Image provided by: University of Oregon Libraries; Eugene, OR
About The Oregon daily journal. (Portland, Or.) 1902-1972 | View Entire Issue (Dec. 13, 1908)
8 THE OREGON SUNDAY JOURNAL, PORTLAND, SUNDAY MORNING, DECEMBER 13, 1908. N PARIS one finds the conservatoire ' I where young- men and women of tal - I ent learn to aini operatic roles, and I'Opera and 1'Opera comlque where, ' when they are deemed 1 competent. they are given trial tn minor parts. It does not conform with- French ldeaa of thoroughness for them to try to begin at the top.; v In this country fo the first time a . somewhat similar arrangement has Just gone Into effect America henceforth will strive to be serf sufficient as re gards opers. It will be possible tor as piring youth to' begin at the 'bottom of the ladder and climb up-tbe jonly right way to get there, mo more will it do obligatory on the candidate for 'operatic honors however or wherever trained,' and to make a debut In noma provincial Kuropean town at cost of from 1500 to 15000, spent la ''seeing", everybody whose hand Is outstretched to take American money. . - It was bound to come some simple workable plan by which It would be pos sible for young Americans not only to learn the art of singing in th'ls country, but to get their professional start with out going aboard. The Boston Opera house, representing the first American operatic undertaking -that will be in any way like the local opera houses found tn most large Euro pean cities, will be opened next Septem ber under the directorship of Henry Russell, lately impresario of the San Carlo Opera company, and under the management of Ralph L. Flanders, man ager of the New England Conservatory of Music. Finally to complete ' the series of educational advantages In a Ingle city along has come the opening of the Boston Opera company's school of grand opera, affiliated w4th the con servatory, but ' necessarily deroted to closer specialization than prevails tn a conservatory of all the musical arts and sciences. This new school will be con ducted upon the principles which govern the management and artisMc organiza tion of the leading opera houses of the world. At the same time It will Insure to lta students advantages of individual observation and assistance, of thorough training tn every branch of operatic art. Supplementary to this thorough funda mental trailing, the school will offer the widest opportunity tor private ap : pearance under all other conditions of public production, through the frequent performance of entlre'operas In ensem ble and with action, with costumes and scenery, with chorus and with orchestral accompaniment. The management will reserve the right to require such stu dents as In its Judgment are fully pre pared to appear with the Boston Opera company of New York by virtue of the reciprocal arrangement existing between the two companies. The work of the' school will be carried out wholly on professional lines, and will include only those branches which bear directly upon the training of the opera singer. The affiliation of the school with the New England Conserva tory of Music, however, will provide convenient -and ample opportunity for such special work In voice culture, lan guages and general theoretical branches as may be necessary to supplement the student's equipment and the work of tne opera school. The completeness nf the cTioma of the Boston opera company and Us direct connection with a grand operatic or ganisation is what makes it unique. There must be, of course. Instruction in dramatic action, including physical de velopment, plaatique, gesture, panto mime and stage dancing, under the In atructorshlp of the regisneur of the tpera company with the help of other professionals of large experience In (he ctage management of opera. An effort will be made to maintain the chorus of the Boston opera company as a body of the hlaheat efficiency. For Its membership native American talent will bo chosen as far as possible. Suc cessful candidates for the chorus class will be thoroughly and systematically trained In an ensemble class maintained by the Boston opera company, a condi tion of their admission being that If their progress during the year Is satis factory the Boston opera company Is to have the right to contract for their serv-i ices as members of Its chorus. An or chestra of professional musicians will be organized and regularly rehearsed, which will accompany all complete per formances of opera in the . school, and also the ensemble class, a above noted. Popular Interest in grand opera Is now being stimulated in the United States by so many' different agencies that the suc cess of the new plan of operatlo educa tion Is practically assured. The metro polis and New Orleans for many years were the only cities having permanent opera. The example of Boston will un dojubtedly spread. Part of the scheme of the Boston op era company Is to offer from time to time works by American composers at the Peabody conservatory In Balti more under Lucien D'Odenhal, and she also