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About The Beaverton review. (Beaverton, Washington County, Or.) 192?-1941 | View Entire Issue (May 21, 1937)
The Haarten K «*' ▼Ml BKAVKRTON cw u rn lia R E V IE W u ii % itered a* Mcoud c l* « * B atter ir S, 19*2. at th* poetof- ftca el Beaverton, O re»»«, under the act of March *. l i t 9. 1M UED EVERY BEAVERTON, T h e Shape of a Picture H orizontal or V e rtic a l? ? SUBSCRIPTION RATES Par year (in advance) . ... |1>00 140 Not In advance ................ Increase A study o f newspaper .*1» ;u- lu|tioi*> throughout the Let ted States shows a steady upward turn during: the past throe ycara. Evidently thousands o f people have turned o ff their boisterous, 1 Jasiy radios, and g*'ne bark to their newspapers. That makes fo r sense. Attention is attracted to the joint sponsorship by educational authorities and industrial .earlers o f a new movemen|t intended to supplement the work o f the schools Its primary purpose is to encourage youths in a study o f the crafts, something that is conceded to be o f vital import ance. yet may easily be missed b y the average hoy. The great est stress naturally must be plac ed on academic subjects with the over-crowded condition of the nchoole end the shortage of teartiers that exists in many cities. The new youth movement, which obtained its start in cue o f the mod-western states, is gradually reaching out into o- thers. Unfortuately, there have as yet been no la rge rewards o f fered to stimulate th ■ interest of boys as in the case o f the risto- e r Body Craftsman’s Guild after which the organization s pat terned. This educational founda tion continues to grow as a re sult o f its worthy ideals and able management. Cunyou t'lly bua iei|iu>»t*xl that ivnlit/nl business m «n rai»o fâtKH» to lx> lined u* mulch money for a fund that the federal ov- erument would uppro|uTale for re-builiRiu; the town foHowIntr the recant disastrous fire. F U N -F A C H When th* principal lines of a subject are horizontal, don't forget to hold the camera hori zontally. Composition may bo further improved by enlarging and trimming. / m i Cove» ( rop Plowing Re«t| D A LLA S - -leavin g the orchard cover crop above ground too long often results in serious toss o f moisture to the fruit .ro p If the rainy period does not contin ue, says County Agent XV. C. Leth. T h e best time to pk>W OLD MEN under a c o v e r crop is when the Thom as Rdiaon «rnrtte-d .nirftet- soil has the highest amount of e* in his 8 0 V Cleimemccau at moisture that It can hold for 79. d irected th e destinies o f the the summer fruit developement. French Republic. le t h points out, and holding o ff H in den bu rg a t 86 g ivin g V n ‘ because the crop has not at b llity to the German Reich. The tained satisfactory growth is poor g r e a t GtedsGroe a p olitical pow practice. e r nil 97. Lloyd George art 74. gtlD go in g strong. Cooper Mountain ladi«s »hth S ocra tes studying music a t 70. met last Thursday at the home Moses alt m ore then 100. ’ ending o f Mrs. Charles W eaver. Seven th e children o f Iarael out o f teen ladles w ere present. k n Place a clean, dry saucer or plat ter upon a table. Take a pencil, eraser eud down, aud hold It agutuel the platter at an angle of about 45 degrees. Push ftrtuly in su endeavor to move the pencil across the plat ter. You will find that the platter moves and may even push the table- covering or table Itself. Place a small quantity of water in the platter and rep«<at. You will find the pencil eraser now moves across the platter ulth very little effort. W e might say that it "skids" across the platter There will be no tendency to move the dish. Imagine the waste of margin, if this picture had been taken with the camera horizontal. sure that the lines which givt length to your subject parallel th« long edges of the fllrn. thus avoidini; an overbalance of