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About The Oregon daily journal. (Portland, Or.) 1902-1972 | View Entire Issue (May 21, 1911)
THE OREGON SUNDAY JOURNAL PORTLAND. SUNDAY ' MORNING, MAY " 21, 1811 W$&i&'- :' ' ' ' '' '-' By ADELAIDE BVRDSigff '1 ; mMm1 fflifiiiiii mmmmmm CH? car mushroom A ) y6v ( " 7 ' ' " V l X A n . nmlng l v l J rO com f f ' ( aldsn. T l ' ' leedle, ('"''' Idered ' - I f - -' "" -: ' ' '. -.-..'. .... .iT v'.rn X;k. begin - t. ; - 1 Bilk I II r. . " a In 'Svvw ' 4 Ki" lttow i VP;' " Jd b . ! trim- V. (V tun is NvXi " -7' AKA rh. lrrwltr chain atitch, th 1 . I -t ' Kltchtl being longer In th 1 p J W f J Si -i ' ' ' ' . , Ives than In th petal.. ' ' A A - . , f ' The collar nd overaleev X ' TT I ' i Bua.a effect Bhown on the model iXJ VV ""- ' ' ' I ' 5 f oul" consists .of a Uco pattern Tf V , ? ' ft l l' Sue! the flu of which nave II C VW , ' been outlined In tiny white C. ' , beada. Th dge are cut , , f V, ( 3 out a the, Bgurei run, glv- 1 l , J" v ' ,11 lng the bowknot effect In y I J -ZZ?Sw .1 rl front, The back -o the V ( ! "SvxVX ! Iff f ,T fr " If l' - v . " M --7 v5 . Mil J tA ; $ leev nd the upper part of the collar w Xv M r J . Hlf..7l, V tivSSll -ar Bf hv ovfr rhlfTon with iust . X. . 1 ' ' If S " ! . ' a defining border of jet bead. " l-' K, ' Iill What can be done with bead-of one s W"'", - '."".' IP t , i i t , II color but of different ihapes and slaes . ' ' zZ0 5 ; x I li 4f- be coare black net. The - . - " !.AXLv 111 f " i n VXV ill mner boraer.ana part or tne cioso ng- v. . . -.v-.k , V. jyl "T "-- II urea In the inalffe pattern are of th the result of much practice...! give the ' .:, . .V1 1 Mi l v long, cylindrical beads; elsewhere tne bands of neaat ana eraoroioery in on- : ,l , , IfTvl I 4 ' v . i 'sll "t. round ones are employed. These jf - 1 ealtna n white beads are hie!ly ln- 1m-j.5 . Trail tended for trimmlns- black or black- ' B .nfl-whlta Aresses. with, Mrhani a dar.- ITaaaaaa ' In' mind the young glri whd Y ' I Is to be graduated, and who la pua- I rung ber Industrloul friend of an' embrolderei1 in- the matter of girts.' , Why not embroider a hat lor her! The. .: exprenloa of your handiwork la always' :j the.bet, for Itlves A part of yourself in your gift: and then I think erery one ; does jh best work In the Uns that ap- Hl9.-'& '..'J- ';: w V'. fi iA It you do not wish to git the hat,., . omit the lines for the slots through ' i-V wblclv. ribbon lis rto b run. and omit .-i-the central .fiowtso4 work thla de. : fr, algn U'l ctnterplece. . ' . ; ; After you -have traced the design on Mnedlum-welght linen, pad the petal the length of each oval with darning; - i cotton.' Then work across' them with . knots, hi shown ; by th dots in th OvaU. , T .V: .v.,v H" V'! y' . . ' work the stems with outline stitch and the slender leaves In solid stttch. ; The larger leave can be don In ' whipped eutllne etHch cod filled la with seed stitches, which- are 'tiny, loos backstitches. , , I- ;:jrr;, i-'.?. 'X. i . The scallops you will first pad and then work In buttonhole stitch. Add another row of buttonhole stitches U . prevents a.ny.fraylnc.. ra. i-sX ' If you are working the oenterplaco, your task Is don. If, however,' yon are making a lingerie hat,', you will next proceed with the eyelets. Stitch, around the ovals In running stitch, be fore cutting. Then whlp'tht edgs tn regular eyelet, fashion.', The center you wNI work in n wsy similar to that suxtested for th edge. When you purchase" th fram, the olose-fltMng, mushroom typ. d cover with noting.. Bun fibbon through th sloU, gnd arrange rostt or t Urge llk ri a-t On aid. Th pretty hat can be further beautlfled by a pleated or gathered frill of yalenciennee . lace under 4h brim, t ' Th whole shape should b' caught .here and. thereon th wlr frame, and .removed for th wash; In this day at llngerlt dress . th hit I ft Welcome ao oessory, and t m glad- td give -you pattern that combine llttl work with auch pretty result. ; If t K ' J' SEWING HINTS FOR THE DRESSMAKER SPRIN3 dressmaking is again upon us. Her are a few hints that may help you on your trdublou way: When you buy gause union, suits for th summer, bast a halt-4ncta-wlde Up around the open edges, stitching the tape by machine. This will pre vent both ttretchlng and tearing of the material. In aewlng dreee shields to a kimono ( blouse, where there see me no place to attach them, make a llttl bolero of thin lawn, buy waehabl shield and sew narrow elastio on them ton shoulder straps, and sew them Into the bolero, stitching