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About What's happening. (Eugene, OR) 1982-1993 | View Entire Issue (Feb. 13, 1986)
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I Great omlettes, great waffles, delicious pastries, fresh fruits. The de Frisco’s menu is made for the person on the go. Now, treat your friend to breakfast for | FREE. Bring this coupon in for a complimentary breakfast when you buy one of ■ value or more. ! The coffee is brewing — the cook's making breakfast until 11 am for you AND I your friend. Discover de Frisco's — in the Atrium Building. _ Hours: Open 8 am - 2 am weekdays | 11 am - 1 am Saturday 11 am - 1 am Sunday clTrscos Kitchen closes 11 pm Coupon Expires February 28, 1986 Tenth & Olive Downtown Eugene Sunday Brunch • Waffles with Maple Syrup • Dutch Breakfast • Baked Eggs with Hollandaise • Fresh Muffins and Rolls BOOK and TEA 8:30-6 Monday-Friday, 10-6 Saturday, Sunday 1646 East 19th 344-3422 ACCIDENT VICTIM? _ Let Dr. Gregory Kahn Help You s To Feel Good Again. If you need relief from the pain and discomfort caused by an accident, call the right person-Dr. Gregory Kahn. Most traumatic injuries can be greatly helped by modern chiropractic. Dr. Kahn uses gentle, light-force techniques to help resolve your pain and free your body from stress. Head injuries and spinal trauma are the doctor’s specialty. when an accident leaves you in agony, you deserve the best care. Call today and start feeling better soon. 342-3001 * Insurance assignment and Worker's Compensation accepted. • Auto insurance covers your health care needs Dr. Gregory Kahn CHIROPRACTIC PHYSICIAN 1184 Olive, Eugene, OR 97401 Conveniently located in downtown Eugene. DON’T SUFFER NEEDLESSLY! ■CINEMA Sheer Madness Review by Lois Wadsworth Margarethe Von Trotta's 1982 film about two women's friendship stars Hanna Schygulla and Angela Winkler in superior performances as Olga and Ruth. Three incredibly talented women make Sheer Madness a picture worth seeing: Margarethe Von Trotta, the director and writ er, and actresses Hanna Schygulla and Angela Winkler. In all her films, Margarthe Von Trotta ex amines woman's life from the feminist perspective of sisterhood. In Sheer Madness she explores (in) sanity and (in)dependence in relation to two women and the men in their lives. It's no accident ■ that this sounds Bergmanesque — like Bergman, Von Trotta is inter ested in probing the darkness of the feminine psyche. But unlike ' Bergman, she is less interested in • the madness of women as a phe . nomenon than in women's inner conflicts and unconscious ' responses to demands of the outer world. Von Trotta says the film is "built of glances, gestures, and overtones," and mostly the tech nique works. The film successfully captures the delicate intuitive feel ings of friendship through an ac cumulation of such small mo ments. Occasionally, glances have to carry the whole scene's mean ing, and subtlety fails. Hanna Schygulla and Angela Winkler in Margarethe von Trotta's "Sheer Madness," opening at the Bijou. Sheer Madness shows us the psychological dynamics between Olga, a self-confident professor of women's literature, and Ruth, a suicidally unhappy artist. Olga's possessive ex-husband and her un employed Russian emigre lover depend on her for emotional sup port and stability; she is very compassionate and doesn't carp their shortcomings. Her on mature fifteen-year-old son is the one who realizes Olga's needs are not being nurtured in these rela tionships. The splendid Hanna Schygulla (The Marriage of Maria Braun, Lily Marleen, Love in Ger many, and Peter the Great) as Olga achieves a perfect balance between independence and gentle ness; in an interview, Schygulla says: "Olga seems to be able to handle anything, but Olga's no super woman. She has her own weak nesses, and it's important to let that shine through her strength. Her friends, especially the men around her, all expect a constantly renewed source of strength in her and fail to understand that she too can 'capsize'." Ruth's situation is quite dif ferent-depressed since her brother's suicide years earlier, she has become heavily dependent on her husband. Angela Winkler (The tin Drum, Danton) is an elu sive and mysterious Ruth. Slowly but radiantly she emerges into an active life again through her rela tionship with Olga, but her vul nerability is staggering and the journey is very dangerous. It's dangerous for Ruth's husband Franz as well—he wants her to have friends, but he is threatened by the depth of her bond with Olga. Franz desperately needs Ruth to lean on him; her emo tional independence scares him. The film is visually beautiful, shot in Munich and on location in Provence and Egypt by Michael Ballhous, the late director Rainer Werner Fassbinder's great cinema tographer. Ballhous has worked with Von Trotta and Schygulla in other pictures and seems a perfect choice to capture the visual nuances of Sheer Madness. Despite Ball haus' influence, a great director and superb actors, Sheer Madness falls short of being a great picture, and it's hard to say exactly why. The film's pacing is disconcert ingly irregular throughout, and the ending is very dark—a shock ing and troubling conclusion. There are no simple or obvious truths in Sheer Madness — like real life, Von Trotta's vision of the complexities of modern relation ships insist on paradox. This isn't an easy movie, but if you're up for the challenge. Sheer Madness re wards you with rich insights and memorable characterizations. STEREO PROBLEMS? SEE US AT OUR A NEW LOCATION /em 1457 W. Sth Authorized Factory Service: Pioneer, Sony, Nakamichi, Yamaha, JVC, Kenwood & most other major brands. ims fe Jelectronics FACTORY SERVICE SPECIALISTS 1457 W. 6th 343-7683 THE THIRD WORLD WOMEN’S PROJECT a program sponsored by the Institute for Policy Studies and the Council for Human Rights in Latin America presents Argentine filmmaker Susana Blaustein-Munoz with a special showing of her film LASMADRES The Story of the Mothers of the Disappeared in Argentina TUESDAY, FEBRUARY 18 • 7:00 P.M. 1236 KINCAID STREET Latin American Cultural Center SPONSORED LOCALLY BY EMU Cultural Forum; University of Oregon’s Center for the Study of Women in Society, Women Studies Department, International Studies Department, and Telecommunications and Film Department; y Companeras. I CHOCOLATE I LOVERS FOR WISTEC ( Tuesday, March 11, 1986 7:00 - 10:00 P.M. $ 10.00 per person TICKET INFO 484-9027 Starting Over New and Nearly New Women’s and Men’s Apparel-Contemporary and Vintage Consigning, buying and trading by appt. only. 343-1413 1077 Willamette (Next to LCC Downtown) 10-6 Mon-Sat • 12-5 Sunday
