September 22, 1999 < JFocus> Jhe JJortlanb ffibaerucr % r G ospel legend Y olanda m e ssa g e . “ I ’m n o t o n e o f th o s e s in g ­ e v ery d a y o f m y lif e .” e rs w h o w a n ts to e x p a n d m y a u d i ­ I t ’s p re c ise ly th a t k in d o f convic­ tio n th a t h a s c a u s e d c ritic s to re fe r J ’A dam s, her stirrin g E lektra t/d e b : d e h n t M o u n ta in Higtv A /a jle y e n c e a t th e e x p e n s e o f th e p e o p le w h o a lr e a d y k n o w m y m u s ic ," she L ow w as a n o p p o r tu n ity to b r in g b o th h e r i n s p ir a tio n a l v isio n a n d says d e te r m in e d ly . “A n d I ’ve g ro w n to Y o la n d a as o n e o f g o s p e l’s “ s e m i­ n a l” v oices. It h a s a lso e m p o w e re d b o th v o c a lly a n d s p ir itu a lly s in c e h e r w id e ra n g e o f in f lu e n c e s to a n a u d ie n c e h u n g ry fo r s p ir itu a l fru it. b y firs t a lb u m , t h r o u g h e a c h p h a s e h e r to v e n tu r e o u t o f g o sp e l’s m o re sa n c tim o n io u s c o n f in e m e n ts , a n d w as ju s t a n o th e r s te p o f g ro w th . h o o k u p w ith so m e o f p o p ’s m o st fo rm id a b le p ro d u c e rs , su c h as K e ith G o s p e l m u s ic h a s s te p p e d u p a n d T h o m a s , J im m y J a m all o v e r th e w o rld . N ow in 1999, g a th e r e d a m y r ia d o f in f lu e n c e s - f o u r s tu d io a lb u m s a n d o n e liv e ja z z , h ip h o p , R&B. I n e e d to b e in Lew is. Y o la n d a stre sse s, h o w e v er, th a t it w as th e p ro c e s s o f “ sh a rin g " o f m y c a r e e r . So c h o o s in g E le k tr a S in c e h e r 1988 d e b u t, th e a c c la im e d a n d n p l i f t i n g j u s t A s 1 A m , Y o la n d a h a s b e e n w o w in g g o sp e l a u d ie n c e s a p la c e w h e re m y m e s sa g e c a n b e a lb u m la te r (th e G r a m m y n o m i n a te d Y o la n d a - L i ve In W a s h in g r e a d y to e x te n d h e r m a g n if ic e n t and 1 e r ry ta le n ts th a t m a d e th e u n iq u e c o l­ m y p u rp o se . 1 u n d e rs ta n d w h at I la b o r a tio n s su c h a g re a t su ccess. T h o m a s p r o d u c e d a n d w ro te “ T h e w as p u t h e r e fo r. I ta k e th a t o n T h in g s W e D o." h e a r d b y e v e ry o n e . I u n d e r s t a n d t o n k th e H o u s to n , T e x a s n a tiv e is Page 3 r e a c h w ith o u t w a te r in g d o w n th e Ilackstreet W hile R hythm a n d blues has never been m ore popular o r com m ercially vi­ able, it has also reached a creative im ­ passe. Beats that were once innovative now seem form ulaic as hit after hit reaches the airwaves b u t the record buy­ ing public is left still w a n tin g .fe e lin ' for m usic th at does m ore th an taste great. It is into this a re n a th at Blackstreet releases th eir th ird C D , Finally. M ore th an a follow-up to '9 6 ’s phenom enally successful A n o th er Level (which w ould go on to sell 6 m illion copies a n d spawn the chart b usting a n d G ram m y w in­ n ing # 1 sm ash “N o D iggity”), finally is, as the title m ight evoke, a definitive statem ent. A declaratio n for th e e n d of the century. O r to p u t it m o re suc­ cinctly and less poetically, the bom b. Featuring Blackstreet’s finely honed harm onies and solo turns, a n d the in­ * i lthough .i A- n i A Blackstreet has enjoyed th at the group has taken continuous acclaim since its platinum debut in 1994, the pressure was on when it to the next level. From it cam e dow n to recording Finally. “It was of “C a n Y ou Feel It," the pyrotechnic grooves all internal pressure,” T eddy explains. which uses snippets of the “Because we really w anted this album to Ja c k s o n ’s song o f the be it, we went back hom e," T eddy points sa m e to his heart, “here," he gestures out into lo w d o w n g rim y b a ss beatsof “D on’t Stop," the the room , “and then we went into tom or row. f h e Bound a n d the styles of m usic on nam e, to th e sw eeping ballad “In a this C D are so broad. It sounds like such R ush” (which boasts har­ a cliché to say, ’there’s som ething for m onica from Stevie W on­ everyone,’ but there s so m uch here that der) or the inspirational everyone who hears this album isgoingto be able to say, “T h a t’s the jam . T hat's the m essage of the title track song. T h a t’s the one. O f f e r s co f o u n d i n g (featuring the renow ned gospel sta r H e z e k ia h m em ber W alker), Finally is about C h a u n ce y , “I kept th in k in g this tim e, we n e ed to com e o u t of the box with R&B th at is willing to a n o th e r 'N o Diggity ' B ut the m ore we w rote a n d th o u g h t ab o u t it, the m ore 1 work w ithout a net. It is confident a n d schooled enough to give the people realized, ‘N o. L et’s b e different, again, rean z eo , « u . , like we w ere w ith 'N o Diggity. Let s w hat they w ant a n d de­ um parable, b u t thankfully never pre- com ictable production and songwriting (not lat word) skills of T eddy Riley, Finally not go by those re co rd in d u stry rules, T eddy Riley has touched •ts the tem plate for w hat R&B m ust □und like as we en te r the year 2000. L et’s m ak e som e new ones up. O n e listen to Finally and it s clear in his 15 years m aking music, and n ot ju st a col­ serve, like e v e ry th in g lection of dope ass beats. It is that bag of chips and 1 •> the possibilities a n d the ■ 4 prom ise o f R&B, deliv­ ered by four of its soulful practitioners. T hree of those practi rest , relaxation and rejuvenation . They're all yours in our beautiful lakeside setting. Indulge yourself in a pampering massage. Relax in our natural mineral hot spring pools. Sip a capouccino at Miss Margaret s tioners are no d o u b t (no Espresso Bar. Then savor the live d ig g ity ) entertainment and Fraser Valley f a m ilia r to cuisine of the Copper Room. Midweek and weekend packages available. O nly 1-1/2 hours from Vancouver and 3 hours from Seattle, the Harrison Hot Springs Resort is an all-tim e favorite throughout the Pacific Northwest. Blackstreet fans. T h e lat­ e st f fefe e com ponent FOR of R E S E R V A T IO N S , C A L L 1 -8 0 0 -6 6 3 -2 2 6 6 . B lac k stree t is T e r r e ll Philips A native of N orth C arolina and a seasoned «i studio and touring vet, vA/tirrison T errell’s powerful sing­ ing style is showcased on tSprintjs RESORT the anguished track “Mis­ Photo by Taryn Simon iddy Riley, Eric Williams, Terrell Phillips, ChaunceyHannibal SR -T a ? r o a u u VOM lK O • w w w .h a rris o n re s o rt.c o m BRITISH COLUMBIA • C ANADA, VOM w OPERATEI' BY HOSTMARK HtYSPITALITY 1.111*1 ery.” “Finding som eone like T errell is a blessing," says T eddy I_______