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About Eastern Clackamas news. (Estacada, Or.) 1916-1928 | View Entire Issue (May 5, 1927)
I s u m m e r house — with Its shrouding vines—It w ould I iuy * been ulmo-o dusk. Suddenly a recollection flashed up c lu irxoyantly d i s t in c t —J o e at th e flat tr y in g to m a k e H a ss ett give him the p a r t of S e b a stia n , I m ita tin g Sybil's walk. T h a t p i c t u r e bro u g h t he r to hef feet, b ro u g h t it s m o t h e r e d cry to her lips. T h e sp o ts of light h a d joined, run to g e th e r In u lea ping Illumination. On th e b u r e a u lay th e key of J o e ’s tru n k th u t sh e h a d b r o u g h t from Ills room a f te r t h e i r last Interview . She -matched It up nnd r a n to th e door, out of It, alo n g th e gallery. In Joe'i- room sh e t u r n e d on th e light a i d un locked Ids t ru n k . She w ent th r o u g h It to th e bottom lookin g fo r his Seh&s tlnn costume. It w a s gone, ev ery ap p o in tm e n t of it. She hud not needed th e proof, sh e kn e w t h a t she would "WN.U$f RVKÍ not find It. t h a t it w a s Joe. d r e sse d In th e r e st of t h is ho rrib le b u s in e s s Til t h a t costum e, S to k e s had killed. C H A P T E R X U IC o n tin u e d look a r o u n d for him. A nd a nyw ay, T h e r e st of It— Sybil alive, hiding — 18— h e ’ll see It In t h e pnpers, a n d If he s o m e w h e r e ! S h e sa w t h e gra y d a w n It trad h e r a s s u r a n c e s t h a t quieted w a n t s to show up, he'll do It him self on the w indow — th e nig h t w a s over, him. She hail know n from th e first w ithin th e n e x t few days. Now you the ho u se w ould soon he stir r in g . She he would tell ns she hnd know n from m ust go to bed nnd let y o u r po o r tired locked the t r u n k , t u r n e d off t h e light the first he hud done It. He re la xed b ra in re st." a n d stole out on the gallery. S h e did and sunk b a rk , his eye* closing, nnd T h e y w a lked to th e door a n d t h e r e not go hack to h e r room hut kept on th e doctor motioned th em to go. Flora he c a u g h t h e r a g a i n s t his b r e a s t and down t h e hall to th e top floor s t a i r followed th e m to the door mid held looked Into he r f a c e : case. H a l f w a y up she h e a r d from them t h e r e a m om ent to r e p e a t w hat " I t 's all o v e r —t h a t fighting nnd the floor above a sound, so f a in t, so she hud said us If, like him, w anting to rid her mind of all Its s e c re t agony. stru g g lin g alone, Anne. A f t e r th is furtive, t h a t it w ould only h a v e been we'll be together, a s soon a s w e cun a u d ib le in the d e ad d a w n hush. She It w a sn't s u r m i s e ; sh e hud seen him. get a w a y from he re a n d find a c le rg y m ad e n r u sh upwin d se n d in g h e r voice, W hen she hud t u r n e d from th e w a t e r m an to m a r r y us.” low-keyed h u t pa ssio n u tely urgent, a f te r ‘ ltl*r h i t t e m p t ' to cutoh th e body T hey kisse d a n d p a rte d , B a s s e t t go a h e a d of h e r : she had h a d a 'c l e u r view of him s t e a l "Sybil, Sybil, If It’s you, w a it. I t ’s ing through the pine wood, moving ing to his room — h e could sleep n o w — a n d A nne fa rin g slowly u p t h e stu irs Anne. I’m coining to help you.” noiselessly a n d w a tc h in g t h e house. T h e door o f the bedroom opposite to hers. ‘‘He ne v er knew It,” she said. " T h a t the s t a i r head w a s open. A g a in st the night when you, Mr. Williams, nearly pule light of t h e window, poised with CHAPTER XIV c a u g h t me on th e stulrs, I w a s going one h a n d r e s t in g on th e r a is e d sash, to see him, say I knew w h a t h e ’d done und thut I'd help him a n d lie for him Anyone w a t c h i n g Gull