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About Eugene daily guard. (Eugene, Or.) 1904-1924 | View Entire Issue (Dec. 19, 1908)
ma ccHuni 9Atvr obamb batcbdat, naaaaak i;fo9. 1 The m By 1 m Dramatized by OLIVER. HERFORD (Chapter Four Continued) "Ton arc not jealous?" Olsa nuked. . -If you don't want the truth no. I em not." Herman replied, and In his lone there was the peculiar meaning which bis words did not convoy. "If I were not afraid of becoming ridicu lous I should sny warnlngly. 'Children. le sure to be good." " He paused and looked at both of them.' Then be said: "Goodby." . As be turd ft Earl followed and es corted bliu through the door. Olga stood frowning, worried. III nt ensu. Ker looked at her In surprise when he returned. "What Is the mailer':" Uo asked. OI;;n staried nervously aud looked at lilin. She pressed her hands before ber eyes am) for a moment did not speak. She looked awuy us Karl ap proached Uer aud wild tenderly: "Are you afraid? I I an- U'll me.'' "I dou't know what is the. matter with me, hut Jm.t I'.j'.v. when my hus band went i:vay. I felt as ft' I had been left wlibst'.! a protector." She broke o:v :ibnt;tly, aud Karl urged her to o.':pl::lu. ' "What do you meas? I don't under stand," he said. "Yes, yon do. Karl," ;lm said as ' she turned aud faced him. "You know. 1 have fought against coming here for six yours over since iny marriage." Sbe looked away from him, around the studio, with Its bizarre decorations, and shuddered. "Ugh! This place looks like a devil's kitchen," she cried. "These strange things, terriblo monsters, cold, white statues, heads without bodies, and you la tbelr midst like a conjurer I did not notice them while Herman was bare, but now" Karl turned swiftly toward her. "Bat now?" he asked. Olga looked at him with an expres sion of terror In hor eyes. The two stood thns at bay. CTAPTER V. w I El' r to themselves in tne Dig JLv I studio, facing each other, Kurl and Olga were silent There wns a look In Earl's yes that Olga had never seen before. Thero was u tumult In her heart that she had never before felt It was Uurl who Brat recovered himself and tried to break tho silence, trying to speak lightly. "Don't be nervous," be said reassur ingly. "This Is the reception room of my studio. Every woman I paint comes here." "And do you paint every woman who earnus here?" Olga asked slowly. "No." Karl replied shortly. There was another awkward pause. Olga could not tell why she had asked that r.uostlou any moro than Karl could have tolj why he had asked Ilcrman If he was not afraid to loavo them alone. It was some unsuspected Jeal ousy that prompted It. "Did you understand my husband?" Olga nskCvl. "Yes. I think I did." "Ho said 'I trust you.' Why should be say that? Why should It not be a matter of course?" "You dou't think ho Is really Jeal ous?" Olga shook her head. "1 don't know." she said. ."During -fee six years we have been together and you have been our friend he baa ettna pretended to be deslousv This tot there Was something In Jits voice that made me believe 4t was wore thou nretonee. ' tt Is th first time be has ever left as alone." They were atandlug, Karl near the door, whore he- bad bidden Herman farewell. Olga was on the opposite side of the apartment. In the alcove In oe corner an open Ore burned brightly, casting a red glow over tho big, co:n rortablo armchair drawn up before It with Hb high, pulpit shaped back toward them. Karl walked over to Olga and said with quiet oaruestuess: I "We have tried to avoid it. OI.ci. j tried for six years. Now that the sli- I nation Is forced upon us, why not bo honest? Let us talk about It frankly." "I think It was sweet not to discuss tt for six long years," Olgu said, smil ing at him. "A clean conscience t: like warm cloak, KarL It Infolds na and makes us feel so comfortable." Bbo tried to make ber mood seem light, bat Karl would not fall hi with "Last night whoa St was suggested I should paint your nortratsnyon are me took.! baa never seen bs ' he perslssd. "I