Image provided by: University of Oregon Libraries; Eugene, OR
About The Sunday Oregonian. (Portland, Ore.) 1881-current | View Entire Issue (Feb. 21, 1909)
3 TITE SUNDAY OREGOXIAX, PORTLAND, FEBRUARY 21, 190! livery. She embraced Mr. ScotU. who kissed her hand and . there was obvious grief at the thought that this was their last appearance together. The next act was the second from "The Barber of Seville," with Bond as Aim a via, a come dy role which he heightened greatly on account of the tears which hung in the atmosphere. In this, the famous lesson scene, she rang , the old Strauss waltz "Voce di Primavera," after which she dragged Bond from his seat at tho piano and with him sang a duet from "Don Pasquale." The audience was not yet satisfied and she added an aria from "La Sonnamhula," after which she was still compelled to seat herself at the pi ano and play her own accompaniment for the little Polish song "The Maiden's Wish," by Chopin. The final number was the first act from "Traviata" in which the parts usually taken by the chorus were the stars of the. company. Geraldlno Farrar singing tne small part of "Flora Bervolse," Ca ruso was the Alfredo and at the close of the act Mine. Sombrich Insisted upon his shaaing the curtain calls and finally MUSICAL FESTIVAL OF FIVE SYMPHONY CONCERTS TO BE GIVEN HERE IN APRIL Orchestra Will Number Sixty Pieces, While Three Hundred Well-Trained Voices Are to Be Heard in Chorus Choir. Professor Boyer Will Be Director. sne tnrew an arm arouna ms necu ana the desolate look upon her face said more plainly than words: "Think of re nouncing such companions In art!" After the performance at the opera house a large number of people most prominent in social and in musical circles were invited by M. and Mme. Stengel Sembrieh to the Stivoy, where they hold one of the most brilliant receptions ever assembled In New York. Xo less an or chestra than that of the Metropolitan Opera House under direction of the sec ond violin leader, Herr Rothmeyer, played during tho lunch and after there were a few dances In the charming ball room. Mme. Sembrich was a glorious hostess, and her spirits and energy were the topic of ftiarvel by all pres ent. AVlth her husband she danced a Polish dance, and with Caruso a cake-walk, after which Ernest Schel ling presented her with an enormous cake decorated with a silver-stringed lyre. EMI LIE FRANCES BAUER. THE MODERN WAY 5 Discussion on Domestic Problems Colonel JohnSneed Talks With His Daughter on the Subject of Smoking at Home. n ii jiv-i it L r u& -ml 1 II II II . II II II 1 II II II "i a ' L J! !L : & Mi r .ty-r, .v,...i4 i - "tl fei 1 1; . - IS - i r M ; I .... ..I -JZZ&S- WZZI5 AX oM songr Fays that with the ap proach of Spring, "young man's fancies lightly turn to thoughts of love." but there are many Portland peo ple -who will associate this comlns Spring with the musical treat which the Port land Festival Chorus, In conjunction with the Chicago Symphony Orchestra, Is to lve at the Armor-, about the end of April or beginning of May. The orches tra will number about 60 pieces, and a chorus choir of 300 voices will sing, un der the direction of William II. Boyer, the music festival director, with orches tral accompaniment. There are-to be five concerts at the approaching music festival, and the chor us will sing at each concert, the entire event being under tho direction of the Heillg Theater management. Last sea son, five concerts were given at which the chorus sang at only three, to the 2T- cS". 7vrrT.T.rrx great disappointment of people- who at tended tho purely orchestral concerts and enjoyed them, but found the chorus scats empty. This year, although the exact dates for the concerts have not yet been definitely arranged, it has been practically settled that the first concert will be on a Friday night, and be con tinued by similar events on a Saturday afternoon, Saturday night, Sunday after noon and concluding Sunday night. The oratorios to be rendered are: Sullivan's "Golden Legend." Gauls "Holy City." Rossini's "Stabat Mater." In" addition, the chorus will sing at the Friday night concert the "Sanctus" from Gounod's "St. Cecilia" mass, and at the Saturday afternoon concert, "Hail, Bright Abode." from Wagner's "Tann hauser.'" this latter programme being spe cially arranged for children and family parties. Critical descriptions of the mu sic selected will be given later. The Portland Festival Chorus has been specially organized for the annual Spring music festival, and Its officers are: President. Frederick W. Goodrich; first vice-president, Mrs. E. S. Miller: second vice-president, Kdward L. Bayly; sec retary. Miss Eva L. Wells; treasurer, E. 8. Miller, and conductor, William H. Boyer. The chorus numbers about 300 voices, and Is largely recruited from the excellent chorus that made last year's fes tival such a great artistic success. This season, the chorus has worked assldu-J ously at all the rehearsals, which Degan last December, and