Portland observer. (Portland, Or.) 1970-current, October 09, 1980, Page 9, Image 9

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    Black Studies inspires sense of destiny
By Nathaniel Scott
serves that function in all societies.
We realize that examinations that
test IQ’s, which are designed around
and modeled after cultural bias o f
the European, are not designed
aroud the cultural experiences o f
Black people or people o f African
descent. The educational process
here is a negative one.
Observer: What do you feet is the
im portance o f a Black N a tio n a l
Holiday?
Little: A Black national holiday
would be useful, but I don’ t think
it ’ s as significant as people make it
out to be. My reason for saying that
is, there are some other fundamen­
tal things that need to be done that
are much more important.
Observer: M artin Luther K in g ’s
Birthday...?
Little: It’ s alright, but there are
much greater men in our history
than M a rtin Luther King. For
example, one can look at DuBoise;
one can look at Garvey; one can
look at T.T.Thomas Fortune and
quite a few others that have made
substantial contributions that are
much greater in their ideas and
philosophies. On the other hand,
Martin Luther King is a present day
hero, so it ’s alright to look at him
because people, white and Black
respect that. Malcom X is probably
a more sig nificant in d ivid u a l to
recognize, not so much because he
evolved out o f the lower class, but
because the philosophies that
Malcom had w ill be the basis o f
Black liberation in this country.
Portland State University’ s Black
Studies program is headed by
W illiam “ B ill” L ittle , Ph.D. His
field is Political Science. Prior to
teaching he worked in construction
and served five years in the U.S.
Marines.
Dr. L ittle is chairm an o f the
Regional Ten C ouncil o f Black
Studies. Following are his responses
to questions posed by the Portland
Observer during an interview.
Observer: H hat is the difference
between Black culture and Black
studies?
L ittle : Let me deal w ith the
question o f d e fin itio n , because I
think we have to deal w ith that
before I can began to answer your
question. The problem arises when
we began to talk about Black
culture. Black is a color, it’ s not a
race of people. When we talk about
Black hnd white, it evolves out of
the European mentality that tends
to define things by color as opposed
to ancestry. Basically what you are
talking about when you say Black
culture is African culture. Culture
and studies are not inseparable; they
are defined parts o f the same thing,
but because we live in an European
dominated society, we have sort of
separated these functions and there
arises the maze. When people talk
about cu ltu re , they are ta lk in g
about history, art and the music.
They aren’t talking about culture in
terms o f politics and culture in ter­
ms o f social relationships, yet, those
are cu ltu ra l things are as well.
Because a person says he is in ­
terested in Black culture doesn’ t
mean he is interested in understand­
ing the interactions and decisions
and the behavior o f Black people.
Observer: What does Black
culture entail?
Little: Black studies entails a total
examination o f the tota lity o f the
African and the African diaspora.
Basically the Europeans have
designed and developed notions that
places Blacks in an inferior position.
A position that’ s not reasonable or
desirable. In fact, it’s inaccurate. So
W IL LIA M
to a large extent, we have to create
an accurate picture o f the African
past and present, which w ill provide
a stronger identity of self. We are
trying to get rid o f the distortions
and the omissions that whites have
perpetuated against people o f
African descent.
Observer: What are your views
about education, grade and college
level?
Little: Education is a process of
learning, developing, becoming
aware o f facts and events o f the past
BILL" LITTLE
and understanding what your poten­
tials are. That is the process that
education is suppose to do. But,
when you began to look at the
process o f education in America for
people o f A fric a n descent, the
education here is basically designed
to facilitate a strong emotional at­
tachment to the American society
whether you are racist or not. In
other words, the education here is
basically a propaganda sort o f thing
to ensure that the people have some
sort o f love attachment identifica­
tio n to the established society,
where that society is just or unjust.
But to carry it further, education
Observer: What are some needed
changes w ithin the Black com ­
munity?
Little: The biggest problem that
Black people have in this country is
their welfare mentality. When 1 say
welfare mentality, 1 don’ t mean that
people have to be on welfare. It’s
just like the notion that I have to
have someone do it for me. Black
people have to get a sense of them­
selves. A sense o f people. A sense o f
responsibility for our own destiny.
And until we take control o f our
destiny in the sense o f building
relationships, networks, support
bases, and take mutually benefical
action among ourselves, we w ill
continue to be in a deprived sort o f
condition.
Jump back w ith
Oscar Brown, Jr.
"From Jumpstreet: A story
of Blade Music
Oscar Brown, Jr spotlights
black music in America His
guests include Stevie Wonder,
Carmen McRae, Dizzy Gillepsie
and a dazzle o f super stars
Public Television Entertains
Sun. 6:30 P.M.