wonder why." - "I dost know," Olga answered, her fear returning. "Don't let ns talk about It I don't want to." 0 "You 'must not bo afraid of mo. Olga. If I were any one rise yon might he frightened. I am fond of you. yea, at rerpectfully. I do not see what harm no lie done by talking; every fil:ir over quietly. It teems so long e5n eeven ymro since they told me that Herman was to be your buxliand. It nss on the anniversary of the -far-- 1 FERENC MOLNAR Adapted corynicHT. tsoa. HEjvuy ro. "Oh, Karl!" she protested, holding oat ber bands to silence him. "The day we kissed each other," be went on, speaking so quietly that It seemed almost a whisper. "We were almost children then. I was a poor little chap, who gave drawing lessons to Herman and bis sisters. You were s little waif, fed cake and tea at the millionaire's table. There we met a beggar boy and a beggar girl, thrown together lu a palace. Wo looked at each other, and I think we under stood." Olga covered her burning face with her hands, and Karl went on: "Wo kissed each other quite Inno centlyjust one kiss, the memory of which has almost faded." "Yes, Karl, faded," Olga cried eager ly. "Wo have grown up sensibly, and we never mentioned It" Kurl seemed not to hear her Interrup tion, lie went on: "You became Herman's wife and went to live lu a palace. I found you there when I came back from Paris, still fond of you, but determined never to tell you an, and when I met you agitlu I, too, was somewhat changed. f;i HI. when our eyes met, Olga, It was with tho same look of the two' poor, lOMjrlng little beggars of the years ago. But v.o did not kiss ngalu." "Why uot?" Olga breathed. "Yaw husband and 1 arc the best of friends," Karl said. "Though we have met hundreds of times, you and 1. wo have not mentioned It" Olga turned to him gratefully and held out ber hand to clasp his. "You are n good, true friend, Karl." "Are you satisfied now?" Karl asked her, smiling. "Yon are not afraid of me, are yon?" "No, but there was something in my husband's voice that frightened me," Olga answered. "He knows what we were to .each other, and when be was leaving us here aluue I think It made him feel uncomfortable. We aren't In love uuy more, are we, Karl?" "No, of course not" "And It Is sweet to think that we bavo not entirely forgotten old times. Isn't it?" "Yes," be unswered absently. "Aud of course If we loved each oth er still you would not marry, would you, Karl?" "Of course not," he said shortly. "Now you will get married and you will bo very, very happy. And I, too, shall be bappy, because I want you to marry, aud I myself have chosen a sweet clever girl for you." "Exactly," Karl acquiesced dryly. "And now let us think no more of It," Olga cried, her mood changing to one of gayety. She ran over to the door and turned and faced Karl, knocking loudly on the panel "Now for work. We have done nothing," she said. "Monsieur, I have come to havo my portrait painted." "Come lu, madamc," Kurl said, bow ing gravely and entering Into her play. "iood morning. ' "I hnve come to havo my portrait painted," Olga said again. Karl forgot the playing and oxejalm oil seriously: "Ah, last ulght I uindo a meniorj sketch of you after 1 got home. I bavo made many, very ninny, but now I soo you differently." "Why?" Olga asked, startled again by his vohomeuce. "Yesterday I saw the lines of your figure; tjduy I see your soul," he said. "Yesterday you were a model; today you are an Inspiration." "Please, Karlt please, don't We agreed to end everything," sbe pleaded. "It Is hard to end everything so end .seaty." s Q "Karl, my good fitood, I did wrong m coming here," 0!a .ald. "Now that I did come, let ns work. Take your colors and brush. We must get through with It as soon as possible." "You are right Olga; as soon ss pos sible." "What shall I do first?" sho asked. "Take off your hat and coat pleaso." Karl stopped toward her with out-, stretched hands as If to help her. She' drew back, with, n little gesture of ap prvbensloti. "You mustn't touch me," sho