Image provided by: University of Oregon Libraries; Eugene, OR
About The Blue Mountain eagle. (John Day, Or.) 1972-current | View Entire Issue (June 28, 2016)
Casting, Modeling, & Assembling 231 100 13_ Casting, Modeling, Assembling - o- riginal three dimensional work using additive tech- niques. Examples might include metal welding or casting; paper mach’e. Other Three Dimensional Work 231 100 14_ Other Three Dimensional Work - original three dimensional work other than carving or casing, modeling and assembling. Examples might include origami and pop-up art structures. Wearable and Functional Art 231 100 15_ Wearable clothing - clothing item demonstrating original artwork. Techniques might in- clude painting, dying, beading, etc. 231 100 16_ Wearable accessory - accessory item demonstrating original artwork. Examples in- clude jewelry, hats, purses, footwear, etc. Techniques might include painting, dying, sculpting, beading, e- nameling, etc. 231 100 17_ Functional item - original work in any technique or media done to create a functional but non-wearable item such as bowls, vases, cups, lamps, or other items. Typical media might include metal, wood, clay, or paper. Digital Illustration Digital Illustration is the use of digital tools to produce images under the direct manipulation of the artist. It is distinguished from computer-generated art, which is produced by a computer using mathematical models created by the artist. It is also distict from digital ma- nipulation of photographs in that it is an original con- struction “from scratch.” (Photographic elements may be incorporated into such works, but they are not the primary basis or source for them.) 231 100 19_ Digital Illustration- Original work using a digital illustration program or tool to create a vector or pixel-based illustration. Work should be presented in a tangible form (such as a printout) at an appropri- ate resolution for judging. Non-Original Art Member applies the elements and principles of design to create work that may incorporate pieces that have been designed or created by others such as instruc- tional patterns, pre-stamped or printed outlines, rubber stamps, commercial stencils, stickers, printed papers, etc. The explanation to the judge should ex- plain how the member made the decisions about how to incorporate these pieces into the total design. The pre-designed component must not be the total design. Painting (Does not include stenciling or etching) 231 100 51_ Painting on wood surface - decorative painting on a wooden surface using any paint medium and the aid of a pre-designed instructional pattern. 231 100 52_ Painting on metal, glass, or other non-porous surface - decorative painting on a metal, glass, plastic, glazed clay or other non-porous surface using any paint medium and the aid of a pre-designed instructional pattern. 231 100 53_ Painting on a porous surface - deco- rative painting on a porous surface using any paint medium and the aid of a pre-designed instructional pattern. Surfaces might include fabric, paper, fiber, unglazed clay, plaster or cement. Stenciling/Printing/Stamping 231 100 54_ Stenciling/Printing/Stamping -work created using stenciling, etching, wood burning, print- ing, or stamping techniques with the aid of stencils, forms, stamps or designs that the member did not create him/her self. If appropriate the exhibit may be up to five smaller items that use the same technique based around a theme. (Example: up to 5 note cards using nature stamps) Drawing/Shading Techniques 231 100 55_ Drawing/Shading Techniques - work created using drawing/shading/texturing and/or three dimensional shaping techniques with the aid of partial photographs or line drawings that the member did not create themselves. Examples include soft metal embossing, woodburning, scratch art or drawing to complete or enhance a partial photo of a subject. Craft made of Glass Craft made of Metal Craft made of Natural Materials Craft made of Plastics Craft made of Wood Craft made of Paper Other Note: Blank ( ) is filled in with appropriate number from list below. 1 Junior 2 Intermediate 3 Senior HORTICULTURE PROJECTS All projects checked in Tuesday, Aug. 9 at 8:00 am Collage, Decoupage, Assemblage, Scrapbooking Collage, Decoupage 231 100 56_ College, Decoupage - two dimen- sional work created using the aid of pre-designed components such as photographs or printed motifs on paper or fabric. No scrapbooking or memory book pages. Assemblage 231 100 57_ Assemblage - three dimensional work created using assemblage techniques and compo- nents or materials that are preformed or designed by someone other than the member themselves. Work may be either two or three dimensional and should be assembled in a manner that maintains the form as a permanent structure. (No Lego© creations or kits) Scrapbooking 231 100 58_ Scrapbooking - up to two single sided scrapbook or memory book pages based on a single theme. Pages are encouraged to be protected by plas- tic sleeves. Exhibits with two pages should have the pages securely attached to each other. Wearable Art 231 100 60_ Wearable clothing - clothing item demonstrating artwork done with the aid of pre-de- signed components. Techniques might include paint- ing, dying, beading, etc. 231 100 61_ Wearable accessory - accessory item demonstrating artwork done with the aid of some pre- designed components. Examples include jewelry, hats, purses, footwear, etc. Techniques might include painting, dying, sculpting, beading, enameling, etc. * Hobbies & Collections (County Project) Creative Crafts Each exhibit must include a "Creative Crafts Explanation Card" firmly attached to the exhibit. Be sure to indicate if the idea is original or list the re- source book used. The explanation will not be judged but is required to qualify for judging and may be dis- played. Members may enter three of the following classes, one exhibit per class: 651 101 01_ Craft made of Clay 651 101 02_ Craft made of Fibers and Fabrics 651 101 03_ Craft made of Food Products 651 101 04_ 651 101 05_ 651 101 06_ 651 101 07_ 651 101 08_ 651 101 09_ 651 101 10_ Flowers & Ornamentals The class and kind of flower must appear on the ex- hibit tag attached to the exhibit. The number of flow- ers required for each exhibit can be found in paren- theses after each flower type. Each flower is to have foliage attached or include foliage. In an exhibit of 3 blooms, all blooms must be the same color. Exhibitors can enter only one entry of each of the flowers listed below with the exception of the "Other, Perennial Cut Flowers and the Other, Annual Cut Flowers. Exhibitors may show all or a portion of their allowed/allotted flower exhibits in either of the Other classes. The total number of cut flower exhibits may not exceed 3 for juniors, 4 for intermediates, or 5 for seniors. Containers will be furnished for cut flow- ers. Arrangement exhibits will be displayed in the con- tainer provided by the exhibitor. Exhibitors may use a holding device to secure arrangements. Judging crite- ria is outlined on 4-H Cut Flowers Exhibit Score card (713-01) and the 4-H Floral Arrangement Exhibit Score Card (713-02), available at the county Extension office or from the State 4-H website http://oregon.4h.oregonstate.edu/resources/materi- als.html Types -- Number of stems required in parentheses. Asters (3 blooms) Bachelor Buttons (3 blooms) Calendulas (3 blooms) Chrysanthemums (1 spray) Cosmos (3 blooms) Dahlia, under 3" dia. disbudded (3) Dahlia, 3 - 6 " dia. disbudded (1) Dahlia, 6" and over disbudded (1) Gladiolus (1 spike) Gloriosa Daisy (3 blooms) Lilies (1 stalk) Marigold, African (1 bloom) Marigold, French (3 stems) Nasturtiums (3 blooms) Petunia (3 stems) Roses, Miniature (1 spray) Roses, grown in clusters (more than three blooms) (1 spray) Roses, Hybrid Tea disbudded (1 bloom) Roses, Other (1) bloom Snapdragon (3 spikes) Statice (1 spray) Straw Flowers (1 stem) Sunflowers, (1 bloom) Zinnias (3 blooms) Other, Perennial Cut Flowers (1 spray, 1 large bloom, 3 small blooms) Other, Annual Cut Flowers (1 spray, 1 large bloom, 3 small blooms) 2016 ★ GRANT COUNTY FAIR ★ PAGE 79
