THE OREGON SUNDAY JOURNAL PORTLAND. SUNDAY ' MORNING, MAY " 21, 1811
W$&i&'- :' ' ' ' '' '-' By ADELAIDE BVRDSigff '1 ;
mMm1 fflifiiiiii mmmmmm
CH? car mushroom A ) y6v ( "
7 ' ' "
V l X A n .
nmlng l v l J rO
com f f ' (
aldsn. T l ' '
leedle, ('"'''
Idered ' - I f - -' "" -: ' ' '. -.-..'. .... .iT v'.rn X;k.
begin - t. ; -
1 Bilk I II r. . "
a In 'Svvw ' 4 Ki"
lttow i VP;' "
Jd b . !
trim- V. (V
tun is NvXi "
-7' AKA
rh. lrrwltr chain atitch, th 1 . I -t '
Kltchtl being longer In th 1 p J W f J Si -i ' ' ' ' .
, Ives than In th petal.. ' ' A A - . , f '
The collar nd overaleev X ' TT I ' i
Bua.a effect Bhown on the model iXJ VV ""- ' ' ' I ' 5 f
oul" consists .of a Uco pattern Tf V , ? ' ft l l'
Sue! the flu of which nave II C VW , '
been outlined In tiny white C. ' ,
beada. Th dge are cut , , f V, (
3 out a the, Bgurei run, glv- 1 l , J" v '
,11 lng the bowknot effect In y I J -ZZ?Sw .1
rl front, The back -o the V ( ! "SvxVX !
Iff f ,T fr " If l' - v . " M --7 v5 .
Mil J tA ; $ leev nd the upper part of the collar w Xv M r J .
Hlf..7l, V tivSSll -ar Bf hv ovfr rhlfTon with iust . X. . 1 ' '
If S " ! . ' a defining border of jet bead. "
l-' K, ' Iill What can be done with bead-of one s W"'", - '."".'
IP t , i i t , II color but of different ihapes and slaes . ' ' zZ0 5 ; x I
li 4f- be coare black net. The - . - " !.AXLv
111 f " i n VXV ill mner boraer.ana part or tne cioso ng- v. . . -.v-.k , V.
jyl "T "-- II urea In the inalffe pattern are of th the result of much practice...! give the ' .:, . .V1 1
Mi l v long, cylindrical beads; elsewhere tne bands of neaat ana eraoroioery in on- : ,l , ,
IfTvl I 4 ' v . i 'sll "t. round ones are employed. These
jf - 1 ealtna n white beads are hie!ly ln-
1m-j.5 . Trail tended for trimmlns- black or black-
' B .nfl-whlta Aresses. with, Mrhani a dar.-
ITaaaaaa
' In' mind the young glri whd
Y ' I Is to be graduated, and who la pua-
I rung ber Industrloul friend of an'
embrolderei1 in- the matter of girts.'
, Why not embroider a hat lor her! The.
.: exprenloa of your handiwork la always'
:j the.bet, for Itlves A part of yourself
in your gift: and then I think erery one
; does jh best work In the Uns that ap-
Hl9.-'& '..'J- ';: w V'. fi
iA It you do not wish to git the hat,.,
. omit the lines for the slots through '
i-V wblclv. ribbon lis rto b run. and omit
.-i-the central .fiowtso4 work thla de. :
fr, algn U'l ctnterplece. . ' . ; ;
After you -have traced the design on
Mnedlum-welght linen, pad the petal
the length of each oval with darning; -
i cotton.' Then work across' them with
. knots, hi shown ; by th dots in th
OvaU. , T .V: .v.,v H" V'! y'
. . ' work the stems with outline stitch
and the slender leaves In solid stttch.
; The larger leave can be don In
' whipped eutllne etHch cod filled la with
seed stitches, which- are 'tiny, loos
backstitches. , , I- ;:jrr;, i-'.?. 'X. i .
The scallops you will first pad and
then work In buttonhole stitch. Add
another row of buttonhole stitches U
. prevents a.ny.fraylnc.. ra. i-sX
' If you are working the oenterplaco,
your task Is don. If, however,' yon
are making a lingerie hat,', you will
next proceed with the eyelets. Stitch,
around the ovals In running stitch, be
fore cutting. Then whlp'tht edgs tn
regular eyelet, fashion.', The center you
wNI work in n wsy similar to that
suxtested for th edge.
When you purchase" th fram,
the olose-fltMng, mushroom typ. d
cover with noting.. Bun fibbon through
th sloU, gnd arrange rostt or t
Urge llk ri a-t On aid. Th pretty
hat can be further beautlfled by a
pleated or gathered frill of yalenciennee
. lace under 4h brim, t
' Th whole shape should b' caught
.here and. thereon th wlr frame, and
.removed for th wash; In this day at
llngerlt dress . th hit I ft Welcome ao
oessory, and t m glad- td give -you
pattern that combine llttl work with
auch pretty result. ;
If
t K ' J'
SEWING HINTS FOR THE DRESSMAKER
SPRIN3 dressmaking is again upon
us. Her are a few hints that
may help you on your trdublou
way:
When you buy gause union, suits for
th summer, bast a halt-4ncta-wlde
Up around the open edges, stitching
the tape by machine. This will pre
vent both ttretchlng and tearing of
the material.
