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About Eugene weekly. (Eugene, Oregon) 1993-current | View Entire Issue (June 30, 2016)
MUSIC A TRUE PRESCRIPTION ALTERNATIVE! BY BRETT CAMPBELL BACH IN THE THICK OF IT Oregon Bach Festival is in full swing across town W hen the Oregon Bach Festival commissioned what turned out to be his European Requiem back in 2012, James MacMillan couldn’t have known how prophetic that title might have turned out to be. The 57-year-old Scottish composer’s big choral orchestral work premieres July 2 at the Hult Center — just more than a week after his compatriots voted to withdraw the United Kingdom from the European Union, a move that might in turn provoke MacMillan’s homeland to seek independence from the U.K. Given speculation that other countries might follow the U.K.’s secessionist lead, MacMillan’s new composition may indeed turn out to be a requiem for the ideal of a united Europe. MacMillan’s powerful past work (his masterpieces The Confession of Isabel Gowdie and Veni Veni Emmanuel) offers clues to his new composition: intensely emotional, sometimes vio- lently energetic and spiritual music informed deeply by his Catholic faith. Featuring four vocal solo- ists including the great coun- tertenor Nicholas Phan, the OBF orchestra and Berwick MONICA HUGGETT Chorus, MacMillan’s piece is complemented by a master- piece of Lutheran musical devotion: J.S. Bach’s ever-popular Magnificat. It fits squarely in the line of great sacred works that pillar this year’s festival: Bach’s opening B Minor Mass and Brahms’s festival-finale German Requiem July 10 at the Hult. MacMillan’s Requiem does mark a rebirth of sorts for the Bach Festival’s commitment to new music, which had seriously flagged in recent years until late former OBF director John Evans — to whom the piece is dedicated — commissioned this one. The Bach Festival does, commendably, offer the biennial Oregon Composers Symposium to nurture emerging composers. This year’s edition includes five free New Pathways concerts (June 29-July 4) at the UO’s Beall and Aasen-Hull concert halls that feature top performers like Roomful of Teeth soprano Estelí Gomez, former Kronos Quartet cellist Jeffrey Zeigler and Duo Damiana (guitarist Dieter Hennings and flutist Molly Barth). The festival’s belated but most welcome embrace of historically informed period instrument performances will make everything old sound new again to listeners accustomed to anachronistic modern instrument performances. The energetic Portland Baroque Orchestra violinist and director Monica Huggett returns to Beall June 30 to lead experienced new music specialists, including the great Dutch flutist Wilbert Hazelnut, in Baroque masterpieces by J.S. Bach, Telemann and more. Mark Brombaugh plays music by Bach and a new piece by David Dahl on June 24 at Central Lutheran Church, while Julia Brown plays more Bach organ music there on July 1. Anton Armstrong leads Strangeland Family Youth Choral Academy’s performance of Haydn’s St. Nicholas Mass plus music by Bach and Handel July 3 at the Hult. And speaking of Haydn, the festival this year places the spotlight on that Classical- era composer and his colleagues in two Beall concerts led by scholar and fortepiano master Robert Levin. The July 1 Berwick Academy concert includes Haydn’s stirring Symphony No. 103, Mozart’s darkly beautiful Piano Concerto No. 24 and a Beethoven overture. On July 3, Levin leads renowned German clarinetist Eric Hoeprich and other period instrument specialists in one of Mozart’s own favorites, his breezy piano and winds quintet, and Beethoven’s later quintet it inspired and more. The