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About The Sunday Oregonian. (Portland, Ore.) 1881-current | View Entire Issue (July 21, 1901)
iff wm. uL PJiRT FOUR mw or Pages 25 to 32 K. J tM 4 J VOL. XX. tKJyi.fliiBBKH& liiHre&MflHHmyfci Kail A jKF ; 'tu JfP&YJflaJMzssmmM mr:fe E all love the beautiful. "We are all enticed by Nature. Some drink at deeper foun tains than others. To some people Springtime means only a change of weather a spell of cold and rain giving Way to a season of sunshine and warmth. To others, Jt is a life-renewing season a time to molt the old Winter garb and let our thoughts and ideas feather out into broader vision. We grow tired of the city and its people, and the soul longs for the green fields and shady hllk?. The boyish ardor for a wild and free life re turns as the birds arrive from the Sunny South and pour out their praises of joy at eight of their old haunts. We drink the inspiration with deeper enthusiasm each returning Springtime. The ennobling In fluences of Nature form a fountain of perpetual youth welling up in our souia What a source of unfailing pleasure the trees, the flowers, the brooks, the hills! But they do not breathe; 'they cannot talk to us. Nothing 'in Nature breathes to the soul like the wild bird's eong, nothing touches our sense of beauty like the delicate plumage, or the grace ful and easy flight of a feathered friend. The Camera's Use Afield. Nature study has received a great Im petus within the last few years through the use of the camera In the field. Em ployed In this way, it affords not only a pleasing pastime, but encourages the closest study, and Is of considerable scien tific value. But of the thousands who use the camera comparatively few em ploy it for any valuable purpose. Much time is spent and effort made by the am ateur photographer on what has been termed "reminiscent photography" In the taking of scenes and views of only momentary interest. This serves as an amusement, but It cannot compare in In w terest with the gathering 'of a series of pictures of Nature's creatures in their native haunts. The fascination of getting a picture of a bird in its wild state is something that not many people have ex perienced; to be eucceosful, it requires a knowledge of birds and a close study of their actions, ways and habits. The successful bird-photographer must, of course, possess a good camera, with a first-class, rapid, rectilinear lens, and-a proper knowledge of its use. Ropes, climbing-irons, etc., are also necessary, for working in the trees or among the cliffs. A ladder, hatchet and nails often save' considerable time In the woods. A small green tent, or some method of hiding, is essential in getting the picture of a shy bird. oVntnral Requisites. The greatest natural requisites are a big store of patience and perseverance, a good eye and a level head. Without great patience, little can be accomplished. Some birds are friendly and unsuspicious, but many are ehy and wild and can only be photographed by using some skillful device for hiding and, perhaps, by wait ing a long time for the coveted opportu nity. Many birds nest In the wildest places high up in the trees, among the cliffs of the mountains, or on the rugged rocks off the seashore but there are few nests that cannot be photographed, If the photographer has the proper requi sites, a true love for the study and a de sire for natural history picture-making. The difficulties of getting a good bird picture are exceedingly numerous, but the ability to overcome the many ob stacles and secure a true representation of the bird in Its wild state places a true value upon the results and gives the subject its fascination. Nature has pro vided her creatures with wonderful pro tection as to coloring, and the camera PORTLAND, OREGON, SUNDAY MORNING, JULY 21, 1901. is utterly incapable of showing some birds to any advantage, unless a suitable back ground can be secured. Besides the diffi culty of background, there is always an equal one of getting the proper light at the 'proper time. In a time exposure, the subjept often makes some slignt move at a critical moment and spoils the plate. Some GaessTvorlc. In order to catch a bird in a good posi tion, one otten does not have a chance of focusing, but has to do considerable guesswork. Sometimes the camera is fo cused on the place where the bird is ex pected to return, as, for example, a perching place or feeding ground; or. If It be during the nesting season, the nest Is then the best place to get a focus and wait for the bird's return. In cases where the bird is shy, a picture may sometimes be secured by setting the camera and covering it all except the lens with green branches, and then using a long hose arid bulb attachment. It is early June, and these are the rar est of all days. Let's take a ramble through the field or woodland, or, better still, down through the grove by the old