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About The Hermiston herald. (Hermiston, Or.) 19??-1984 | View Entire Issue (July 1, 1937)
Thursday, July 1, 1937 THE HERMISTON HERALD, HERMISTON, OREGON STAR I>r*nletl Organflic Weal for Summer Cool, Smart, Comfortable Bv CHERIE NICHOLAS By M ary Schumann C o p y r ig h t b y M acrae 8 m ith Co. WN’U S erv ice CHAPTER VII—Continued —16 — The afternoon over, she was diz zy with rem orse and told herself she was a weak, voluptuous woman —like her m other. She wouldn’t see him again. But she did. It becam e im pera tive for her to see him. F rig h t ened, she sent for him to exact his prom ise to be discreet. It was very easy to allow Cun to take her in his a rm s while he vowed his discretion . . . Sometimes she had moods of self-loathing when she m et some new evidence of H ugh’s affection, or of his m other’s confidence in her. Finally these ceased altogeth er. T here w ere no m ore struggles to attain the shore; she w as swept along by a deep and dangerous cur rent. The stolen love stim ulated her whole being, and life was only a fran tic w aiting until the next m eeting could be arranged with some degree of safety. Her feeling for Hugh progressed through several phases, apology and pity at first, then resentm ent th a t he should possess her person ality, and finally hatred, w here she magnified trifles, seized on each variance of opinion and attitude to bolster up h er own position. She had come to the point w here she felt it would be a kind of pleasure to have Hugh know. She had often w anted to tell him—w atch his smug assurance th a t he could fill her life, fall away! The Sunday morning after her declaration to him, she awoke late. The chrom ium -fram ed little clock pointed to ten. She looked over sleepily. The bed beside her had not been occupied. Then she re m em bered and sa t up abruptly. L ast night? Joan and Hugh had been in the kitchen. It hadn’t seem ed long at the tim e, but perhaps it was a half hour. She and Cun sitting on the love seat at the fa r end of the dim ly lighted room, drugged by ca resses, whispering, had been ra th er oblivious. They w ere confident th at at the sound of returning voices or footsteps they could rise and casually survey a book, a pic-- ture. Then Hugh’s c ar had sta rt ed and he had driven p ast the windows on the drive. Cun got up and went out to the kitchen. He cam e back with his forehead knitted. “ Hugh w as sick, Joan says. He m ust have gone home . . . Funny, w asn’t it? I wonder . . . ” “ W hat?” “ Could he have looked in the window? No . . . the blinds are down.” “ Where is Jo a n ? ” ‘Out there, sitting in a ch air.” “ Do you think----- ?” She felt guilty and uncomfortable. Then Joan had come in. Hugh had suddenly complained of feel ing sick, had gone out the back door. Cun could drive Dorrie over if she felt she m ust go. On the way home, Cun, who had recovered his spiiits, reassured her. Hugh was too stupid to sus pect anything. Honestly, it m ade him laugh the way she led th at fel low around! . . . And probably he h ad n 't gone home—ju st to a drug store for som e medicine. Why wor ry? Nothing to w orry about. At the worst, she could fix up a story, m ake him swallow it. He had been with Joan a half a dozen tim es when she had been uneasy, ques tioned him. A sm a rt girl, Joan— but gullible. H e’d call her on Monday at the sam e time. Hugh there—or other com pany—say “ wrong num ber” and he’d try later. She rose and putting on slippers and a negligee, ascertained th at he was not in the house. His c a r was gone from the garage. H er fingers trem bled as she dialed Cun’s num ber. She hoped Joan would not answ er. In a few seconds she heard Cun's cheerful voice, “ Hello.” "Cun, I m ust see you at once." He hesitated, then said, “ I don't h ear you very well.” “ Come over. I m ust see you.” He hesitated again before he re plied, “ I ’m not in the m ark et for a bargain in a car. I expect to run m y bus until next spring at least . . I m ight drop around and look it over, however . . . This y e a r’s model and only gone two thousand miles? . . . I'll see you a little la te r.” He cam e in less than half an hour. He was freshly shaved, looked carefree, florid and anticipa tory. He smiled as he entered the door. “ Not h ere?” "N o, no one is.” He flung his hat on the hall seat and with his arm around her drew h er into the living-room. She faced him determ inedly. "Cun, Hugh knows. He saw us last night.” “ The deuce he did!” "H e was packing his bags when I got home. I got him to stay the night, but he was gone before I aw akened this m orning.” Cun whistled. "D