The Oregon daily journal. (Portland, Or.) 1902-1972, February 11, 1906, SECTION TWO, Image 19

The Oregon daily journal., February 11, 1906, SECTION TWO, Image 19

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Newspaper Page Text::mmm;:::::::::"::::::;:;: I '::."." ,, , . . v 13 : lT7i ..; 1 1 ' .''.''' I 'rv' I mmw - m L.vJ v vv...i n aJ 1 Jwil r- - ' r e a 41 Br Jules Eckert Goodman. r-Ibs hl'i Owe. Cwr;nwli) NKW YORK. Feb, I. by'lU very nature. Is fouled upon certain conventions. - A It transcends the conventions. them but aa means to an eoa. does It Justify Itaalf sr-d become mora than; merely mechanical?-'Yet ner to Jud(li;g a work of art should on forget these conventions, nor., sver ml,rle thera.' - ' No field of srtlstlo sndeavor is' so honeycombed by technique aa the drama. The problem of writing a play im tnue extremely difficult and one for which oma aort of training, practloal or theo retical, u abaolutely necessary). For. In developing a pleea for tha stage - you boldly bee la with a aubatracture of un realltr. resttng-.on the foundation of accepted convention, and upon thla at tempt to build a house of truth. At He highest efficiency tba drama la tha fle llonlng of truth; and however much you talk about realism and tha Ilka you may not get away f mom tha fiction of tha thins a kind of bargain between tha spectator and tha author to accept with bat Question certain obvious impossi bilities. -,,- .-... ' , . '- Soms LtahaUoM. ;'v v .".";:' .- A a tax -room' ha but three walla. Tor example,- These walla .thamaalvao are usually vary shaky.-vibrating all too noticeably at the closing or the opening f a door.-. lAotor aria, actreea walk a great deal more than tjley would In real life; they are far mora expreeslve-ln an external way too-than tha parson they represent would ba under tha conditions ; depleted. Tha stage ivwian . ana tne 1 stags hero live In what may bo called a , highly - 'specialised" -r atmosphere. In ' Hid (h aA .utvutAmam, .A m hM IftAltra and a half .actions which, would require , the process of years for consummation y . U Wl 111. A DUB UIUU I w w Mmm w ' j technical term tha unity af tlms means, i little or ' nothing. Ten- years may go , . past while tha. orchestra is playing a masurka or six weeks elapse htle tha lights are 'turned off end on , sain. Again m dialogue, stags cnars ers al right moment, fitting into-the -action of the play Ilka pieces of cardboard Into , a pussla plotare.-' Mora than that,' they ' are always at) their beat. 'There-are no "- lapses In the brilliance of a Katharine .. r B SMim HI p-VUBVB IB Wf TiiWUII i vc an .-abut", no nivuieiitB . u graoea or a vrouvor a nwuwi.i imj 1 . In a shameless manner too thay parade ' .; their-ilkes and disllkes before a theatre ' of people, taking, thsm Into their eonfl- denes, unbosoming their hearts.- And we . l - m - - . w . I we deliberately eaveedrop upon a maiden blushing at tha f lrat awakening of love, "'r which aha la too modest. to confess savs "to her mirror; or we listen to tha . J . t ...1. Ua U hM tltlM. i i i ui www- band, or worse, hear Mr. B confess to , -ana -ha abaolutely .tresis his tnnennoat L - Jk a Int. hA r confessional and,, unlike the priest, ws .' do not hold -the secrets sacred.- It fafall . : part of the sport, .part of the white light , . that streams upon tha stags and which 'follows tha "star." srovided there Is a, Yv sTOod operator behind the spotlight ; -V;' Dnr BouHdary.LlAeB.,. ', . : Bow then in spite . of ' these . things 'does the drama fiction truth T -"Why do we say mat uiis piay is eonvuioing ana . Imh K It a h Ana la nnM. I rA absurd? . Why do we call ops melodrama - aiul umtW tnMuT. ana fiomalf and tha vv, viaer xarcei avno vqr cm w wujvy uii j. i What, tn abort: ara tha limits of license and- where do we, atop making allow . anoas? ' ' .. .... .