Portland observer. (Portland, Or.) 1970-current, September 22, 1999, Page 17, Image 17

Below is the OCR text representation for this newspapers page. It is also available as plain text as well as XML.

    September 22, 1999
< JFocus>
Jhe JJortlanb ffibaerucr
% r G ospel legend Y olanda
m e ssa g e . “ I ’m n o t o n e o f th o s e s in g ­
e v ery d a y o f m y lif e .”
e rs w h o w a n ts to e x p a n d m y a u d i ­
I t ’s p re c ise ly th a t k in d o f convic­
tio n th a t h a s c a u s e d c ritic s to re fe r
J ’A dam s, her stirrin g E lektra
t/d e b :
d e h n t M o u n ta in Higtv A /a jle y
e n c e a t th e e x p e n s e o f th e p e o p le
w h o a lr e a d y k n o w m y m u s ic ," she
L ow w as a n o p p o r tu n ity to b r in g
b o th h e r i n s p ir a tio n a l v isio n a n d
says d e te r m in e d ly . “A n d I ’ve g ro w n
to Y o la n d a as o n e o f g o s p e l’s “ s e m i­
n a l” v oices. It h a s a lso e m p o w e re d
b o th v o c a lly a n d s p ir itu a lly s in c e
h e r w id e ra n g e o f in f lu e n c e s to a n
a u d ie n c e h u n g ry fo r s p ir itu a l fru it.
b y firs t a lb u m , t h r o u g h e a c h p h a s e
h e r to v e n tu r e o u t o f g o sp e l’s m o re
sa n c tim o n io u s c o n f in e m e n ts , a n d
w as ju s t a n o th e r s te p o f g ro w th .
h o o k u p w ith so m e o f p o p ’s m o st
fo rm id a b le p ro d u c e rs , su c h as K e ith
G o s p e l m u s ic h a s s te p p e d u p a n d
T h o m a s , J im m y J a m
all o v e r th e w o rld . N ow in 1999,
g a th e r e d a m y r ia d o f in f lu e n c e s -
f o u r s tu d io a lb u m s a n d o n e liv e
ja z z , h ip h o p , R&B. I n e e d to b e in
Lew is. Y o la n d a stre sse s, h o w e v er,
th a t it w as th e p ro c e s s o f “ sh a rin g "
o f m y c a r e e r . So c h o o s in g E le k tr a
S in c e h e r 1988 d e b u t, th e a c c la im e d
a n d n p l i f t i n g j u s t A s 1 A m , Y o la n d a
h a s b e e n w o w in g g o sp e l a u d ie n c e s
a p la c e w h e re m y m e s sa g e c a n b e
a lb u m la te r (th e G r a m m y n o m i
n a te d Y o la n d a - L i ve In W a s h in g
r e a d y to e x te n d h e r m a g n if ic e n t
and
1 e r ry
ta le n ts th a t m a d e th e u n iq u e c o l­
m y p u rp o se . 1 u n d e rs ta n d w h at I
la b o r a tio n s su c h a g re a t su ccess.
T h o m a s p r o d u c e d a n d w ro te “ T h e
w as p u t h e r e fo r. I ta k e th a t o n
T h in g s W e D o."
h e a r d b y e v e ry o n e . I u n d e r s t a n d
t o n k th e H o u s to n , T e x a s n a tiv e is
Page 3
r e a c h w ith o u t w a te r in g d o w n th e
Ilackstreet
W hile R hythm a n d blues has never
been m ore popular o r com m ercially vi­
able, it has also reached a creative im ­
passe. Beats that were once innovative
now seem form ulaic as hit after hit
reaches the airwaves b u t the record buy­
ing public is left still w a n tin g .fe e lin ' for
m usic th at does m ore th an taste great.
It is into this a re n a th at Blackstreet
releases th eir th ird C D , Finally. M ore
th an a follow-up to '9 6 ’s phenom enally
successful A n o th er Level (which w ould
go on to sell 6 m illion copies a n d spawn
the chart b usting a n d G ram m y w in­
n ing # 1 sm ash “N o D iggity”), finally is,
as the title m ight evoke, a definitive
statem ent. A declaratio n for th e e n d of
the century. O r to p u t it m o re suc­
cinctly and less poetically, the bom b.