put in a good deal of time in study In Europe, chiefly in Vienna. She came to .America seven years ago, Mra. Weln stein is a member of a very musical family, Her father is a rabbi and bts work as cantor baa attracted a good deal of attention. He is a good singer and clavs well. Her Brother, Merman Heller,-is a violinist who has won rec- ornitlnn In Kan Francisco. Later he expects to be in Portland, and some time during his visit tne lamny plans to give a concert. Another brother and sister are musicians and will assist. The musle at . the Elks' memorial services last Sunday 'was pronounced by everyone as unusually excellent. It was . under the direction of J. Claire Montelth and he had collected some of the best talent In town for the pro cram. An excellent quartet led the mualo and sang "When Power" Divine" (Faure-Shelley). Mrs. Rose Bloch Bftuer was the soprano; Miss Ethel Shea; contralto; W. H. Boyer, tenor, and J. Claire Monteith, baritone. Mrs. Bauer's voice was in splendid form and she sang "I will Give You Rest" (Cowan) 1 s,'ii,r' ' ' -n ' ' vxH is;. been contralto of the Second Baptist church of Portland for the past two years. .. .. i The following poem from Leonard Llebling'g versatile pen contains a great moral lesson for the singers whose rep utations are made for them - before they leave home, and also for tne gull ible people that remain at home. This toucmng litue Dauaa runs as iohows There was a young lady of Beverley, w&os irienas aaia , e sang very . cieveriy; , j She'll win great renown In big London town, -'. Said the good, true folk or Beverley. But In Ixmdon this lady of Beverley Had all her best notes fall, but heavily; Ana wnen tnis sne dia una . She said. ''Never mind. They still think me a songbird at . Beverley." ; Theodore Splerlng's American 1 tour has been postponed . until next season. He was booked for numerous engage ment in January and February, but his many ' European1 appearances prevented nis coming to America mis season, it has . been deemed advisable to carry the " tour over till next fall when be will be in this country a loncer time. Doubtless this clever violinist who- his won such marked success during - his ast few years in Europe win be warm v welcomed back to America where be spent so many years of his lire Puns have been branded as the lowest order of wit and yet occasionally one is made, so good and to the point that Its existence may be pardoned and even smiled upon. Edward Tak, the con certmeister of the Pittsburg orchestra, whose name is pronounced Tack In that town, is an excellent violinist 'A Pitts burg paper, wavering between humor ana serious compliment, remarxs: - it is a safe guess that-Paur won't sit on htm very hand." Geraldtne Farrar and David Blspham have each been the donor of a $600 scholarship in the Boston Opera school, an adjunct of the Boston Opera. These scholarships will be redeemed later on by the successful recipients who will become members of. the Boston Opera and from their 'salaries thus received will pay back the scholarship sum to the school, thus making a perpetual scholarship. It Is rumored that "The Rose Maiden," by Cowen, will be given here next summer some ttme during the Rose Festival by the Portland Festival chorus under the direction of W. H. Boyer. The Idea seems a most fitting one. . The annua muslcale of the Woman's club, under the direction of Mrs. R. M. Tuttle, Friday, was well attended and the program was greatly enjoyed. Charles Duncan Raff, cellist, played before the last meeting of the Council of Jewish Women and met with marked approbation. Mr. Raff easily figures as one o'f the best cellists 1ft Portland, and he Is becoming a popular soloist. He nlavaut RntHolnf'a ''RaukHa" an A ofinnar Without Words" (Von Boehms). , E5- ARTHUR HARTMANN Tp Play This Week The announcement' that Arthur Hart mann will be tiers next. Thursday, even ing In violin recital as the third In the Lois Steers-Wyntt Coman series Is re ceived with approval. Mr. Hartmahn was here two years ago, when he made his Initial bow to Portland, and he cap tured his audience at once. , There is a freedom, an abandon about his play Ins: that is charming. But this abandon Is always tempered with sanity. He. Is a virile musician musician with a man's mind and an artist' soul. One hearer said after hearlnr him when he was here before: - "I have heard so much Violin mualo- au my life that I am sick ana urea - or jt, ana it seems mere scratching: to me. but Arthur Hartmann moved me to think once more that there la real musio of the-beet kind in the violin." . f , . ,. Mr. Hartmann is practically new to the musical world, In which ft usually take years UDon years of Dubtic r- iwin mny in. jtir, narimann has been before . the publics only about as many year as you can count on one hand, ancf yet his name la already men- uonea among mi masters or tne violin. His name is arrouDed with Krelsler's. Kubelik's and Ysaye'a, and It Is his neanny mmaeaness, nis whole neartea ness that places him. there among the