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About The Bulletin. (Bend, OR) 1963-current | View Entire Issue (April 21, 2022)
TV • PAGE 25 THE BULLETIN • APRIL 21 - 27, 2022 What’s Available NOW On “Community” “A Very British Scandal” All six seasons of this 2009-15 cult hit sitcom about a disbarred lawyer (Joel McHale) forced to enroll at a community college with an eccentric staff and student body comes to the streaming service. Cre- ated by Dan Harmon (“Rick and Morty”), the series boasts a talented cast that in- cludes Gillian Jacobs, Alison Brie, Danny Pudi, Ken Jeong, Yvette Nicole Brown, Jim Rash and Donald Glover. (ORIGINAL) From creator Sarah Phelps (“The Crimson Field”) comes this three-part miniseries that focuses on the 1963 divorce of the Duke and Duchess of Argyll, a notorious and scandalous legal case rife with accusa- tions of adultery, forgery, theft, violence, drug use and bribery. Paul Bettany and Claire Foy star as the couple, in a cast with Julia Davis, Camilla Rutherford and So- phia Myles. (ORIGINAL) BY JAY BOBBIN “Willy Wonka and the Chocolate Factory” “Young Frankenstein” “Silver Streak” “Undone” “Movie: I Love America” From France comes this comedy that stars Sophie Marceau (“Sex, Love & Therapy”) as Lisa, an empty nester who leaves Paris following the death of her mother to make a fresh start and find love again in Los Angeles. Djanis Bouzyani, Colin Woodell, Monika Casey and Carlease Burke also star for writer/director Lisa Azuelos (“Dalida”). (ORIGINAL) The sophomore round of this animated drama picks up with Alma (voice of Rosa Salazar) realizing that there are deeper mys- teries in her family’s past but no one is in- terested in helping her unearth uncomfort- able truths — that is, until she persuades sister Becca (voice of Angelique Cabral) to join her. Bob Odenkirk, Constance Marie and Daveed Diggs are also in the voice cast. (ORIGINAL) BEST GENE WILDER MOVIES “Bonnie and Clyde” (1967) Wilder made a big splash as a hostage of the title gangsters (Warren Beatty, Faye Dunaway). “The Producers” (1968) As the title backers of a stage show they wanted to fail, Wilder and Zero Mostel helped Mel Brooks gain a foothold in the movie world. “Willy Wonka and the Chocolate Factory” (1971) Wilder is a favorite of several generations as the so-called Candy Man. “Everything You Always Wanted to Know About Sex (But Were Afraid to Ask)” (1972) That Wilder plays it so straight as a psychiatrist who falls in love with his newest patient – a sheep – makes his segment of Woody Allen’s vignette-structured comedy hilarious. “Blazing Saddles” (1974) As a drunken gunslinger, Wilder makes a great sidekick to Rock Ridge’s new sheriff (Cleavon Little) in Mel Brooks’ Western satire. It’s the first half of a Wilder double feature Sunday, April 24, on Turner Classic Movies. “Young Frankenstein” (1974) Teamed with Mel Brooks again – also as a writer in this case – Wilder sends up a horror classic as a descendant of the synthetic-man-creating scientist. “The Adventure of Sherlock Holmes’ Smarter Brother” (1975) Wilder tried going the Mel Brooks spoofing route on his own as writer, director and star of this detective parody. “Silver Streak” (1976) A terrific Wilder plays a train passenger who finds himself caught up in a mystery ... and in a partnership with Richard Pryor, in their first of several movies together. This completes TCM’s Wilder double bill on April 24. “The World’s Greatest Lover” (1977) Again the writer and director here as well, Wilder plays one of the aspiring candidates to challenge Rudolph Valentino as a silent-screen superstar. “The Frisco Kid” (1979) Wilder does excellent, seriocomic work as a rabbi in the Old West. “Stir Crazy” (1980) Under the direction of Sidney Poitier, Wilder and Richard Pryor make much mirth as wrongly sentenced convicts. “The Woman in Red” (1984) Also playing writer and director again, Wilder portrays a man whose obsession with a beautiful woman (Kelly LeBrock) proves problematic. Arguably the film’s most enduring element is Stevie Wonder’s hit song “I Just Called to Say I Love You.”