Image provided by: University of Oregon Libraries; Eugene, OR
About The Oregon daily journal. (Portland, Or.) 1902-1972 | View Entire Issue (March 21, 1920)
' ' ' ' ' ' ' v fft . .1 '- 111 t II X " - & wm w r Mile.. Jane Renouardt, One of the Most Noted Parisian Beauties, Who Accuses Her Enemies of Plotting to Send the Horrid Bouquet PARIS, March 2, 1920. ADElflGHTFULLY amusing, yet des "perately serious battle between two of the leading beauties ol Paris has been diverting the laughter-loving people f this city for some weeks and the end Is not yet. The two chief opponents are Mile. Jane Renouardt, who is famed not only for her beauty, hut for her extreme elegance, and Mile. Clara Tambour, who has lately ac quired A reputation as the daintiest act ress on the Parisian stage. Her qualities are summed up In "the French word Mmtenonne.rt Mile. Renouardt, it is said, felt that the "mlgnonae" Tambour was progressing too rapidly in the affections of the public and, perhaps, of a certain Individual, and made an effort to suppress her. Then the "mignonne" Tambour made deep laid plana to secure a cruel revenge, according to a story that has been laid before the judicial authorities of Paris. Mile. Tanrhour plotted, it is said, to have the most evil smelling bouquet ever known, handed to the exquisite Renouardt to such a manner as to make her eternally ridiculous. Did you ever hear of such a YtUainous scheme? r By an exercise of almost superhuman wtt and resourcefulness ' Mile. Renouardt caped 'the worst consequences of the plot, and then she boldly accused her rival of being In the plot Now the contest is still on and every body la wondering from which, side the next deadly blow will come. In order, to appreciate the; full flavor of the bouquet episode, it is necessary first to know some of the recent history of these' two beautiful and enterprising ladies. - Jane Kenouardt gave proof of her vig orous character when she walloped the clever music hall singer, St. Qranier, over the head with her diamond-encrusted parasol at the Longchamps racecourse in front t President Wilson and other nota bilities. She attacked St. Granler because he had 'Mads a too intimate and personal allusion to her private life in a song lie sang at his theatre, the Potlnlere. After that episode Renouardt appeared with great success in that entertaining play, Le Bonheur de ma femme XThe Happiness of My Wife). Clara Tam bour, who had been rapidly rising in poptt- fill I - larlty, was invited to play Renouardt's part in this production when the latter was starred in a new play, "Souris d'hoteL' The creatures referred to In this title are women who sneak into hotel rooms to steal valuables or com mit any wickedness that is most conven ient Renouardt almost shocked the Parisian audiences by appearing as a hotel rat in a com plete suit of gray silk tights. While Renouardt was acting In her new play Clara Tambour wen to. .Brussels with the old one. There she came in contact with M. Jacques Wittouck, an Important capitalist, who is Interested in the varioits theatres ' that are controlled by .M. 'Quinsoti, the well known theatrical direc tor of Parts and man ager of Renouardt M. Wittouck is one of the wealthiest men in Bel gium and is known as the "sugar king there. He is also an esteemed friend of Mile. Jane Renouardt. While the dainty Mile. Tambour was in Brus sels the wealthy - M. Wittouck, as & liberal patron of all forms mmtjf fit -1 r rY -i . Prince Ctiilra, of Rob mania, an Expert on the Duel, Who Wa Called Upon to Decide a Very Delicate Poiat of Honor. of the drama. felt it -his duty to pay some attention to mis promising young actress. He gate banquets and other entertainments In her honor; he presented her with magnificent bouquets," and even more substantial tokens of his esteem. When the elegant lane Renouardt neard of these attentions she . became furious with rage, according to her associates. Dainty slippers kicked against exquisite pieces of furniture. The usually so per feet costume, the "coiffure" so exquisitely "soignee"-became sadly disarranged. To we an . old-fashioned expression, It v la said that the atmosphere of - the ex- quisite artist's boudoir became tinged with iblue fire and sulphur. Then she sat down to plan revenge with her accustomed energy. . Very soon the dainty, Clara Tambour xe- MZe. Renouardty the ! Famous French Beauty Accuses Mile, Tambour, Her Rival Beauty, of Inspiring an Attack Too . Unpleasant for Words to . Describe