id he take his things?” "N o, th ey 're still h ere.” He relaxed from his tense atti tude, shrugged his shoulders. "I suppose he was furious, looking in on our little party! But he doesn't really know anything . . . You can handle him all right. But it m eans we’ll have to be m ore careful in the future.” D orrie felt a nervous doubt of Cun assail her. “ But he does know. I told him .” He stared at h er unbelieving. “ My God, Dorrie, you told him ?” She answ ered a little sullenly, “ I lost m y head. I suppose I was tired of all this pretending.” “ W hat was the need of it? This is aw kw ard. Do you realize w hat the consequences m ay be? . . H ugh’s not a bad fellow. I m ight like him if he w eren’t m arried to you! And th e re ’s Jo an —and the town — and m y com pany.” He seem ed positively edgy and there was a queer, critical curve to his lip. She turned aw ay. “ You don’t love m e !” He drew h er back to him, his eyes still troubled. “ I ’m out of my head about you, you know it, you dear golden-haired Circe! But ju st the sam e----- ” “ Ju st the sam e—w hat?” I>orrie insisted tautly. "Y ou’ve got us into a sw eet m ess when it w asn’t necessary. I’m awfully fond of Joan, as I ’ve often told you; I ’ve outgrown her— kid m arriage. But there a re—com plications. Alimony — you know Joan h asn ’t a cent. And I ’m not m aking a princely sa la ry .” “ P erhaps she won’t ask any,” said D orrie hopefully. “ Can’t count on th a t.” D orrie looked about her. “ I'm awfully fond of m y home. He let me get ju st w hat I w anted. He couldn’t take it, could h e ? ” Her voice quavered. “ Afraid he could. Although I im agine Hugh would be awfully de cent." She buried her head on his shoul der. “ I don’t c a re about anything —only you,” she w hispered. “I w ant to be with you.” His arm tightened about her. Then she felt an unease in his m uscles. “ This is darn danger« H E R E ’S an exquisite fem ininity and a new elegance in this sea son’s mode to be seen in the be guiling and flattering ruffled lingerie touches given to costum es, the whis per of taffeta underslips and the seductive charm of sheerest of sheer fabrics for daytim e, a fte r noon and evening w ear. Of all the very lovely sheers on the sum m er fabric program th e re ’s none m ore lovely than the entranc ing printed organdies. These dainty crisp cool-looking and cool-feeling gaily flowered Swiss organdies are the very em bodim ent of the new elegance and fem ininity th at so dis tinguishes cu rren t fashion. The fact th at they are so enchant ing, so lovely tells their story of allure only in p art, for after all is said and done it is their u tte r p ra c ticality th at offers the big appeal. With the perm anent finish and fast color given to the new Swiss or gandies you can depend upon them surviving endless tubbings, retain ing their crisp vitality and hand som e color tones the entire life of your frock. The exciting variety of new fin ishings and new patternings given to organdies this season has greatly enhanced them in the eyes of de signers who a re launching a new vogue for tailored effects as well as the dressier-type costum es. The new m atelasse organdie is especial ly attractin g attention. These sm a rt m atelasse w eaves come in m ost any coloring and patterning from multi-color florals to sm aller geo m etric figures and fascinating dot ted prints th a t tailor to perfection in a ttractiv e one and two-piece frocks such as a re ideal for w arm w eather w ear. With dark back grounds they especially tune to stre e t w ear and to costum es for ac tive m om ents the whole day through as th eir crinkled finish requires lit tle or no pressing. The distinctive daytim e frock cen tering the fashions pictured, dem onstrates the adaptability of organ DOTTED LAWN "Y ou Won’t Let Me Down, Cun?” B y C H E R IE N IC H O L A S ous—m y being h ere,” he w hispered as he kissed her and released her. “ But you’re a dangerous w om an." “ Going?” she faltered. “ But we haven’t settled anything. You haven’t told m e w hat to do.” He paused on his way to the door. “ I ’ll have to think about it. And by the way, b etter not call m e at the office again. I’ll find a way to call you.” He picked up his hat. She felt she could not let him go. She, who was so chary of caresses, felt an irresistible longing to have his arm s about her. H er lips tre m bled with appeal. “ You w on't let me down, Cun? . . . I ’ve grown to love you so terribly. I thought you’d be glad we w ere free of all this hiding. You’ve said so often you’d give anything if I could be your wife.” He answ ered with vehem ent a r dor, “ Darling, I'd lay down my life