which will continue every Tuesday night at 8 o'clock, at Eilers Hall, Park and Washington streets. Those wishing to join, the chorus- should apply at once to Mr. Boyer. as the membership list has about closed. The Chicago Symphony Orchestra will again be under the direction of Adolph Rosenbecker, and can be depended upon to fulfill its part of this more than or dinarily interesting musical occasion. SEMBRICHS TRIUMPHANT FAREWELL STIRS ALL HEARTS AND BRINGS TEARS Deluged With Costly Gifts of Love and Appreciation, Her Last Appearance at Metropolitan Opera-House Is Event of First Importance in Musical History of Generation. DEW YORK. Feb, 15. (Special Cor respondence.) There has never been a more Impressive occurrence In the professional life of America than that which occurred Saturday night at the Metropolitan, when Mme. Sembrich played her last performance as a regular member of the Metropolitan opera com pany. Mme. Sembrich retires from the operatir stage after a career unusual in almost every detail. Her loss to the stage is very great, fjreater indeed than we realize at the present moment. Mme. Sembrich's in fluence upon the stage not only ae an artist, but as a woman as well, has been unique. Her art is the greatest and the purest, scientifically speaking, because the present demands upon the ninper are such as to destroy the pure singing beauty of a voice. Semonch has never departed from the purity of her sing ing to produce effects, and she has thus preserved an organ which even now is capable of giving more pleasure to the lover of good einging than are most of the voices even more dramatic or more fresh In color. People have been able to point to her as a woman whose exemplary de votion to her husband has proved that women can follow a stage career, and remain good and true and beautiful In spirit and faithful to tne highest ideals of womanhood. In this, perhaps, more than In anything else, her relation to the stage has been of incalculable value is art lets and to students, because she has been very close to her public. There has been none of tlm mystery that distance lends. Every one who follows operatic life in this country knows her closely as a personal acquaintance; in the first place because she is naturally simple and sweet on the stage, just as she is in her draw ing-room, and then because on the con cert platform as in a role and In a song recital every sido of her personality be comes famiiiar tocher audiences. Mme. Sembrich, the daughter of Cael- mir Kokhansky, was bnrn at V isnaszyk, Galacla. Her father, who was a vio linist and a self-taught pianist, began to teach her piano playing when she was 4 years old. and at the age of 8 she be gan to study tiie violin. Kokhansky was very poor, and little Marcclla hadi to begin to earn her own livir; at the age of 13. An old Polo named Lanowltoh took a great interest In all young talent, and he set himself to nurture mat of the young Marcella. He sent her to the conservatory at Lemberg, whose principal Is said to have, been a pupil of Chopin. There she began her advanced studies undr a young teacher named-Guillaume Stengel, who for four years tanirlit her the works of Bach. Beethoven. .Mozart. Chopin and Mendelssohn, and was then convinced that he knew all he could teach her. Stengel was so much Interested In his pupil that he snt her to Vienna to study under Epstein. This master discovered the beauty of her voice, and advised her to put aside piano work for a time in order to dnvote herself to the study of singing. Actio upon tlii advice she went to Milan and studied with the greatest . vigor under Lampertl, the younger, for two years. She made her debut as Lucia at the Royal Opera, Dres den, under her mother's maiden name of Smbrich. Her success was gTeat, but he felt that her voice and style were lst suited to the Italian stag, and sh returned to Milan, where she sang Lucia In Italian. Later she railed upon Ernest Ore, then manager of Covent Garden Thea ter. London, and asked for an engage ment. Mr. Gye gave her a hearing and at once engaged1 her for five years. Her success in London was enormous. She , left London to travel, Binging always with immense favor in Warsaw, St. Petersburg. Moscow and Madrid. She was engaged by Henry E. Abbey as a member of the company with which he opened his Metropolitan Opera-House. Her success here at. that time was not commensurate with her talent. At the close of the season at Mr. Abbey's bene fit she played .admirably a concerto by De r.eriot for violin. After several en thusiastic recalls she played Chopin's A flat Ballad on the piano. Again recalled many times, she sang most brilliantly "Ah. non glunge" from "La Sonnam bula." Such an exhibition of musical ability set the house beside itself, and people then for the first time realized that Mme. Sembrich was a genius. On the same evening she played the violin obligato in Gounod's "Ave Maria," Chris tine Nillson singing the vocal part. Mme