Berwick goes back to Bach July 6 when the superb Baroque violinist Rachel Podger leads a magnificent Bach violin concerto along with Baroque classics by Handel, Lully and Telemann. And on July 7, Halls leads the Berwick Chorus in one Bach’s great cantatas and a too seldom heard 20th-century choral classic, Swiss composer Frank Martin’s Mass for Double Choir. The festival closes July 10 with Brahms’s third symphony and German Requiem, reminding us again that nations and unions may pass, but great music lives on. ■ For the full lineup of events, visit oregonbachfestival.com. WEEKLY SPECIALS MONDO DEAL MONDAY! Eugreen’s Got $5 on it! $5 Off 5pk pre-rolls 3 for $12.00 - $18.00 1 for $4.20-10.00 TER “PEN” TUESDAY! Any 1 gram cart, we will include battery with purchase while supplies last. WAXY WEDNESDAY 15% Off 1/4’s Concentrates and Cones! THIRSTY THURSDAY 25% Off ALL Drinks & Edibles FREE GRAM FRIDAY! Med-Buy 2 Grams Receive 3rd Free! 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THE BFG (3D) (PG) 10:10, 10:15 THE BFG (DIG) (PG) 1:00, 4:15, 7:25 CENTRAL INTELLIGENCE (DIG) (PG-13) 10:30, 1:15, 4:10, 7:45, 10:30 THE CONJURING 2 (DIG) (R) 12:15, 3:25, 7:10, 10:40 FINDING DORY (3D) (PG) SPECIAL EVENT PRICING: $3.00 UPCHARGE ALL TICKETS 11:55, 1:35, 5:15, 7:15, 10:35 FINDING DORY (DIG) (PG) 10:05, 11:00, 12:50, 2:30, 3:35, 4:30, 6:20, 7:55, 9:05, 10:00 THE FREE STATE OF JONES (DIG) (R) 12:10, 3:20, 7:00, 10:15 INDEPENDENCE DAY: RESURGENCE (3D) (PG-13) SPECIAL EVENT PRICING: $3.00 UPCHARGE ALL TICKETS 2:20, 8:05 INDEPENDENCE DAY: RESURGENCE (DIG) (PG-13) 10:20, 11:05, 1:20, 4:20, 5:10, 7:20, 10:20, 10:55 THE JUNGLE BOOK (2016) (DIG) (PG) 10:15, 1:10, 4:05 THE LEGEND OF TARZAN (3D) (PG-13) SPECIAL EVENT PRICING: $3.00 UPCHARGE ALL TICKETS 10:25, 4:35, 10:20 THE LEGEND OF TARZAN (DIG) (PG-13) 1:05, 7:35 MAGGIE’S PLAN (DIG) (R) 10:00, 12:30, 3:00, 5:30, 8:00, 10:30 NOW YOU SEE ME 2 (DIG) (PG-13) 12:00, 3:10, 6:55, 10:00 THE PURGE: ELECTION YEAR (DIG) (R) 10:35, 1:25, 4:25, 7:30, 10:10 THE SHALLOWS (DIG) (PG-13) 10:00, 12:20, 2:40, 5:20, 7:50, 10:45 SWISS ARMY MAN (DIG) (R) 10:40, 1:30, 4:40, 7:40, 10:10 WARCRAFT (DIG) (PG-13) 12:05, 3:05, 7:00, 10:05 X-MEN: APOCALYPSE (DIG) (PG-13) 7:05, 10:25 LIMIT ONE PER PATIENT 541-505-7275 | 1000 OBIE ST. | EUGENE OPEN 7 DAYS A WEEK M-S 10-9 AND SUN 11-7 Do not operate a vehicle or machinery under the influence of this drug For use only by adults 21 years of age and older • Keep out of reach of children IMAX: THE LEGEND OF TARZAN 3D [CC,DV] (PG-13) ★ Fri. - Sat.1115 205 455 745 1035 THE PURGE: ELECTION YEAR [CC,DV] (R) Fri. - Sat.(1130 220) 455 730 1020 THE BFG [CC,DV] (PG) ★Fri. - Sat.(1000 AM) 400 PM 700 PM THE BFG 3D [CC,DV] (PG) ★ Fri. - Sat.(100 PM) 1000 PM THE LEGEND OF TARZAN [CC,DV] (PG-13) ★ Fri. - Sat.(135) 425 715 1005 THE LEGEND OF TARZAN 3D [CC,DV] (PG-13) ★ Fri. - Sat.(1045 AM) THE BFG [CC,DV] (PG) ★Fri. - Sat.(1030 AM) 410 PM 700 PM THE BFG 3D [CC,DV] (PG) ★ Fri. - Sat.(120 PM) 955 PM THE LEGEND OF TARZAN [CC,DV] (PG-13) ★ Fri. - Sat.(145 PM) 710 PM THE LEGEND OF TARZAN 3D [CC,DV] (PG-13) ★ Fri. - Sat.(1100 AM) 430 PM 1000 PM THE PURGE: ELECTION YEAR [CC,DV] (R) Fri.(140) 425 725 1015 Sat.(115) 420 715 1010 INDEPENDENCE DAY: RESURGENCE [CC,DV] (PG-13) ★ Fri. - Sat.(1215 PM) 705 PM INDEPENDENCE DAY: RESURGENCE 3D [CC,DV] (PG-13) ★ Fri. - Sat.(335 PM) 1005 PM CENTRAL INTELLIGENCE [CC,DV] (PG-13) Fri. - Sat.(1245 330) 630 930 FINDING DORY [CC,DV] (PG) Fri.(1035 110 355) 645 925 Sat.1035 (110 355) 645 925 FINDING DORY 3D [CC,DV] (PG) ★ Fri. - Sat.(1230 PM 315 PM) THE CONJURING 2 [CC,DV] (R) Fri. - Sat.640 PM 945 PM eugeneweekly.com • June 30, 2016 27