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About Portland observer. (Portland, Or.) 1970-current | View Entire Issue (July 11, 2012)
3-*!' ^lorthmb (Observer July II. 2012 Page 13 Vancouver East County Beaverton Alberta North Portland photo by M indy C ooper /T he P ortland O bserver The Oregon Historical Society exhibit ‘Oregon Voices'inspires residents to examine both what it means to be an Oregonian and explore the unique communities of the state, including the African-American population. Good Tim esand Bad by M indy C ooper T he P ortland O bserver - A new exhibit ‘Oregon Voices’ opened last month at the Oregon Historical Society to inspire resi dents to examine both what it means to be an Oregonian and explore the recent history and unique commu nities, which have made Oregon the unique state it is today. The long-term exhibit, free to all M u ltn o m ah C o u n ty re sid e n ts throughout the year, features inter active displays, videos and pro grams that explore the challenges and su c ce sses o f O re g o n ia n s fromWorld W ar II to present day, in both good times and bad. “It was really exciting working on this because we are looking at what is happening right now,” said Larry Johnson, director of the films and interactive programs featured in the exhibit. “That, for me, is fun and new for an art museum, and hopefully meaningful for those to come.” According to Johnson, the heart of the exhibit is multicultural. “Although the numbers of the populations of ethnic communities aren’t great, they have an important impact on the nature of Oregon,” said Johnson. “That is what it is really about. It is a portrait of Or egon now.” T hroughout the past several years, Johnson met with dozens of people and conducted approxi mately 40 interviews to make the Oregon Voices exhibit true to its name. The exhibit, on the first floor of the Oregon Historical Society down town, invites visitors to begin with a short film spanning with perspec tives from across the state, before walking into the exhibit, where resi dents can take a deeper looker into many different pockets in Oregon, including a look into a black-owned barber shop in north Portland. “A lot of times museums will have narrated programs that tell you just what to think,” he said. “But I have ‘Voices’ exhibit explores our challenges and successes always tried to bring the authentic voice of the people to the exhibit.” Although there museum space is not grandeur, the information within the walls of the installation, includ ing high-definition touch screens to press at one’s choosing, would take more than nine hours to expe rience from start to finish. “We are presenting a thoughtful look at all the things that are going on, and have been going on, since the world war,” said Johnson. “I think it will be relevant to a lot of people directly in their lives. They will be able to remember some of the events we depicted in the exhibit.” As director, Johnson said his goals for the project were to bring the face of Oregon to the screen. “We went all over the state— north, south, east, west— and inter viewed people over about 12 days,” he said. Johnson added, throughout the entire process, diversity was always built into the mission. In eastern Oregon, the team spoke with a wheat farmer, a Japanese Nisei onion grower, and a bask sheep herder and farmer, all given a spot light. Urban stories include a pro gram about the African American community, the Asian community continued- on page 15