said. As she brushed hlui Kurl caught a whiff of r;-u;yauco from hur hair that was Intoxicating. "Do you uso perfume on your hair?" ho asked, qtiito luuucoutly. "Cei'tatuly not," she laughed. "Oil. thou, tt Is the natural perfume of your hair'. Pardon mo; I stood too close to you." Olga removed her hat and cloak. She looked up and saw that Karl was re garding her Intently. "You seem to be studying my fea tures," she said. "I know theni by heart, each one," he answered. "I am thinking of a pose. Yon know your husband wished a half length m evening gowfx" "Yes, I should hare preferred a fnll length In street costume." "I sgree wlft Herman. Yon m$t be Quick. It to getting dark." "What shall I do?" "Your waist You must take It off. You tvul Cud aOturgwlB there from which to select one Tor your shoulders. I will go Into the studio." "Oh. Katir "Itou-X silnd. I shsJl dose the door. EVIL by JOSEPH O'BRIEN savage, Oh,' It Is snowing terribly!" he added as he moved toward tho big studio. "Snowing! Oh, Karl, can't we post pone this? I don't feel well today. Tomorrow I could coino and bring my maid." "Certainly not Your husband would surely want to know why we did no work today. Now I will leave you." He left the room, closing the studio doors behind him. Olga looked appre hensively about her. Some mysterious presence seemed to oppress her. Sho fumbled with nerveless fingers at the buttons of her waist. "Oh, what folly!" she cried to her self. "What Is tho matter with me?" Resolutely she set to work uud drew from her beautiful shoulders and gleaming rounded arms the silken waist that covered them. She turned to get the Bunvfl, and the waist fell to tho floor as she recoiled, with a shriek of terror, from an npparltion that arose slowly from tho depths of the big arm chair. Whore there had been no human be ing an Instant before Olga saw a tall, strange looking man. He was In con ventional afternoon attire, save that his waistcoat was red, In sharp con tract to the somber black of his frock coat Ills hair was black. His up ward pointing eyebrows were black, and his eyes shone like dull burning lamps of coal. His face was like a mask, matching bis Immaculate linen In whiteness. It was cynical In Its ex pression and almost sinister as he bowed low, with his hands folded over n!s JttO&uit, and said ln.a low, musical voice: "Pardon me, madame; I think yon dropped something." He stooped and picked up the silken waist which had fallen from Otga's hands. As he held It oat to her she drew back In horror. CHAPTER VI. "". LI A shrank from this strange being, sensible of bis serpent like fascination, even while be repelled her. ' It flashed across her consciousness that be was something more than human, some thing worse the embodiment of malev olent purpose a man devoid of good tho devil himself. He came from behind the chair, and as he moved toward her his every ac tion heightened the Impression sho had received. ' In a situation where any man might have been confused he was perfectly self possessed. His atti tude was neither offensive nor Ingrati ating; He became at once a part of her surroundings, of her thoughts yes, of her soul. It was this Influence that she felt herself combating wltb growing weakness. "I hope you will forgive ' me," his smooth, suave voice went on, break ing the stillness almost melodiously. and he bowed agalnr "I permitted f myself to fnll asleep." ' Still Olga could not find tongue, aud j sho drew yet farther away. The man, I or the devil, watched her as she groped , for the shawl, found It uud quickly I wouud Its filmy length around her I beautiful shoulders aud arms. An j expression of cynical ainusemeut i crossed his face. . i "Excuse uie. but I awoke Just as you ' were about to unbutton your blouse," i ho Bald. "Propriety should have made mo closo my eyes, but" "Oh!" Olga cried, shocked Into speech. "Ob. I know, madame," he said, wltb a deprecating gesture and another pro found bow, "yon think I Mcptctous, and you. only came here" "To have my portrait