Island from was a boy's figure— su r e ly th e figure nnd sta n d by hltn. o h , y e s —I don’t th e shore would have seen t h e yellow sh e had se en in tlie living room two c a r e w hat I tell now. H e w a s my sh a p e o f one b r ight window set like n ig h ts before. It w a s so com pletely husband, I'd loved him nnd he’d been a small golden s q u a r e in t h e d a r k boyish, the c r o p p e d ro u n d he ad, the c ursed—c u r se d a n d de stroyed." ness. T h e bright window w a s Anne's k n ick e r b o c k e r s a n d belted j a c k e t, th a t s h e could not yet he s u r e nnd went T h e men closed t h e door softly ns f o r w a r d w ith s la c k e n e d gait, pe ering upon th e dead. W h at they h a d he ard und m u r m u r i n g f e a r f u l l y : Slid left behind them hnd ta k e n the “ S y b il, It Is y o u ? " r e s t from th e ir acc o m p lish m en t a n d In T h e figure left th e window, cam e the glow of the hall lights th e i r faces n e a r e r , silently, creeptngly, w ith a looked d ruw n a n d hollow ed with h a n d r a is e d for c au tio n . She s a w th e fatigue. Hawson d r e w out his wateb face then, pinched nnd haggard, —h a lf p a st two. T h e best tiling they s t r a n g e l y a lt e r e d w ith th e c u rlin g could do w a s to get it little sleep, f r a m e o f h a ir clipped close, h u t still a n d ste p p in g gently, ns befitted n Sybil's. place w h e re so d a r k a doom bad fallen, It w a s so e x tr a o r d i n a r y —su c h a gulf lie a n d Wllllums p a s s e d Into th e li of u n k n o w n h a p p e n in g s la y be tw ee n brary. t h e m —t h u t a t first they said n o th in g Sleep w a s f a r from B a 's e t t . He Anne sp o k e first. would like to h a v e seen Anne, but it " J o e ," s h e sa id, " I t 's J o e t h a t 's would have been in h u m a n to rouse dead." her, and he went to w a r d th e living “ Yes. Iio t h e y k n o w ? ” room w h e re ho could th in k in quiet. " T h e y know nothing. T h e y thin k Hi- dropped Into u chair. Ids b r e a th It w a s you. It’s all over, S to k e s has cupelled with a gro a n in g note, then b e a r d Anne's voice from the gallery told. Hut, oh, w h a t Is It? I c a n 't u n above: d e r s t a n d —It's like a f e arfu l d r e a m . ” “ I've been w a iting for you. May I T h e w o rd s died a w a y a n d a su d d e n come dow n?” violent tr e m b lin g shook her. W ith the T h e r e she was, dressed, leunlng Joints of h e r k n e e s like w a t e r she a g ain st the railing, sunk on th e side o f the bed, gripping ‘‘Colne,” be beckoned. Ills h e a r t e x the o t h e r w ith h e r sh a k i n g hands, panding, his depression lightened, and pulling h e r down beside her. ns sh e d is a p p e a r e d be pulled up u "Toll me, tell me,” s h e Implored. clm lr for her. S h e c a m e In, soft- “ W h j is he d e a d ? W hy did he pre fo^loil a c r o s s th e rugs, w ith th e w h is tend he w a s y o u ? W h a t w a s lie d o p e ring w o r d s : ing?” “ 1 c ouldn't rest till I ’d seen you and T hey sa t, clinging togethe r, two heard. H e's told?” Pardo Had Seized Him and He Had sm all huddled figures in th e gra y light. “ E v ery th in g .” T h e y sat, f a cin g each Made a Rush F ro m the Place. T h o u g h th e house below w as a s slletn o ther, close together. " I t 's solved and a s th e tom b they spoke in subdue d a n d ov e r n g a ln s t It A nne hat on the voices, question, a n sw e r , surmise . e n d e d — the Hull Island m urder." side of th e lied looking at th e floor. ‘‘U It all r ight for you to tell m e?” Knelt knew a differe nt aspect of the She sa t p e rfe c tly still, held In a s t a r It was all r ight aud he told her. story, b r o u g h t h e r ow n knowledge of ing c o n c e n tr a tio n of th o u