- willing to accept almost any external : and so strong Is Imagination In even tha , v unimaginative. There are so many osa- t venuona - sucn aa ins uires waits oi ha nAm mMtlnnMl slwtve mvhlnK r are 4 absolutely necessary u xnara is io - pe i i rDARACH, NOTED -iri SCHOLAR :. -TDa last full week of this month Shakespeare reel tale, which wUi take the auspices of one of the organ la ed " T Portland. ' --r-"" . ' ' - " I ' I' .. '. '': i; ' 2 , .. -f f i e Is'' ' -: - . On Wednesday evening, tne zisi; on many evening, ine zsa. ana on Saturday afternoon,' the 14th. the recitals come, and Marshall Darrach will . h mimm4 b a larae and snthuslastle audience, for. the morning ee- ' rlea which he preeented here- last seaaon created almost a furore aad left 4 a very pleasant Impression. ' i-i ; . . n.,MH-a Btathnda' are enlta'hla owia. he recites the main nart of any selected play of- Shakespeare from memory, assumtoar la turn the different characters aa they appear. His wonderful change of voice, facial expression, his gesture and emotion are enthralling; and be holds bis sudlences aa be wills.- -- v - - '. " ; '..' , ' Darrach has been meeting with great succsss In a recent series of ' T bis reclUls whlch have been gives latho-aioulev Stxteentb ' diawlng- X room ofthe Hotel fkrnirset tn Boston aad under the patronage of soma , e of the moot dlstlngatahed society women of - the - "hub." The - Bootes papers have Wen full of splendid notices of his scholarly work. 'and -the last eertes given at Tale, where Mr. Darreeh appears each year oa their ) T reguUr coarse, was one of the largest and most enthusiastic ever pre X " n ted. This course which he will offer -here at the White Temple on d ui a a tee sdovo menuoneo. win w e scholars, and ths svenMtself will be sperlsa atudente to bear a maater In T The oourse tickets will be put lub m.A mmtm h X classes., , ' : v , , : : r : t ?twtttte such a thing as tha dajna. that we go on a i.a fathers. 4 cev , ke foot that an li!ose light, bringing out every detail, la thrown upon tha stage foroea a eerta' 1 exas-veraUon, maklng-up not oi y of compiexlon but also emotions. The mind of the, spectator is thus re ;ly In a very' pliant, receptive mood rauier than In a critical one; give It but a mere surcestlon and It wlil plefce out the rest. ' i "" A recent play,' put on -'with, unusual ears for detail. : showed In one. act an p .Ice Interior, excellently earrled oat. 1 be time of tha play was supposed to bo last fall, yet on the wall there was ' ealandajv declaring the month to be January, It AC ' Dosans Of people saw tas piece; not one la a thousand detect ed the anachronism, Nor would It have made any difference If they had;- the mind would have absorbed merely tha Idea of "calendar" - and would have placed tha proper month upon It.- There la practically, nothing of, thla sort 'that 'you eannot trust to the Imagination; U eagerly - and uaeonsclossly asslmllatss wtuCt it wishes in order to help fiction this truth, in which It Is aa much in te rested as the - dramatlat.