margin above an< below or to the right and left, a> the case may be. So much for planning the shap« of a picture before you take it. but composition can be improved. In deed often much improved, by shap ing the picture after you take it There are two ways of doing it. You may reduce the margins and. in seme cases, also cut out distracting objects by trimming the print; or. still more effectively, you may mask the negative so as to leave a se lected portion and. from this por tion. have an enlargement made. Thus, a vertical subject in a verti cal panel that has cut ont detail on the sides becomes much more Im pressive; Its height and importance have been enhanced. Similarly, with a horizontal subject a horizontal panel w ill emphasize its “ repose" lines and accentuate its sweep. Most good pictorial work, such as finds a place in salons because of Its artistic excellence, is usually the combined result o f choosing the right camera position, masking the negative and trimming the prin t JO H N V A N GUILDER TH E PA C T S On a clean, dry pavement, you. tires exert a very atroug push. It is thla puah which moves your car (or ward When the pavement la wet. your tires have a tendency to repeal the eraser and wet platter perform ance This may prove to be danger ous It you try to stop quickly or change your direction suddenly Other conditions which tend to cause similar results are wet leaves, car tracks, oil. ice aud snow. Under such circumstances, whenever you feel Impatient, Just remember the wet eraser. An Open Letter to A Boor on Wheels Christ Jesu». Ì * I leu ver liai. Oregon. I’d. adv E.1 S T What a Big Boy Am I! — Think on (halt until you run to Christ; lay hold on Dim: choose H im ; vote for Hint, elect Him ; name Him un yo«tr Deliv erer. Now look bark 2000 years to C alvary and see the death- sentence carried out agulnst Him an«| you made free. Then iixik Into this present hour and sea Him us the Risen lo r d In mat ing heavenly strength to curry you through "Ute next sixty <ti*«v- ute.v and the next and the next Next look ahead to the gieat dhy when H e routes with a stout to open the gruyc and lift you Into eternal glory. That In the ages to edme Gist might »Is » the exreedlr.K riches iff His g 'a c e in H i» kindness to us Ihr >ttgh #»4» r «I/« /«/♦: On vim .rip • hi. <«* j» -vrum litro t «l'1 'iciti *,ir "MS ■«,«ti tier r« »..«», it r 11»» »»mm On« si *»,« ttklitl viti mil t ire See S.m I rate tv \ -vlier» lie world'» two tergevi -»ridge« meet Rule -Ite -lent beautiful train in M am et, our new ure-amlmrd *•»*/igbl lo I n» Angelet Con. .nine lavi thru the advenmr- .»it« Southwest and Old South. Urtur nun unirvi», mi voi north- rrn line train«. ( Imago and ha»I«,»« low a« JU, i». For de tail« «re «our linai S I*. Agent or writ- J A. O K M A N D Y , (mirra/ U.iiirwgrr A g m l . ( ì l i l’an.n ilhtg.i Uoalatnl, Ore. lYes s ir— From away Isacl’. VottX- dcr II bus been W H A T A BIG BOY AM I! With "Don't I pay whut I ow e? Iksn’t I play square? If your God is ns kind as they say I ’ll get u glad hull I over Didn’t know you l<s>kefl thnt wny In the lllb lo photo of your self? Then see yourself attain.— The word o f the 1 o rtl m ine to the great Apostle Until te ting him to go out to the nations to open their eyes and to ittm them front darkness to light and from the power nf Bulan ‘ o God. There you are It lint led and 1» unit I hy the Enemy part aw l parcel : of a world sunken In sin. So the Ttlhlo snap »In*.» yon. Then what? " A il have slneixl” and "T h e s a g e « o f sin Is de "th .“ So says th*1 Hook. 'When yon see yourself through God» eyes you arc ready to think on J e s t» j Christ as slain for your -bn*. Fo the stern law o f God de mands ttuvt sin he pttnlshcd by ilenth. Only then can 0->d for- ' give you. A death must take ! place. And Gte Word says that the lotrd bt w illin g to accept Je sus Christ, the Son as yttttr sub stitute. H e stepped into your »hoes and died for you. If you w ill have It so. th r u C A l t f . T O a N l A U t ile Jack Horner »at In n corn er— Eating his Christmas pie. lie stuck In hla thumb and pul- let! out a plum utxl said Abut a big hoy aiu 1! ____ .