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About The daily Astorian. (Astoria, Or.) 1961-current | View Entire Issue (Nov. 16, 2017)
NOVEMBER 16, 2017 // 15 dining out A STORIA C ORNER D ELI ◆ Local ◆ Fresh ◆ Gourmet See for full menu 304 37th Street | Astoria, OR 97103 503-325-7768 TU E 22 $ ECIAL! Y PI Z Z A DA Pizz 2 for as SP S All orders take-out 503.325.7414 bakedak.com #1 12th Street, Astoria, OR 3 8TH & L, ON THE S EAV IEW BEAC H APPROAC H 3 60-642-7880 W ED BURG ER NITES ARE BAC K ! North Coast and Peninsula Imagine Your Restaurant Advertised Here! Great pub grub & craft beer Seaview, WA ▪ 360.642.4150 shelburnerestaurant.com 503.755.1818 www.camp18restaurant.com Favorite stop to & from the Coast ILIES FAM OME! C WEL Now offering soups, paninis, beer & wine. Come check out our new addition. You don’t need to zip to come sip. 503.861.9875 92111 Highlife Rd, Warrenton www.highlife-adventures.com Advertise Your Hungry Harbor GrillE 3 13 Pa c ific Hw y, Do w n to w n Lo n g Be a c h, W A 3 60-642-5555 • w w w.hu n gryha rb o r.c o m –– OPEN DAIL Y! –– Restaurant 1157 N. Marion Avenue Gearhart 503-717-8150 www.mcmenamins.com Continued from Page 4 seems like everyone brings their own narrative and life experience to my portraits,” he said. “Inevitably, the viewers will begin to tell me stories about a person they knew or a personal experi- ence they had. It’s always fascinating to me that a portrait will trigger those memories and emotions in a person.” Clarke — a part-time Gearhart resident whose award-winning canvases have been featured in Clat- sop Community College’s renowned “Au Naturel: The Nude in the 21st Century” exhibition five times — uses oils to create haunting faces and figures. However, he resists the word “portrait” to describe what he does. “A good painting, is more than just a representation of a face or a street corner or a tree or whatever. You can take a photograph for that,” Clarke said. “For a good painting, it’s a combination of two elements,” he continued. “I think you want to capture something about the person, something in their person- ality that’s intriguing, that draws you to them and makes them worth looking at. “And the other element is the paint itself. In a painting, you’re doing something in two dimensions that often has a three-dimensional character to it — the surface of the canvas, how the paint is applied, the tone, the val- ues, the colors, the shapes … Not just the image itself but how it’s arrived at through the medium of the paint.” Clarke added: “I’m drawn to people as a subject, but I’m equally drawn to the act of applying paint to the canvas. That’s where I get lost, the craft of it.” “Local Portraits NW” casts a net both wide in form and function — paintings, drawings, prints, sculptures, multimedia and digital video COURTESY IMOGEN GALLERY A portrait by Timothy Peitsch COURTESY REED CLARKE COURTESY REED CLARKE A portrait by Reed Clarke A portrait by Reed Clarke projection are all represent- ed — and narrower and more personal in terms of subject matter. Each of the participants’ portraits are of individuals known to the artists personally. “Facing You” features fewer artists — Peitsch and Clarke are joined by Meghann Hanour Sprague, past recipient of Astoria Vi- sual Arts’ artist-in-residency program — but allows for a greater conceptual sweep, particularly in Peitsch’s contributions, which use a limited palette of grays to create a sense of the past. But it’s the feeling of shared humanity that runs through it all, a glimpse into the eyes of others that accounts for portraiture’s appeal and durability. “What I’m interested in is making a good painting that people are drawn to,” Clarke said. “My hope is that it holds up for years and years, and, though it doesn’t change, it renews itself and people continue to enjoy it.” CW