- A splendid poet will weave Lata his poeme an atmosphere and so will a splendid dramatist. Ths Russian players, for example, are producing In a tiny ball pn. East Tftlrd street great i plays ,wlth a modloum of scenery which is crude to ths extreme, yet ' these ' plays grip powerfully. - Ths fietlonlng of truth lias deeper than mars accessory, , ; ' l't,.' Piatfnt the ;o-it.;:fi?,;';1,'-- (- Ths audience will than accept almost any' premise; but -one given .that pre mise, thert your fiction stops and truth must begin., Tou roust.be true to ths rules. , ' . There are - two waya. of being true, either In action, or. In character, in 'which case you will also be true In action; Herein Ilea- the -divergence be tween melodrama- and tragedy.' between faros snd oomedy. .Wherever eharaotsr determines action - there' la a 'play of convincing truth; whan ' aotlonV deter mines character you 'may ' have 'a play which Is exciting or enjoyable but which Is either fares or melodrama. Not that "these are to bo' misprised.' '. Good farce ' and ' gopd melodrama . have ' their -places and ahould be cherished. . After al, ' they; are but carrying1 tha conven tions a sep .farther, merely to granting of further concessions by ths. Imagina tion. 'And In many cases, even of great work, vths dividing 11ns between . them and '. their.:, nobler.' '.brothers, is 'ery tenuous.'' "' f" '-.'. . ', , ,y e" 'V Take the plays of Shakespeare, which re, accustomed to be approached with the. reverential hush with; which ona enters' a sanctuary. . What saves "Ham let" from being a melodrama, or tragedy of blood, as tljeyrused to call I them T Is not ' Tiaar", in ' mars outlines ' purs melodrama It- The Taming .of than shrew"- fa roe. ' raroo-comedy . or purs comedyt Is iTMach.Ado.. AboutNotb Ing" a combination of melodrama and farce: or -is It a oomedy of manners T And what shall be said of -The Mer chant ' of Venice" snd ' such plays . as "Richard III" and "Macbeth.'' with, their long, list of murders and treacheries ? Shakespeare's UtiierBBJlty.yT. : :' "t2j There ra many things Ivrhloh lift 'ths work - of Bhakeapeare. first and. for most, ' there is the . wonderful - gift of characterisation. - combined -with '.the power to breathe into mare action pur pose and tpterpretlve value, and ability to clothe an outward somblanoe - wttb an 'inner meaning,. The old romances of Bandallo and Boccaccio were splendid examples of mere story-teUlns; and the chronicles of Hollnshed or North's "Plutarch" were excellent in their way; but It required a genius to read Into them, a universality of convincing truth. Shakespeare Infused them-with, a tre mendous human 'Interest mads on, the basis of . character. ' As a result bis plays are absolutely , universal ias all MMMMMH MU SHAKESPEARIAN COMINO -; s . i- will offer a notable -series of place at the White Temple under ' . settlement movements here In ' - - . . '"---::.:'." nmi wm- a fine. opportunity' for the Shake the lines of a genius.. . . , on, sals at some of the prominent tftMB rUM4 fn teSVCiUira SBd the ' ' ' . ' '''.';:, ; -' :-" .. true greatness must be appeaJIsg . to every .cljas snd rterse..o.f.-laiteot. . - After-all ths Ideal r'v. sureiy -rrom a popular standpoint as4 from an artla tlo one es -wail. If one coasldere tfie 1-jrpo.e of the drama Is ths play fuU of acUon. woven Into character, that la 'the t akeapearean type. .There Is one qualification to thlg atatement; the term ctlon" doee .not necessarily mean merely movement there Is a dis tinct and decided difference , between the two words. - - . ' . -. J Other things : beside characterlnatlon and aotlon are naturally necessary for a really great ply. The essentially big thing In almost every , field' of en deavor, ' even -fat. money-getting, must have the uplift' of a : sort of subtle poetry, that quality - which is - like a fine sense of tonal values In, painting. But - characterisation 'Is ths sine qua non of every play of - lasting worth,:. "Modern drama, that Is. the present day, drama of England and the conti nent, shows a vivid .