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About Eugene weekly. (Eugene, Oregon) 1993-current | View Entire Issue (March 17, 2011)
4:45 6:40 7:30 C I N E M A S for March 17-24 A R T BARNEY’S VERSION 4:50 7:45 5:05 7:15 9:25 10:00 8:40 11:00 2:45 4:45 6:40 2:40 5:05 7:15 9:25 12:10 8:40 11:00 2:45 4:45 6:40 2:40 5:05 7:15 9:25 12:10 8:40 11:00 Mar 24 Mar 23 Mar 22 Mar 21 Mar 20 Mar 19 Mar 18 Mar 17 THU FRI SAT SUN MON TUES WED THU CASINO JACK movies BY RICK LEVIN GUY & MADELINE ON A PARK BENCH 5:00 & 7:00 5:00 & 7:00 5:00 5:00 SOMEWHERE 5:15 7:30 9:40 5:15 7:30 9:40 R 5:15 7:30 9:40 5:15 7:30 9:40 IP MAN 2: LEGEND OF THE GRANDMASTER 9:00 9:00 7:00 9:00 R Coming soon: LADY TERMINATOR DUST & 11:00 11:30 11:30 11:30 RABBIT HOLE ILLUSIONS SOLD OUT! BURNING A Tale of RACE TO OF GODS AND MEN THE MAN WASTE LAND FILM more showings Persephone 5:15 $10 advance in April during NOWHERE GENIUS WITHIN: THE INNER $12 follow us! at 11:00 the door Earth Week! FREE! LIFE OF GLENN GOULD 492 East 13 th 11:45 11:00 NOON NOON 7:00 9:30 7:00 686-2458 OPAL bijou-cinemas.com *Adults—$7*Students w/ID—$6*Seniors—$5*Matinees—$5*Lates—$5*Miser Mondays—$3* TIX $2 Tix 21 & FOOD $5 Sun & Tues ovER MENU Upstart Crow Studios a non-profit youth performing arts company presents 762-1700 | 180 E. 5TH AVE Fear & Loathing in L.A. davidminortheater.com Sofi a Coppola’s Somewhere wings the City of Angels THURS MAR 17 – WED MAR 23 THUR THE FIGHTER 5:15, 9:20 INSIDE JOB 7:25 OSCAR WINNERS OSCAR WINNER GET LOW 7:25 SOMEWHERE: Written and directed by Sofi a Coppola. Original music by Phoenix. 97 minutes. R. 44441 With Music and Lyrics of the MGM motion picture score March 18 - 7 PM March 19 - 3 PM Wildish Theatre 630 Main St. Springfield Tickets $15 127 HOURS 9:20 THE SOCIAL NETWORK 5:15 OSCAR WINNERS COMING SOON BLACK SWAN AVAILABLE ONLINE AT: upstartcrowstudios.com or at the door FOR MORE INFORMATION: 688-8260 FEATURING “TEXT-A-BEER” “NO LONGER SNEAKING BEER INTO THE MOVIES SINCE 2008” Adv. Tix on Sale DIARY OF A WIMPY KID: RODRICK RULES Adv. Tix on Sale SUCKER PUNCH IMAX: MARS NEEDS MOMS 3D (PG) ★ Fri. - Sun.1150 200 410 645 915 LORD OF THE DANCE IN REALD 3D - EVENT PRICING (G) ★ Fri. - Sun.(1245) 400 630 900 THE LINCOLN LAWYER (R) - ID REQ'D Fri. - Sun.(1130 210) 450 745 1030 LIMITLESS (PG-13) Fri. - Sun.(1200 230) 500 730 1000 PAUL (R) - ID REQ'D Fri. - Sun.(1230) 415 700 945 RED RIDING HOOD (PG-13) Fri. - Sun.(1215 245) 510 750 1015 MARS NEEDS MOMS (PG) Fri. - Sun.(1220 PM) BATTLE: LOS ANGELES (PG-13) ★ Fri. - Sun.(155) 455 740 1020 BATTLE: LOS ANGELES (PG-13) ★ Fri.425 PM 950 PM Sat.(1225 PM) 710 PM Sun.425 PM 710 PM OC & DA: BATTLE: LOS ANGELES (PG-13) ★ Fri.(1225 PM) 710 PM Sat.(425 PM) 950 PM Sun.(1225 PM) 950 PM THE ADJUSTMENT BUREAU (PG-13) Fri. - Sun.(1145 215) 445 725 1005 RANGO (PG) Fri. - Sun.(1135 210) 440 720 1010 BEASTLY (PG-13) Fri. - Sun.(225) 435 655 920 HALL PASS (R) - ID REQ'D Fri. - Sun.(1205 235) 505 755 1025 CEDAR RAPIDS (R) - ID REQ'D Fri. - Sun.635 PM 910 PM GNOMEO AND JULIET (G) Fri. - Sun.(1155 AM 220 PM) 430 PM JUST GO WITH IT (PG-13) Fri. - Sun.(1240) 405 650 930 THE KING'S SPEECH (R) - ID REQ'D Fri. - Sun.(1210 255) 640 940 Adv. Tix on Sale DIARY OF A WIMPY KID: RODRICK RULES Adv. Tix on Sale SUCKER PUNCH PAUL (R) - ID REQ'D Fri. - Sun.(210) 450 720 1000 LIMITLESS (PG-13) Fri. - Sun.