potato"." Otgn I saU quickly. "Precisely. he'aequfeecetT, with, (ha same cynical expression. "Oaky fas' terday I met a lady at the dentist's, and I observed that sbe peroatted heat ' to extract a perfectly good and yeny i pretty tooth." I "But I'v.Olga began, accepting the defenalv'o position Into which be placed her when he Interrupted her. "Yes, you, I know, speak tho truth. I am even at liberty to believe you, but I car.uot." For an Instant G'ja recovered her self possession, and her Indignation sprang Into u fiame that she should bo addressed In this manner by a man i whom she had never seen before an ' Intruder. "I don't kuow why I penult a strau ; ger to talk to mo in vhls fashion," she ; exclaimed. "It amazes me." I Tho man stepped toward her. Tcrrl . fled, sho turued and fled toward the door of the studio. : "Karl! Karl!" she called. ! Tho stranger smiled as the doors I were flung open and Karl burst Into ! the room. The young artist paused, astonished At the presence of tho stran ; gor. Ho was more amazed when the I man cried out Id the voice of genial j comradeship: "Hello, Karl I How do ySli do?" "Why, how do you dor' Karl falter J ed. looking blankly from Olga to the : mysterious visitor. "I don't" i "You don't remember me." the other ! said. "Don't yon recall me at Monte Carlo?" iSn a.'u. jen. ui Aiuuiu vnno, ruin i said. with dawning recollection. "It was an eventful day," the stran ger said. -res, yes, of course I remember. It was last fall, when I had lost all my money playing roulette. Some one stood behind me, and It was yon. I was afraid when I turned and saw you, because I fancied I had seen you a moment before beside the croupier grinning at me as my gold pieces were swept away. But when I had lost everything you offered roe a handful of gold." "Which you refused, but I saw the longing to accept In your eyes." "I did not know you." "But I offered it again and yon ac cepted." "Yes, and in ten minutes I had re couped my losses and won $20,000 be sides," Karl cried, with growing en thusiasm. "I remember Indeed. Your money seemed to possess mystic luck. When you put It In my hands It glow ed, and I thought It was hot It seem ed to burn me." "You were excited, my boy," sold the other genially. "But you repaid me and invited me to dine. 1 could not accept because I was forced to leave for Spain tUat same evening. I prom ised, however, to call on you when you needed me, and here I am." He bowed to Karl and Olga, who stood In speechless astonishment at this strange dialogue. She could un derstand nothing of this uncanny stranger, this specter In black aud white, who seemed to emit a lurid radiance, as If his red waistcoat were alive. "It was kiud of you to come," Karl said. "I am glad." "You were not here when I entered," the visitor said, "and I took n seat In that comfortable armchair. The warmth of the fire affected me. and I permitted myself to fall asleep." Ho Indicated with a Bweeglng ges ture the big pulpit backed armchair. Olga started and cried out: "That chair wns empty. I remember quite well when my husband was here. There was no one In it. I am abso lutely certain." Karl was so Btraugly affected by the stranger's presence that he did not no tice Olga's agitation. The other re garded her with his expression of cyn ical amusement, bowed gravely and said: "Then I was mistaken, madame." "Won't yon sit down?" Karl said. "Allow me to present you to bnt I can't remember your name." "It does not matter," the other said, with an expansive outward gesture of his restless: eloqnent hands. "I am a philanthropist "traveling Incognito. Yen may call me anything you like; call me Dr. Millar.1' "Dr. Millar," Karl repeated, seeming for the first time to have some doubt as to the character of his guest. "Oh, you may rest assured my social position Is beyond question," the stran ger said, as if divining his thought Karl did not heed the irony of IiIb speech, but presented him to Olga. who distantly acknowledged bis bow. As Karl appeared to succumb to this strange