-carrying out "of this. Tott see characterisation carried almost te the tenth degree la the work of a man like Maeterlinck or Ib sen, where the whole notion jot the play centers la psychologlo struggle of personality against environment. Aad hence you get the soul-tragedies, allied te the early Greek work, - an Inquiry Into the very springs of life and action. The vesuit has been - called the "prob lem ' play,"v which has recently become the bogle man of the stage. Problem plays per aa represent a high aad de sirable forms but their perversion -has been pernicious . and ', has 'recently brought them Into disrepute. For, after all. there Are other problems than the sex problem and to thla had the problem- pray -begun - te-narrow-- until 'the pwblio -became nauseated. . ; - " :-7r-. l'"X4:rr'rt:i. Tie) New. Flaw.-v . 'i ; J ' Recetafly another type of problein play haa come, forward, of which Mr. .Klein's "The-.- Uon and tha Mouse.'' -with. Its soonemlo background, la . a fair ex- ample. This sort of play Is bound I to grow more and more popular, because It: Is IndloaUvs of modern life and eon dltlona. We haye for the moot part out grown ths heavily colored romanoee of sentiments! v -ravings. Over-florid love- making, done In 4he manner of a half century : ago haa become something- of a stage Joke; "The drama has its periods of artificiality, Ilka . very, young persons too. quickly eduoated; - but. .after, all It wears dowa to reality. It Is very slow to . change, yet .when Ona thinks that It has only been a little over GO years since Huge .fought his battle with the clas sicists, ths Improvements marked. And already .the Influenos oODumas Ills can be; seen -upon-every dramatist of the tlms,, almost, i ...,-..,Nf''.-. ; - What then ls.to be the next step tn ths evolution T Not- that this problem play Is a new thing. . There are many examples- of It la the Eaiaabethan drama. Some one has pointed out that.VMaasure for Measure" Is an early type and surely such a play as Mlddleton's "The Change ling" Is close to ths - modern . genre, colored though it be by a romantlo flavor, In Us essentials the. "problem" r play Is oldwe have elmply adapted It In treatment to modern methods until In the' hands of ' Ibsen - ft - was practically recreated. ' And we shall probably go on producing "problem plays.'' Managers will tall you that melodrama-is now in demand. What they mean Is that-strong virile material la required aad 1 that the merely pretty and amusing has esaaed to Interest people, more and more con- I iviii vavu wv. w ..iih social problems. rhere Is In a way a eonnsctlng link between tne arama ana the newspaper- they are both and have always bean expositors of ths customs and conditions of - ths age. Tne piays which truly reflect life are the plays which are bound te be always la de mand and always popular." '-Wcdcajw Pleasant ; . J; ' There was but one opening this week and that was "MMlcana," - which cams to ths Lyrlo last Monday. Ths locals of this musical oomedy is Mexico, Its three views disclosing a market square, the patio of a hacleiida and the Borda gardena. There Is a great mass of oolor and the scenery and costuming nave rarely been surpassed. - They are - ex ample of good, taste, and. Intelligent management.. '..