greatest. . . j ., IMPORTANCE OF VOICE Placement and Breathing a Ids, Hagerty-Snell has an Interesting Article In the last Musical Courier-on The Influence of the Voice on the Health." She holds that voice placing and . deep breathing should be compul sory In all schools, for they are as nec essary for the prevention of tuberculosis as is vaccination for the eradication of smallpox. "Vocalised breath la concentrated force." she says, "Just as In any other sound. Confine a given sound In space too small for It, and the enclosure Is shattered. All sound seeks an outlet The outlet of the voice is the opening In the nasal cavity in front of the soft palate, and unless sound is directed through this nasal passage, it falls back Into the throat, thereby irritating it more or less, and eventually causing chronic sore throat, which not infre quently extends to the bronchial tubes ana into tne lungs, producing ravoraoio conditions for bronchitis and consump tion." She suggests that doctoring the throat does not remedy it, for the same process will be repeated after each doc torlntr. Public speakina causes some people to seek a certain point of safety I In the vocal apparatus, and so their voices' are adjusted unconsciously, in other cases as in Hon. Joe Bailey's case. Ignorance of this causes people to aban don publio speaking through lose of the voice. Doctors can merely burn or cut the throat into a toughened state, where It should be tender. ' In - ordinary con versation this correct placement Is just as necessary. Many children have this nlacenient naturally, and under 11 or 14 tew ohildren are found with tuberculo sis or ctiromo sore tnroat. "If the breath is prolonged through the nose," writes' Miss Hagerty, "with the sound -of ng, as In hung, it will f ive an idea of the correct location of he voice, both for speech and sang, and the singing voice is but a continuation of the speaking voice... . Anomer menace to tne neaim is in correct breathing, a condition which' is the result of over civilisation. Unless the entire lungs are kept active they in vite diseases, i Lowering the diaphram permit a general inflation of the lunga. The average person when told to take a deep breath lifts up the shoulders and lungs, but that is incorrect. Expand the lungs, bottom, top and sides and back, all of which can be done with one inflation beginning at' the diaphragm and keeping on, taking In air through the nostrils until the entire lunge are Inflated, but do not lift the shoulders In so doing." - , She scores heavily- the unscientific voice teacher, who does as much barm as would an Incapable doctor CULLEUE GLEE CLUB I To Give Concert I There Is much Interest felt In the ap pearance of the University of Oregon Glee and Mandolin clubs sext Wednes day evening. Glee club concerts do not often come under ,the head of good music, but the Oregon Olee club has In past years shown Itself to be of such exceptional merit musically that it de serves a mention among high class musical organisations. There is much fun in the club It wouldn't be a col lege glee club If there weren't but when the club is singing it sings. That is the distinction between it and many other cluba. Of course it is quite nat ural that real music should' emanate from thla aggregation, for directing them-is one of the finest baritones in the state. Professor Glen has had charge of the clubs for a good many years and It has been his aim to make their music high class. The reports that come from Eugene, where the club gave its annual concert about a fortnight ago, tend to show that thla is about the best club the col lege has had. The singing and the play ing are both spoken of highly and com- f llments are passed on the spirit and Ire that characterises the whole pre- fram. The "stuntlsts" this year num er some new finds and Victor Volgt is deemed a .treasure. Arthur Van Dusen continues his funny work. Mel ville Ogden, a Portland boy and a clever pianist, docs some good piano work. Professor Olen Is again heard in solos. The concert here should certainly be an Interesting one. HEREDITY AND Environment in Music 9 Leonard Webllng reaches some Inter esting deductions from an Interview with Paderewski, as published W the Century Magazine. In deference of big oft repeated remark that Brahms' rousle Is ' "all treble and bass." Paderewski says, "When ! said that, I was thinking of a curious feature of his ecrlture, his mode of -writing for the piano. A sort' of atavistic freak of nature, a heredi tary trait, .made him abuse the bass. His father, you know, was a contra basslst, and . through his infanoy he heard constantly the dum, dum, dum, of this Instrument. Later, I supposo, an unconscious reaction made him try for contrast, and go to-the other end as high as he could, and in some things It Is all the very low and the very high, without any middle at all. This is the case in some of his song accompani ments. At some cradles, you know, the (Continued on Page Nine.) .7 I . W. A. Wlss. OUT OF TOWN PEOPLE Should remember that our force is so organtHed that WE CAN DO THEIR PNTIRE CROWN, BRIDGE AND LATE WORK IN A DAY if necessary, rosltlvely Painless Sxtraetio free when plates or bridges are ordered. WB REMOVE THE MOST SENSITIVE TEETH AND ROOTS WITHOUT THE LEAST PAIN. NO STUDENTS; no tin certainty but SPECIALISTS who do the most sclentlflo and careful work. WISE DENTAL CO., lac Dr. W. A. Wise, Mgr., SI years in Portland. Second floor. Falling bldg.. Third and Washington streets. Oftlee hours, t a. m. to 8 p. m. Sundays, to 1 p. m. Painless extracting, 50c; plates, t& up. Phone A and Main 2020. C-s ... 