Sembrich, now the wife of her early teacher and friend. Professor Stengel, returned to Europe and resumed her - successful career there. She has sung all over the continent. Her suc cess in Berlin and Vienna has been im mense, and all the famous critics, from Edouard Hanslick down, have united In one grand chorus of praise. Mme. Sembrich gave her first song re cital in Carnegie Hall In 1000 and since she has established an enormous follow ing for herself in this form of art and in recitals Mme. Sembrich will return to this country for many years, it Is to be hoped. At the Metropolitan the house was packed to the doors with an audience more disposed to tears than to smiles, but there were smiles and, cheers, flow ers and gifts of rare value, and tributes of ail sorts and descriptions. There were kisses and hand-shakings, there were silver loving cups presented not only from the fellow artists but also from the stage hands and there was no more touching moment than the one during which an enormous laurel wreath, into which hundreds of small silken flags were stuck, was brought on the stage by two of the stage hands In working livery. The man who had the honor of making the presentation speech was In street suit, but the others were In overalls. These were In tears and when the diva realized the nature, of the gift she em braced them. This was followed by a loving cup from the orchestra, who. In giving it. referred to her nobility and thoughtfulness In giving the song recital which provided them with instruments after the San Francisco earthquake. A string of superb pearls was presented to her on behalf of the board of directors of the Metropolitan, and for several months her friends and people who wished to contribute to a fund for a gift have been sending In contributions, which resulted in the presentation of another pearl necklace, at the end of which was suspended a watch of enamel and diamonds, superb in workmanship. In addition to the public gifts. Mme. Sembrich received many of a more per sonal na'ure and among the loving cups and silver were personal gifts from Mr. and Mrs. Pippel. from Caruso and from others of the opera. The presentations were made at the close of the regular performance when the stage was set as a perfect bower, decorated by the flow ers which had been showered upon her during th evening. When the curtain went up upon the setting all the principal artists of the opera were grouped about and from behind the great prima donna came forward on the arm of Mr. Gatti-Ca- sazza. who led her to a throne in the center of the stage; but to Mr. Dippel. fell the privilege of making the presen tation speeches, owing to Mr. Gattl-Ca- sazza a handicap as tar as tne t-ncllsn language was concerned. Seth Imw made the presentation on behalf of the Metro politan directors and his accompanying speech must have touched the retiring diva more than the gift for which he asked that she should "remember the love of the givers .rather than the gift of the lovers." At the close of ceremonials, to the sound of chimes cut roses were let down from above in a regular Oregon torrent and formed a carpet under, her feet. Per haps the most impressive moment was when after Max Hirsch, who had been associated with Mme. Sembrich as mem ber of the Metropolitan forces also for 23 years, presented her with the original program of her first appearance at that house, the orchestra played the "Star Spangled Banner," and the entire audi ence as well as the artists on the -stage sang it with such fervor as carr scarcely be imagined. Mme. Sembrich did not sing. The tears she had been choking back all evening had their vent. As the audience poured out of the house there were few eyes that were dry.- . The evening's performance had been devoted to three operas In which Mme. eembrlch is Inimitable. The first was the second scene from the opening act of "Don Pasquale," sung with Scotti, after which the first consignment of flowers was brought upon the stage by men in BY CASPER S. TOST. C COLONEL JOHN SXEED, having dined with satisfaction to himself and pleasure to his wife, lighted a cigar and strolled around the corner to the modeBt cottage In which his son-in-law had recently established himself. "Where's William?" he inquired, after he had paternally pecked at the pretty lips presented- to him and accepted the comfortable seat In the living-room. "Hope he's at home." "Yes, he's at home, papa." the daugh ter replied, and a rosier flush came into her -cheeks as she added: "He's just gone to the woodshed for a moment." Colonel Sneed noticed the heightened color, and his curiosity was aroused. "It's a pretty warm day," he remarked, with a twinkle in his eye. "I don't reckon he's goin' to build a Are, is he?" "No, papa, it isn't that. I told he thought I I he went out there to smoke." "What!" exclaimed the Colonel. "Gone to the woodshed to smoke! What in the world! Why don't he get on the roof or sit on the gatepost? Why don't he come