pond. Everything has awakened to new life. We turn our condensing glass upon the bird world and recognize all the old friends of former years. There is the same old woodpecker the red-shafted flicker on the side of the dead stump. He gradually climbs to the top, peeping around at us from the oppo site side of the tree, and his loud call of "cheer-up! cheer-up!" echoes through the trees and over the pond and seems to awaken everything into joyous response. All through the Winter's season of snow and rain he remained here, for he is a loyal Oregonian, , and refuses to migrate with the other birds. But his food sup ply ran iW during the cold weather, and we now see him digging his dally supper of worms from the ground, instead of the trees a queer occupation for a woodpeck er. A Misnomer. ' He Is commonly known as the yellow hammer, but this is a misnomer; his East ern cousin has the yellow under his wings and on his breast, but our bird haa changed his yellow vest for one of red, and is a typical Westerner, common now all along the Pacific Slope. Our interest centers In the old flicker, for we have watched him since early Spring. He has spent many days in love and courtship, and his acceptance is as sured, for In the top of the old .dead stump, just at the edge of the pond. Is the beginning of a new nesting site. A few days more, and the home has, been completed. Both birds are seen not far from their new residence, enjoying a happy rest after their hard labor. Home cares will soon begin, for every day a clear, pinkish-white egg is laid on a bed of soft, dry wood, until the nest contains seven white treasures. Fondly the mother cares for these, while the father calls his words of cheer continually from some tall tree, or hunts for the daily food. Often he takes his turn at incubating the eggs and caring for the house. It may seem too bad to disturb such a household, but a picture of the interior will make a valuable addition 'to the col lection, because the nest of this bird is often in a much harder place to photo graph, and if a little care be exerted, there 'is ho danger of the birds deserting the nest. The morning of a clear day was select ed, so that the light would be sufficient. Ascending the tree and examining the nest by the aid of a little pocket mirror, the eggs were found to be placed a foot and a haif below the entrance. On the opposite side from the entrance, and on a level with the eggs themselves, a neat window was made with a small pocket saw, giving a good view of the interior. The dead tree limbs were not strong, nor were they In a position to permit of the camera being fastened or focused. A j smau Doara, aDout lour reet long, was tnereiore secured, and to the end of this, the camera was firmly fastened. The focus was. then made with a mirror re flecting from the ground glass. A mirror often comes in handy for focusing in the treetops, or for reflecting the light Into a dark nest. ' Dlfllcult Photography. It was all that two of us could do to retain our position in the tree top where the flickers had their nest and hold the camera out at the proper distance, on a horizontal line, a little above the nest. The 'exposure was necessarily very short, and several plates were used, each in slightly differing positions, so as to get a good view of the eggs. Fitting back the artificial window and fastening It se curely, the mother soon had the pleasure of returning to her eggs, apparently un mindful of the change the home had un dergone. . After one or two more visits to the scene of operations, we could tell that the stump contained a thriving family, by the store of worms that the old birds con tinually carried to the nest. By knock ing on the stump and placing the ear close, you could hear the buzzing noise that the youngsters made. It did not take many days of feeding for the little fel lows to develop and feather out. They had one meal a day, and that lasted from dawn till dark; in the meantime, they slept and grew. It was a busy season for the old birds. The little ones were soon able to climb up the side of their wooden home and ' meet the parents at the door. Then, as soon as the old birds alighted In the tree, there was a scramble for the entrance, and the door was filled with gaping mouths that never seemed to get enough. The moment the old birds doparted from the tree, was the sign for the young birds to crouch back into the bottom of the nest where they would never say a word un til the parents appeared again. The les son of crouching close and remaining quiet is the first lesson that Is taught young birds; It is an Important one, for many enemies are always near at hand. The time was ripe now for another picture of the household, so we again as cended the tree. When we reached the nest, we were greeted by that peculiar buzzing noise that young woodpeckers al ways make. It sounds like the humming of a swarm of bees, and is