In aewlng dreee shields to a kimono
( blouse, where there see me no place to
attach them, make a llttl bolero of
thin lawn, buy waehabl shield and
sew narrow elastio on them ton
shoulder straps, and sew them Into
the bolero, stitching th shields In all
around the binding. Then eut out th .
material under the shields, and either
cut outwthe neck line In front and'
back or Teeten the front with tapea.
This bolero can be washed and used
over and over again with different
blouses. " ,
If the ruffs of your linen shirtwaist
are frayed, bind tbem with color and
. put piping of th tarn color around ,
! the box pleat-or opening lfi. front. '
. The waist will Wear longer, and look .
' liknwv ;M' i tl. ,
Paper patterns often Call for ft
large amount t material than 1
, really necessary. ' After you have used
; v.ttern tbet yon Intend to us again.
, mark upon It th amount of malarial
actually required; and then when you
have a remnant or a limited amount
of goode you can always tell -Just
what pattern will make your garment
satisfactorily. . ,
THREE WAYS TO TRANSFER
..
HERE are auggestions for trantferring the pattern before you to any material befora working.
Ferhapa the easiest way ia the "window-pane" method. This ia suiceisful when the material is
thin, like Hnen, batiste, etc. - Pin the sheet f paper and the material together and hold them up
against the glass of window. With a . sharp nencil draw on the material the design, which can be easily
6oen through the goods. If one-half of the design on y be given, unpinthe paper and turn the other aid to
the fabric. The strong light behind will make it plain. . '
If you have carbon paper, you should place" the sheet between you fabrio and thej newspaper. This
latter is on top. With a sharp pencil go oyer the outline of the design. - The impression will oe left in
fine linos and will laP until worked. This method is successful on heavy material. . . s
The last way is also, easy. On wax paper of ordinary tisane paper trace the pattern before you. When
the design is completed, turn over the paper and outline the pattern with ft heavy lead pencil. Then place
tho design down on the fabrio and redraw the outline, pressing hard with the pencil. The pattern will ba
transferred without difficulty.
Surely the way is easy.
I'm- ippdMv '
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L J& xl7iniiffl!i
JTK 5 VliJKii i v 8 K pYlHS beauUfu oriental trimming
fJAfrs ' VY VA 1 f I I an borders which are so
f f.4'4? '' V (' ) V I much In the mod nowadaye come
V 1 s A 4 - I pretty blgh for the economical maiden.
I V. i " - U I If eh h r mn Inv.nllv. t..rn f mlnA.
iiowever. and skilled with the needle,
fcjfc .-si.C: . A 1 IB -. . .v4 a- .id . .w..
sit -v. m.v.iui .. . i ... - enin vbis - i -t iHiu iiubm , asms 3 ii ua iu
r-- 'r? -" ' - ftccount by making her embrolderod
..' :S 1 bands and collars at home.
; I ' A a simple example let her begin
f!$0.; I with such a design as the one In silk
l&f; I tape on canvas. In all of these It is un-
; :i , :- , AmrmtnnA that ah III
i v . i - ? f II wiMiur- men or two, permapa oi lam
II LS-i II pattern she wishes to copy and then wiU
IsaMsaaannsVsansissB aj . pt ImlUte it herself. In this cas the thick
ill I ll "k n1' n hi pattern, ) sewed in
XrJGT i f , ,tripi ovw the canvas and the narrow
WMT i'Ii Ml " i ,rVS "' tP caugbt in it and sewed through
'Tr.;: . -i 1 to the canvas. No explanation could b
XP 'fJI . lmPle " J"1 'ooWn Photo-
l'-tSFr 'ZJil& V Vl il graph and seeing for one' self how It u
XfSXr 'fMlh - ' Beads. .. w. shall see, pay an impor.
lr J' J-iVlf ' 'l 11 tant parfln the maJte-up.of these trtm-
.J'tjCv f&Xx !&Jrr - M mings. Here is a plain pattern on white
W&Sf - fit( ln whit rubber beds nd Jet' 0,6
ItV' C . . . J-S W D" 1U0 the larger of the two
1S$Kj -CiT ) Z$ .alUa. All you hav to do ia to mark
E JBf ' .-,JSES ur Pattern with pencil Jd then work
W "w , 1 over it, stringing a bead and then catch
T --rrjiSUdSSS-' - llg the net. ahd so down the line.
1 rrTn ,rr- - Bwd, combined with allk ar shown In
ri43BS - tiVBM' x th .ingle lower moUf of long and round
Wt-TJP' ' gT 7TI une 1. worked in th. beads. Th spac
L LOriol"T g." between Is then filled up with white,
I v ffJ 1
rW,TT' j "fWfc ' ::':!; I axMaaBsB)aBanM '
ii .. :v) 't - J;7 ! '?ai "v J
1 & H
ir VYt :x,. 'ir in- v - r J t .-t iif---
BaMisiWraJa
the result of much practice..
bands of beads and embroidery in ori
ental colors. . Three site of beads ar y t - . i - r '
used here, ind thre kinds of sllk-or-' C7? dfiC Cf
rather, two of silk and on of metaill , , . '
thread,. to define th. flower tal end
inrtouch-oreotofMmewbrr about rerm th borderfhe wav destgir-rT1 t
' them. The whet I done on dull gold net and - J, VawU b,
ust , touch of final elaboration. h color ar ncn rimer man Drn- . crgt.
r
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