for you!” She gave a gasp of relief. She loved every motion of his quick agile body, loved his gaiety, his carelessness, his fire th at kindled in her an ungovernable passion. She would give up her home, her m atching rugs and draperies, her Duncan Phyfe furniture, her silver —everything—if only she could have him. “ When shall we see each other a g ain ?” He tw irled his hat. “ Dorrie, you Fashion seem s never to get tired m ust be a good girl—be sane and of dots. This season m ore than ever sensible.” dotted effects a re playing a most im portant role in the fabric realm . "Y es—y es?” "Now you’ve been rash about D aytim e costum es tailored of sheer Hugh. My advice is to fix it up. dotted m aterials a re featured in He’ll overlook it. H e's crazy about j d ark tones th at a re practical Navy, you.” He stopped at the expres black, burgundy, brown, copen. sion on her face. "Love you, pre green, with tiny w hite dots are prov cious? . . . Good Lord, yes. But ing big sellers. Clean cut, cool as I c a n 't m ove hand or foot now I a breeze, is the suit of dotted lawn . . . We’ll not see each other for as here shown. Its linen collar and a while. P erhaps things will blow pocket flaps a re scalloped. Being sanforized shrunk it can be suc over." He was shedding things with cessfully tubbed tim e and t i m e his easy optim ism , escaping her. again. She w atched him go with a h u rt Full Skirts curve on her red lips, and a stony Skirts th at a re kilted, pleated and feeling in her chest. Her though* flew here and there shirred, with the fullness held in like frantic caged birds. Hugh— ju st below the hipbone, a re indi cated for the youthful, slim figure there w as only Hugh. and a re very new. (TO BE CONTINUED) O O L is the word for C ar C rie w h e n she die in the new cloque or m atelasse finish for practical w ear. The nov elty patterning of this organdie is done in red, blue, green and white dots against a black background. Self-fabric applique in unique de sign on plain white organdie orna m ents the short puffed sleeves and shoulder yoke, also banding the edge of a sep arate full-cut overskirt th at has been cleverly contrived so it m ay be also worn as a cape if you feel an urge to w ear it th a t way. F or com fort and joy suprem e th e re ’s nothing m ore to be coveted than a beflowered print organdie done in exotic colorings. The sum m er fabric showings are playing up some of the m ost fascinating flower- printed organdies eyes ere beheld. T hat pretty-pretty frock to the right in the illustration is m ade of crisp and dainty floral printed perm anent finish Swiss organdie. Given a sim ple tailored styling it m akes a very practical daytim e dress as well as a very attractive one. The self fabric saw-tooth edging at neckline and sleeves adds a voguish finish. Glam orous is the word for the new organdie evening gowns. In youthful party frocks or in rom an tic trailing sophisticated styles, they run the gam ut of color and fabric finish from dainty allover em broid ery cutout patterns to pastels in brilliant floral patterns and striking flocked em broidery designs. F o r the beguiling evening frock shown to the left the designer uses crystal- clear organdie in white w ith a flocked floral motif in vivid red. It has a high pointed collar a t the front and a sweeping double ruffle cascading so as to sw irl about gracefully at the back in dancing. © Western Newspaper Union. LACE AND VEILINGS FOR EVENING HATS By CHERIE NICHOLAS A new collection of Suzanne T al bot m illinery, just em erged from th eir P a ris boxes and w rappings, presents the last word in delight to the eyes. To say the Talbot hats a re feminine does not describe them quite adequately, for they are sheer bits of inspiration. She has taken finest horsehair and fashioned hair cloth of it that in some cases looks like patterned lace, and in others like sheerest straw . With this, in white, in black, in m idnight navy, she has used Chantilly lace for veil ings and trim m ings instead of the accustom ed m esh veilings. One of the hats is a flat sailor m ade of the h air cloth in black, and vertically across the crown is placed an inch band of white inser tion lace of fine linen thread. Then the sam e insertion falls from the edge of the brim , ever so delicately, to. the eyes. Another model, a true basket type, is m ade of fine black h air woven in a lace pattern, with a full lace veil and a narrow velvet ribbon band coming under the chin and tied in a bow and stre a m e rs at one side. To com plete the pretty picture, a pale blue ostrich feather curls up under the veil. w e a r s one of th ese sm a rt new frocks