into the house or say, little girl, is this some of your doin's?" And he looked at his daughter sternly through the incense that arose from his cigar. "Well, well, papa," she replied falter ingly, "I don't want him to smoke In the house, and I thought we ought to begin right and" "Huh!" grunted the. Colonel, "that's a fine way to begin. Turn your husband out of doors Just because he wanted an after-dinner smoke. Force him to roost with the chickens while he contemplates the variety of life in general and of mat rimony in particular. Go and tell him to come here no, wait a minute, little girl. Just let him keep, on roostin' for a little bit while I tell you something. "This world, honey, wasn't fitted up as a habitation for cherubims and things of that sort. It was made for mortal men and women, and you can't turn a man Into an angel without callin" in the un dertaker. I believe everybody ought to be good, but there's such a thing as beln' too good to be interesting. It s the little faults I'm talkln' about, you understand, the Tallin's that all of ue have, more or less of and wouldn't be exactly human without. I don't know whether it's ex actly right to call 'em blessings, but it seems to me that they act kinda like safety valves an' keep us from doin' worse things. Anyhow, it's been my ex perience, an' I've been here a long time, honey, an' itept my eyes open it's been my experience that a man who don't ap pear to have any faults had better be watched. The natural-born cussedness 11 pile up inside o' him until come day he'll bust out an" "stonish the natives. That's why I say, honey, that it won't do to bot tle a man up too tight. Unless you have an outlet for the meanness that's in him you're likely to have trouble, an" I don't know of any better outlet for masculine depravity than a good cigar. . "iow. little girl, you've married a man. I've been watchin' William pretty close since I came home, an' I'm toler ably well satisfied that he's the real thing. He's got some rough edges that might be sandpapered down with bene fit to himself and to you, but I want to give you a straight tip. little girl, and that Is, that th esmoothin' out process will go a whole lot easier when he's got a good cigar between his teeth. There's somethin' about burnin' tobacco that makes a man more susceptible to impres sions from without and more readily in fluenced by reflections from within. Let him have a mild Havana, fix him up comfortable in an easy chair, and he's in shape to submit to most any kind of a domestic operation that is prompted by love and reason. He ain't doped. Smoke don't steal -away a man's brains. On the contrary, it stimulates his intelli gence and opens his eyes to a better ap preciation of the beauty and goodness around him, while at the same time It softens his heart and soothes his nerves. It has a tendency to make a man more amiable and more amenable, and after a good many years of observation, lny dear, I am pretty well satisfied that there's nothin' that'll promote matrimon ial harmony- like a good cigar smoked at home. You never heard of a man with a cigar in his mouth breakln' up the furniture or draggin' his wife around the room by the hair of her head, did you? . No, I" guess not! Nor It don't In duce him to sneak out Into the kitchen and kiss the cook, either. It's influence is always in the direction of virtue. Many a crisis, domestic and otherwise, has been prevented by the contempla tive restrain of a good cigar. You -needn't smile, little girl. That's no joke. Of course, you can always get too much of a good thing. Too much tobacco will work harm in time, but so will too much ham and eggs; and the man who smokes at home isn't half as likely to overdo it as the man who has to go out In the woodshed, or to the corner saloon or to the club. "And that brings me around to the main point that I want to press into your pretty little head. You've got your hair fixed mighty nice, this evenin", honey. New style, ain't i? Uh, huh! Looks fine! But, as I was about o say, the best place for a man to smoke his cigar Is. at home. Now, you've got Bill out there in the back yard tryin' to get eome satisfaction out of his smoke, and he isn't gettin' it. Smoke, for the most part, is a mental process, and its enjoyment is measured a good deal by the surroundings. Bill's puffin' away out there an' woivlerin' why it burns so slow. All the time he's think in', an' you oughtn't to blame him if his thinks ain't the kind you'd like to have workin' aroun' in his brain. He ought to be sittin' here an' lookin' at you just as I am, an' wonderin' to himself how in the world he was lucy enough to get such a dear, delightful little wife. Instead o' that, he's probably thinkin' that it's mighty tough that a man can't smoke in his own house. If he has to go away from the house to do his sniokin' he'll- grad ually go farther an' stay longer, an' the first thing you know you'll find yourself sittin' up at the front window