th shields In all around the binding. Then eut out th . material under the shields, and either cut outwthe neck line In front and' back or Teeten the front with tapea. This bolero can be washed and used over and over again with different blouses. " , If the ruffs of your linen shirtwaist are frayed, bind tbem with color and . put piping of th tarn color around , ! the box pleat-or opening lfi. front. ' . The waist will Wear longer, and look . ' liknwv ;M' i tl. , Paper patterns often Call for ft large amount t material than 1 , really necessary. ' After you have used ; v.ttern tbet yon Intend to us again. , mark upon It th amount of malarial actually required; and then when you have a remnant or a limited amount of goode you can always tell -Just what pattern will make your garment satisfactorily. . , THREE WAYS TO TRANSFER .. HERE are auggestions for trantferring the pattern before you to any material befora working. Ferhapa the easiest way ia the "window-pane" method. This ia suiceisful when the material is thin, like Hnen, batiste, etc. - Pin the sheet f paper and the material together and hold them up against the glass of window. With a . sharp nencil draw on the material the design, which can be easily 6oen through the goods. If one-half of the design on y be given, unpinthe paper and turn the other aid to the fabric. The strong light behind will make it plain. . ' If you have carbon paper, you should place" the sheet between you fabrio and thej newspaper. This latter is on top. With a sharp pencil go oyer the outline of the design. - The impression will oe left in fine linos and will laP until worked. This method is successful on heavy material. . . s The last way is also, easy. On wax paper of ordinary tisane paper trace the pattern before you. When the design is completed, turn over the paper and outline the pattern with ft heavy lead pencil. Then place tho design down on the fabrio and redraw the outline, pressing hard with the pencil. The pattern will ba transferred without difficulty. Surely the way is easy. I'm- ippdMv ' , '",r ,........ .,.,, . i L J& xl7iniiffl!i JTK 5 VliJKii i v 8 K pYlHS beauUfu oriental trimming fJAfrs ' VY VA 1 f I I an borders which are so f f.4'4? '' V (' ) V I much In the mod nowadaye come V 1 s A 4 - I pretty blgh for the economical maiden. I V. i " - U I If eh h r mn Inv.nllv. t..rn f mlnA. iiowever. and skilled with the needle, fcjfc .-si.C: . A 1 IB -. . .v4 a- .id . .w.. sit -v. m.v.iui .. . i ... - enin vbis - i -t iHiu iiubm , asms 3 ii ua iu r-- 'r? -" ' - ftccount by making her embrolderod ..' :S 1 bands and collars at home. ; I ' A a simple example let her begin f!$0.; I with such a design as the one In silk l&f; I tape on canvas. In all of these It is un- ; :i , :- , AmrmtnnA that ah III i v . i - ? f II wiMiur- men or two, permapa oi lam II LS-i II pattern she wishes to copy and then wiU IsaMsaaannsVsansissB aj . pt ImlUte it herself. In this cas the thick ill I ll "k n1' n hi pattern, ) sewed in XrJGT i f , ,tripi ovw the canvas and the narrow WMT i'Ii Ml " i ,rVS "' tP caugbt in it and sewed through 'Tr.;: . -i 1 to the canvas. No explanation could b XP 'fJI . lmPle " J"1 'ooWn Photo- l'-tSFr 'ZJil& V Vl il graph and seeing for one' self how It u XfSXr 'fMlh - ' Beads. .. w. shall see, pay an impor. lr J' J-iVlf ' 'l 11 tant parfln the maJte-up.of these trtm- .J'tjCv f&Xx !&Jrr - M mings. Here is a plain pattern on white W&Sf - fit( ln whit rubber beds nd Jet' 0,6 ItV' C . . . J-S W D" 1U0 the larger of the two 1S$Kj -CiT ) Z$ .alUa. All you hav to do ia to mark E JBf ' .-,JSES ur Pattern with pencil Jd then work W "w , 1 over it, stringing a bead and then catch T --rrjiSUdSSS-' - llg the net. ahd so down the line. 1 rrTn ,rr- - Bwd, combined with allk ar shown In ri43BS - tiVBM' x th .ingle lower moUf of long and round Wt-TJP' ' gT 7TI une 1. worked in th. beads. Th spac L LOriol"T g." between Is then filled up with white, I v ffJ 1 rW,TT' j "fWfc ' ::':!; I axMaaBsB)aBanM ' ii .. :v) 't - J;7 ! '?ai "v J 1 & H ir VYt :x,. 'ir in- v - r J t .-t iif--- BaMisiWraJa the result of much practice.. bands of beads and embroidery in ori ental colors. . Three site of beads ar y t - . i - r ' used here, ind thre kinds of sllk-or-' C7? dfiC Cf rather, two of silk and on of metaill , , . ' thread,. to define th. flower tal end inrtouch-oreotofMmewbrr about rerm th borderfhe wav destgir-rT1 t ' them. The whet I done on dull gold net and - J, VawU b, ust , touch of final elaboration. h color ar ncn rimer man Drn- . crgt. r ' -1