> s v f h e n i P a c e ' s Dr. Milas N E R V IN E 'Did (Aa uxwV aaya Mias GUvar WHY D O N T .. TOU « . T R Y ITT .. more than three months nf suffering from a nervous ail ment, M m GUvar uaad Dr. Miles N e rv in e w h ich gave her such splendid result» that she wrote us an enthusiastic letter. If you suffer from "N e r r a s * If you Fie awake myhtz, start at sudden noises, t»re easily, are cranky, blue end fidgety, your nerves ere probably out of order. gfuiet and relax them with ths same medicine that “did ths Work” for this Colorado glrL Whether your “Nervaa" ha vs troubled you for hours or tern years, you 11 find this tens* tested remedy effective. i4t Drug Store» 2Sc and fJ JA. \ T 0» MI LES \ ERVIN L *x » li a u to - K now Your Language Business Places 1 o Patronise B y C. L . Bushnell IN BEAVERTON School of Kagtish. International Correspoedeoco Schools U L E T ID E " and "yule log” are terms as fam iliar to us in con Test Shows Inoculation X alue nection with Christmas as they OREGON C I T Y —Although no were to our ancestors. The word farm er ever thinks seriously any “ yule” has had an amazing vitality, for its history stretches back beyond more o f planting alfa lfa with the mists o f antiquity. In Medieval out first inoculating the seed, England the form o f the word was Park CofMetd ' I Curnnsv.l'.e “ yol” ; in Anglo-Saxon times it was last year left just a small strip “ geol," akin to the Icelandic “ jol/* through his field on which the the great mid-winter feast o f pre- Christian days. It is probable that seed was not inoculated. The " jo l” is also the ancestor o f our seed came up he reported to word “ jolly,” and that then as now County Agent Inskeep, but the “ Yuletide” meant “ a jolly tim e ."' plants soon disappeared and the • • • Mrip is barren ar.d must be plant W rong: "Y ou are not as old as ed over, while the inoculated him.” plans on each side form a vigor- Right: “ You are not as old as mis stand which w ill be reody he.” “ Is” is understood— “ You are not to be cut m June. as old as he is.” It is easy to avoid J such mistakes in the use o f the per- Linn fa rm ers Vttark Thistles i sonal pronoun when making a com- ALBANY*— Canada thistles and I parison. if it is remembered that wild morning glory are doomed some form o f the verb “ be” is al to a tough summer if Linn eo. ways understood. farmers carry out presen' pians of weed control, reports F. C. Wade C raw ford, Klam ath Falls Mullen. County Agent. More Indian «'ho ha» been ousted as than 146 fanners have signified superinterdert o f the reserva their intention o f controlling 1454 tion is un his w a y to XX’ashing- 1 acres o f these weeds by summer ton to in»ist upon a hearing. He fallow methods, he says. Most says he doesn’t want the Job o f this land has been entered o r hack but he does want a -‘hance der the agricultural conservation to tell his side o f the s t»ry . program, fo r which compensa tion o f *5 per acre w ill he paid. Early O iie»t* the O. XV. ttM terlfO home Sutuluy were Xlr. und Mm. S. A. I » ' » l s uixl fuinlly of Slier* wtxxl, Mm. S (I Doughty and daughter of Am ity und J tuie» Klrxdiel.m ther»* In the glory.*’ So you fig ure It. Hut tile atrcut God 'toes not s«*e It that way. "W e nre nil us un tWH-lenn thing nmt our boat human efforts nre ns filthy mgs« In his h oly eyes” nxest.i I- sglnh 64:6. F ROM the standpoint of arttstle composition the shape of a pic ture makes a lot o f difference. This C A L L IT W H A T TOC W ISH statement may seem axiomatic but The c ritic s o f the neutrality how often do we snapshooters give bill call it "selfish nationalism.” thought to it in usiug our cameras? We all know that most cameras No m atter what they call it. it is an improvement over that old- are so constructed as to give us a sfy le stu ff which kept the IT. choice between horlsoutal and ver tical pictures, depending upon the S. on the brink o f w ar when position in which we hold the cam we t ran led the insane na..