Brookings-Harbor pilot., July 14, 1955, Page 2, Image 2

Page
2
B R O O K IN G S -H A R B O R
FOR W HAT
The PILOT
- ent
A N IN D E P E
eta«« mane
Eiwred aa *
Marek 1, 1VOÍ, ui
1
new spaper
t ,« p o a to fflc e
th e
IT'S WORTH
A ct
of
n>) ( ' L I F F O R D
O re g o n,
a t B r o o k ir
M a rc h
Rav Pisar k, Joe M u rp h y
>d
E d ito r a
Bt'BSCRl
S3.00
in
|3 50
in ly )
I T O R ¡ AL
• a t i I q n
N A T IO M
NEW SPAPER
P U B L IS H E R S
national "'
.J
*• ' • *3*
ASSOCIATION
A if *
■ I '
,G
W eekly N ü W s PAIL R Ri
New Yerk
KEJ’lt
U
A T! VE
PK I.SI N I A T I\ I S,
i 'e t i u i t
I nc .
Fill I a del ph la
LILY PARADE TIME IS HERE
min, and th.it alw ays leads
I t’s lily p arad e tim e
w th in k it is d o w n rig h t nn-
to a little th in k i' , J 1
believeable the w.i\ th com m im ity pitches in to p u t
was short notice, an d probablx
die th in g over. Sn e,
on it was needed but never-
the long ran g e plan in
regardless
theless, it l<w*ks like lii joh will get d<»i
w illin g w orkers.
— th an k s to .1 lot
T h a t lilv parad is u n iq u e in a lot of ways. It
doesn't lia p ix n .invw h 11 else in tie
ntire country,
It is just too good a tin i’ to k t s l i p by the w ayside,
It is one of those things tliat m akes h o o k in g s w h at
•.itili
it is, a p ro g ressa anti a 'h dutiful city. O u r congr.i
w ho have h.id a n y th in g .it all
ations go oui to .ill ih«
ind the actii »1 stu ffin g of the
to do w ith th e pLni'o
its a bit job but its w orth it.
lilies on th e Ik » its '
T h e pi in e ‘•visual p e rc e p tio n "
SOI1I. I .1 hi! lo lty , h i l l it vve is o l­
a te th«' w o rd jM'icep, ion, an d
art
thiiiL a b o u t it fo r a m o m v n t, it
T h is is ill«' Ills , ol a " *! ies ol w ill give us th e essen ce ol Hi"
sidtp« , V lisP r d efin e s p t'ie p i-
a r tic le s on visual | - i1 p u I .
i, ii .i “ ki iw ’.'«tee th ro u g h H v
c a u se of fhe impoi * m t r d e thi
i
of h , o s e n e e an d prop-
b ra n c h of scion« < < i h i p ’.i <1
in m olding th e m o i ’• wo, Id t tie s «4 m a tte r ol th e e x te r n a l
" o rld .” T’iu knovvh d g e vw gain
a ro u n d us, it is w ihy 4
i «
ah o n , th e e x te r n a l w o rld th ro u g h
■ rrious in v e stig n t ¡«m Th,
''s o n , w e call v isu a l p e rc e p tio n ,
a r t of v isu al p e . <, >t • ■ n
'i h
ab o v e “e x te r n a l w o rld " ,xv-
fected, not only line a r t , i ,
fe rs lo th e w orld th a t e x ists, as
e ffe c te d neat lv < , \
a r c h ite c tu iv and indu f ir ,I ■ * i p r o s e d to m in s u n d e r s ta n d in g
o r im p re ssio n s of th a t
w o rld
sign.
th r o u g h his sens» s
S ince th e su b je c t 9 too ,-v
»ive to be c o v e r I in a
In oidv'r to give a c le a r p ie tu , *
a rtic le , a n d s till he
ol v isu a l p ree p tio n , it is living
I decided to e x te n d it *
p r « ' s '„ le d undei th ie e m a in to p ­
ics n am ely th e p hysical w o rld ,
ies o f a rtic le s | ieli ,rli e In
, i • p li.v s i, io . i c a l s r u e ,lir e ol th ”
be<»n p la n n e d i n s u e h i w a v
to be a c o m p le te u nit in i,
h u m a n I oily th a t , ponds ,o th 1
and ye, r e la te d to
, e \,
h phy sical w orld, a n d th e p sy eh o l-
su b je c t in prop« i o rd e r I
.