-' The hook and lyrics are by Clara Drls ooU and; Robert B. . Smith. The . story centers About a government mine, called Mexican a, which Is supposed to have been a swindle. Aa a result of this tne many who have lost their money in It have banded together under the leader ship -of one Rodiigo .Cortlms. head of the revolutionary forces. Naturally there Is a love story. A Uttls maiden. Tits, Is wooed by an old suitor, whom she re jects. Juan Adrlana. tan Indian pulque seller, haa also oourted her. But when Ttta sees Bodrlgo shs falls la love with him. After heroically helping him ahe of oourse wins him, ss all weU-eondueted cento-opera maldena should. . "Mexlcana" taken all In all la pleas ing musical comedy." Its soore. though reminiscent - la spots. Is catchy and rather pretty. The book to fairly good and. the company, including Christie Msebonald, Care Koma, Blanche Deyo, Thomas Q. Seabrooke and Joseph Her bert, Is excellent. - There Is no reason why ths piece should not prove a suo eeoAj since far less meritorious work has already done so. : . , - "The OaHoper, . x - In the rush of .openings last wssk review of Richard Harding Davis "The Galloper" was necessarily omitted. Mr. Davis has written a fares vaguely oa ths lines of The Dictator. The sosne Is ths Orasco-Tnrktsh war of 1(17. Its principal character Is . one Cope rand Schuyler, who,- to follow a Bed Cross nurse with whom he Is la love, agrees to take the place of a war correspondent for- an American - newspaper, . a -- mas noted for his bravery and fearlessness A series of situations based on mis taken Identity and the false Impersona ttoa harass the career of the gentleman and ere used te evoke 'fun. : . Mr. Davis play is cleverer In 'eeo eeptlon than la execution. - It Is ntodsr etely humorous, but It has the sugges tion of something better. - A telling lit tie. bit In tha last act showed only toe dearly what might have been mads out of this theme Bchuylerr who to posing ss the war correspondent. Is chosen by lot to -carry a mesaago through the lined, a mission fraught with extreme danger. For five minutes or more Mr. Davis gavs a view of real drama, which was In distinct contrast to all the play which had gone before. There la only this glimpse, however, and the rest of the piece la en a farcical basis. , The lines are clever and funny, but there is little action In th first two acta, Ths play Is amusing. T-. r- PENNSYLVANIA EDUCATOR : TO LECTURE AT Y. M. C. A. Joelah IL . TPennlman, dean of the eol lege faculty, and professor of English literature at the University of Pennsyl vania, will arrive In Portland the first of this week and will deliver a subtle lectare la the auditorium cf the T. . M V A. .rvegnssasj; aveTnwu .mi s,ecs. Izzznv Tczzizy, X:' ArxicA -c-atit nMBCiri' ' XM 9VTBMM - ' TOMOBOaOW BA,J ': ' : . HMPMMM9AT MMXlZM,- , Fires of SL Jc!in n : UAG9A ' By Sudenuan. . . ., i. . , ' ' -.-' rnmaw nuuu 1 , - r;. v. '" - " '- -V ' ' . -.: t rmniiiT mrxmxx, Curtain Rises Promptly-, at 1 'a-; , ' - rive Minutes Past Bight " " " rLMWT XTMMV mmmm. , '' M I -,Bvsnlnt Prices Ixiwsr Ploor, tt.I and I1J. Balcony. ,1.00, Tie, Ivd. Oailery, Ite. and Ste. ; Boxes and Logea, tlOTbO. r. . - Matinee rlces Lower Ploor, 11.04. Balcony, No aad Mo. ' Oailery, ISo. ISo,' - :.-,'; .'.- - , .,-.,'; ., '.,' v. . ;' ','' ' '- kxats abb vow rorcuzw rem fflte Marshall Darracli Recitals H v j ohakespcarc a -rlaya WHITE. TEMPLE.YTWELFTH AND TAYLOR STS. WeiieitUy EvsgV Fgbnury21. " -: V .V ':W, ' j.. 