one of the numerous devices of bird protection. I remember once seeing a boy climb to a woodpecker's hole who was not fa miliar with this noise. He was so de ceived by the buzzing that he Jumped about ten feet to the ground, in his haste to escape from the swarm of bees that he said was inside. I have no doubt that animals are sometimes kept from disturb ing young woodpeckers by this deception. A Family Party. Removing the window from the little log cabin, what a scene presented Itself! There was a whole family of full-grown birds. We took out one of the little fel lows, but he did not like the idea .of leav ing the nest at first. Young birds are In stinctively afraid of man, but, with a little care and patience, they can be tamed very readily. We soon had our young woodpecker so that he would perch almost any place. He would cling to our clothes, or climb up the side of the tree, just as his parents NO. 29. were accustomed .to do. He began to en Joy the freedom and a bath in the warm sunshine. It was amusing to hear him try to Imitate the call of his elders; he seemed to think he was plenty old and large enough to leave the narrow confines of his home and start out In the world for him self. The other young birds, one by one, tamed with considerable patience, and each In his turn posed for a picture. Fi nally, all were placed on the stump to gether to get a group picture, but this was a big undertaking. One little fel low was exceedingly ambitious and in sisted on climbing to the top of every thing he touched; another was anxious to try the strength of his wings, and still another was satisfied. In trying to peck a hole in the top of the camera. It took a long time to get them quieted. One little fellow, that seemed to be the eld est, was very domineering and he would peck and fight with the others, when they came too close, just as If he owned the whole tree. Good Xegratlven Secured. The light began to fall at the critical time, and the exposure had to be longer. Many plates were spoiled, in trying to get a good picture, but patience was finally rewarded and a couple of good neg atives of the bird group were secured. This little household clearly Illustrated that the fittest survive among the birds. Two of the family were large and strong and generally secured the lion's share of the food; the other two took what they could get. The fifth bird was more un fortunate. He was younger and weaker than the rest, and had succumbed in the struggle, and had died in the nest. Two of the seven eggs that had been laid failed to hatch. It was a task to get the birds back into the crowded nest, after enjoying their freedom. The home, must have seemed like a prison house, for after the window was closed, they started to climb out the front door, but were restrained by the scolding of the parents. After a few days we visited the place again and found the old home deserted. But in different parts of the grove we heard youthful calls and we watched the old birds teaching the many lessons of food-seeking and self-protection that makes it possible for birds to thrive in their world of many enemies. Rnfons IIummliis-Birds. Some of the pleasantest and most inter esting work of the bird photographer is gathering a series of humming-bird pic tures. This little creature that seems more "like a gem or a blossom on pin ions," than a mere bird, builds where It can be photographed to good advantage, its nests being generally In bushes, not far from the ground. The bird Is quite common about Portland and in the sur rounding woods and ravines. Many of them build their homes in the yards about town, often selecting a convenient spot in a bush or vine about some piazza. Here, as it comes and goes in the sun light, it seems more like the flash of a diamond than anything else. Fond of the company of human beings, the little hummer can be made very tame by one who seeks bird friends. The male bird of this neighborhood has a cinna mon red body, with a fiery red gorget, while its mate is plainer-colored. A fa vorite nesting site with them is on the side of a bank, where a little bush over hangs. I have found them frequently in railroad cuts, a few feet from the track of a passing train or electric car. They pay no attention to the trains, for they soon learn that, with all the noise, there is no accompanying harm. IIuniming-Bird Xests. One nest that was photographed was built in a wild blackberry bush, under a railroad trestle. This nest, on the out side, was covered with green lichens, so as to conceal it and make it look like the surrounding bushes; the interior had a soft lining of cotton. Even this white lining and the two little white eggs were hardly noticeable among the clusters of white blossoms that covered the vine. Nests of this kind are not often found, except by the careful observer, but, by watching the bird,' it will often lead you to (Concluded on Page Thirty.)