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About The skanner. (Portland, Or.) 1975-2014 | View Entire Issue (Dec. 7, 2016)
December 7, 2016 The Skanner Page 7 Oregon Symphony Presents Gospel Christmas Dec. 9-11 Northwest Community Gospel Choir performing Gospel Christmas at Arlene Schnitzer Concert Hall T he Oregon Symphony, with Guest Conductors Charles Floyd and Gary Hemenway, and the Northwest Community Gospel Choir, will present Gospel Christmas at 7:30 p.m. Dec. 9 and 10 and at 4 p.m. Dec. 11 at Arlene Schnitzer Concert Hall. For the past 18 seasons, Gospel Christmas concerts have been the Oregon Symphony’s most popular holiday performances. Some of this year’s selections include “Sacrifice “ The Northwest Community Gospel Choir features the very best of the lo- cal gospel talent of Praise,” “Hark, the Herald Angels Sing,” “Celebrate the King,” “Carol of the Bells,” and a rousing medley of Christmas worship songs. The Northwest Community Gospel Choir features the very best of the local gospel talent from local and re- gional churches and music ministries. In addition to their first-rate choral Charles Floyd work, the Northwest Community Gospel Choir features a number of talented solo- ists who take turns lead- ing the group with stellar vocal inter- pretations of classic holiday songs. Conductor, pianist, and composer Charles Floyd has been heard in con- cert with more than 500 orchestras since 1991 — including every Oregon Symphony Gospel Christmas concert since our annual performances be- gan in 1999. He is a regular conductor of the Boston Pops. Tickets begin at $35 and can be pur- chased online at OrSymphony.org; in person at the Oregon Symphony Tick- et Office located at 909 SW Washing- ton St., in downtown Portland (M-Sat, 10 a.m.-6 p.m.); by phone at (503) 228- 1353 (M-Fri, 10 a.m.-9 p.m.; Sat. 10 a.m.- 6 p.m.); and at the Arlene Schnitzer Concert Hall starting two hours be- fore every performance. Arts & Entertainment Black Nativity: A “Balm” for the Season and a Musical Tour de Force! I f you walk by a cer- tain church in North Portland the first three weekends in December, the music coming from the sanctuary will stop you in your tracks. You will want to be inside, but unless you have a ticket to “Black Nativity,” Langston Hughes’ gorgeous gospel song play, you will be out of luck. Case in point: at a recent rehearsal of this cultural Performers Tasha Williams and Shelley B Shelley on stage at retelling of the Nativity PassinArt’s ‘Black Nativity’ Story, a passerby walked African Americans’ faith, but also pro- into the sanctuary, and said, “I just vided a refuge free from racism and couldn’t walk past. I had to know what oppression.” Carley added, “We invite was inside. Are tickets available?” The everyone, no matter what faith or back- church is Greater St. Stephens Mission- ground, to join us for this celebration ary Baptist Church, the company once of hope and healing.” again bringing this “joyful noise” to Pastor Kimberly Black, whose chil- Portland is PassinArt: A Theatre Com- dren have performed with PassinArt pany, and director Jerry Foster stopped in the past, shares the role of Narrator rehearsal and made the reservation in this year’s production. Pastor Black then and there. says Black Nativity brings hope, which The Church as Community Space “we need this Christmas more than PassinArt describes itself as being ever.” She remembers the last Sunday equally about great theatre, communi- of last year’s performance where there ty and culture, so it is not surprising was standing room only, so she urges they would choose to present what has people to get tickets now. “If you love been called “the Black community’s gift music and you love the season,” she to the world” in a local church in North says. “Come bring joy to your soul.” Portland for the second year. Co-found- The Music Makes You Feel Good er and Board Member, Connie Carley The uber-talented cast, which in- acknowledges the historic role of the Black church that not only “sustained See BLACK NATIVITY on page 8