'O- - . SatiuJay Aftmoor Febraarr 34 '. ". Ticket's for the oourse IS.00. On sals at QlU's, Woodard a Clarke's and. v 'Allen-Ollbert-Ramaker'a 1 , Special: rate to students and teachers. "The 99 With well known soloists and fall orchestral aooompaniments will be given by-the - i-r. -'- Portland Pbllfunnonlc Society rr" t p. mi ,'.1.TrIl.: ' i . '. directed' by ; . . . Prexlerkk W. Qoodrlch ' 7'A CeMUmary'M. B. Church . ,. Bast Ninth and Pine streets. Tick ets for sale at Graves' Musle Store. Woodard A Clarke's Drug Store aad Dundore Huslo Store, - ... ' AdmlMlon 50c More Appropriate AS VAXJCNTIN m 7 . Than Flowers - s. Pfiirider, the Florist 140 aTTBJnT Between Aldef and Morrison... Caa fill your order to perfect saUsfaotien. - Cut flowers of every description. Daintily potted plants. Phone Mala 414. : , . . ; . Dr. Pennlman has the reputation of be ing one of the most popular . public speakers In Philadelphia. - Dr. Pennlman Is making a tour ef the United States, visiting various eol legee to which he has been especially invited by the faculties. Hs Is. making ths first formal tour of the west that has' been made by any repreeentatlve of the Pennsylvania university. Ths list ef educational Institutions to which ths eminent educator has been Invited Includee prominent oolleges and schools In St Louis, Kansas City. Los Angeles, Ban Francisco, Portland, Taooms. Beat tie, Salt Lake City. Denver, Omaha, Des Molnee and Chicago. Dr. Psnnlmsn's lecture to be delivered in Portland will be on the subject. "The Old Testament In the Light of the Uni versity of Pennsylvania Excavations la Babylonia. Ths University of Pennsyl vania stands first In original and sys tematic research - tn Babylonia. Dr. Pennlman has been - closely Identified with this work.. i.' ' Dr.' Pennlman was born In Concord. Massachusetts, July SO. IMS, was grad uated from- the college department of the University ef Pennsylvania In 1SS0 and four years later received the de gree of Ph. IX Besldee being a recog nised authority on English literature, he is an author of note. Prominent among his writings is -Wars of the Theatree." He Is a member of the American philo sophies society, ths Modern Language Association of America, the American Dialect society, and the University club of Philadelphia. . : V- ' "Loral Conditions: What Nextt" Is the rw..n.HiiM Tnu WllaAti'B aa u L.v v. w - mon at Oraos Methodist Episcopal church. Twelfth and Taylor streets, at 7:St p. nv today. There will be spe cial music en tne organ ana vy .as sbb rUS Choir. - rr ;,-.;. , Tst im atones btH Oospaay. ' Articles of tnoovporatloa for the lert land Development company . were filed yesterday In the eounty clerk's effics by J. r. Shields, p. L. rsrrts snd S. F. Street. The company Is capitalised at num. - - - ' ' ' Bad of Bmet Tng.. ; "Tw physicians had a long aad stub born fight with an abeoeee on my right lung, writes J. r. Hughes or DuPont, Os-, lend gave me up. I very body thought my time had come. As a last resort 1 tried Dr. Ktng'e-New Dlssevsry for Consumption. .Ths benefit 'I re ceived was . striking and Z was en my feet la a few dare. Now I've entirely regained my health." It eonquere ail Coughs. ' Colds snd Threat and Lung troubles. Guaranteed by S. O. Skldmore Cow druggists, 1-1 Third street, rnos te and S.v. Trial bottles free.. c V.':l Vz f;i 12. 13, 14 mm 9 raoBvcmon am -rouowsi m a A J-..-.--.;u,v'.,. -V- LYRIC THEATRE xovn or Week Cora. Monday, Feb. 12th ' rOOMW,BaTBT.w. Tf.TBIO ' stock &. ravai A BelltnTrisc Pares Sa Three Acts,' f A a. ADMISSION Aa 1VC toern. U. 20c IV C RINK Seventh and Oak Streets MeseTa. JotMg ft 1aI1, pro prietors and manacers of the Apollo Rink, announce that their Mr. Joe Waldrtein, poaU tJvt - champion skater of the world, will give fancy 'skating snd Jumping exhibitions Mod dyandJlsdrghtsv4--i ALSO, to snbstantUto thglr claim ; they have forwarded to 'Frisco $50 to cover a bet by Harley Davidson, who claims the ammo honor. " Ths ' contest for a $250 purse will be given la tho Apollo Kink. , . . . Positive pate to Be -V Armoixnced Later.' Seventh and Oak Streets AdmlfisJpn, loV; Skates, SS. Exposition Rinlc iRollerSKatinI IMPORTANT NOTICB hf asked - skatlng-eamivet -on Thure-i nr .ft. i . ' ft. i.i k j. . 