g h t, re v ie w "So, as It t u r n s out, A nne d e are st, J o e 's m otives a n d actions. In th a t ing the h a p p e n in g s of the night. all th u t misery you a u d 1 w e n t th rough w h isp e re d e x c h a n g e they pieced to W hile H a ssett h a d m ike d to h e r she ge tlier t h e s e p a r a t e facts, combined wus u n necessary." h a d a cc epte d Ills theory. Ills belief them In c o h ere n t se q u e n ce und cam» “ Yes," sh e said slowly. " I t w a sn 't Joe, he w a sn 't In It a t all. ltu t 1 In It had been so a b so lu te a n d It w a s to u final e n lig h ten m en t. d on't u n d e rstan d . I've been siltin g In so plausible. O f c o u r s e a p e rso n In J o e had met his d e a th In his las' h e r s t a te m ig ht h a v e Im agined a n y iny room while you were w ith Stokes effort a s a police spy, Ids last effort th in k in g a bout It a n d I c a n 't m ak e It thing. And hs s h e dw elt on th e s e n to get th e l 'a r k l n s o n re w a rd . L eaving tenc e to p e r s u a d e herself, t h e vision out. H u g h ” —sh e leaned f o r w a r d and Ids room to come down hiu ) m ake re sted he r bund on his knee, dropping of th e dim s h a d o w y room rose before re ad y for Ids d e p a r t u r e , ho had he ard he r voice though no one w as t h e r e to h e r w ith t h e figure com ing t o w a r d the voices of S to k e s a n d Sybil In the h e a r —" t h i s Is w h a t 1 c a n 't e x p la i n — he r from th e d a r k n e s s of t h e gallery, living room. Sybil rem em bered m oving sp ir itlik e ns an h a llu c in a tio n Who did 1 see in here last n i g h t? ” Stokes' u p w a rd look a n d questio n H assell's a n sw e r was p r om pt, deliv might move. Hut ns the m em ory grew a b o u t so m eone m oving In th e g a lle ry — In vividness th e s h a p e took f o r m aud e red In the brisk tone uf common J o e c ree ping to c once alm ent behind solidity, t h e slim hoy's shape. She sense: th e arch. T he n a t u r e of th e ir c o n v e r " l can. I t 's very simple. You d id n 't sa w a gain Its r a p id advance. Its sud sa tio n would have held him lis te n in g : den sto p p a g e a t h e r words, Its lig h t sc»1 a nybody." here w a s his last o p p o rtu n ity to get ning quick t u r n a n d soundless filght. "You lliluk 1 Im agined It?” the Inform ation he sought. H e had T h e sn a p o f th e closing door c a m e to "I know you did. J u s t c o n sid e r : h e a r d the re ndez vous in the sum m er he r mind ns a la s t confirm ation nnd You w e re In a w rought up condition, house. Its open situ atio n offered B< sh e knew It w a s no delusion. you ex p ec te d to se e him, c a m e down hiding place outside, hut k n ow ing that fo r t h a t purpose. T h e room was al "I did," she said In a w hispe r, nnd It would he alm ost du rk Inside, he hnd m ost d a r k , quiet d a r k u n d e r t h e g a l ra is ed he r eyes us If c o n f ro n tin g a conceived the idea of p u t ti n g on hi* lery w h e r e you any he c a m e from. d o u b ter with th e tr u th . "I knew It— S e b a stia n costum e und Im personating A fte r w h a t you'd gone t h r o u g h —first I did see som ebody." Sybil. a m urder, then a suspicion th a t would Somebody I I lls room w as n e a t to Sybil's. He h a v e und e rm in ed th e stronge st n e rves T h e word st r u c k h e r e a r w ith a hud h e a r d he r coma upxlulrs and from - —you w e re in a s t a t e to se e a n y s t a r tl i n g effect, a n effect of discovery, Ills window could c om m and the Point th in g ." of Im pending disc losures. H e r body W hen Shine left It he hud gone down She c o ntinue d to s t a r e at t h e light, s h r a n k t o g e th e r a s If in f e a r of them , p a sse d the balcony w he re S to k e s wa* h e r face set In troubled