1, d p i c
, s th a t o rg a n iz e
ful p la n n in g on th, n h
Vi ual stim u li in to m e a n in g fu l
c o m p n ‘b ens,on ot
1 n
intpt « on
T h e re w ill he s u b ­
e r ia l sh o u ld no, h> imp.t,
topic
le t u ssio n s w ith in
th o se
sho u ld you m iss <»u, m
, ,|
pi, s.
m ain
a rtic le s
V IS U A L
O
F o r thos*‘ b fc o m iu g so m e w h at
d isg u s te d w ith th e n ovels b ein g
w r itte n to d ay . my su g g e stio n fo r
rem d y in g th e s itu a tio n w ould be
to r e tu r n to fiction o f an e a r lie r
d a te I a r r i v I .at ’ hat conclusion,
m yself, re c e n tly a l t e r h a v in g r e ­
re a d fo r th e u m p t e n t h tim e
B leak H ouse by C h a rle s D ickens,
my fa v o rite noveli
of th e n in e ­
te e n th c e n tu ry .
B fo re I h a d re a d m an y pages.
I l ' carn e m o re a w a re th a n e v e r
b< f e re how th e p o p u ’a r novel of
hxlnv h as d e te r io r a te d from its
p r d eec so rs o f th e past century'.
W h a t im p re ssed m e m ost w ith
I ¡cket
v is th«- la c k of s e n s a t­
io n alized sex w hich h as becom e so
p r e v a 'e n t in th e p o p u la r n ovels
ot o u r ow n »im e .
( ' rtain l.y D ic k e n s’ c h a r a c te r s
had c h ild re n and th e y had love
a ff a ir s ,
an d
occasionally
th e y
w <re involved in sc an d a ls; h u ’
th e se h ap p e n in g s w ere in clu d ed
as m erely se g m e n ts of th e e n t ir •
! a tto r n
E ile th e re fo re , w as in
its e n tire ty a n d no, p re se n te d as
is d o n e today as one h u g e s e .
orgy.
As is th e n a tu ra l re su lt of th is
r e g u la r d ie t of o v e r-e m p h a siz e d
sex, th«* avid re a d e r of c u r r e n t
P u b lw h e r s
in
M
V
3.
PI lv( 1 P i K ) \
fictio n is v a s tly d isa p p o in te d if
th e h e ro in e h a s n ’t “ been don
w ro n g by th e tim e th e nin tiv n t h
p ag e is tu rn e d In fac t. U
b
very’ lik e ly w o n ’t he ta k e n ot*
th e s h e lf in th e firs t p lace f
th e c o v e r o r title d o e s n ’t pro m is*
l u r i d '‘‘g o in g s o n ’’ w ith in its pages.
W ith D ickens I fo u n d m ysel
ab le to relax .
II" w ro te fo*-
p eople w ho d id n ’* e v e c t ♦«■
.
th ro u g h th e book in a co u p le of
h o u rs, d ev o u t ni a > die
a lo u s p a r ts
■> r>-
c h a p te r s I fo u n d I co u ld la y th e
lxx>k dow n and go on a b c .t in
d aily ch o re s And as I to iled , I
fo u n d m y self th in k in g ab o u t th •
p ro b le m s involv d in th ” book,
th e c h a ra c te rs , and th e ir actio n s
T o d a y ’s re a d e r of p o p u la r n o v ­
els is not e n c o u ra g d to th in k .
R a th e r th e w r ite r is "v. 1 n th
co n c ern ed soley w ith s tim u la tin g
th e em o tio n of a gen ra tio n o
r e a d e r s w ho find th a t th e only
w ay of reliev in g th e ir self-m ad«'
b o red o m
T h a t is w hy, p erh a p s, I find
m y self c o m p a rin g so m e of o u r
m o d ern w rite r s w ith a g a r d n e r
w ho a f t e r sp re a d in g rich m a n u re
on his rose beds b e c a m e so in ­
trig u e d w ith th e p ro cess th a t he
p ro c e e d e d to a d v e rtis e th
m an-
urv- r a th e r th a n th e fx>autiful
blo o m s it p ro d u ced
I, si e tn s logical th a t we sh o u ld
s ta r t a t som e b e g in n in g of th •
ch a in o f ev e n ts, th a t e v e n tu a lly
b ad s to o u r u n d e rs ta n d in g of th ■
p h y sical w o rld
In th is e a se I
h av e
' ’ iiv ch o sen th o so u rc e
of n a, i d light, w hich is th e sun.