<ms era. but in the business of taking o f Europe who pride themsetves pictures there scents to be a sort of on their "internationalism .” psychology of laziness that makes us choose the way most convenient l e a d in g d o u b l e l iv e r to our hauds. W ith some cameras The average d river behind the the vertical position seems easier, w-th others the horizontal, and to wheel frequently todts h ij horn and sputters at the pedestrian ( change to the other position seems to require an effort. Too many of us who ’‘doesn't know any oetter.” Them, the d riv e r becomes a pe don’t make the effort, when w e destrian. and presto-change his should. So. we go right on taking pictures ♦sears shift into reverse psychol ogy anti he bawls out some d ri the easier way without bothering about the shape of them, when a lit ver who warns him o f la rg e r. tle thought and little more than a That’s not an unusual person twist o f the wrist would make all Things happen all-of-a- suuden the difference between good and in crowded streets and highways. bad composition. Remember that And so, we should a ll drive a- the lines enclosing a picture are al long with every intersection, most as much a part of its composi walker, tra ffic light, signal and tion as the lines inside. Snapshot albums show all too every car under suspicion. A ll too often, when an accident hap many pictures o f vertical subjects, pens. there is a quarrel aoout including persons in full length who is to blame. But. is d ri poses, with a vast waste of margin, vers. if we are sufficiently alert right and left, because they were taken with the camera in horizontal we don't let the other person's position. This is bad. because, for mistake get us in trouble. one thing, the excess o f margin di Expert drivers tell us there is minishes the importance of the sub just one th in g to do— 1 1 give ject and for another, distracting ob ourselves a margin o f sa'ety, a jects are usually present on one side reserve o f space and a reserve or the other. That snapshot of Mother picking flowers in the gar o f time. T r a ffic accidents furnish evi den is an excellent likeness, but dence that most o f us lead double why the corner of the garage on the left margin and clothes reel on the lives. Become an “ expert d ri right? These ugly objects would v e r” and you w ill grow away have been eliminated if the up-and- from the weakness of "le a lin g a down view had been used. double-life." In the case of scenic pictures, a spreading landscape and such sub TOI'TH MOVEMENTS jects as a flock of sheep or a herd Forward-looking educato -s. a- of cattle almost always call fo r the horizontal position, but no less ware of their responsibility m often does a picture o f a tree, a peparin? the youth o f the fla waterfall or a skyscraper demand tten for happy and useful car the vertical. It la simply niaking eers. today are turning to the in d u * ial world fo r assistance. W ith budgets that are little bet their wilderndss. ter than those o f depression Jays, The dangerous njen o f history on the one band. * r d the growing have been the younger oc.es— com plexity o f industry on the Nero, Napoleon. A lexan der, Ben other, they realize that a ser edict Arnold. And shall we add ious situation confronts teem, H itler, Stalin and Mussolini? one in which they must depend upon outside agencies fo r help. ■ ---------------------- ---------------------2 | O n O rego n F a rm s B ig business, let it be ^aid, is rising to the occasion, in a .reat m ajority o f