Mile. Clara Tambour, the Other Attractive Parisienne Involved in This Peculiarly Parisian Plot. turned to Paris and was en gaged to sing In a new and entertaining operetta entitled "Phi-Phi." She made a tre mendous hit in this and drew crowded houses for three nights. . Then the blow fell. Jane Renouardt,lt is said, by exer cising her influence and her temper on the manager, M. Quinson, and his partner, M. Wittouck, induced them to throw Miie. Tamoour igno- miniously out of the cast and put another star In her place. Some defect in the contract, it is believed, enabled them to do it legally. It was not perhaps that they admired the talent of Mile. Tambour any less, but that they feared the tongue, the . temper and the parasol of Mile. Ren ouardt the more. There sat little MUe. Tam bour suddenly thrown out of the cast in which she had won such success. Oh, yes! She knew well who dealt her that blow! But not for long does a witty little Paris ienne Bit helpless and' humiliated under the assaults of her rival. The awful revenge which Mile. Tambour planned has been related by Mile. Ren- oua,?dt in astatement before Judge War rain, a Parisian "Juge d'instraction" or magistrate. Naturally MUe. Tambour de nied such parts of this story as charged her with anything illegal. According to Mile. Renouardt's story, her enemy hired a "cameldt," one of those disreputable and frequently entertaining persons who sell all kinds of odds and ends along the sidewalks of Paris, to do the dreadful deed. This camelot was hired to await the ar rival of Mile. Renouardt at the Theatre des Capucines, where she was playing, and "' C1 1 920. International Teaturs Serivoe. Ino. tv ' "K .flft N I I V l li US.. -v - "ML- "i ':-' a a ifl .V I W-rW -SrS, : ,V III r--.ll V. Jie-, v. i " i i I f V ... I "T. J - 2&-J,l throw a bouquet of flowers at her face. A rather hasty presentation of a bouquet of flowers to a popular actress might attract attention. But this bouquet was to be loaded with a frightfully smelling liquid, something like asafoetida. As it was thrown it would scatter its evil perfume on the person of MUe. Renouardt As she was accustomed to arrive a few minutes before her appearance on the stage it would place her in a terrible pre dicament. She would have to be un dressed, bathed, scrubbed, disinfected, and even then perhaps some of the evil odor would cling to her. She, who had always been noted for the exquisite daintiness of her dress and person, would henceforth be associated in the theatrical world with a bad smelt It was likely to be the ruin of her. But somehow Mile. Renouardt got wind of what was coming to her. A mutual friend of Mile. Tambour and herself learned that the camelot had been hired to do the deed. MUe. Renouardt located the canielot .and tried to find out abdut the plot. He would not mafae any damag ing admissions, but he displayed that wit and intelligence which are so common even among Parisians of the lowest class. .When1 Mile. Renouardt waved several hundred-franc bills at him he grew more communicative. An ingenious scheme oc curred to him by which he could collect as much from one side as the other and avoid any unpleasantnesses with the law. Re proposed to accept the horribly per fumed bouquet from his first employer, but he would change it for an innocent one of similar appearance and this he threw In the face of Mile. Renouardt. She agreed to this proposal, but Mile. Renouardt made some improvements ot her own. i She persuaded her friend. Mile. MarceUe i Marion, a girl of very similar figure, to-wear her costume and wraps and arrive at the theatre before her, so that she! would be mistaken for Mile. Renouardt. ; Then the latter, coming along in disguise Just behind her, could surrey ' Great Britain Birhtt "As the charming actre approached the theatre entrance the hired desperado hurled the bouquet in her face." the whole scene and, take the necessary action. Marcelle Marion acted as di rected. Jane Renouardt took up her position in a quiet 'closed automobile standin by the sidewalk, so that she could see everything that was going on. She saw the camelot walk ing up and down on the side walk, conspicuously display ing the evil-smelling bouquet, while he kept the other con cealed under his coat. ' She saw a fashionably dressed man come up and cast an eye over the camelot to see that he was attending to his duty properly. The fashion able One assured himself by means of his nose that the camelot was carrying the bou quet