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About Portland observer. (Portland, Or.) 1970-current | View Entire Issue (Jan. 25, 1995)
K PH P - T h e M aking of Portland’s H om e of Praise by Ruth H«b«rling estled between the West Hills and the Willamette River in an obscure brown building at 4700 SW Macadam Avenue, behind an almost hidden entrance, rest the decep tively calm offices and studios of Portland's "Home of Praise!”; 1290 on the AM dial. As the sun sets behind the trees, 1290 is still honoring the One who never sleeps. When silence gathers along each street, KPHP continues to broadcast the good news of the One who never stops speaking. Three years ago, 1290 was "dark," in radio-speak. KLVS, the now defunct all- Elvis music station had disbanded. Crawford Broadcasting Company, head quartered in Detroit, Michigan, began to evaluate the need in Portland for a new sta tion targeting the Christian community. Teams from the home office began to seek out the Christian leaders: Joe Aldrich, Bill Ritchie, Ron Mell. They soon discovered Mission Portland, a unique ministry the needs of local ministries. For many designed to help cixirdinate local needs weeks, each Sunday would find Harms and ministries. CBC bought the station in visiting various churches, standing in the March of 1991. foyer between services and asking ques “All we had, literally,” says David tions. What do you need in a radio station? Harms, General Manager of KPHP, "was a What needs are you having met now? piece of paper from the FCC stating that What needs aren’t you having met now? we had a license to broadcast on the 1290 “The thing I really love about wavelength and a lease on three radio Crawford broadcasting, “ says Harms, transmitters west of 205 by Clackamas. rolling forward in his chair and removing That was all we had." No offices. No stu his wire-rim glasses, “ is that we have no dios. No staff. Just a handful of promise. pre-set ideas about format. We’re not a There were only three stations in the cookie-cutter operation. We have 15 radio area targeting the Christian community at stations around the country, and they are the time. KPDQ ran mostly ministry and all very different. Each station is tailored to Bible teaching programs. KBVM, from the needs of the community. The Chicago the University of Portland, broadcast mel station plays mostly black gospel music. low Christian and secular music along In Denver, it's 24 hours of music. St. Louis with Catholic services. Fledgling KLove is an all-talk format. Birmingham plays was airing contemporary Christian music. southern gospel music. Buffalo carries a Harms moved into a Portland Motel 6 very traditional music format. They’re all in November that year, leaving his family different. When we come in, it’s not in Detroit to finish the school term. His ‘We’re going to do music,’ or ‘We’re going first official day on the job as General to do talk.’ We find out what the people Manager of Portland’s newest radio sta want.” tion, he assessed his needs— a typewriter, The format combining contemporary pens, paper, stamps. He filled the hours of Christian music, Bible teaching, and talk daylight and dark listening: to the existing shows was developed. Staff was hired. radio stations; to potential advertisers; to Offices were leased and modified. The N 18 C h r is t ia n U n it y fateful moment came at 6 AM, January 6, I992 when Matt Williams, the morning show host. Hipped the switch and KPHP came alive with prayer, praise, and music. “The first half hour we were on the air,” reminisces Harms with enthusiasm, "I was driving down 1-84, taking the loop on 205, and back up 1-5 to the studios, just to listen. I had been working on putting this station together from total scratch for two and a half months. 20 hours a day. I was driving around, feeling good. The broad cast was sounding good . I was pretty excited. And just as I headed down 205 around Division Street, the still, small voice of God said, ‘You didn’t do any thing.’ And I couldn't argue with that. God had built His own program." This Christian radio station takes more than talent, initiative, equipment, and courage. The primary quality required in each staff member is a heart open to the Savior’s leading and guidance. The gener al manager is not alone in his devotion to God. Sandy Snavely reflects, “Working at a Christian station forces me to Walk my talk.' There is never a day that goes by that I’m not aware of the need to be close to the Savior. If I don’t spend time with the Lord