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About Eugene weekly. (Eugene, Oregon) 1993-current | View Entire Issue (June 28, 2007)
!24 #).%-!3 ,HZ[[O BY MOLLY TEMPLETON Leïla Bekhti as Zarka and Cyril Descours as François in Gurinder Chadha’s contribution to Paris, Je T’aime 6WDUWV )ULGD\ RATATOUILLE G 10:10, 10:45, 12:10, 1:05, 1:35, 3:00, 3:55, 4:30, 6:30, 7:00, 7:35, 9:20, 9:50, 10:25 EVENING PG13 10:00, 1:00, 3:50, 7:25, 10:30 TRANSFORMERS PG13 A MIGHTY HEART R 12:15, 12:50, 3:20, 4:00, 6:25, 7:15, 9:30, 10:25 SURF’S UP PG EVAN ALMIGHTY PG OCEAN’S 13 PG13 1408 PG13 11:25, 2:10, 4:55, 7:35, 10:20 FANTASTIC 4: RISE OF THE SILVER SURFER PG *11:10, 11:40, *1:40, 2:15, *4:10, 4:45, *7:10, 7:45 (EXCEPT MON Directed by Olivier Assayas, Gurinder Chadha, Sylvain Chomet, Joel and Ethan Coen, Wes Craven, Alfonso Cuarón, Alexander Payne, Walter Salles and Daniela Thomas, Oliver Schmitz, Nobuhiro Suwa, Tom Tykwer, Gus Van Sant and more. Starring Juliette Binoche, Steve Buscemi, Willem Dafoe, Maggie Gyllenhaal, Catalina Sandino Moreno, Natalie Portman, Miranda Richardson, Rufus Sewell, Elijah Wood and more. First Look Pictures, 2007. R. 120 minutes. 44211 P aris, Je T’aime is a lovely yet dis- tant film: a collection of shorts, each set in a different Paris neigh- borhood, made by a glowing list of interna- tional directors. The idea was thought up by Tristan Carné, the final product produced by Claudie Ossard (Amélie) and Emmanuel Benbihy (Tom Tykwer’s Run Lola Run) — and while we don’t often write much about producers, these folks deserve mention for pulling together such an ambitious project. They began with Tykwer, who created “True” as an example for other involved directors. “True” stars Natalie Portman as a young actress and Melchior Beslon as her blind lover. It’s a whirlwind, as you’d expect from Tykwer, and its petite story of accidental heartbreak has the feeling of a highly literate love song. There is a lot of heartbreak in Paris, Je T’aime, and it comes in varied forms: char- acters grieve over a dead son, a dying wife, a dying stranger; people miss connections, children, home; relationships fizzle and fade. The project is a love letter to Paris but not necessarily to love. And it doesn’t always work as a tribute to the city of light (though by the end you may find yourself dreaming of a lengthy vacation there). The settings are beautiful, the visions of less- often-seen Parisian neighborhoods enthralling, but sometimes the stories seem stories of a city rather than of this city. And sometimes they simply move too slowly through tiny, postcard-sized vignettes, gone before you’ve had a chance to connect. But among the overly generous handful of tales, there are some that linger. Wes Craven’s unexpectedly delightful