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T he P ortland O bserver • M ay 19, 1993
P age B7
AUTO M O TIVE
WHY PAY FULL RETAIL? Grand Opening Sale
NO CREDIT • BAD CREDIT • WHO CARES
IN HOUSE FINANCING FOR EVERYONE*
Up to 70 cars (many under $1000) • Gates open at 9:00 a.m.
FEATURED VEHICLES
79 Mazda GLC Sport
79 Ford Fiesta
79 Toyta Corolla
82 Buick Skylark
79 Volvo 24 2DL
79 VW Rabbit
77 Ford F250 P/U
LOT #2
Lot #1
8 5 Ford Tempo
85 Honda Accord
83 Olds Cutlass
85 Cad Deville
5 Cad's From 1979 thru 85
LOT #1
FORD EXP.
83 LINCLON TOWN CAR
Nice Nice Car
FULL POWER • NICE CAR
RED & READY
$1495
$2495
$995
Lot #1
Lot #2
79 AMX
8 1 mere Cougar
R jv ^ C ty PUBLIC
AUTO AUCTION
LOT #2
74 CHEV 3 / 4 P.U.
v-8 • Auto Fuawless
Sunroof V-8 Black
YOU NEED ONE THIS NICE
$1495
$995
$1795
65OO NE M artin Luther King, Jr.z Blvd. • Portland
No
M ore D isappointments
If You Are Turned Down For In-House
Financing (By US) ...w e’ll give you
NEED A CAR?
DO YOU LIVE
IN THIS AREA?
SERVIŒAREA
$1000 CASH TODAY!
LOT #1
YOU MAY PURCHASE A CAR
OR TRUCK FROM US WITH:
• NO CREDIT CHECKS
OR CREDIT TURNDOWNS...EVER
• DOWNPAYMENTS $400 OR LOWER
• 12.9% A.P.R. FINANCING
YOU CAN HAVE THE CAR CHECKED
OUT MfO/ff IT'S BOUGHT
LOT #2
LOT #1
81 DATSUN 280ZX TURBO
8 1 BUICK RIVIERA
83 TOYOTA CELICA
AUTO LOADED
FULL POWER
AT CUSTOM WHEELS
$2995
$2995
$24 95
LOT #2
LOT #2
LOT #1
84 CHEVETTE 4DR
8 4 T-BIRD
6 8 VW BUG
AUTOMATIC • ONE OWNER
V-8 LOADED RED
AUTO CASS. MAGS
$1495
$1995
$1995
E .Z . C A R R
A DIVISION OF CARR CHEVEROLET GEO NISSAN
LOT #1
2 3 1 -0 0 0 0
771-4161
331-0216
5205 SE Foster
3225 NE Union (MLK)
WOODSTOCK AUTO WHOLESALE
LOT #2
A« Expires 5 /2 6 /9 3
We care more about your future than we do your past.
Prices Effective:
G etting Ready For Next Year
W ell, you’ve gotten through the
filing o f another tax return, so you can
forget about it all until next year.
R ight?
N ot exactly. T he Internal Rev
enue Service recom m ends thinking
about getting your records ready for
next year. Also, the agency suggests
you review your financial picture.
K eeping good records allow s you
to prepare a com plete an d accurate tax
return. G enerally you should keep all
receipts, canceled checks, or other
proof o f paym ent an d any docum enta
tion to support andy deductions or
credits you will w ant to claim.
Y our records should be kept to
gether in one place, so that w hen you
w ant to prepare your 1993 return, they
will be easy to locate
If you find you owed taxes, you
may w ant to adjust your w ithholding
allow ances and submit an adjusted
W-4 form to your payroll departm ent
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I
DVERTJSE IN THE OBSERVER
E & M SENTRY
909 N KILL1NGSWORTH
GRAFFITI:
Som e o f the m ost appalling m o
m ents in our century’s cultural history
occurred in the 1930’s. T he G erm an
N ational Socialists had over 650 im
portant paintings, prints, sculptures
and books destroyed-but also litera
ture, m usic an d film. They launched a
general attack on all contem porary
authors and conduced widespread book
burnings.
