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About Herald and news. (Klamath Falls, Or.) 1942-current | View Entire Issue (March 24, 1963)
m'1 KVjanu JJands WJorliinq lff)anu JJourS (Contribute CJo Jie .Success Of (f -(Community (benefit production If i .- 1 '"Via v T ' ' 'I j If" ;V', - I rci ivi"" 4 ' rn in i i rm 3 - Lf ftil W r US' -life ftiiiiir. im-Htl i Jitiixiu-HiiiiiiTimllriiiil ' ' ' ViwmnnnMiwhr- k i ii .n..i... ii, J Her brocaded evening gowns, her summer cottons and two picture hats . . . Cos tume making above, left to right, are Betty Kellsirom, Teresa Ganong, Ruby Weinberg and Sue Ballard. Not present were Ruth Jones and Vi Zam;lcy. mam "Paint and paper and Paris tapestries" by the Klamath Junior Art Association. Left to right are Sandra Lewis, Laura Stewart, Jean Johnson, Janet De.iham, Carol Hanson, adviser, and Grayson Matthews. Not pictured are Jay Dye and Paula Morrison. Intercommunity Hospital Tax Deductible Benefit April 4 and 5 OTI Little Theatre 8:30 p.m. "Friendly light that an oil lamp makes . . ." Elwin Brown, left, of B and B Electric, directs all the lighting.' 7-T7 y. l y fy' """" tf,fi''"w,,,viimw'iwtimiiifit'i i' "X, vx:. r rW.7 tVl '."VI LL) Hi Stage manager Bob Stevens, X-ray technician, listens tor orches tra! cues during a band rehearsal session under direction of LaMar Jensen, standing above. vw , r - A im ,., 1 j , ; Sit I Orchestra and cho rus photos by Spencer Repp. Others by Don Kettler. Caption quotations taken from the script of "EHia and the Lumber Jack" by Helen Davis, , based on the novel by Patricia Campbell. Male chorus members, at left, look over musical scores. Chorus in cludes R;chrd Derby, John McClellan, Keith Sicker), Glenn Lewis Jr., Don Auchambault, Gary Hatle, Kent Colahan, Carl Hagel, Al Brock, Bill Davenport and Bob Davenport Jr. W V W L Makeup artists S"teve Peters, left, and Howard Schauer, center, transform Forrest Hawley into "Bullwhacker Joe." Assisting in makeup but not pictured are Gerry Davis, operators and students of Klamath Beauty College. i i "" i V V Ticket chairman John Sandmeyer, lefi, set designer Bill Camfield, center, and director Marty Frani agree ", ... I love a logging show."
