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About Just out. (Portland, OR) 1983-2013 | View Entire Issue (June 3, 2011)
OREGON S LGBTQ NEWSMAGAZINE pridefiles perform as part of its Pride-season show, “Revolution!” “A few months ago, [PGMC artistic di rector Bob Mensel] said, ‘We’re gonna do NakedMan again. Stage it for us again,’” Scardina recalls. “It was like hearing the angels singing.” Despite the namz, NakedMan contains no nudity. Originally commissioned in 1996 by the San Francisco Gay Men’s Chrous, the full-length song set is “about stripping away the fears and the labels and the stigma” as sociated with being in the gay community, Scardina says. “Like anything, it kind of matures,” he adds. Last time the PGMC performed the piece, the community was coming off the peak of the AIDS epidemic, and many cho rus members had lost loved ones to the disease. Though the song suite’s themes of separa tion, mourning and celebration still ring true, Scardina has modified the choreogra phy to shift the focus to community from individual relationships. Instead of relying on his core group of PGMC dancers, The Locomotion, for the duets in the old chore ography Scardina is including the entire 130-member chorus. “Choreographing with 130 men on stage is like living architecture,” Scardina says, draw ing comparison to his current line of work. While he once had his own modern dance company in San Francisco and is clearly ex cited to be in the field again, Scardina says that architecture and design incorporate many of his favorite dance qualities. Both incorporate rhythm, harmony and line. “With architecture, one of the phases is called ‘space planning,’” Scardina explains. “It’s like choreography—you want to make sure it flows. You think about how people are going to move through that space.” Portland Gay Mens Chorus presents Revo lution!, June 18, 7:30 p.m.; Arlene Schnitzer Concert Hall, 1111 SfV Broadway; S16-S42; pgmc.org; Paolo Design Group, paolodesign- group.com. — E rin R ook JUNE 3. 2011 P29 vintage jewelry, estate engagement rings artisan creations & other luscious treasures. ection of “I’m a photographer, I’m a queer' photographer. Where in the body of queer photography can I contribute?” -ALLY PICARD The Community Documentarían Ally Picard does more than take photos Bloodhound Photography is the brainchild of Ally Picard. “I’m a photographer, I’m a queer photogra pher. Where in the body of queer photogra phy can I contribute?” That’s the main question that Picard, 30, wrestles with as a creative documentarían of Portland’s alternative, queer community. She and her camera have become synonymous with numerous dance parties in town, such as MRS., Art Party and Bent. Picard says her aim is “documenting beautiful queer people of all different types and kinds at their best.” Originally from New England, Picard studied English literature and Latin at McGill University in Montreal before mov ing to New York City, where she spent six years. She worked a number of odd jobs be fore finding a full-time gig at the Unem ployed Philosophers Guild, which makes CONTINUED ON PAGE P30 > » % V*