Influence she felt herself grow ing Indignant Millar seemed bent on provoking an outburst, and his aston ishing remarks in another would have seemed vulgar Insolence, but m him they possessed a singular meaning that made both Karl and Olga shiver. "Under different circumstances I should now take my bat and say good by," Millar said after the Introduc tion. "Rut 'thy Infinite tact compels no to force my presence upen you In this most unpleasant situation." The Innuendo stung Olga. and she turned to the artist ''Kart. I can hardly believe It." she exclaimed indignantly. "Think of it tils man dared to" "How long has your husband been dead?" Millar Interrupted, with exas perating coolness. "I am not a widow," Olga said, sur prised that she should reply. "Oh, you are divorced?" "I am not." "Then If you feel that I have af fronted you I should think your hus band would be the proper man to ap peal to," he said. wh the utmost cool- So sssniBsl Ik a trelaaw nii hune anhnalf ttk stern srensji oat ef the. lethexar ef tttetr aagea Uvea ta h them to vIsTns Tmndng te rssY, he west en: 'VoravsK IT van wttk 1 as au at yew tistiiaal. last s yea net -see. nuUanw, that tt woaM ss a stele assay a your nartT HO SMkl U SWi M Hi mmmrw -serves: thought ef eaoh. BewSderast, JUKI SM OUtc ' "What does all this talk mean? I don't understand anything. Yon come In here ununnonnced; I don't know how nor from where. Yon make us feel quite uncomfortable. Just ss If you had trapped us In some compro mising situation." "Yes, yes. that Is It." Olga cried, re lieved at Karl's outburst. The stranger looked at hlra am uused- y. "You may tw as Impolite to me you wish; I cannot go." he said. "Why?" Olim riptii&mleil "Mv dotmrtura now u-nnM moan that I leave you because I have lnterruV pted you. on the other bnnd. by renia alning 4 prove that 1 suspect nothing." "There Is nothing to wspect, Karl declared angrily. "I do not want : you here." "Then that u wMml tw tam r re- of something ese." the v4sttr mo nun uw most enseal I inatten- tlon to Karl'a nun "Tfc weather- lanf I w. i. I - m . ....uvnn iii ij i a Art are yon preparing iVytbtng for the spring exnioiuon at the Royal academy r "Perhaps I may send something. Karl answered sullenly. uiga s bewilderment gave place to panic, m mlud was formed purpose of snatching np her waist the and sbe rusuing iroin me -room. Before csutf do It the : stranger wns there. KoTMg the waist out and bowmsTj foundly. "Permit me, madame," he sald. with a crv jf astonishment Olga snatched at the garment. "Who are you? wnere ao you come from?" she cried. With his restless, vibrant bands in the air the stranger said: ' "I come from nowhere; I go every where; I am here." He touched his forehead with his long white fingers, and his black eyes were fixed upon her. Clutching the eiiiran pnrmpnt she had worn. Olga rushed into the studio. Millar, man or devil, looked after her and chuckled. CHAPTER VII. AEL threw himself Into a chair as Olga fled Into the outer studio and sat there, not looking at his unwelcome visitor. Dr. Millar seemed to And bis dejection amusing. He allowed the silenre to remain undisturbed while he puffed a cigarette. Then be said, half to himself, half to Karl: "Full of temperament, that woman, and pretty, too, extremely pretty." "Yes, she is pretty," Karl acquiesced without looking nt him. "It's a pity she doesn't love ber hus band," was the next cynical remnrk that fell on Karl's ears. Ho wheeled lu his sent aud looked at tho visitor, who went on with perfect coolness: "How do I know? It was apparent when she fancied I had insulted her and turned to you for protection." Karl angrily slammed down an ash tray he had picked up in his nervous fingers and began to pace the floor. Millar went on in a light tone: "She does not love her husband. He must be a geniuB or a very common place man. Marriage always Is a fail ure with such men. Common men live so low that women are afraid some ne may steal Into their lives 'at night through a cellar window. Genius well, genius