Image provided by: Library of Congress; Washington, DC
About The Chemawa American (Chemawa, Or.) 19??-current | View Entire Issue (Dec. 1, 1913)
THE CHEMAWA AMERICAN H. E. WADSWORTH, Superintendent VOLUME 16 DECEMBER, 1913 NUMBER 3 THE HOPI SNAKE DANCE R E M A R K A B L E A R T IC L E B Y T H E O D O R E R O O S E V E L T iThe following interesting article was written for T he O utlook and appeared in the number of that magazine published on October 18. 1913. By special permission of the publishers we are allowed to publish it. a courtesy for which we are very grateful. It relates to Col. Roosevelt’s visit in Arizona last Summer.—Ed.] I)II) not happen to run across any Mormons at the Snake Dance; but it seemed to me that almost every other class of Americans was represented—tourists, traders, cattlemen, farmers, Government officials, politicians, cowboys, scientists, philanthropists, all kinds of men and women. We were especially glad to meet the Assistant Commissioner of Indian Affairs, Mr. Abbot, one of the most useful public servants in Uncle Sam’s em ploy. Mr. Hubbell, whose courtesy towards us was unwearied, met us; and we owed our confortable quarters to the kindness of the Indian Agent, Mr. Crane, and of Mr. Drummond, his assistant; and Mr. and Mrs. Drummond were most hospitable. As I rode in I was accosted by Miss Natalie Curtis, who has done so very much to give to Indian cul ture its proper position. Miss Curtis’ purpose has been to preserve and perpetuate all the culture development to which the Indian has already attained—in art, music, poetry, or manufacture—and, moreover, to en deavor to secure the further development and adaption of this Indian culture so as to make it, what it can undoubtedly be made, an import ant constituent element in our National cultural development. Among the others at the snake dance was Geoffrey O’Hara, whom Secretary of the Interior Lane has so wisely appointed Instructor of Native Indian Music. Mr. O’Hara’s purpose is to perpetuate and de velop the wealth of Indian music and poetry—and ultimately the rhyth mical dancing that goes with the music and poetry. The Indian chil dren already know most of the poetry, with its peculiarly baffling rhythm. Mr. O’Hara wishes to appoint special Indian instructors of this music, carefully chosen, in the schools; as he said, “ If the Navajo can bring with him into civilization the ability to preserve his striking