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About Medford mail tribune. (Medford, Or.) 1909-1989 | View Entire Issue (Oct. 20, 1963)
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So If nagging backache makes you feel ilraggcd-out, miserable, with restless, sleeiilesa nights, don't wait, try Dnan't Pills, eel the same happy relief millions have enjoyed for over 60 years. For con venience, ask for the large slse. Get loan's IMlla toriayl Hollywood was taken by surprise a few months ago when 24-year-old Dolores Hart, one of the screen's most promising actresses, gave up her career to become a Roman Catholic nun. Dolores is not the first star to forego a promising career for religious reasons. In 1952, June Haver, then one of Hollywood's top actresses, entered a convent at the peak of her professional success. It didn't last. A year later she declared that she could not adjust her self to the strenuous life of a postulant and returned to Hollywood. She did not resume acting, but eventual ly married Fred MacMurray. Incidentally, there are a number of similarities be tween the two women. Both are converts to Catholicism. Both had just lost a fiance June through death when Dr. John Duzik died in 1951, Dolores by choice when she broke off her engagement to van-and-storage executive Don Robin son early this year. But June, who had been married and divorced from trumpet player Jimmy Zito, was thrown into utter despair by her fiance's death, while the split-up of Dolores and Don seemed to have had no visible effect on her. Dolores had been considering joining a religious order since 1958. Unknown even to her closest friends, she attended religious retreats at the St. Bernadine Sisters Provincial House in North Stamford, Conn., twice a year. This is the convent that she joined a short time ago. I remember when I first met Dolores five years ago. just after a friend, Don liarbeau. sent some pictures of her to Paramount. When Dolores heard about it, she didn't think she would even be considered. "You've been shut away from the world too long," she told Don, who had just returned from a Trappist monastery where he had planned to become a monk. "Girls like me just don't get into motion pictures." To her surprise, Dolores was called for an interview, signed a long-term contract, and promptly found her self cast opposite Elvis Presley in "Wild Is the Wind." SHE I drt looked most unlike a budding actress when she Irove up to my house in an ancient Chevy converti ble that sputtered as it climbed our driveway. She wore a skirt, white blouse, cardigan, and "practical" walk ing shoes. She was not strikingly beautiful, but pleas antly attractive and down-to-earth in her approach to her career. "I don't want a lot of money," she insisted. "I don't want to drop names or go to parties simply because important people are there. I just want to prove that I can make it and stand on my own feet." Five years later I couldn't detect a change in her attitude only greater maturity and maybe a little more doubt in herself for not having met the right man and married and started to raise a family. "Maybe I am too old-fashioned," she told me a few months ago when I took her and her grandmother to dinner in London. By then, Dolores had become one of the most-in-demand young actresses in Hollywood. Dolores had starred in more than a dozen films, in cluding "Loving You," "King Creole," "Miss Lonely hearts," "The Plunderers," "Where the Boys Are." "Lisa," "Come Fly with Me," and "Francis of Assisi," Fmnilu Weekly, October 20. IH3 o o MoffiB IMS (Urn wmmuvBjmm