(220) 510 740 1010 THE LINCOLN LAWYER (R) - ID REQ'D Fri. - Sun.(140) 420 700 940 MARS NEEDS MOMS IN REALD 3D - EVENT PRICING (PG) ★ Fri. - Sun.(200) 410 640 920 BATTLE: LOS ANGELES (PG-13) ★ Fri. - Sun.(150) 430 710 950 RED RIDING HOOD (PG-13) Fri. - Sun.(230) 500 730 1020 RANGO (PG) Fri. - Sun.(130) 400 650 930 Adv. Tix on Sale DIARY OF A WIMPY KID: RODRICK RULES THE LINCOLN LAWYER (R) - ID REQ'D Fri. - Sun.(115) 410 700 945 HALL PASS (R) - ID REQ'D Fri. - Sun.(140) 420 715 950 GNOMEO AND JULIET IN REALD 3D - EVENT PRICING (G) ★ Fri. - Sun.(130 355) 630 900 THE KING'S SPEECH (R) - ID REQ'D Fri. - Sun.(100 345) 645 930 Times For 03/18 - 03/20 © 2011 22 MARCH 17, 2011 EUGENE WEEKLY This show is produced by arrangement with and music and dialogue material furnished by TAMS-WITMARK MUSIC LIBRARY, INC., 560 Lexington Avenue, New York, NY 10022 PAUL R 11:30, 2:10, 4:50, 7:30, 10:10 THE LINCOLN LAWYER R 11:25, 2:10, 4:55, 7:40, 10:25 LIMITLESS PG13 11:40, 2:15, 4:40, 7:10, 9:40 MARS NEEDS MOMS 3D PG SPECIAL EVENT PRICING: $3.00 UPCHARGE ALL TICKETS 12:00, 2:20, 4:40, 7:00, 9:20 MARS NEEDS MOMS DIGITAL PG 1:10, 3:30, 5:50, 8:10, 10:30 BATTLE: LOS ANGELES DIGITAL PG13 11:15, 2:05, 4:55, 7:45, 10:35 BATTLE: LOS ANGELES PG13 12:40, 3:35, 6:20, 9:10 RED RIDING HOOD PG13 11:55, 2:30, 5:05, 7:40, 10:15 RANGO PG 11:25, 12:45, 2:05, 3:25, 4:45, 6:05, 7:25, 8:45, 10:05 ADJUSTMENT BUREAU PG13 12:05, 2:40, 5:15, 7:50, 10:25 MET OPERA: LUCIA DI LAMMERMOOR NR ONLY ON SAT 3/19 AT 10 AM SUCKER PUNCH PG13 ONLY ON THUR 3/24 AT 12:01 AM DIARY OF A WIMPY KID 2: RODRIC RULES PG ONLY ON THUR 3/24 AT 12:02 AM TAKE ME HOME TONIGHT R 3:20, 8:10 BEASTLY PG13 12:55*, 3:10*, 5:25, 7:35, 9:55 *EXCEPT ON SAT 3/19 HALL PASS R 11:30*, 2:00*, 4:35, 7:15, 9:50 *EXCEPT ON SAT 3/19 GNOMEO AND JULIET G 12:05, 2:25, 4:45, 7:05, 9:25 TRUE GRIT DIGITAL PG13 11:35, 2:15, 5:10, 7:35, 10:20 THE EAGLE PG13 12:25, 4:05, 7:05, 9:45 THE MECHANIC R 12:20, 2:45, 5:00, 7:35, 9:55 NO STRINGS ATTACHED R 12:10, 2:40, 5:10, 7:45, 10:20 THE RITE PG13 12:30, 4:00, 7:10, 10:00 THE FIGHTER R 12:35, 3:35, 7:30, 10:10 THE GREEN HORNET PG13 12:55, 3:55, 7:00, 9:50 YOGI BEAR PG 12:15, 2:15, 4:15, 6:15, 8:15, 10:15 YOGI BEAR 3D PG SPECIAL EVENT PRICING: $2.00 UPCHARGE ALL TICKETS 1:15, 3:15, 5:15, 7:15, 9:15 TANGLED PG 1:25, 3:45, 6:05, 8:25 TANGLED 3D PG SPECIAL EVENT PRICING: $2.00 UPCHARGE ALL TICKETS 12:05, 2:35, 4:55 CHRONICLES OF NARNIA: VOYAGE OF THE DAWN PG 12:45, 3:25, 7:25, 10:25 TRON LEGACY 3D PG SPECIAL EVENT PRICING: $2.00 UPCHARGE ALL TICKETS 7:20, 10:05 HARRY POTTER AND THE DEATHLY HALLOWS PART 1 PG13 12:00, 3:10, 6:25, 9:35 Cinéarts CEDAR RAPIDS R 12:55, 5:45, 10:30 THE KING’S SPEECH R 1:45, 4:30, 7:15, 10:00 I n 2005 — smack in the middle of a string of fi ercely idiosyncratic and experimental fi lms that also included Jerry, Paranoid Park and Elephant — director Gus Van Sant released Last Days, a fi ctional account of the fi nal hours in the life of Nirvana founder Kurt Cobain. Unspooling itself slowly like a visual stream of consciousness and containing next to no dialogue, the movie is a highly personalized imagining of the existential prison that, in the end, became Cobain’s death sentence. Last Days is not for everyone — it is minimalist to the point of nothingness — but for hard-core Van Sant fans, the fi lm’s depiction of alienation and