lives on the top floor, up toward the clouds, and with so many gloomy steps to climb, and no elevator. It's very uncomfortable for a pretty woman. .Her Ideal la one easy flight of stairs to comfortable living rooms on the first floor." . Karl maintained silence and contin ued to walk the floor. He looked at his watch and started toward the door of the reception room leading Into the hall, which was locked. "This Is the second time I hays seen madame's shoulders." Millar remarked WtVTB theatr. J "What de van Mr' BtM - - - ed. stnng te speech by Jmlnsas as, l saw then Bret as Farts, a the l-ou-ro, fashioned ef snow watte marble. They were the fboti leers of Yen us. Am I right Karl?" "I don't know," the artist snapped. "Well, you must take mv word for It then." Millar said lightly. "1 have seen both. And since Alcamenes I have known but one sculptor who could form such, wonderful, shoulders." "Who?" Karl asked, turning to him-. "Prosperity," Millar replied sentcn' tlously. "Such tender, soft, exquisite curves are possible only to women who live perfectly. Madame must be the wife of a millionaire.' Karl fell' to paclng'the floor again, glancing Impatiently at the door through which Olga had fled. "Is she dressing?" asked Millar slyly. "Yes," Karl answered nervously. "Is there a mirror hi your studio?" "Yes." "Msdame most be very reaseetable." Utllar said In an lBstnonttng tone. "Sbe taaea so long ta dress." "Your remarks are to very bad taste." Karl cried angrily. walkmg-op threateningly to bla visitor. Millar stood erect without changing tls expression of ironical amusement and said: "Do you wish to offend me?" "Yes," Kr (marled. "Then you, too. must be respecta ble," the visitor ssld coolly, adding, as Karl looked at him with wonder. Tn a sttnstioa Hke this only a very m- I spectacle man could behave with such Infernal stupidity." Karl was about to retort when the studio door opened and Olga entered. He turned quickly toward her, and she went to him without noticing Mil lar. "What time Is It?" she asked. "Tour husband will be here In ten minutes," Millar Interposed. Olga turned toward him and cried accusingly: . "Then yon were not asleep In that chair when my husband was here. Yon heard him say when he would re turn." "Madame Is mistaken. Feminine presentiment always feels the approach of the husband ten minutes ahead of time. Were it not for those ten min utes there . would be fewer locked doors." ' . As he spoke he walked over and un locked the door leading into the hall, then turned and looked at them calm ly. "Is this never to finish?" Olgn asked. "I tried to change the subject, but Karl would not let mo." Xlilhir an swered. "I have not spoken n word." Karl protested "By your actions. Karl: by t!u way you jumped up. iiiip uit':'.;?y c in--.::,i'.l your wtitel), mailed to tin Co- fo:ir ehnp, he wns nfralil." 1k added to Olsa. "Afraid!" Karl exclaimed. "Yes, afraid that your husband would come before you finished dressing. And you were right, Karl." "Why, piy dear Olga" Karl began Impatiently, when tho other luterr'upt ed'blui. "Please, please, let us be logical," he urged. "Look at the situation. The husband enters suldsuly: 'Well, here I nin, back again, my darling-,' be an nounces, 'Where Is the picture? I must see the picture.' There is none. Karl did not work on the nieture. ! Your husband is worried. He does not i speak,1 but he is irritated. He wants to speak, and the words stick in his throat You look at each other, un happy. Nothing has happened, but the mischief is done. What mischief? Ap pearances. 'Whatever you say makes matters worse, and a compromising situation like this Is never forgotten by the husband. You go borne together In I silence." j "Ah, If It were like that!" Karl broke I in. "But we are dot atone. You are jbere." tUUWf OtflUB atfflnr "As, that sTlt! ;i where, and wtsk esn word I -ce sJ- (tie Maston," ks noantesced. "But I know" wyaelf. I asa enrsed wttn a pecuMerr Banister sense ef humor, end I am strain I wonM sot say the word; hence when the hnalMnd enters we are all silent Then I say. 