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About Portland observer. (Portland, Or.) 1970-current | View Entire Issue (May 16, 2018)
Writing to Make a Difference ‘City of Roses’ Volume XLVII • Number 19 Local playwright finds groove after hiatus 2018 Washington Classic See Metro, page 9 SECTION B Established in 1970 www.portlandobserver.com Wednesday • May 16, 2018 Committed to Cultural Diversity ‘Left Hook’ to Displacement New play premieres for Vanport Mosaic D anny p eterSon t he p ortlanD o bServer A new play that touches on the history of displacement in 1970s Portland, where hundreds of homes and businesses were razed in historical black neighborhoods, will debut next week as part of the Vanport Mosaic Festival. “Left Hook” is inspired in part by the history of the Knott Street Boxing Club and the urban renewal projects that dis- rupted a once vibrant neighborhood. It is a follow up to playwright Rich Rubin’s 2016 play “Cottonwood in the Flood,” which was about Vanport and the May 30, 1948 Memorial Day flood that destroyed the Portland town 70 years ago. The new play focuses on a hub of thriv- ing African American businesses and homes in the Albina District of north and northeast Portland where many former Vanport residents resided. Several blocks of the neighborhood were eventually razed when urban renewal projects spurred the expansion of Emanuel Hospital and prompted the demolition of about 300 homes of mostly African American fami- lies who were then forced to relocate. ‘Left Hook” has an all African-Amer- ican and local cast and uses the story of Knott Street to tell a story about a fictitious boxing gym whose future is made uncer- tain by the changes. Damaris Webb, a Portland native and African American theater maker, is once again helming the role of director for Ru- bin’s play after bringing his Cottonwood in the Flood to life on the stage two years ago. She is the co-founder and director of the Vanport Mosaic, a non-profit that en- gages the community through storytelling, art, education, and media about forgotten local histories. The effort was first started by Laura Lo Forti, a self-described ‘story midwife’ and ‘recovering journalist,’ who began working with elders in the commu- by photo by S hawnte S imS Displacement of African-Americans in 1970s Portland is captured in ‘Left Hook,’ a new play inspired by the Knott Street Boxing Club and the urban renewal projects that forced people out of their historical neighborhoods. The production premiers for the Vanport Mosaic Festival, a community wide festival that commemorates the 1948 Portland flood that displaced thousands of people of color. Pictured are cast members (top row, center) Shareen Jacobs; (middle row from left) Tonea Lolin and Jasper Howard; and (bottom row from left) Anthony Armstrong, Kenneth Dembo, and Jame Savannah. C ontinueD on p age 4