despair was a gorgeous, haunting elegy for a tragic pop icon. Strange to say, it might be Van Sant’s fi nest work. Director Sofi a Coppola’s latest fi lm, Somewhere, shares more than just a visual resemblance with Last Days (the movie’s director of photography, Harris Savides, also shot Van Sant’s Elephant). Coppola, who broke big in 2003 with Lost in Translation, has made a quietly staggering fi lm about the wages of celebrity that, for all intents and purposes, could serve as the perfect foil and companion piece to Last Days. Like Van Sant, Coppola — who also wrote Somewhere — turns her intimate documentarian’s gaze on a foundering star lost in the cosmos, in this instance an actor named, yes, Johnny Marco (Stephen Dorff). But unlike Last Days, which was set in a decaying mansion in the middle of the woods, Somewhere’s somewhere is Los Angeles, that legendary and much- maligned mecca of hedonistic folly, falsity, fakery and fuckery. Holed up at Hollywood’s infamous Chateau Marmont during a publicity blitz for his latest thriller (tag line: “How far would you go?”), Marco gives the impression of an untidy, passive, nearly catatonic zombie who, when not clumsily pimping his movie, sits around staring, smoking, drinking, popping pills, fucking every woman who throws herself at him and then nodding off during the private services of sexy twin dancers (who carry their own collapsible poles into his hotel room). At one point, Marco actually falls asleep with his head between a woman’s eagerly spread legs. And then, when his ex bolts town, Marco’s smart, sweet 11-year-old daughter shows up on his doorstep, needing her dad. Nothing too groundbreaking, right? We’ve seen this got-it-all celebrity despair shtick a thousand times, from Fellini’s La Dolce Vita and Sunset Blvd. to Leaving Las Vegas and Altman’s The Player. Somehow, though, Coppola succeeds in imbuing the same-old same-old with an insider’s wisdom that is fresh and often fascinating — vivid without being vulgar, and insightful without being too indulgent. In fact, for all its prying into the fabled dark side of Hollyweird, Somewhere is marked by an odd, offbeat empathy for its addled anti-hero. As a man adrift in the celluloid cosmos, Dorff plays Marco as a sort of celebrity everyman — a handsome, affable, go- along dude to whom life simply happens. Although lost and troubled, Marco is neither overly egotistical nor particularly asshole- ish, and most of his crimes are venal and victimless. Basically, he’s a man-child in a big, bright toy store where everything is free and, in the end, boring as hell. Marco is only able to be himself, and therefore feel content and comfortable if not quite happy, when his daughter Cleo (the wonderful Elle Fanning) is nearby. As father and daughter, they work; he’s immature, she’s precocious, and the two of them are awkwardly charming and forgiving in each other’s company. They play Guitar Hero. He takes her to Italy on a press junket. She cooks eggs Benedict for him and his best friend (Chris Pontius). They laugh a lot. It’s hardly ideal, but — contrary to genre expectations, and despite Marco’s debauched ways — their relationship is fairly normal, moderately functional and quite touching to behold. ew Somewhere opens Friday, Feb. 18, at the Bijou. 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