at 2 o'clock in the mornin' tryin' to figure out what's happened to Bill an 'wonderin' whether you ought to get out a rollin'-pin or a mustard plaster. "No, little girl, mind what your old daddy says. Don't try to make a seraphim out o' Bill. Ifeep him at home, make him think that home Is the sweetest and pleasantest place on the face o' this green nvestigate Our Complete Line of Electric Cooking and Heating Appliances DISPLAY ROOMS 147 SEVENTH ST. Portland Railway Light and Power Company earth, and let him smoke anywhere he tell him I've got a real cigar for him.' doggone pleases. Now, call Bill in and I (Copyright, lfW9, by C. S. Yost.) FUTURE COUNTESS OF DROGHEDA. APOTHEOSIS OF THE MIND OF THE HUMAN SOUL Most Remarkable Age of Psychical and Physical Progress and Enlightenment. v.V"'r';;?;V'Siv?ss MISS KATHERIXE PELHAM Bt'RXS. NEW YORK. Feb. 20. (Special.) This is the beautiful future Countesq of Drogheda. who Is Miss Katherlne Felham Burns, daugh ter of Charles Pelham Burns, of Edinburgh. Her mother is one of the leaders of the smart set of the Scottish clfy. The Karl of nrogheda Is young, handsome and rich, so the match is, from many points of view, most admirable. BY R. M. BRERETOX, C. E. IN the story of Enoch, the seventh gen eration from Adam, the Hebrew and the Christian are told that he "walked" on earth with his Spirit-Father during 300 years, and then, not by death, but by refined translation or transubstantiatlon of the physically etheric body, he was enabled to continue his "walk" in the next higher stage of eternal existence. This meaning of the verb "to walk" has a very remarkable and extensive application to the psychical mind and soul of man throughout the Bible. It is most significant of the unique atti tude of man In the animal kingdom of Nature: he aione walks upriglltly and looks upward. What a beautiful and powerful illus tration is this of the continued apotheo sis of the human mind in earth life: this progressive psychical growth must continue as long as earth shall last and be the dwelling abode of man. Surely the Master of Christianity was well warranted In his theistic idealism of the fatherhood of 1 spirit and the brotherhood of man from this funda mental principle of theistic belief, so prominent in the Hebrew and In the Christian mind. He could well empha size the truth of these remarkable words of the Hebrew philosopher and Psalmist: "I said ye are gods." In the human language on earth there can be found no nobler, no more sacred and no more intimate term of relation ship than that of Father. Its divinely supreme origin has ever been, and still is, the corner-stone of the very best form of revealed Theism in the mind of man on earth. For 6000 years Theism has endured deep-rooted in the Hebrew mind: fully as long it has been the essence of the mind of Brahmanism In India: for 2000 years it has been the tap-root of Chris tianity, and for 1400 years that of Is laism. Buddhism. Confucianism and Zo roastrianism in India, China and Persia have represented the apotheosis of the psychical and physical attributes of man during 6000 years. The apotheosis (nobler evolution) of mind in the English-speaking race is clearly and remarkably Illustrated in this dawn of the 20th century. Two thou sand years ago, when the Romans con quered Britain, our ancestors were a savage race, clothed in the skins of ani mals, and living under the influence and thraldom of the Druid magicians. On the stone altar of the open-air temple at Stonehenge, on the Salisbury Plains, in AViltshire. they offered up human sacri fices to their deity. In physical consti tution of body it was the same as we now have, but what a marvelous transla tion has been evolved in the mind of the English soul during this period of 66 his torical generations. Physical heredity in flesh and blood has held its unaltered sequence all through these centuries, but the psychical heredity of the mind of the English soul has emerged from the gross darkness of savage ignorance and super stition Into the marvelous light of the present day. Surely this affords suffi cient confidence of belief in the more rapid progress of apotheosis in the mind of future generations. The savage form of human spirit-mind that haunted the open-air temple of Stonehenge has been translated to a far higher stage of hu manism, and this has produced a nobler apotheosis in the present mind and out come of our race. The stone altar at Stonehenge was comparable to that old altar at Athens which was dedicated to "The Unknown God," and which formed the text for that splendid sermon of St. Paul on Theism and the spiritual apoth eosis of man. This sermon Is good for us to read and to think on In connection with the remarkable psychical and physi cal apotheosis of JesuB as related in the fourth chapter of Luke. Man must learn to know more fully and correctly his true psychical being and soul-mind before he can know and rightly worship his true Father "in spirit and