Tie
¡in is c o n s ta n tly g iv in g
«41 ( ¡ n i v S om e ot th is e n e rg y
We i» ,'re iv e as lig h t. S cien ce un-
iv e ,s;i|
ecei • > ,c<. n o tio n th a i
■ kn, w it, w ould not
'axis, it 'h e r w as no one, or- n o th ­
in '' to
•«■ tve it, just as th e re
w o u ld he g • s< i nd d th e re w a s
no one to ’ ,»r it E ight a n d
sound v ib ra t i
tra v e l th ro u g h
sp a c e in m u c h th e sam e w ay as
i olio wav s ,1,,. T’he ^paev a ro u n d
us i* t»e ' eon, an tly b o m b a rd e d
by vibf tio ie tr a n s fo rm e d in to
so u n d an d v isu al im iges, by th o se
v ho h a v e rec eiv in e s-ts. H u m a n s
a r e v q u ip ix 'd w ith a b u ilt in r e ­
ce iv in g s e t ’, w h ich is th e e a r, fo r
re c e iv in g au d ito ry v ib ra tio n s W.«
a lso h a v e a sm all rec eiv in g set
lo r e a ,» titlin g lig h t v ib ra tio n s,
w lii, h is 1 lv» ey e.
T h e h u m a n ey e a , best is still
only a n in s tru m e n t lo r tr a n s m it-
f i
lig h t im p u lses to th e b ra in ,
w h te th " ac t ol seein g ta k e s
place. E ight c a u se s c e r ta in c h e m ­
ical r e a c tio n s in th e cyv*. w h ich
m to , n sc, up an e le c tric c u rre n t
tl a, flow s th ro u g h th e o p tic n erv e
N ext vvi'.'k’s a n c le w ill lx* a
c o n tin u a tio n of th is d iscu ssio n ,
w ith e m p h a sis on th e p ro p e rtie s
of lig h t.
A
P I L O T — B R O O K IN G S , O R E G O N
T h u rsd a y ,
The SKETCHBOOK
O reg o n in th e
his Fir. .»! Aceoin
Ju ly , 19? ,
nesday. th v 2 0 th è
sUNTY
C
O
U
R
T
O
F
THE
in th e C h a m b e rs of he ( ’ounty'
J u d g e in th e C urry C
ty C u r t
’. O F OREGON
THE S
H o u r . C Id r ” ;..ch C u r: .• C o u n ty
F t a ’ e o O re g >n, h as b en se t a s
N O T IC I. O F H E A R IN G th e time? an d {dace fo r h e a rin g
F O R T H E COUNT Y O F CU R R Y o b je c tio n s to said F in a l A c c o u n ’
an d fo r s e ttle m e n t of sa id e s ta te .
IN T H E M A T T E R O F
D A T E D an d first p u b lish ed th is
23rd dav ot Ju n e , 1935.
T H E ESTA TE OF
D A T E of la st p u b lic a tio n th is
JO H N JA C O B L
E o i.O
OO
o . M Q U lS T .
14th d ay of Ju.ly, 1955.
D ECEA SED
V e rn e r A. B lo o m q u ist,
No. 1 , ii.
A d m in is tra to r
ß i u l PcdaSieh
NOTH’
! reb y ' v. n th a t S an uel A. H all
V eri e r ?