Featuring Blackstreet’s finely honed
harm onies and solo turns, a n d the in­
* i lthough
.i
A- n
i
A
Blackstreet
has enjoyed
th at the group has taken
continuous acclaim since its platinum
debut in 1994, the pressure was on when
it to the next level. From
it cam e dow n to recording Finally. “It was
of “C a n Y ou Feel It,"
the pyrotechnic grooves
all internal pressure,” T eddy explains.
which uses snippets of the
“Because we really w anted this album to
Ja c k s o n ’s song o f the
be it, we went back hom e," T eddy points
sa m e
to his heart, “here," he gestures out into
lo w d o w n g rim y b a ss
beatsof “D on’t Stop," the
the room , “and then we went into tom or
row. f h e Bound a n d the styles of m usic on
nam e,
to
th e
sw eeping ballad “In a
this C D are so broad. It sounds like such
R ush” (which boasts har­
a cliché to say, ’there’s som ething for
m onica from Stevie W on­
everyone,’ but there s so m uch here that
der) or the inspirational
everyone who hears this album isgoingto
be able to say, “T h a t’s the jam . T hat's the
m essage of the title track
song. T h a t’s the one.
O f f e r s co f o u n d i n g
(featuring the renow ned
gospel sta r H e z e k ia h
m em ber
W alker), Finally is about
C h a u n ce y , “I kept th in k in g this tim e,
we n e ed to com e o u t of the box with
R&B th at is willing to
a n o th e r 'N o Diggity ' B ut the m ore we
w rote a n d th o u g h t ab o u t it, the m ore 1
work w ithout a net. It is
confident a n d schooled
enough to give the people
realized, ‘N o. L et’s b e different, again,
rean z eo , « u .
,
like we w ere w ith 'N o Diggity. Let s
w hat they w ant a n d de­
um parable, b u t thankfully never pre-
com
ictable production and songwriting (not
lat word) skills of T eddy Riley, Finally
not go by those re co rd in d u stry rules,
T eddy Riley has touched
•ts the tem plate for w hat R&B m ust
□und like as we en te r the year 2000.
L et’s m ak e som e new ones up.
O n e listen to Finally and it s clear
in his 15 years m aking
music, and n ot ju st a col­
serve, like e v e ry th in g
lection of dope ass beats.
It is that bag of chips and
1
•>
the possibilities a n d the
■ 4
prom ise o f R&B, deliv­
ered by four of its soulful
practitioners.
T hree of those practi
rest , relaxation and rejuvenation .
They're all yours in our beautiful
lakeside setting. Indulge yourself in
a pampering massage. Relax in our
natural mineral hot spring pools.
Sip a capouccino at Miss Margaret s
tioners are no d o u b t (no
Espresso Bar. Then savor the live
d ig g ity )
entertainment and Fraser Valley
f a m ilia r
to
cuisine
of
the
Copper
Room.
Midweek and weekend packages
available. O nly 1-1/2 hours from
Vancouver
and
3
hours
from
Seattle, the Harrison Hot Springs
Resort
is
an
all-tim e
favorite
throughout the Pacific Northwest.
Blackstreet fans. T h e lat­
e st
f
fefe
e
com ponent
FOR
of
R E S E R V A T IO N S , C A L L
1 -8 0 0 -6 6 3 -2 2 6 6 .
B lac k stree t is T e r r e ll
Philips A native of N orth
C arolina and a seasoned
«i
studio and touring vet,
vA/tirrison
T errell’s powerful sing­
ing style is showcased on
tSprintjs
RESORT
the anguished track “Mis­
Photo by Taryn Simon
iddy Riley, Eric Williams, Terrell Phillips, ChaunceyHannibal
SR
-T a ?
r o a u u VOM lK O • w w w .h a rris o n re s o rt.c o m
BRITISH COLUMBIA • C ANADA, VOM w
OPERATEI' BY HOSTMARK HtYSPITALITY 1.111*1
ery.” “Finding som eone
like T errell is a blessing,"
says T eddy
I_______