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About Herald and news. (Klamath Falls, Or.) 1942-current | View Entire Issue (July 26, 1959)
PAGE 8-C HERALD AND NEWS. Klamath Falls. Ore. Sundav. Julv 2fl. 1959 NEWLY INSTALLED officers of Dewey Powell Unit No. 12, Disabled American Veterans Auxiliary are front row, from the left, Helen Rice, acting conductress of Med ford; Martha Townsend, junior vice comma nder; Haiel Rawls, Medford department com mender; Mary Rnton, commander; Emma W irth, sargeant at arms. Back row, same or der Thelma Johnson, senior vice commander; Dora Skeen, conductress; Verna Cristen ten! treasurer; Mary DeLap, adjutant; Joan Smith, chaplain. Photo by Ferebee DAV, Auxiliary' Install Officers New officers of the Disabled American Veterans and Auxiliary were installed at a joint session held on July 17 in the Knights of Columbus Hall. After the chapter meeting opened In regular form it was turned over to the auxiliary. Guests introduced and welcomed by Emma Wirth. outgoing commander, included Aletha Lillie. Helen Rice Dorothene Simmons. Effie Reynolds, Hazel Bawls, Nettie Cassmon, Adalene Grissoms. Robert A. Wolfe. Bertha Neff, all of Jackson County No. Medford auxiliary. Other guests were May Bell and Geneva Swift. ' Installing officer was Mary De Lap, department junior past com mander. .Acting conductress was Helen Rice of Medford. Following the ritual the meeting was turned back to the men by Mary Finton, newly installed commander. Chapter guests were introduced by Lynn Skeen, outgoing comman der. They were James Lillie, Bob Hlce George Simmons and J. Cassmon, all of Medford. - George Simmons, past depart ment senior vice commander, was Installing officer for the chapter and made the special gavel pre sentation to the new commander, Dan Johnson. ! ' Lynn Sheen was presented a past commander's pin by LadaiWirth A buffet supper was served in the dining hall at the close of the meeting.. Profitable To Frenchman First New York Showing NEW YORK WB Out of 31 paint ings just exhibited in a 57th Street gallery here hy a young French man, 29 were sold in two weeks, nd it seemed certain that the other two would find purchasers before the show ended. The artist is Olivier Debre; the gallery, Knoedler; the prices, from just under $1,000 to $3,000; the total nobody cared to say. Debre had an exhibition last February in Washington in the Phillips Gallery, but this was his first one-man display in New York. But that doesn't mean the name is unknown. His father is Dr. Michel Debre, founder and presi dent of the French International Children's Center, and French rep resentative to the .child welfare group, known, as UN1CF.F, of the United Nations. His brother is Michel Debre, premier of France. This is the sort of information that has to be dragged out of this personable and reticent young man, however. H was not men tinned in the catalog of his show and it was not volunteered by the French Cultural services when they called attention to his visit to this city. ( "My being the premier's broth er," he said to me in some em barrassment, "has nothing to do with my painting. That's correct, for his painting Hair Fashion Forecast For Fall And Winter By CONSTANCE CHARM Hair styles this fall and winter will emphasize the American Girl look, according to the Official Hair Fashion Committee of the National Hairdressers and Cosme tologist! Association, the hair fashion authority of the beauty profession. The new hair fashion that will give this look is the American Ca price Coiffure, a style in tune with the new fashions in clothing, mil linery, furs and accessories, all of which are directed toward inten sifying the femininity of today's women. The American Caprice is pure romantic fancy , , . but completely under control for easy manage ability, remarkable adaptability, and an utterly feminine effect. One of its most distinctive fea tures is the full front and full back silhouette, both of which are designed into a triangular or heart shaped outline. The triangle rises from a point at the chin for the front silhouette, and from a point at the nape for the triangular ef feet at the hack. Undefined waves of cloudlike lightness rise at the sides, swirl ing romantically outwards and up from the hairline, melting into a crown of brushed control. The nape line is softly fitted, moving up into gradually increas ing fullness at the crown. At the front hairline.the hair moves gent ly back into a soft lift of light and billowing waves, again undefined, hut soft, airy and almost trans lucent. All of the soft and airy light ness, the greater emphasis on more undefined waves, and the free and easy movement are con trolled with individually pre scribed professional permanent waving. The triangle silhouette must be tempered lor eacn person, an nounce the authorities of the Na tional Hairdressers and Cosmetol ogists Association, H can be turned up into an extremely tri angulated eltect with flowing wings or widely arched crescents at the sides, or it can be softly modulated at the corners for a gently fashioned elfect. In either case, it is frankly feminine, .and