thought. h e r riveted glunce grew fixed as u w aiting, a n d h e a r in g Ms follow-lug "I suppose th a t coutu he." sleep-walker's. She lost all se n se of footsteps, moved with t h a t close ind “W hy, Anne dear. It must hMve been. h e r su rro u n d in g s, h e r e n ti r e being c o n tu tlo n of Sybil’s ga it to the sum m er It could ha v e h a ppene d to anyone. t r a c t e d to a point of Inner activity, house. T h e r e t h e dim light und the And Ib c re 's a n o t h e r point If It Imd b e f o r e t h a t Intensified m e n ta l vision drooping curls of Ids wig en ab led him been Joe. w ouldn't he have spoke n to a se ries of p ic tu r e s passed like th e to c urry th rough the deception. Stoke*' you, one q ue stion even to find out slides In a m agic l a n te rn S hine ’s w ild apce< h. followed by th e draw ing w h a t w a s going on. w hut we w ere do photograph, t h e worn, wide-eyed face of the pistol, had terrifie d him. Don in g r of Sybil; J o e p laying S e b a stia n , his fro n ted by a man a rm e d and h a lf mad "Yes. yes. I've thought o f th a t. It costume. Ids m ovem ents, a re p lica of panic hud seized him and he h a d made d id n 't occur to me at t h e tim e. Hut Viola’s ; th e living room ns they h e a r d a r ush from the place. h e would have said som ething.” th e shot, dusk falliug o u t s i d e ; In t h e ITO HE C O N T IN U E D .) “ O f c ourse lie would. You n e v e r saw a n y th i n g m o r s su b s ta n t ia l t h a n a sh a d o w In th e m oonlight." She w a s silent for a m om ent then ■aid : “ Wall, w h e r e Is J o e ? W h a t 's he It Is generally believed, nnd t h e Kn- place w h e re she w a s horn. It w a s a doing?" "Clone off on som e busin e ss o f his cyclopedin H ritautilca record*, t h a t squalid, u n d e r g ro u n d room, a n d when own. You w e re telling the t r u t h when S a r a h B e r n h a r d t, th e noted netresa , they arrive d, a blind, d e c re p it beggar w a s horn In P n rls a n d th at h e r p a r lay on a hod of ruga In one corner you told Kaweon and W illiam s that J o e 's a ctio n s w e r e n 't a lw a y s c a lc u l e n ts w ere h m ix tu re o f F r e n c h a n d T h e a c tr e s s collapsed on a rickety D utch a n d of Je w ish descent, h ut the e h a l r nnd h u rst Into tears. Suddenly able. w e r e n 't y o u ? " He saw h e r an most recent version of he r origin sa ys she leaped up. flung a I. ODD-franc note ■werlng uod. "W ell, he's evidently chosen th e occasion of his leaving the sh e wn* horn In Am sterdam , Holland, on th e ta b le In the c e n t e r of th e room T h e a u th o r i t y for ami tied up th e ste p s a n d out Into the '«land to light out In some new d irec o f J e w p a rents. tion. You c a n 't tell w hat m ay have th is version Is l.yon van I.yer of Am s tr e e t.— New York Kvenlug Post. b e en In Ills h e ad ii Joke on Jim m y s te r d a m . who revealed the p u r p o r t e d T r a v e r s , on us. any sort of l a r k or t r u e story of th e a c tr e s s' b ir th a t a Cunning Is Despicable to m fo o le ry . W e ’ll find It all out d i n n e r In A m sterdam not long a f te r Cunning, at best, only d u t th e dirty S a r a h B e r n h a r d t 's d e ath , l i e cla im ed w ork of w i s d u m ; t h e r e f o r e I despise soon." •Voiue," he said, rising a n d d ra w in g th a t he r f a t h e r w as Ida b ro th er. Vnu It.