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The famed fashion house of Lanvin-Castillo in Paris featured
this gold and sequin embroidered dinner gown in its 1960
fall collection. The shawl drapery gives a Spanish accent to
the dress of black wool crepe.
The balloon skirt of this Marucelli of Rome
design drops the waistline without ignor
ing natural curves in a striking cocktail
dress of brown satin and faille. The strap
less bodice, which alternates the fabric in
stripes, serves as a backdrop for the multi
strand gold necklace.
.' This brown crepe daytime dress by
' Balestra of Rome has a pine-cone pot-
f tern skirt topped by a narrow satin
' belt, plain bodice and short sleeves.
Red velvet flowers bloom at the hem and neckline of a short evening
gown (at left) from the fall collection of Centinaro of Rome. In pale beige
satin, the gown has a matching coat with elaborate pleating on the huge
collar. Chanel (right) does her beloved "little suit" in violet tweed with a
frivolous violet fringe. Chanel's designs are copyrighted; copying is
forbidden.
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Mattli of London sets a hobble at
the base of a printed satin evening
gown for gala fall occasions. The
square-necked gown, with flaring
tunic drapery, is lined in white to
the knee where the skirt narrows
to a tube.
Medford
Tribune
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MEDFORD. OREGON, SUNDAY, AUGUST 28, 1960
High Style
For the first time, The Mail Tribune today
carries a full page of pictures of fall fashions
just released by the Paris, Rome and London
couture houses.. Additional Paris designs will
be released August 30.
V
Reminiscent of the colorful costumes of the bull ring, Sarli's
bright red wool suit features a short, loose jacket with deep
back pleat over a short loose skirt with deep front pleat. Match
ing silk cord ties, ending in little pompoms, hold the jacket closed.
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Short, wide sleeves that swing into a cape effect at the back
lend a costume look to a daytime dress from the fall collection
of Fabiani of Rome. Done in a thickly-corded red silk and wool
fabric, the dress has a wide belt marking a natural waistline.
Buttons are swept to the right in Sarli of Rome's strik
ing grey camel's hair coat which has its own little
round collar and dramatic cape that bunches softly
across the front and sweeps down in a low point to
ward the back hem. Both coat and cape are lined in
brilliant red.
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Norman Hartnell, dressmaker to Britain's royal family,
calls this striking cocktail costume "Town Mouse." Done in
mouse-grey satin with gold lace appliqued on the strapless
bodice and full skirt, the gown has a full length casually
cut coat.
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Flaming red lace trimmed with matching taffeta cuts a
brilliant figure by night as Norman Hartnell of London
creates a slinky evening gown. Reminiscent of the Thirties,
the gown follows the curve.s to the knees; then flares Into
a full taffeta flounce.
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'Footgear cries "fowl" in matching evenin g shoes by Albanese of Rome. Flying the
fashion coop, the cock shoe (left) and the hen shoe are worn at the same time.
Of black patent leather, the shoes feature gold leather beaks and red leather combs,
(All picture by U PI Telephoto service.)
The honeycomb hat, natural companion to
the beehive hairdo, provides an elaborate ;
touch to cocktail costumes from Lanvin.
Castillo of Paris. The beige and white
pleated tulle hive Is decorated with a dia
mond clip from Cartier,
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