by Sew- Your-Own. No m a tte r w hether sh e ’s three or thirty, a Ju n e bride or a proud m am a, C arrie will find w hat she needs for sum m er com fort here. Left to Right. The young frock w ith the in terestin g m iddle and sporty in v erted pleat is one th a t’s going in for e x tra cred it a t sum m er school. I t has th a t advanced chic w hich readily distinguishes co-eds’ clothes. If you’re cam pus bound (or ju st bound for an ordinary vacation) be sure to have a couple of versions of this fashion first w ith you. Then you’ll be set for th a t heavy sum m er schedule. Lines for a Princess. Second to none in the sum m er Ir this princess dress. As fit for golf as it is for dancing, you can see a t a glance th a t this is the one d re ss you c a n ’t be even half w ay happy without. F re sh in spirit, dainty in detail and be com ing to all figures this simple- to-sew frock will introduce count less women to new chic this sea son. Come on, M ilady, shake hands w ith Chic. Tot’s Tidbit. Only when w e’re very young a re we privileged to w ear dresses as cute as this one. The m ost unaccustom ed seam stress can m ake it w ith its half dozen pieces; the m e re st rem nant will suffice for m a te ria l. T here is m ore than o rdinary intrigue packed in the dim inutive sk irt th a t shows a "Quotations" --A-- The body has been divided into blood, cells and organs; the soul has been neglected in the analytical process.—Dr. Alexis Carrel. More homes are wrecked through women worrying about their clothes, pride, and the comforts of their hus bands than when they are interested in politics.—Lady Astor. With all the friction, jealousy and antagonism rampant in the world, radio offers a wide channel for the mutual improvement of relation ships.—Newton D. Baker. Morality, like life itself, is not static; it is dynamic and progressive. —Sherwood Eddy. Too few people are more intent upon living than making a living.— Dr. Lin Yutang. couple of darling dimpled knees so lusciously sun tanned. Use it as a cool, cool top with panties as the ideal hot w eather a ttire , or slip it on as an apron—either w ay it will be a fine little companion for m other’s pet this sum m er. The P a tte rn s. P a tte rn 1258 is designed in sizes 12 to 20 (30 to 38 bu st). Size 14 requires 3% yard s of 39 inch m a te ria l plus 4V4 yards for braid trim m ing as pictured. P a tte rn 1323 is designed in sizes 14 to 20 (32 to 46 bust). Size 16 requires 5% y ard s of 39 inch m a te ria l for the short length. Beach length requires 7 Vi y ard s of 39 inch m aterial. P a tte rn 1944 is designed for sizes 6 m onths, 1, 2, and 3 years. Size 1 y e a r requires 1% y ard s of 36 inch m aterial. The pockets, cuffs and facings for collar in contrasting m a te ria l require Vi yard of 27 inch m aterial. Send your order to The Sewing Circle P a tte rn Dept., 149 New M ontgomery Ave., San Francisco, Calif. P a tte rn s 15 cents (in coins) each. © Bell Syndicate.—WNU Service. Foreign Words and Phrases Vultus est index anim i. (L.) The face is the index of the mind. Troppo disputare la v erita fa e rra re . (It.) Too m uch dispute puts tru th to flight. Caecus ite r m o n strare vult. (L.) A blind m an w ishes to show the way. B avardage. (F .) Idle talk; p ra t tle; garrulity. M acte virtute. (L.) Proceed in virtue. Omne trinum perfectum . (L.) E very perfect thing is threefold. A tout prix. (F .) At any price. Questo vento non criba la biada. (It.) This wind winnows no corn. Need of Self-Control jgg fiy Fred jVeAer Higher W aists Being Shown for Day and Evening W ear k V era B orea’s sum m er collection , shows higher w aists for day and evening w ear with short bodices th a t usually are draped. Shoulder width is m aintained throughout but the sleeves are plain and straig h t i in line. T here are m any cotton prints and linens shown for w ear at all tim es of the day with bright yellow as the outstanding color. B right colors are used for short little jackets over dark skirts—for exam ple, pastel blue is now shown with d ark red, and rose is shown with dark gray. Cut-out applied designs a re used for trim m ing for daytim e and eve- ning clothes. Luggage Styles New luggage styles prove th at the old "su it case” is getting lighter every year. - í H ealth and happiness a re gen erally looked on as enviable gifts, w hereas the fact is th at, to a large extent, they are duties; only we p refer not to recognize this, as it involves such an unpleasant am ount of self-control, m ental and bodily.—L. H. M. Soulsby. CHEW LONG BILL NAVÏ TOBACCO I LIFE'S LIKE THAT y "She thoaght if she hU my slothes r d have te stay at herne!**