—Jo s h Hillings. h e r to h e r feet. ' T h e r e ' s no good I.y er re la te d th a t once w hen t h e D i boitie rin g a bout t h a t any more. I.eave vine S a r a h visited A m ste rdam , she L ife Is w h a t you m ak e It, n o t what It to um a u d w heu w e \ e got through so u g h t him a n d a ske d to he show o the you make. • V i.it to B irth p lace U p set “ D ivine S a ra h ” THE “SQUARE DEAL” BARBER SHOP G O L D E N T E X T — R leseed be th e God a n d F a t h e r of o u r I.ord J e s u s C h ris t w h ich a c c o rd in g to H is a b u n d a n t m e r cy h a t h b e g o t t e n u s a g a i n u n t o a li v e l y h o p e by t h e r e s u r r e c t i o n of Jesus C h r is t fro m th e dead. U itlM A K Y T O P IC — J e s u s F o r g iv e s P eter. JU N IO R T O PIC — J e s u s F o rg iv e s and R e s to r e s P eter. IN T E R M E D IA T E AND SE N IO R T O P IC— T h e R i s e n I . o r d A p p e a r s t o P e t e r . Y o u n g p e o p l e a n d a d u i . t t o p ic — F e llo w s h ip W ith th e R is e n Lord. I. P e t e r and J o h n a t t h e E m pty Tomb (Jo h n 20:1-10). J o h n does not e n t e r Into a d e s c ri p tion of the r e su rre c tio n of C h rist or a tt e m p t a proof o t h e r th a n t h a t the tom b w as e m pty nnd t h a t J e s u s h a d re p ea te d ly m an if e s te d H im se lf to the discip les a f t e r th e tomb had. been found empty. 1. H ow they c a m e to know (vv. 1, 2). T h e I nform ation w a s b r o u g h t by Mary M agdalene out of w hom J e s u s had c a s t seven dem ons ( M a rk 1C:!), I.uke 8 :2 ) . P r o m p te d by love for Him she w e n t e arly to th e tomb, “ while II w a s yet d a rk ," “sh e w a s la s t a t the cross nnd first a t t h e grave, s h e sta yed longest t h e r e und w a s soone st here.” H er love for J e s u s w a s genuin e, though h e r know ledge of H is r e s u r rectio n w a s defective. She could not rest till she h a d done h e r u t m o s t for Him b e ca u se she realized t h a t great good had come to h e r from H is hands. T h e re a so n we w ork so little for the Lord Is t h a t w e h a v e such a dim se nse of I lls sa ving grace. 2. T h e i r Investigation (vv. 3-10). T h e n e w s of th e e m p ty tomb, which M ary b ro u g h t with b r e a t h le s s haste, so moved J o h n nnd P e t e r t h a t they both r a n to Investig ate. Upon a rriv a l at th e tom b J o h n gazed upon It, hut P e t e r e n te r e d it. J o h n , with holy r e v erence, h e sita tes. P e ter, with Im pul siveness, e n te r s th e tom h a t once T h e i r r e sp ec tiv e a ctio n s a r e not to be explained on th e basis o f d e g r e e s of love for th e I.ord, b u t to te m p e ra m e n t . The Investigation convinced them . T he removal of the s to n e from th e se p ulcher, t h e a r r a n g e m e n t of th e grave- clo thes all convinced them t h a t It had not been done hv an enemy. II. T he Cha rge of th e Risen Lord to P e t e r (J o h n 21 :lf>-17). J e s u s put to P e t e r t h e t h r ic e r e p e a t ed question, "L o v es t thon m e?" T h e n l i e gave him a commission. Tills show s th at s u p r e m e love to C hrist Is th e one esse ntia l qualification for se rv in g Him. I.ove Is th e sp rin g fro m w hich all C h r istia n a c tiv ity flows. H e asked, nlso, to show th n t t h e r e a r e t h r e e cla sses In th e c h u r c h which d e m a n d care and a tte n tio n . T h e s e three c la ss es need special c a r e nnd food. 1. F e e d my lambs, (v. 15.) T h i s first c h a r g e r e la te s to those who a r e beginning th e C h r i s t ia n life —th e b a b e s In Christ. T h e w ord “ fe ed” m e a n s more th a n I n s tr u c tion. It m e a n s in a d d ition to in st r u c ti o n thut p ro p e r su r r o u n d in g s , influences a n d e x a m p le s sh ould he provided. As a C h r is tia n m iniste r, P e t e r w a s to he an e xam ple, provide th e p r o p e r s u r r o u n d in g s a n d do the p r o p e r te a c h in g for the y o u n g C h r i s tia ns, those Just beginning t h e C h ris tia n life. 2. T e n d my sheep (v. 10). T h i s c h a r g e show s a different class. It m e a n s to s h e p h e rd the' sheep. II