W hile som e o f the art was ea r
m arked for E ntartete K unst (degener
ate art) in M unich, hundreds o f w orks
w ere sold for hard currency to foreign
buyers. M any o f th e “d re g s,” as
G obblels called them , were probably
destroyed by fire.
T he N ational Socialists rejected
and censured alm ost everything that
had existed on the G erm an m odem art
scene prior to 1933. It did not m atter
to H itler if the art was abstract or
representational, or beautiful expres-
sionistically colored landscapes and
portraits, or the social criticism s by
M ax Beckm an, O tto Dix and George
G rosz, or the hard w orking efforts o f
the B auhaus artists to forge an new
link between art and industry—all were
condem ned
T h e G esetz Z u r W ied c rh e rs-
tellung des Berufsbeam tentum s (Pro
fessional Civil Service Act) o f A pril 7,
1933, enabled N azi officials to d is
m iss non-A ryan governm ent em ploy
ees from their jobs
T here seem s to be a new effort
afoot in this country to paint over or
sm ear over the graffiti on the walls,
bridges, sidewalks, billboards, jails,
toilets and unem ploym ent offices in
in n e r-c itie s, b arrio s, g h etto s an d
Siris Sc Robert
By Ray Eaglin
slum s. Some o f the best w ritings in the
w orld are being w ritten on fences and
w alls, today! T he surge in graffiti
w riting ought not to be solely looked at
as an aspect o f crim e, and it should not
be lowered to the level o f “ju st porno
g ra p h ic ”
T he history o f graffiti dates back
to som e 500,000 to 975,000 years ago.
T he art o f graffiti had advanced to the
pyram ids in 2775 B.C. T he slaves
w ho dragged the heavy stone blocks
w ould often scratch on them words
like “w orkers of the world unite,” or
“dow n w ith slave labor.”
T he person who w rites graffiti on
the wall is the person who is less
dangerous, less violent. He is the per
son who has an outlet and should be
encouraged to vent this therapeutic
pursuit.
We certainly m ust keep in m ind
that the graffiti w riters have countless
motivations. O ne o f the m ain reasons
is the well-know n hum an desire to
etch a record o f on e’s presence or
o n e’s existence on earth.
T he urge to assert o n e’s individu
ality by capturing a particular m o
m ent and space in tim e is so perv asive
as to account for the most prevalent
kind o f graffiti, w herever people come
together.
W herever the graffiti w riter is
assu re d o f th a t a u d ic n c e - th a t is
w ere he writes. The location o f porno
graphic or erotic graffiti is an index of
the m anner in w hich our culture ex
erts it influence. T he fact that more
graffiti is found in toilets than any
w here else is because toilets give you
m ore privacy and freedom from the
norm al restraints o f the “adult w orld”
than any other place. T he fact that
there is some sexual exposure in the
toilet gets the m ind off the problem s of
the streets, unem ploym ent, hunger,
the landlord, the police, drugs o rch ill
ing out
M any graffitists are protesting
som ething an d feel that they have no
other way o f m aking their feelings
known. We should study w hat they are
putting before us. M ake th eir art and
literature m edium o f com m unication.
They are imbued w ith an idea that
m ust find expression
T he w all scribbler usually does
not follow his natural handw riting
He prints much larger letters. The
printing and the enlarged sized graf
fiti show the creative urge and desire
to project his or her personality far
beyond his real capacity to do so.
Infants like to sm ear anything
that com es to their hand on the wall,
your foot.
They will use any kind o f medium
including strained carrots, beets, pud
d in g an d , if th e ir d ia p ers a r e n 't
changed quickly poop
New kinds o f bathroom walls,
stro n g er clean sers an d m andatory
autom ated spray paints may be X-ing
out the long overdue desperate mes
sage our kids and our loved ones hav e
to say.
O u r children arc the new expres
sionists. the new m odernists, the col
orful landscapes, the new links be
tween art and industry , the little pens
with giant m essages Pay attention
now orbankruptcy latcr-G raffili the
handw riting on the wall
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