'I regret to bare arrived at such an Inopportune moment' I take my hat and walk out leaving you, madame, your husband and Karl." He seemed to And keen pleasure in the possibility of forcing the two Into a position which would cause them 1 suffering and weaken the barriers of self control they had built up around ' that boy and girl love- that had come back so vividly to both. Had they re ! garded hlin as merely human It Is cer- tain that Karl would have kicked this ! cynical being out of the studio with his infernal Innuendoes. But there was something supernormal about him. He dominated both the artist and the wife, and they were completely under his spell, struggle as they would to break It. Olga shrank from the cruelty of their tormentor. "If this la a Jest M Is a omel one she cried. "True, madame. Bnt there Is another way. If you wish It 1 can be quite rruthful. Should your husband arrive I can tell him the portrait bas not bean touched and ask bis pardon." "Pardon for what?" '"For having seen your shoulda- "This Is a trap." Olga cried, turning toward Karl for protection. "What do you want Yon overwhelm me wKn ... . """uom. , h minutes, and I L tU "Otw 'm',1t.'' n hen,lin , . motJ - '""ma ner Erased it th, 1, Kl steppe, rC" " w" her. tt. 'u OUB Stoi! 1 wont - m"tW I I-eech. Th M. '"HA v vuiriinM a r . Tne nZ The old clothes, m vr.r rM yours." ' UUI it! ihey are stranger. mine," Intend "Yours?" Karl said la mitaJ les. Thcv were l invited tothe ai? most beautiful ,..! V "Bu t the duke fa not Uu, "ttts Madrid. Hi ' "Yes. I know that I met u I'aris. He has sold hi' bon to livin given by Vsi lit me," sbe .... ' ul ent oo. '""KM at ber eye seeming in :ilru .,;, .., , , ' Am l ed?" he asked. "Yes. you are Invited.- She could not resist Ibe Mice of the nvm i c-uvt: in li e ll'nn m-i... -i stinct of good made ho, J him. WIMi . lIHIIUj bowed niul -il,l ri-n.. triumphant it . , nuillj , "Madame Mtiu ...i.n. i r ""i:e ed me tvhnt l .. agoyd vitation that I wautel I tej "l uusojnu. ' 0!(a s ready repenting of the advact had irlven hi in "Oh, he. will be delighted to J wiser nssurea her mu "He speculates la wheat I ti iviuimiuii mac will be of him. The crop bas tomd i than was expected, too InJ nusDnnd. Yon should be M tha whaat I. l.,n .. uvu. uuji ib uuu, "I am." Olga assentei T, wueai to ue ma Decausetbim go up." "Your hnshnnri will 1 ..in uu, fortune, and you will hrt tiJ gown you want "How do vou knnw I , gown?" Olga asked, Iifi J mure wuu me aem, uiur man. "I observe that yog kin and a pretty one. Sure); ja new gown." "You must be married" "Married! otl."kerlota wife Is like a monocle. ItlaV but one sees mow clr-rly nra "Your views roea opiIMta Why':" Ol-a artel The tone of Millar lwJ serious as he said: "You want Karl to mittj. to nrevent blm from nitrite' "Pleaee let's not discos ttot( protested. - "Pardon me, Karl, but s should not aiarrr." he watu future wife will snesr It ltd your sldi for life until 0 "1 day and the day after she vO vnni- WAY." "Nnf the true wife." Oln c "Ah, but the true wlfeliilnl nthor fellow's wife." he 01f4 Millnr had talked 'm that Karl and Olga uncoojetasfl near to each other. Tad ' front of the high pulpit 1 n,..,ii,nir ouch one resting a t Although they quite unaware of it tbelr gested that of 0 young w ., i,. ht in be Wti i lock. The cynical Iran" tlon struck Millar, who w ., ..i In the chtlr IM over the back, like a t looking i... at "No, not P"-""' nun snoem v -"T g Mfllsr leaned ever Kart io"' . .k h.k nt the ""V VtA I Kart be said: . ranawartoDeco"- f ased a profeiloo n.rv morals, a decent occn anu see-'-- - , t!i Now light your ban. Vheliftrf!: AS lit? r . .l.fj ' Karl and Olga nj ,1 aether, uoldlus ' A own. They tn"11"- touch hur loose" '- eves, and tbwWj dev,rs voice a y-'""t. tr toward t:.H"t",V was thinking ' ;.0 would mat pie yon ,n' T "Thh. I Wtt most snswIM Sal with , 'vfa on7,!,J drug ator- .ns N'T d'B,.rr. 2Td ,t from Hl'" dow. t"-- A nice H ftsjai; pumps and a"""1 Co.