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About The Oregon daily journal. (Portland, Or.) 1902-1972 | View Entire Issue (Jan. 23, 1910)
;:.; 'v;V -THE OREGON : SUNDAY JOURNAL, ; PORTLAND, SUNDAY MORNING, -JANUARY 23, 1910, :vaa fL& ; cvv'Ar ran. 7fr V 1 A O mmm ft I It . .r.'i.,,.'...'..-' -J . J M , 'SI'. v :' i f .'it ' a ' A ' ' f ... ri . ..' 1 f1 . . . . . -Vl : ..-'x;,TWn!i,.i.i ::l ay i ' ' - bimwith'ltubetivas'liferftturetries in ir ' -;-Vii v 8Uncdvely,;tO;Veighra'I)ickeitiragaiD8t IHI ', . i'a. Thackeray ?yuchc6nfrast3; as; a ' -1 rule, are wasted'paius; because wherever art find j . man' big' enough'to'eartl'theme'poasesses'aa ... - individualitjr.'supcrrior.'to them, ; .- ; "Vanyckquit:the'paintefiin.whog studio. - he-had 'gone -far; torswell theitlrrong of worship "tiag deToteesvunder.tbefdist'iiishediBubena.'; , , ; ' ,r .'.One' dayJEuben3-abandohed;in.' '"an "artist's -'..v .'.',.!,' wearine68,tb'e caiiTason.hik V 'easel. The'i etu w! 1 dentsy gradually; muslered- courage; to enter ths i V -. ? open studio', jostling 'one'anotber at: last Jn their eagerness' to secure; stolen glimpses .'oflhe fa mous painter's -meth'od. Intne 'crush"fVhn Die i' ; v '-penbcck fell -against - the .pictoteand - smeared a , section of it." - ' t ' s , 1", ' H ' . . ; ; .. Horror .'Bcjzed i' on ,:his ; companions, a Jhej i J - knew v no 'what V&mdign r punishment awaited ,k th$m.'' Their,telror:'mde4them' desperately: bold. V " ' Could notsomo one'amongthem try "to "restore V the master's work?. Thevi all:, turned Tto vVn " 1 . Dyck. , Her with. 'no 'feat .whatever, .tobk up the - . yv ' , . Drusnes ana restored tiio jnjurea detaiM.', s r s ; ' Iubens 'did ,notireturii nntU,the following ' . .. morning. He drew his students "about. him, as i- r bo often did, to' explain1 tof them technique from his own manner of work,' 'and hc selected' the ' vv portion Van Dyck had painted os tho one he was mo&t proud ot. ; rVr "" 7"' ; ' IMITATED -HIS1 MASTER Y,7 " ' .It ,was -Jlatens4 who first,-itbe,yondt..ihe (bound : . arics'of Italy converted his studio-in to a whole ' salo picture-making, place, where', the overwhelm- - ii'g,. commissions that "poured iu were'not cxe i-uicu nun .uiuuy, uuii uy . aiaiH,JHB ..wiio sup- ' plemcnted him' at various'stages'in the." picture's ( growth. '.Van Dyclt was s his most brilliant aid, ' and it has always been, accoimtfida.Wiiical task" ; -of the, utmost diffienltyto'disttngui&li-between the canvases of ; the'1 two' marvelous r Flemish . ; ; painters during'th'atjioriod. " ; Van..DycV. became" painter,' in thecourt; of Charles. I" by 'special invitation' of jthat'art and . 'pleasure loving monarchy'. ; .' ,',''' 1 i " .' , Host-popular Jamolitt Jus worksJthat have - -.".'descended to the a(liniratiou;of-po8tority.are the ''-i s . ;i portrait pf : his royal , patron with' horse - and grtom near by,"and'tfte cb.armu.ig group of -the 'children of; Charles.. Yt the'sarfie vivid- appre l ; lofirTl n-f rvnaa eKTI W- vno nnli anna VAn rrr.VM ;'.,;' in tlie 'well-knowu "Young. Man '.VViJh-.'-a Dog," ' ' . : : ' ' r,;rr ,"7' r-.".i ". belonging to the, religious ckss, .entitled ? a ' rr w -w HwW. w u -most .1 xuAUSc :. !' lST j '-v - .canvas The the , uas.dytng- he matiagedjo smtle -. Jk would be. hard' to, finditnany arttsts - -most lavish manner, he died in the early- forties. r... , , ., ; 1 . ., , svf.ii Vo; j. . . " 1 r . . ifr extravagant.. At least ,oHe great , ;.rr ya''9C-f:,ff' - : V'f frmal station vithHeadeTr toddy are' rated- , ; ,V: "h'Pfnskns masters tUuKatuDych masters fa theirUuK-. ,r f: r ;'- ' and niake-one of those. apprp-iVwhohaveso extensw ' "prlate i ante-mortem'- remarks which the :-fecied tfiewiork ;.ofotherlptaiurettt,hnd;p.er'l- .'Jointers, who -boasted-of following his best tradi- . Japanese have elevated into a cult of ante- ' h'dpsUmpossible to'flnd:any -fine, who'-'so lonsr-Sir Peter Lely and Sir' Geoffrey. Kneller, -' Jrtpoefty) kJf Hon-was arr of ;BriusHlpawters,i if .he were known as a 'master o ( , i-ys .'inents as thoughThe had been the one artist of all iJM-r' tinic. ' 1 . v V--': J ' v e'alto- ' ' J As 'time. has' gone ;by . his position'has left una iuk'nru lu-jjw.iamt! auu uuemcU'Weil worinyt of: study as pnYt: of 'the niodern artist's educa- 'tioii. - And thajtperhaps; is the -jiis't position be longing to vory-mastenin 'the evolution' Of 'an 4? TTTf.