cases without the slitditest hope o f m aterial gain. One large corporation reports that it is spending appoximately *100.000 a year in the dissemin ation o f technical data to scliools and colleges making sp ecifx re quests fo r information o f this nature. with The Hi>»xi River Grower* club Idaho » new name warden ha» has takon up seriously the study o f Ute elate tnh problem. Mem ctwu'elled the preuous death o r Engles. A* bers <g the club are giving *|iec- der for O ddon tal ntlenion to the »a le » tux a* reaul.t the rugged peak» of the tire it ha* beon employed In the Gem » t a le s back country attain safe fo r the king of b'rd». »tu te o f XX'a»tiluist>»n. F R ID A Y A T OREGON Circulation* celebrate »-hî«»f feature of the program. lb® J. H . H U L E T T .................E D ITO R Newspaper w ill Its tuinitul I'lottcer Day» August 6, ? and 8. ttceordkn« to an- uouncemeat from the usnoots- tion board A rndmi w ill I k . the Y OME day, my ill-mannered friend, you are ffoinjf to ro too far. Some day, when you sxverve around a street STUDIO BARBER SHOP comer, you are ifoinjf to clip the buttons off the wrong pedes trian’s vest, and he is going to catch up with you, haul you F IR S T Cl.ASS W O R K off your comfy upholstery and deal you the smacking-down A T R E A S O N A B L E P R IC E S you deserve. You’re a veritable titan of self-assurance, aren’t you, when you’re behind an eight-cylinder engine? K. D. Van M E T E R . Prop. But how do you look on your feet? Are you the same dash ing, imposing, self-assertive personage for whom the rest of the world must make room? Would you dare shove an w . E. p e w ; other pedestrian aside; would you jostle a six-footer? You would not, for you’re just a grubby little inferiority com U N D E R T A K E R AND EM BALM ER plex who’s been sublimated by a shot of gasoline. And what's the reason for this breakneck rush of yours, (,rangt< Itulldlng l> a «M to ti anyway? You’re in an automobile. You’ll arrive at your destination, 10, 15 or 20 times quicker than the pedestrian you’re crowding back onto the curb. The best he can do is The Only Newspaper D e v o id E x clusively to the Interests of five or six miles an hour. You are going 25 or 30, perhaps W ashington County 10 miles an hour. Is your business ten times more urgent — *1.00 a Y ear In An van r* — than his? My, my, what an important fellow you are! What I IF IT'S PRINTING vast designs, what momentous projects must occupy your W E CAN DO IT waking hours to justify such impatience. TH E B E A V E R T O N R E V IE W The automobile, it seems, is the devil’s gift to the I.itOe r pen ter Work 11 «-modeling Man. Put him in control of a motor car and he’s cock o’ the U oofinc Built-In« crosswalks. But if you suddenly yanked that ton or txvo of Screen Doors and Window S> reens iron and steel out from under him, you’d find him just a Henoonable Prices measly nonentity with the mental setup of a grammar BEAVERTON CABINET SHOP school bully. R. I - W AIJoACB S (Trm m m U rd S m fe ty 5 e r n e « , H all a t 1st Beaverton Beaverton Barber Shop c. j S A T IS F A C T IO N TO N Y VlL F L IP A I K N O W 'J A HOW W|AY DR* K IN GC.T A N A P P LE ^ F tft ; Clip (Drriumiau G reat Newspaper « I N orthwest F t G TH' A P P L E J j"' / S ho w n tr the A K i ll I R MUI.HOLLAND Auto Route Beaverton and -;- A gency Orogoo For information regarding. »(’ rvlce or siilm rriptlon» Rhone Beaverton 7503 Residence and office: Corner, Second and Hall .. Ore M iC K Y I PAN TOO D O U B LE) N O T H IN ’/ r - r i Our Specialty A. K. W IL S O N By Sam Ifier C O IN IF IT'S HEADS DASSO I C t ET A N a p p l e ^ \ G o ! « F R E E I f IT S TAILS V ^ L f S I V. G U ARANTEED O P T O M K T K Y Glasses, Fitted or Repaired “ MICKY” AND HIS GANG SNOOKT STEVENS, rito rn i i ron — ' _\ w e il, • h a v e ), A N O T T H Ne R ) > - store •> « * 1 y '& P S nooky ) AH'S FrtOFl M is s o u r i H mm M