prepared for his use. A little farther along, by the sidewalk on the boulevard, Renouardt asserts that she saw Mile. Clara Tambour in another automobile. watching the scene, with her friend. Mon sieur Degoulet. "Clara could not miss such a good premiere as that which sher had prepared for me," remarked MUe. Renouardt after ward. Marcelle Marlon stepped from her car and leisurely crossed the pavement toward the theatre. The camelot stepped forward and firmly slapped the innocent bouquet which had been provided to supplant the "perfumed" one on the face of the young actress. At thesame time he said: "Please accept this bouquet with the compliments of Madame Quinson." At that very moment a -policeman,' who had been warned by Mile. Renouardt ar rested the camelot "with the goods on him" that Is, with the ill-smelling bou quet on him. Mile. Renouardt accompa nied him to the magistrate's court, where . she related the astonishing story of plots and counterplots, most of which have been mentioned here. The proceedings were private, according to custom, out most of the details have leaked out through the persons concerned. In the course of his examination the canielot stated that he had been hired by an elegant gentleman to pass the mal odorous bouquet The judge sharply asked him to name the person, but the peddler fell back on "professional ethics, "pro fessional secrecy Just like any doctor or lawyer asked to answer an embarrassing question. t am frequently engaged by gentlemen of position, by noblemen, to carry notes for them to artistes; said the scoundrel. "If I should reveal their names toy repu tation would be lost I should be 'ruined! The magistrate seemed to think the ex cuse was as good as when offered in many other cases and let the matter pass. He warned all ; the persons concerned that they must not allow the keenness of professional rivalry to Interfere with pub lie order. The drama was not yet over. In the next act M. Degoulet, the latest champion of Clara Tambour, appointed seconds, who Informed M. Wittouck that their principal had been offended by him and- that he de manded satisfaction on the field of honor. M. Wittouck appointed his seconds and the customary discussions ensued. The seconds who acted in this affair are said to have been Prince Ohika and the Duke de Vallombrosa for M. Degoulet, and Pierre Wolff, the dramatic author, and Jean Renaud, the artist, for M. Wittouck. Prince Ghika belongs to a former reign ing family of Rumania, which is said to be the oldest princely family in Europe. The Buke de Vallombrosa is a youmt French nobleman of ancient family who is very prominent in artistic circles at the present time. After a long and solemn discussion the teconds decided that there could be no duel because there had been no offense between the two iHncipals. If the wo man friend of one man charged that the woman friend of another man had plotted to Inflict a bad smell on her it was not a proper cause for a duel between the two men. Courts of honor could not take cog nizance of mere unpleasantnesses solely between the women friends of men. If a duel should take place every time a man's wife made a cutting remark about another man's wife, what would be the consequence? Frenchmen would not have time enough to fight their duels and this ancient institution would fall into dis repute. . In ordar that everything might bo In order the seconds went before a magis trate and filed a "proces verbal" or report of the matter. Jane Renouardt's spirited encounter with St. Oranier last year is still dis cussed. The singer is noted for the auda cious mnnnor In which ho inC-ndnAs rit. tonalities about the leading characters of the day Into his songs. When be opened a new cabaret he Invited Renouardt with other artists to the dress rehearsal. To her amazement she heard him reciting a lot of annoying if entertaining details about her private life. She left in anger. The next day she happened to meet hinr at Longchamps, and with character istic impulsiveness beat him over the head with her Jeweled 'parasol till it was broken to pieces. , St Granler, somewhat stunned, re marked when he had recovered, "You're not acting like a lady." To this Jane replied, "Do yon think you're acting like a gentleman! You had better have done your duty at the front and not stayed in Paris to Insult its women." Then St Granler apologized and every body cheered. "And Just look at my exclaimed the beauteous walked away. dear paragon" Jane as she it