in .truth." The Christian churches of every de nomination must in these more enlight ened psychical das-s follow the example of the Master In teaching and preaching the gospel of the human soul's origin and mind far more than the past and present gospel of its objective mind and body, if they are to be refilled by euu cated and highly civilized humanity of both sexes. The existing purely physical dogmas of hell and damnation, and the doc trine of resurrection of the coarse grained etheric body of flesh and blood and of vicarious sacrifice and atone ment, that are now based, as they were during the Dark Ages, upon a purely physical hypothesis and hypos tasis, can no longer scare the mind and conscience of educated and civil ized man into a life of righteousness. The brutisii mind of the human sav age needed those physical dogmas and doctrines and discipline in order to rise- to a higher standard; there are still millions of brutish and uncivil ized humanity on earth who need the same. The true soul-miiid and conscience of both the savage and the highly civilized man must be awakened, edu cated and fed by the teachers and preachers with true knowledge, and with the language of truth In accord ance with the quality of their under standing capacity. Nature In every form of psychical and physical life on earth affords a multiplicity of object lessons which enable man the master in her mate rialized kingdom to rise from the low level of the mind of the brute to the highest possible horizon of morality, refinement and beneficent usefulness In his earth life. There is no better illustration of nature on earth than that given in the 104th Psalm. This is full of "words of delight" for the use of the Christian preacher. The supreme object of highly edu cated and civilized man on earth should be to make this temporary con dition of physical existence on earth as pleasant, enjoyable and as full of refinement of psychical and physical thoughts as possible, because viewed from the psychical side our earth Is so full of soul and life in all their phases. The etheric substance and atmos phere of earth make it available at all time3 for the all-pervading pres. ence of our spirit-father, and of his ministering spirits, and of our de parted spirit-relatives and friends, by whom, as St. Paul tells us, "we are compassed about." botli by day and by night, in their translated forms of finer etheric substance. From this psychological view of earth and realization of the multiplicity of all the forms- of soul, life and mind exist ent on it, we should try to think more of it as a planet best adapted for human abode both now and hereafter. If it is good enough for the presence of the spirit-father and his angels It surely should be good enough for us, if we only try to make it so. For the present life Oregonians If they could but realize the true psychical conditions around them as well as they do the material should be well content with Oregon and the City of Roses. There is no better protion of North America to be found. This is a most remarkable age of psychi cal and physical progress and enlighten ment, and for these there is no better field on earth for the manifestation and apotheosis of the educated and civilized man than Oregon, as Nature has made and furnished it. in field, forest and mine, with beautiful conditions for hu man life and mind. May the rising generation of Orego nians have their spiritual mind so well educated and Inspired In their schools and churches that they will learn to re spond in the words and emotional spirit of the old Hebrew philosopher and Psalmist: "O Lord, how manifold are thy works! In wisdom hastlthou made them all: Oregon is full of thy riches." Woodstock. Feb. 16. Russian Railways Lose ST. PETERSBURG, Feb. 20. (Spe cial.) The Russian railways with few exceptions are sources of loss, not prof It, to their owners. In some striking cases it has been proved that the great er the traffic the smaller the returns. Passenger traffic, for instance, is es pecially unprofitable, because thous ands of travelers contrive to journey gratuitously. The police have just dis covered In Blcklostok the headquarters of a gang of criminals who for years have been printing and selling railway tickets for small sums. Is to love children, and no home can be completely happy without them, yet the ordeal through which the expectant mother must pass usually is so full of suffering, danger and fear that she looks forward to the critical hour with apprehension and dread. Mother's Friend, by its penetrating and soothing properties, allays nausea, nervousness, and all unpleasant feelings, and so prepares the system for the ordeal that she passes through the event safely and with but little suffering, as numbers have testified and said, "it is worth its weight in gold"." $1.00 per bottle of TT TTjtmTWJI f S r.VM9!y druggists. Book contain ing valuable information mailed free. THE BRADflELD REGULATOR CO. Atlanta, Ga. mm