h a s a p p lic a tio n to the m a t u r e class of C h r istia n s. T h e d uty e n jo in e d t h e r e f o r e Is to c a r e for th o se who hnve p a sse d out o f th e i r c hildhood In to m a t u r i ty . H e m ust feed t h e sheep, give th e m p ro p e r Instruction, guide them , lend them nnd discip line them. F o r th is m inistry the esse ntia l q u a li fication Is love. 8. F e e d my sheep (v. 17). T h e Im plicatio n h ere Is t h a t P e te r w a s c h a r g e d with th e responsibility of c a r i n g for aged C h r istia n s. T h e word "f e e d " Is m uch t h e s a m e a s In the first case. It m e a n s t h a t for the aged C h r i s t ia n s the Instruction ought to he such a s will be su ited to th e lf needs. T h i s needs special e m p h a sis to d ay b e ca u se much a tt e n ti o n Is given to t h e y o ung people, b u t ' I d ninny In s t a n c e s th e old people a r e neglected. III. Follow Ms (vv. 18-23). In v e rse 18 Is given a c le ar p r o p h ecy c o n ce rn in g P e t e r 's death. It w as to be by crucifixion. P e t e r once s h r a n k from the cross, but now th e Lord h olds It up before him. It Is not th e L o r d ’s de ath on t h e cross, hut P e t e r ’s own. He te a c h e s h e r e t h a t the C h r i s t ia n 's d e a th Is for th e glory o f God. W h a t e v e r may be be fore us, even t h e c ruel cross, th e L ord's com m and Is to follow llltn. "The Shop Where the Barber Knows His StujJ’' EARL LA FORGE, Prop. Estacada’s Leading Tonserial Artist -Shave 15c Hair Cut 35c—Children Bobbing a Specialty Estacada, Ore. Shop on Broadway R. G.MARCHBANK CONFECTIONERY AN 3 , LIGHT LUNCH I V — INTERNATIONAL MADE-TO-MEASURE CLOTHES BOB’S BARBER SHOP ani MA k CEL SALON «T IU C T L Y SANITARY l SA TISFACTION GU ARANTE JED Haircutting 33a Share 15c MASONIC BL DQ„ ESTACADA A R T SM ITH, P rop. ESTACADA TRUCK LINE DAILY T B I P 8 F B O tt ESTACADA TO PORTLAND L EA VE A LL F R E I G H T AT W A R E H O U SE l a o r d e r i n g yo u r f reig h t eent th r o u g h us you receive p e r so n a l se rvtc* both In E s l a c a d a and P o r tla n d t h a t will sa ve time a n d m oney 0, IL J 0 S 8 Y P II0 N K IS -18 Call and D eliv er Service PORTLAND-CARVER-ESTACADA STAGES M unicipal T erm in al, 8 ix th aud 8 a lm o n 8ts.— P h o n e Main 7733. (A » i w A . M. Portland C lac k am a s C » rv « r P .M . 1 :0 0 * • 1:30 1 :4 0 B a rto n 1:03 E agle Creek 8:15 E stacada 3 :3 0 ’ Daily except Sunday BUNDAY— Leave P o r tla n d P.M. • A M . M. P.M. P M. P M . 5 :3 0 1 / 7 . E s t a c a d a 8:00 4 :3 0 8 :5 0 6 :5 0 E agle Creek 8:15 4 :4 5 8 :4 3 7 :0 0 B a r to n 8 :3 5 4 :6 1 8 :6 5 7 :3 5 Carver 3 :46 5 :1 5 0:18 T : 36 C lac k am a s 8:63 5 :3 8 9 :3 5 7 :5 0 A r . P o r t l a n d 8:30 6 :0 0 10:00 (A ) S a t n r d a y Only. 10 a. m. Leave E e ta c a d a 4:30 p. m. pnaiiuiiiniuiUHnimBuaiuiiHisiuiuiiiiw A Safe Place to Put Your Money This Company has invested over S77.000.000 in this territory. It has 90,000 light and power customer* and serves a population of over 400,000. Its business is growing steadily every day. We offer you an opportunity to invest your money in this successful and well-managed busi ness at 6.67 per cent interest. LET US TELL YOU MORE ABOUT IT. INVESTMENT DEPARTMENT 820 Electric Building Our Hope O u r hope ties not In th e a b se n c e of danger, h u t In the p r e sen c e of C hrist, who Is able to control th e storm . No ch u rch w ith C hrist In It c an he w recked o r lost. Store of th e living Christ, m ore of His love, of HI* t e a c h ing.— W e s te r n Recorder. Portland Electric Power Company C o sts S e lf-D e n ia l T o keep In good g r a c e with o n e ’s own se lf often ce*t* se lf denial, but It pay* a mix ty dividend.—H e r a l d of Gospel Liberty. PORTLAND, OREGON