Channel 10
Tbiv ,id made possane in part nv a grant troni me Corporation tor Public Broadcasting
SEE SPORTS O N G IA N T SCREEN T V
JOE’S PLACE
1801 N.E. Alberta
iX lif .- 'f t E E K
1989/81 SEASON
8,(MX)
of the luckiest people
in the Northwest have already
reserved I heir places
for the inauguration of
(kl,.her 26 27 28 JAMES DE PREIST.
conductor. I.ORIN HOLLANDER, pianist.
Berlioz Roman Carnival Overture,
Rachmaninoff Piano Concerto No. 2.
Shostakovich Symphony No 5.
Nov 9 Id II JAMES HE I’ REIST.con
doctor AARON ROSAND. violinist.
A GREAT NEW
Lee- I ’a'sacaglia, Tchaikovsky Violin
Concerto, Beethoven Symphony No 5
Nov in He. 1 2 LAWRENCE SMITH,
guest condihtor, MICHAEL EOXMAN.
vio h n i't. DONALD Mcl.NNES, violist.
Schumann Overture, Scherzo iV Finale:
Mozart Sinfotua Concerlante. Copland
Symphony No. 3
A fter com pleting a tw o -w ee k W est Coast tour w ith Cam eo, Fantsy
re co rd in g g ro u p P leasu re v isite d rad io s ta tio n KGFJ in L A to
prom ote their latest album , "Special Things," and their new single,
"N o w You Choose M e ."
Pictured from L. to R. are: Sherman Davis and Donald Hepburn of
Pleasure. R obert S to ffe l, K IIS music librarian; M ik e W agner, KIIS
program director; Ted H igashioka, C alifornia Records prom otion;
M ichael H epburn and N athaniel Phillips of Pleasure; K IIS musical
director Danny Lenon; Quincy M cC oy, Fantasy national prom otion
director.
Ian II 12 13 GI N I HER SCHI LLER ,'
guest conductor, l.ll.l K R A I S, pianist,
(itteg In Autumn. Mozart I’ tanoConcerto
No 20, Schullei >even Studies on Themes
of Paul Klee. Wagner Overture to
T.mnhaeusei
ERA
in the historv of the
OREGON SYMPHONY
ORCHESTRA
with new Music Dilector and Ginductor
Jan 25 26 27 JAMES DE I’ KEIST, cot,
ductor; FRANCO G E LI.I. violinist
Mozart Symphony No. 5, Brahms Violin
Concerto. Bartók Concerto for Orchestra.
JAMES D ePR EIST
Eeb. 1.5 16 I7JA M E S D E PREIST. con
ductor. SHIRLE't VERKETT. soprano.
Strauss Salome's Dance. Wagnei
Wesendonck Songs. Strauss Em
lleldenlt Item
NO
Mar 1.5 16 17 NO RM AN LEYDEN,
inductor; JA N ()S S T AR KER , cellist
Brahms Haydn Variations Bloch Schelomo,
Haydn Cello Concerto in D. Rimsky
Korsakov Capnccio Espagnol
Mar 29 30 31 RAINER MIEDEL. guest
conductor. JAIME LAREDO, violinist.
Barbei Medea's Meditation and Dance of
Vengeance. Dvorak Violin Concerto,
Stravinsky Petrouchka.
P.U .D .TA X
Apt 12 13 I I NORM \N LEYDEN, con
ductor. CARRICK ( HII.SSON, pianist.
Toole Suite for Strings, Hanson Symphony
No 2, Chopin Piano Concerto No. 1
Apr 26 27 26 MERRY SIDI.IN. guest
conductor; S i I.VIA MARCOVICI, violinist.
Ihisa Music for Prague, 1968; Bruch Violin
Concerto No. 1, Elgar Enigma Variations.
NO on 11
Peid by Portland Citizens Against The Government Takeover,
4242 SE Milwaukie, Portland OR 97202. D. E Abram. Treasurer.
May 10 11 12JAMES DEPREIST.
conductor
Havdn Symphony No 88. Ravel Daphnis
and Chloe. Nielsen Symphony No. 3.
May 31 June 1 2 JAMES DE PREIST.
conductor. IRENE GEBRED. soprano;
H ILD A HARRIS, mezzo soprano; PORT­
LA N D SYMPHONIC CHOIR. Bruce
Browne, director.
Mahler Symphony No. 2 'Resurrectioni.
Critics from Helsinki to Indiana
polis. from Tel Aviv to
Stockholm have acclaimed
DePreist to be:
Be among the Oregonians who
w ill enjoy D e l’reist's great
music making with the Oregon
Symphony Orchestra and world
renowned soloists. SUBSCRIBE
NOW to the 1980 81 season in
Portland Civic Auditorium !
'em i \ln in, ly gift, ,1 musician"
"convincing and captivating"
"su.
clip and mail to: Oregon Symphony. 1119 SW Park. Portland. OR 97205
Mr. Mrs. Ms. (circle)
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