'KB'" 20 Mre. Elfrlda Heller Welnstetn,. Dramatic Soprano at Centenary Church. which seem to the management to be artistically worthy.' The Metropolitan opera -company is adopting a slmllai policy. w w Mrs. Elfrlda Heller Welnstein. whose picture Is shown ' here, today, .IS a- dra matic soprano who is attracting a good deal of attention. She has Just been selected as solo soprano at Centenary Methodist church in the place of Mrs. Berr. who roes to eastern Oreron to live. Mra. welnstein has been in Port land about a year and during that time nas continued ner voice worn witn Mrs. Rose Bioch-Bauer. Formerly she studied ma n "I 'A i ' i; -v. V V.' " Who" Win Give a Concert Thli Week. beautifully. After her long absence from Portland musical life her voice Is more -welcome than ever. A duet, "Calm as the Night (Goetxe), by Mrs. Bauer end Mr. Montelth was beautifully sung. Mr. Montelth's solo was "Abide With Me" fLlddle). William R. Boone, the. clever Newport organist, who came out to take the chair of music at the Corvallls college, was at the organ. Gresham was the recipient of a con cert given by Portland people Friday night. Miss Lena Harwaa, whose soprano voice is well known In Port land, wag heard in Gresham for the first time, and she was accompanied by Miss Datesman of the Western Academy of Music. M. C. Koempel of tne Oregon conservatory or Music de lighted the audience with his cornet solos. Miss atesman's rendering of Weber and Chopin was satisfying. Every number was heartily encored and responded to. The program was as follows: Piano solo. "Invitation a La Valse" (Weberl cornet solo, "Scenes That Are Bright est," M. C. Koempel; soprano solo, "My Dream of You" (Rodney), Miss Lena Harwas; impersonations from "Merch ant of Venice" (Shakespeare), Miss Edna Griffith; piano solo, "Walts, Op. 70 No. 1" (Chopin), Miss Datesman; cornet solo, polka "The Commodore," "The Lost Chord." M. C. Koempel; soprano aolo, "Goodbye" (Tosti), Miss Lena Harwas. The music today at the First Meth odist Episcopal church will be as fol lows: Morning- Organ Offertolre Matthews Anuiem, -rne Heavens Are Telling" nadyn Offertory. Organ Postlude, Schers Faulkes Evening Organ Melody. Masset Antnem, "uay la uying in tne west." Offertory. ' Organ, Festival March Klein The Enna amateurs met last Thursday with Miss Bessie Mickey. Emll Enna ?ave a lecture on "Preliminary Studies or Beginners." The club will give an American composers' recital at Ellers hall. January 28. The following officers were elected: Muss Eva Graves, presi dent (reelected); Miss Jennie Rasmus sen, vice president, and Miss Bessie niv&cy, necrcuiry ireeieciea;. - The United Scandinavian Singinr- so cieties of Portland will give a music festival at the Hellig theatre, February 10. An orchestra of IS niece, win 1st Choruses and I orchestral works by - Scandinavian composers will be strongly represented. Emll Enna will Miss Emma Harlow, contralto, Is an other one of Mrs. Rose Coursen Reed's pupils who Has gons east and met with success. Miss' Harlow lr rn, Boston In October to further her musi cal studies And hast. Secured a position with the Harren Avenue Baptist church In Boston, .tife pastor of. which is Rev. Dr. Herbert Spenebr J.ion, 'well known : In Kugene end I'M tland. Miss Harlow rrevjous to her i!'-t arture I ad I ; -- ----: MM ! (I 1L . I' 1 . LZ. "r a Si " 11 . H. " MAKES A MOST ACCEPTABLE GIFT Orders Held For Christmas Delivery This year we are instituting a Holiday Sale to give the public an opportunity to purchase Furniture when they most desire it at January sale prices. We now have on our floors the most complete stock of the year to select from. Suggestions For Useful Xmas Presents Smokers' Tables $2.5Q Card Tables $1.75 to $28.00 Sewing Tables ? 12.00 to $30.00 Electrical Bronze Statues. .. .$15 to $200 Parlor Cabinets . . . . ...... $5.50 to $125 Shaving Stands . . . : $6.50 to $30.00 Colonial Hall Clocks $35 to $250 Cellarettes $15.00 to $35.00 Book Racks ...$1.00 Magazine Stands ...... .$1.50 to $12.00 Mission Lamps $5.00 Cedar Chests $12.50 Morris Chairs .... . .$10.00 to $45.00 Turkish Rockers $33 to $160 Curb Cabinets $25 to $130 ' Tabourettes ........... $1.50 to $10.00 I We Have Jcsl Unloaded a Car of BRASS BEDS With heavy 2 inch post ; beds in either polished brass or dull finish, worth $40.00. Special "for one week only, or as long as they last, $19 25 . , Home of Good Fmnllsre , SECOND and MORRISON Prices Always Ibe Lowest 4