Oregon daily emerald., October 17, 2002, Page 11, Image 11

Friday, Oct. 13
9 p.m« 1010
Willamette St., 345-4442, $ 10 advance, 51 2 door
Spun- “Son Mela’o Salsa Workshop,” WOW Hall. 291
W. Eighth Ave., 687-2746, $7 Advance SB Door
8 p.m — “Mele Hula: A Celebration of Hawaiian Music
& Dance,” Silva Conceit Hall, Hult Center, 682-5000,
1
8:30 p.m. — “Middle Eastern Dance Guild of Eugene,"
Cafe Paradiso, 115 W. Broadway, 484-9933, $4
8:30 p.m.—“Forrest T. Black," (music) foxfire
Restaurant and Bar, 4740 Main St., Springfield, 747
7900, $2-$3
9:30 p.m. — “Lazoo,” (music) Jo Federigo’s
Rest it ■ ) 3 ; Ave., 343
8488, $4
9*30 p.m. — “ShellyJames Musicbox.” (music) Luna,
30 E. Broadway, 344-6948. $5 -
30 p,m.—‘The Visible MeH Boxcar Derby with
.bm Heinl,” (music) Sam Bond’s Garage, 407 Blair
Saturday, OcX. 19
P«1S1* -*”*•
> Mil i'««—IWMW
9:30 p.m,~~*Jiv$tighters,*(music) jo Federigo’s
Restaurant and jazz Club, 259 E. Fifth Ave„ 343- '
8485, $4
9:30 p.m. — "Olem Alves Quartet,” (music) Luna, 30
L Broadway, 344*6948, $5
—“Mason Jennings with The Oamnwells,”
■WOW Hall, 291 W. Eighth Ave., 687 2746,
$ 10 advance, $ 10 door
$16 door
Monday, Oct. 21
8:30 p.m. — Open mike, Jo Fed
Jazz Club, 259 E. Fifth Ave., 343
Tuesday, Oct. 22
9p,itt..“Anacortes,” Samurai
345-6577
Lecture Series
(Jniversity of Oregon: 1^42—2002
aT"he (Jm'ted 5^ates in Korea, 1?45—2002:
Bruce Cumings, Norman and Edna Freehling Professor of History,
University of Chicago
Friday, October 18, 2002, 4:00 p.m. (Reception to follow)
Willamette Hall, Room 110
This lecture series is cosponsored by the Asian Studies Program and
the Center for Asian and Pacific Studies. Generous funding has been
provided by Admiral David E. Jeremiah and Mrs. Connie Jeremiah.
For more information, call (541) 346-1521 or visit our website at www.uoregon.edu/~caps.
o
UNIVERSITY OF OREGON
f Show Hours
Saturday, October 19 10:00 am to 5:00 pm
Sunday, October 20 11:00 am to 5:00 pm
Fashion Shows
Saturday, October 19 11:00 am & 2:30 pm
Sunday, October 20 12:30 pm Si. 3:00 pm
Sponsored by
County Fair &
4Bomb ’ packs a powerful punch
The Sahara Hotnights’ new
album gives listeners a taste
of punk rock with attitude
CD review
Helen Schumacher
Pulse Reporter
The Sahara Hotnights are ready
for a fight. The proof is their new al
bum, titled “Jennie Bomb,” — a rau
cous battle cry.
“Now I feel like breaking laws/
Gonna start a civil war/ Here’s my
fist, where’s the fight?” shouts the
band on the first track, “Alright Al
right (Here’s my Fist Where’s the
Fight?).”
Released in the United States by
the swanky Jetset Records, “Jennie
Bomb” is a one, two, pop-punk
punch packed with more guitar than
an episode of MTVs TRL. The album
has the young band receiving critical
praise. Their previous release, “C’
mon Let’s Pretend,” earned them
two Grammy nominations in their
homeland of Sweden.
Taking their cues from the likes of
The Runaways, and maybe even the
Hellacopters, Sahara Hotnights are
the bad girls with guitars your par
ents warned you about. With lyrics
like “You’re getting on my nerves,
getting nothing done/ Hey, I wanna
see some action,” and “Nice try,
what a waste but we told you before/
Hands off! Great mistake, we won’t
take it no more,” they make it clear
that it’s their club, and only the
toughest are invited.
However, “Jennie Bomb” isn’t per
fect. At times the album becomes
too formulaic and you wish the band
would either slow it down or speed it
up enough for you to tell the differ
ence between the songs.
One track that does an exemplary
job of breaking the mold is “Only the
Fakes Survive,” which has me ask
ing, if only the fakes survive, where’s
Fred Durst?
Overall, thanks to good bass lines
and a naughty attitude, the album
comes off as punk rock wrapped in a
tight leather jacket looking for action
on a Friday night.
Contact the Pulse reporter
at helenschumacher@dailyemerald.com
G*pch6r>CG tHe Xizz!»Dg athoXpHelx at Bu^gDc’x
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