disarmingly capricious. Hair length at the sides is ear tip length of two inches, rapidly tapering out to approximately four inches. Treatment at the ears re sults in a peek-a-boo effect. Hair at the nape tapers rapidly from a half inch to approximately four inches at the crown. Beginning at he forehead with a well-tapered two and a half inches, the hair ex tends to four inches at the crown. The hair fashion palette of fall and winter wardrobes neutral tones of blacks and grays, and beige and browns calls for makes its way very easily under its own power. He uses subjects taken from nature, though your eye needs to become familiar with his very personal vision before you appreciate how close his picture is to the object it pretends to represent. Among the titles are "Woman of the Forest," "Small Beach." 'Pitcher and Oranges," "Table and Objects," "The Bride." "The Gay Frost" and "The Chestnut Trees." They are painted in sub tle, restrained, retiring color, and in squares and oblongs iike some thing tapped on with the end of a broad putty knife. While he has seen quite a lot of American painting, what in a way impressed him most was not our painter but our patron: The bourgeois here that Is not the proper word, but I mean the ordinary citizen, the common man needs painting more than his counterpart does in France needs new, fresh, contemporary paint ing, that is. Perhaps he has more money to spend, but he does spend It. and especially on works being done right now. The American paintings he saw ahroad did not quite convince him. he recalled. The colors seemed a little harsh: hut since he has been here and seen our light and our flowers, too, he is quick to correct that idea; the flower paint ings now seem right to him. On the whole he could not dis cover great differences between French and American painting: "I do not like to distinguish na tional qualities in art. They are easily exaggerated. But if there is a difference, it is perhaps that French painting is more gentle, more human, while in America there is a dynamism our art does not have. "After all, there may not be so much difference in general qual ity. I like Jackson Pollock, and Rothko, among others I have seen here. But there is one thing you do better than 'we can, and that is architecture." , He did not have unqualified praise for the Frank Lloyd Wright structure here that will house the Solomon R. Guggenheim Museum, but he was very enthusiastic about the Seagram Building by Van Der Rohe and Johnson. Born in Paris in 1920, and edu cated there, he set out in life to become an architect. .But he, had always painted, and this art took over. He (ought in the French Re sistance and was wounded in the Liberation of Paris. Looking un expectedly young, he is an eager talker not only in French but also in English though he speaks it brokenly. He is married, has two children, paints in a Paris studio and has homes there, in Charentes and Touraine, More titan BO per cent of Austria is mountainous, but more than half of this is under cultivation. Agri culture employs" one-third of the population. " ilthiiiTii?it(LiiiiiM(iiii IK i 3; greater emphasis en hair coloring to intensify the personality. Nevertheless, all beautiful wom en this fall and winter will not be blonde, though this continues a popular color. Brown hair will ex rite many with truly American hues of rose brown, tawny blonde to golden brown, and comet col ors in brown hair. Important note is that all brown hair must be highlighted and glowing, full of moonbeams or multi-color ma hogany northern lights. Special care must be given to make certain that your hair 'glows with a brilliant luster and gleam of health. Post-summer hair con- BRIGHT EYED is 4-month-old Russell Dale, son of Mr. and Mrs. Wesley Haskins of Merrill. Two sets of doting grandparents also live in the same city. They are Mr. and Mrs. Velton Haskins and Mr. and Mri. Henry Sherrill. Photo by Ferebee ditioning with professional beauty care will help you correct the rav ages of summer's sun, wind and water. Make-up, fall 19S9. will relieve you of the pale look, without add' ing a blatant effect. Desired ef fect is a natural appearance, an alert look of the American woman coming into her own. Stronger lip shades will be used, such as coral and strong pinks. More eye make up will also be used, and false eye lashes will continue strong. But none are to give an over made-up look. Consult your NHCA cosmetologist for your proper se lection of colors and cosmetics. The Klamath Basin Congratulates WGS7 GORST WRUNGS and their new,.. EXPANDED SCHEDULES Read Up Read Down 7:40 a.m. S:00 p.m. LY. Seattle " AlY U: p.m. 10:08 o.m, l:3S..m. I:!! p.m. Ar. - Portland LV. 1 11:45 a.m. 9:10 p.m. - I 5J a.m. :1i p.m. 8:40 e m. 5:13 p.m. U. POftland ' Al". 1 1 :30 o.m I 856 p.m. 12:08 p.m. 9:05 p.m. 10:47 e m. 8:15 p.m. 10:55 e m. 7:3? p.m. AlVKIamatll FallS-LV-. 9:30 a.m. 7:00 p.m. 9:20 a.m. 6:30 p.m. n:05 ..m 1:10 p.m. Lv.Klamath Falls-Ar. " 9:10 o.m. 6:40 p.m. . I i . " 1:00 p.m. 11:25 p.m. AlVSail FrandSCO LV. 8:15 5:45 p.m. 1 . 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