B! ximqu.’st, A d m in is- ('• n tr a l B u ild in g
‘‘W ell, h e r e w e go a g a in ,” thou
t r a t o r of
s ’a te of Jo h n Ja c o b B rookings, O reg o n
w e re th e e x a c t h e a d lin e s fo rm e r
B locm qui
i. ‘as *d, h as îü e d in A tto rn e y fo r A dm li a s tra to r
Bill P h e lp s u s e d la st y < a r w hen th e Coun*
ai i
( , , h ■ < t a i e o»
Lily tim e c a m e a b o u t. T h a ’s j u s ’
th e w ay I fee l. T h e o n ly th in g 1
w o n d e r is d o es e v e ry o n e, o r a n y -
on , know w h ic h d ire c tio n th e y 'r e
g o in g ?
n o w
f o r
F IN A ’ . \( C O U N T
by
F ro m ta lk in g to so m e j»eople
an d o v e r h e a r in g o th e rs , it seem s
no o n e is in a g r e e m e n t as to ju s,
w h a t sh o u ld be done.
W e do h a v e to give cre d it to
a sm all n u m b e r of jx 'o p le lik e,
th e G ra y sh e ls, F u n k s, a n d New
S tro m m e n , fo r re a lly p itc h in g in
a n d ta k in g th e b u ll by th e h o rn s
to get he sh o w on th e road.
Now , tw e n tv flo a ts a r e p led g ed
to !>«• in th e p a ra d e . E v e ry o n e
loves a p a ra d e , all w e h a v e to d >
is find a few w h o love to w o rk
on flo a ts, an d w e d o n 't m e a n ro o t
b eer.
YELTON'S
I
T o o b ad m y moth- r-in-lavv l'ett
lo r b a c k e a s t. W e c o u ld h a v e
d ra p e d h e r in old P ilo ts an d lilies.
T h is w ill p ro b a b ly g iv e L es D im -
n tick ¡fleas.
OCEAN
T O THEATRE-
UN H IG H W A Y 101
5 M IL L S N O R T H Ol-' C R E S C E N T C IT Y
Friday and Saturday July 1 5 - 1 6
GREEN
I
|
F 13 E
( in c iib tS c u p c -
- ( ¡ra c e
Slew did ( ii'diu
K e lle y
Paul Doll
Av Lcrge
G orii'd
( l.uneron M iu 'te ll —
A n in B ancroft
1 X'C
Sunday and Monday Ju y 10
Olympia]
BRIDGES
W h e th e r you choose it d ire c t fro m the?
ta p o r in hotties or cans, you can
re ly on Oly m pia to a lw a ys taste
, re fre sh in g ly the sanre.
AT
TGKG-RI
W in. 1 loiden — F re d ’ic M arch
M e key K< »oncy
— T echnicolor
. -tb© W a te r
th a t
THREE
FOR
THE
SHOW
(( nieinaScope)
M .truc and G ow er ( h ain p io n
Beti\ (o .ih le
Tues - Wed - Thurs - July 12 - 13 - 14
TH E
E G Y P T IA N
(( anem aScope )
id m u n d P u rd o n i— (ie n e I ìerney— lean S im m ons
Turto Clipper Ship
I
Co
«F 5 * * w
L
M
i
r ■ i
I
( J tlslted ( d a \e
Rock Fill M ai?:
Black
Io v Soil
( ‘ lam Mk'
Riv
I
N.
I
Lancer cy Jodge.
Not long ago, you had to figure on spending
n lot of money if you wanted to step up to
a big luxury car. Then along came this new
Podge—and things h a p ^ e d i
People who were used to paying a thousand
dollars more found that Podge offered all
they could desire—at a sensible price.
R b
Owners of medium-priced cars discovered
that for the same amount of money, or
less, the new Podge provided much more
roominess, comfort, and more pride.
More, small-ear owm rs found that several
models of this b ig n ew P o d g e e v e n cost
fess than a trieked-up " l ig h tw e i g h t.”
X
Right off the bat. I> <iige s a l e A d i
And
we're taking advantage of skyrocketing
sales to make you a "P riv e It Home” deal
you can’t turn do?vn. Come in today!
Dodge Dei'eiJ cresset Dir") TN’ us n
Make Room,for Daddy.” Bert Parks in Break T:,e
IJti xhirtg
The Liwrerre *
I h e m / in
ow-a'! on 4SC-TV
C. "ED Z DEMPSEY
Brookings Rod - E - M ;x Concrete
Oi
N E W
‘ Y o ttr
Ad
J H i-w ay 101 North
D o ttle
Y
v r . ’ cb'CÓ
BROOKINGS,
lh \ríe r
OREGON
Box 396
o
o