and times her de parture accordingly. However gracious a hostess may be, a new arrival can detect In the very atmosphere that her call should be shortened. PRUDENCE STANDISH. Down and Out. ' San Francisco News Letter. '- Take 'way the gloves, there, BUI,, my last is in. T can no more nor will: Take 'em away "a man can't ' always win." You nay Oh, come now. Bill! You know like other dogs I've seen my day. ijons wun tne pace to Kin. ... Well, never mind: I've seen It. Bin. at least I've stood Just where he stood Tonight, master and kins of crowd . and feast. And. as a boy. "made rood." "Boy!" That's it. Bill that's all I envy him Yet p'raps it's as It should. Take 'em away! Already I'm forgot,- A second-rater just. Lord, but this sport sure carries a hard lot. "What say? a half-arm thrust? Take 'em away In my prime down and eut. Still in the blood, the lust. Still In the blood the lust, old Bill that stays. ' Mere so in this fight game. The papers bury me in "better days" Well, let 'em what' a name! I attll have one or two friends left, eh. Bill? That's It they go the shame! But I don't envy him I'm not that kind. He won. and on the square. He foufrht me to a standstill, dazzled, blind A picture fighting there He was. Bill, and 1 loved him for it, too I cannot help' be fair. Fate, Two shall be born the whole wide world apart. And speak in different tongues, and have no thought Each of the other being, and no heed; And these o'er unknown seas, to unknown lands, Shall cross, escaping wrecks, defying death; And all unconsciously shape every act And bend each wandering step to this one end That one day out of darkness they shall meet And read life's meaning Jn each other's eyes. And two shall walk some narrow war of life. So nearly side by side that should one turn Ever ao little space to left or right. They needs must stand acknowledged face to face; And yet with wistful eyes that never meet. With groping hands that never clasp, and Hps falling in vain to ears that never hear. -They seek each other all their weary days. And die unsatisfied. And this is Fate. Susan Marr Spalding.'