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About Portland observer. (Portland, Or.) 1970-current | View Entire Issue (Sept. 14, 2011)
Hispanic Heritage Celebration Milagro Theater brings an extensive lineup o f events Residential Farming From goats to food buying clubs, new rules considered See El Observador, page 21 City Roses VPM r See Metro, page 13 Read back issues of the Portland Observer at www.portlandobserver.com Volume X X X X I. N um b er 37 Wednesday • September 14. 2011 Established in 1970 C o m m itte d to C u ltu ra l D iv e rs ity J L j A World Beat Music Legacy Master drummer’s contributions celebrated living room at his home in north Portland, surrounded by the earth tones of West African paintings, masks, and sculptures. In Oregon, Addy has toured vir tually every school in the state, as well as the Cornish Institute and Lewis and Clark College, educating kids of his music and culture. With his wife, Susan, in 1986, he created the non-profit, Homowo African Arts & Cultures, which for over 15- years held an annual festival in Port land celebrating African culture. Addy was awarded the National Heritage Fellowship A ward from the National Endowment for the Arts in 1996, making him the first Africa- born artist to receive the highest award a traditional artist can receive in this country. "Through his music and teach ing, Obo has affected hundreds of thousands of lives in the Pacific Northwest and beyond," said Su san, "His legacy is being written as he continues to share his talent with young people around the country." Now, undergoing his second bout with cancer at 75 -years-old, Obo and his wife will celebrate the 25th anniversary of Homowo, recently renamed the Obo Addy Legacy in his honor at a benefit dinner on Saturday, Sept. 24. The 6:30 p.m. event, in the atrium at Emanuel Hos pital, which may be one of his last public performances. Those influenced by Addy will be telling stories and many of his friends from the music industry will e n te rta in , in clu d in g Jan ice Scroggins, LaRhonda and Mark Steele, Norman Sylvester, Okropong and Israel Annoh. Bom in 1936 in Accra, Ghana, the son of a Wonche medicine man, Addy was designated a “master drummer” at age six. Raised by his father in a family of 55 siblings, all drummers, dancers, and singers, Addy embodied the values and musical traditions of the Ga ethnic group. C ari H achmann T he P ortland O bserve When drum master Obo Addy first traveled to the Pacific North west in the early 1970s after an inter national music tour, he found Port land to be unlike any other city. Walking on the street, the people were warm and smiled back, but best o f all, he had the background to give a voice to an African music scene that was non-existent He thought, “This must be the place.” Today, there are few who haven’t heard or seen Addy perform. Since his arrival in 1978 as the first African musician to settle in Portland, the master drummer and dancer has shared his music with millions, cre ating a lasting legacy. With his charismatic spirit, rapid- fire hands, and powerful voice, he has driven thousands of people to dance to the infectious beat of his drums. Touring internationally as a young man and Ga master of Ghana, Addy introduced the genre of mu sic known as worldbeat, or what he describes “a world music” or “mu sic of the world”. “Why not bring our music to people who had never been to Ghana,” said Addy, sitting in the by Obo Addy, Portland's m aster drummer and dancer from Ghana, Africa, will be honored for his decades o f music and teaching at a benefit dinner this month. PHOTO BY C ari H achmann /T he P ortland O bserver co n tin u ed y f on p a g e