offering takes place in a graveyard — apropos for the horror director — but it’s only the ghost of Oscar Wilde, nothing creepier, turning up to dispense advice to a husband-to-be (Rufus Sewell, who really ought to get more roles like this and less like his over- wrought Illusionist villain). Walter Salles (Central Station) and Daniela Thomas’ quiet, affecting piece follows a young mother (Catalina Sandino Moreno) on a long journey from her own home to that of her wealthy employer. Isabel Coixet’s dia- logue-free story of a husband who finds himself, in the direst of circumstances, falling back in love with his wife is utterly winning. Gurinder Chadha (Bend It Like Beckham) and Gus Van Sant both show connections almost missed — hers between a young Muslim woman and a sensitive French boy, his between two striking young men in a print shop — while animation director Sylvain Chomet (The Triplets of Belleville) takes on his first live- action piece with “Tour Eiffel,” a bouncy, peculiar story of love between mimes. As a whole, Paris, Je T’aime is less inter- esting as a plate heavily laden with slices of Parisian life than it is a sampler: Test out some directors you may not be familiar with, see which ones are to your tastes, and then line up their full-length works on your Netflix queue. Some of the shorts drag a bit, some are merely pretty (Christopher Doyle’s bizarre little piece, for example) and others are downright odd, but the sheer array of tal- ent here means Paris is worth exploring though you may want to hit fast forward every so often. But you wouldn’t want to miss Frodo — er, Elijah Wood — having a vampire encounter, would you? ew 1LJKWO\ 6DW 6XQ0DW \PQ[;]VLIa(VWWV 9:40 PM 11:30, 1:55, 4:20, 7:10 10:30, 1:25, 4:25, 7:40, 10:40 KNOCKED UP R 12:30, 3:35, 7:05, 10:10 PIRATES OF THE CARIBBEAN: WORLD’S END PG13 10:15, 3:15, *6:55, *10:40 *EXCEPT MON 7/2 SHREK THE THIRD PG 11:35, 2:05, 4:35, 7:05, 9:35 1LJKWO\ ,5+ <:; 6XQ0DW 4 :665 /,3+6=,9)@ 767<3(9+,4(5+ 5 8FIBWFOFXXBZTUPTBWFNPOFZTFFNPWJFT BENJTTJPODBSEPOMZ 4&/*03BENJTTJPODBSEPOMZ i"WJCSBOUBOE VQMJGUJOHDPNFEZ ,FSJ3VTTFMMJTUBSUMZ JSSFTJTUJCMFw 0XFO(MFJCFSNBO &OUFSUBJONFOU8FFLMZ 4<:;,5+ 1LJKWO\ :665 6DW0DW %,-28/$7(1,7( RQO\ )5, 3* 6$7 'LUHFWHGE\7UH\3DUNHU 6811,*+76 &$ 1 1 ,% $/ 7+ ( 0 8 6, &$ Parisian visions from a cornucopia of directors PARIS, JE T’AIME: 5 +ZIbaWTLKTI[[QKKIZ\WWV[ 8ZQbM[[]ZXZQ[M[ -^MZa[\ZL;]VLIa ONLY ON MONDAY JULY 2ND AT 8:00 PM, 8:15, 8:30, 8:45, 12 MIDNIGHT, 12:05 LIVE FREE OR DIE HARD PG13 10:20, 10:55, 12:00, 12:55, 1:30, 2:35, 3:30, 4:05, 5:10, *6:15, 7:00, *7:45, *8:50, 9:35, *10:20 *NOT PLAYING MONDAY 7/2 Welcome to the Neighborhoods 7/2), *9:45, 10:15 (EXCEPT MON 7/2) *DIGITAL TIMES O[[W!IPQV\JPULTHZJVT ¹1N aW]^MM^MZJMMV\W 8IZQ[\PMNQTU¼[^IZQML \ISM[WV\PM+Q\aWN 4QOP\[Q[[MMXMLQV ZM^MZQM1N aW]PI^MV¼\ 8IZQ[2M<IQUM [MZ^M[I[IVMV\QKQVO %/2: QV^Q\I\QWVº / IULVDW VXQ 1V +W \4 VKMZ I\ 7 M6 052-36@+;/,>(33 Q\M ;OLJVTWSL[LLWPJHSI\ TWLYMVYT LKSP]LMYVT[OLSLNLUKHY` [V\Y56;HYLJYL 3P]LPU3VUKVUW HUK5,=,9),-69 H[PVU YVMLZZPVUHSS`MPST ,:,,5+VU[TPZZ[ YJOP]LK [OLZLHZVU OLMPUHSJVUJLY[3H LKH [L5P[LVM IULVDW VXQ DISTURBIA PG13 FRACTURE R 11:35, 2:20, 4:50, 7:15, 9:40 11:25, 2:00, 4:35, 7:20, 9:55 THE INVISIBLE PG13 NEXT PG13 12:15, 2:50, 5:15, 7:50, 10:05 12:10, 2:45, 5:10, 7:40, 10:20 BLADES OF GLORY PG13 ARE WE DONE YET? PG 11:55, 2:40, 5:05, 7:45, 10:15 11:40, 2:15, 4:45, 7:05, 9:25 HOT FUZZ R 300 R 11:45, 2:55, 7:25, 10:30 11:30, 2:10, 4:55, 7:30, 10:10 28 WEEKS LATER R 12:00, 2:30, 5:20, 7:55, 10:25 BRIDGE TO TER- ABITHA PG WILD HOGS PG13 11:15, 1:50, 4:15, 6:55, 9:20 11:20, 12:05, 1:55, 2:35, 4:25, 5:00, 7:00, 7:35, 9:30, 10:00 BUSINESS & ATHLETICS Will it get us a new arena? Adv. Tix on Sale TRANSFORMERS (PG-13) ★ Adv. Tix on Sale HARRY POTTER & ORDER OF THE PHOENIX (PG-13) ★ RATATOUILLE-DIGITAL PROJECTION (G) DIG ★ (1015 110 400) 700 950 (945 1235 325) 630 920 RATATOUILLE (G) DIG ★ LIVE FREE OR DIE HARD (PG-13) DIG (1000 1100 105 200 410 500) 715 800 1020 1100 (1035 135 430) 725 1015 SICKO (PG-13) DIG EVENING (PG-13) DIG (1030 120 420) 720 1010 640 930 A MIGHTY HEART (R) - ID REQ'D DIG 1408 (PG-13) DIG (1105 140 420) 655 935 EVAN ALMIGHTY (PG) DIG ★ (1045 1115 115 145 345 415) 635 705 925 955 (440) 945 NANCY DREW (PG) DIG FANTASTIC FOUR: SILVER SURFER (PG) DIG (1110 130 350) 645 915 OC: SURF'S UP (PG) DIG Fri., Sun. (1120) AM OC: SURF'S UP (PG) DIG Sat. (135) PM Fri., Sun. (135 355) SURF'S UP (PG) DIG Sat. (1120 355) (1050 150 445) 735 1025 OCEAN'S 13 (PG-13) DIG (100 430) 730 1030 KNOCKED UP (R) - ID REQ'D DIG PIRATES OF THE CARIBBEAN: WORLD'S END (PG-13) DIG (1055 240) 630 1005 SHREK THE THIRD (PG) DIG (1125 205) 710 FRIDAY, JUNE 29 TH • 11:50 AM DOWNTOWN ATHLETIC CLUB $3 admission • Free to City Club Members 485-7433 www.cityclubofeugene.org Free Family Film Festival Tue & Wed 10AM Paris, Je T’aime opens Friday, June 29, at the Bijou. Adv. Tix on Sale TRANSFORMERS (PG-13) ★ Adv. Tix on Sale HARRY POTTER & ORDER OF THE PHOENIX (PG-13) ★ (1030 120 410) 700 950 RATATOUILLE (G) DIG ★ LIVE FREE OR DIE HARD (PG-13) DIG (1010 115 420) 725 1030 (1000 1215 235 455) 715 930 EVAN ALMIGHTY (PG) DIG ★ (1025 1235 250 FANTASTIC FOUR: SILVER SURFER (PG) DIG 505) 735 945 (1055 140 425) 710 1000 OCEAN'S 13 (PG-13) DIG (1020 110 400) 650 940 KNOCKED UP (R) - ID REQ'D DIG PIRATES OF THE CARIBBEAN: WORLD'S END (PG-13) DIG (1140 310) 640 1010 RATATOUILLE (G) DIG ★ (1045 1115 130 200 415 445) 700 730 945 1015 OCEAN'S 13 (PG-13) DIG (1050 135 420) 705 950 Times For 6/29 - 7/1 ©2007 JUNE 28, 2007 29