1 U.l ir aillli. lull wi niu.yi w wruTT ii, lsve, at me exposition Kins, nine teenth and Washington streets. . Skat ing from S until 11 o'clock. - Until te o'clock only maskers permitted on the floor. Galleries for epectatora ' At 1 o'clock handsome prises will be given the isdy end gentleman wearing the moat unique costume, after which there will be general skating by all uaUl 11:11. ' In accordance with the etrlet not Icy of the Expoaltlon Rink all masks must be raised at the door upon entering the rink. .... . APBueoaog ...........gss AT-'rlOW. IsMaadlag skates. . . , . Tickets on sals st rink February 14. Skates may be re served at time of pur cnauiing iwk.un WtOMf TOT1 OOSHUMJ TatTW. Is. Jti b.i.v-J -. . L.....1 V now cppri Morrison and Fourteenth, or: :: r school. Open for st-'j - ' riatlrf tvia.-y aft: t mm .- uncos xu izz'-zza ti zTTr-----; ILiUmLLLiJ'b 7mm: V LAL - . .YV :: ' ' ' -' " ' mmmmmmatmammmmmmmmmm ' r -- - ------------- MISS .1ARIE Thursday Ni Friday riiht. ; - ' saCl nT- SVatirrUOUSl.T atOPa1T" WTT ,. not nntin,,: . .:. r ' Tfivsnin Prloee Parouet- Sl.tS. - six rows, 76oi last six rows, SOo. Oailery, tto, SSo. Boxes and Loses, fie. Matinee Price Parouet. SLSO. Parquet Circle, lie. JBntlre , Balcony, T SOo. Oailery, SSo, Sic Boxes and Iegea, I1S.0S. T ' . The advance sale fit seeta wUl open next Tuesday morning, rebruary I IS, at is eolock. . Empire Theatre :77 '.r:y''teM.riAmY rornt rtdT son'' -."r." r77 SECOND AND 't ' aTATBtoaetoday, StjAday, yeh, IS. A QAIETY GIRL 4- Toalerht, ISnday t . aigite aad lesaay THE QEISHA aCPffll ' sViTf fP There will be ierformanoe on Satur-C'S'B-S-.Sa.SL VSJ I dav nlsht. as tha eomnanv leaves -for San yranolsoo aftsr ths matinee. . FmiOSS isslag'. lews flees, KOT ATTSACTIClt "IZZ sfloosr tbiatbs ctntrxxr, All This LUUUUU.UU SVfSS Ssn-iay i l-hlfcce. Tciiy, Feb. 11 STA " AMERICA'S "The Yanlicc 3 SKCTIONS OP ITH AND" UXKRIU&HT3 . " ssUb 1 S. TsTaslnaJ BeStis Bslllled j " A MISFITABLE INSURAFeCE COMPANY , S Aa TCrassseJlsled Olio ef 6 THE DAKER TROUPER A TRIP TO THE HIPPODROME Bfasis, geaiss, Tseaatdfmf. '- Wedneeday matinee bargain SS cents to any seat. Night -trices sfte, Sle, see, 7Sa Sundsy and Saturday matinees lee, lie, SSo, SOo. , Satur day matinee la the last perfonnsnos. - ;- , Ilexf Veek"The yaiOBSl lee-rTO AXTT SBAT - sfsllssss ins he say wart TTrt m Of BOEIXOOK. Princess .1 .:- Tnxie in nST-TOITOATTCD BOMB IB,- , na.wosu). ; ... Tke teastag attraetlee af the bate rsrUssd Fair. , Sundsy t CcnttnsoBS Star ymioasi lsero amt sbav rn BABTxxoTji i)L cJrt&il GRAND THEATRE g.12 ' ' ACCOUPAKIXO BY ; i ,v- DROFNAH i i rothsIiyT - Parouet Circle. Sl.tS. Balcony, first e --'' .-x--, i - ksM Rats 117 - LAST WEEK OP ' W. ,U.j t 'v-Wednesdsy aad.1 A GAIETY GIRL liNhf 7gM aad ksrsi-ay AN JLewCA!il t..ULJviMM.l. ' s I'.-., doe. UZZT,2ZZWS tAUCrm TIIEATaC Bosn v y-rsioAX. htrs . UMDJ. . TAltmiAn TXXAB I BOSai Ir. BAKSS. BEST EVER Doodle Girls 19 Ajigsa aad KaedMhe) Asta wswaiay Baltimore Beauties TOT SOtTtOS ef the house DBLPHIMO JtMD DBtMOMJi - rJS A MTsitui. mois.' InBQjrS STAB hn-TOOlAMs.. ''-.THS TENNIS TUtO - . "nMUIt OB TBX TftAWB." THE THREE WICKERS 7 , HAROLD HOPF Wsea the rreet Is Oa the r CRJtAt JJfSCOPS .-..;.:- TliQQirG W'ezkct Feb. t::h zar ksttts zxes-r ssrr-is vj:r.DC tzzrc.ti: tveet t::: w Us..-! -1 - '. m Be c. - 1