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GRAB BAG book shelf • glimpse • wildlife • pop culture • words • q&a • food • fun NW word nerd By RYAN HUME noun 1. any number of chemical compounds containing potas- sium, most commonly leached from spent wood ash, and often employed in the creation of fer- tilizers and soap Origin: Current form is fi rst record- ed in English in 1751 following the introduction of “pot ash” in 1648, which was borrowed as a loan translation of the obsolete Dutch, potaschen; all refer to the initial process of obtaining the substance through the means of evaporating an ashen solu- tion in a cast iron pot. “The majority of cargo from Washington and Oregon that travels on the Columbia River is exports. Wheat from Eastern Washington or corn or soy from as far away as Kansas can make its way to Asia or the U.S. or South American West Coast. Bulk exports of potash for fertilizer plants, lumber for milling or oil products destined for refineries on the U.S. coast are common, as are imports of hun- dreds of foreign automobiles on eight-story high transport ships. Anything from name-brand tennis shoes to fireworks can be on in-bound ships. Nei- ther the bar pilots or CRBP employees usually know about the cargo in the ships they guide.” — “Columbia River Bar Pilots of Astoria,” The Daily Astorian, Thursday, Aug. 22, 2013 “Mr. Rogers, of Rogers & Pyatt, importers of gums, shellac and chemicals, and manufacturers of varnish, made a statement which quoted Pres- ident Main of the Tarrant Company as saying that the ‘Rogers and Pyatt people stored much chlo- rate of potash with us and this may have caused the explosion. I am inclined to think that it did.’” Crossword Answer J A C O B S A N O D E C A S S L S D A N O M I A N A M E L Y T E N D S B S F A O R R H O O Y O T O N E R A S I M E C A T E Z W O N I N E N A R E S O F B I U R N O N I N S N E U N G S R O S E A U R T H I S E T E R R U W A N S E A C U N H P A D E D O T E D V E S D E R W A R A F S P T O G R E P A X R O M A N A E L A T T E A S C K O L T E T S O M B A R N O A L M T E A M W O R D O I M O B L A S A R Y C G E N D A O W A R P B R P U R E E O B U I L R N A M A C S I S H K A E Y L R M I T E M O R G V E N A L I T M A E R P S S Y S S O P E N E R F O A L F U R Y I N T H E O W B P R A R A I G E L S D T I D A S N I B A T A L I C A R A I N S D O A N F R S O D C A R E A M A N L S C H U M A N N H E Y I R K S N O T S O A W M A N L E O N I A L E M A N S BOOKSHELF By RYAN HUME Just finished “Carver: Collected Sto- ries” by Raymond Carver The Library of America, 2009 Plot Notes: A husband tasked with feeding his well-to-do neighbors’ cat while they are away is drawn further and further into their empty apart- ment by the call of their things. A young couple happen upon a heap of furniture out in a front yard, mistaking the end of a marriage for a garage sale. Another husband tries to understand the depth of the connection his wife has with a for- mer boss, a blind man staying the night at their house. And in perhaps his most famous and imitated story, “What We Talk About When We Talk About Love,” four friends — two couples all embarking on second marriages — discuss their personal meanings of love as a bottle of gin and the afternoon light wane. Take Away: Like Hemingway, Carv- er writes powerful, barebones stories in unadorned prose. One of the Pacifi c Northwest’s most noted scribes (born in Clatskanie, he sadly died in Port Angeles, Washington, at age 50), Carver is remem- bered for his melan- choly portraits of work- ing-class malaise, the wedge between the sexes and his knowing portrayals of alcoholics on either side of sobri- ety, but this collection shows that his stories were also sly and very often funny with a generous wit. This comprehensive volume issued by the Library of America gathers all of Carver’s celebrated story collections as well as “Beginners,” for the fi rst time in print. This is the original, unedited manuscript of the stories that would become “What We Talk About When We Talk About Love,” many of which were so severely altered by his editor, Gordon Lish, that many literary critics have to reassess their appraisal of this collection as a groundbreaking work of minimalist fi c- tion. Now’s the chance to read them side by side and make your own decision. Recommended For: Lit geeks, fans of Alice Munro or the short story in general, book collectors and aspiring writers Bonus: Carver has gotten the Hol- lywood treatment a few times. Many of his stories were utilized to create Robert Altman’s “Short Cuts” in 1993, while “Why Don’t You Dance?” served as inspiration for the 2010 recession-era Will Ferrell dramedy “Everything Must Go.” Lately, he has been name-checked at the multiplex in “Birdman,” as Mi- chael Keaton’s character is attempting to stage an adaptation of “What We Talk About When We Talk About Love.” Other books: “Carver Country: The World of Raymond Carver Photo- graphs” by Bob Adelman with excerpts from the work of Raymond Carver Quantuck Lane Press, 2013 More on Carver: Gain intimate ac- cess to the lives, times and landscapes of Raymond Carver through Bob Adelman’s duotone photographs. Carver was known to indulge his wanderlust, and Adelman captures many steps of his journey through Washington, Oregon, California, New York state and more. The photographs are paired with selections from Carver’s prose, poetry and letters to reveal the physical lo- cations of an otherwise fi ctional universe. “10-Day Green Smoothie Cleanse” by JJ Smith Atria, 2014 New Year buzz: Even if you have al- ready fallen off the resolution bandwagon, January is still a good month for a cleanse following the heavy doses of just about ev- erything that rides along with the holiday season. Keep in mind though that the authors and publishers of all diet books disavow any and all responsibility for adverse effects. Sale on the ENTIRE STORE! ART CARDS, ARTISAN CRAFTS, GALLERY & WORKING STUDIO 1133 COMMERCIAL • ASTORIA 503.468.0308 (503)325-5720 • 1-800-851-FINN • 1116 Commercial • Astoria January 8, 2015 | coastweekend.com | 19