Black Studies inspires sense of destiny By Nathaniel Scott serves that function in all societies. We realize that examinations that test IQ’s, which are designed around and modeled after cultural bias o f the European, are not designed aroud the cultural experiences o f Black people or people o f African descent. The educational process here is a negative one. Observer: What do you feet is the im portance o f a Black N a tio n a l Holiday? Little: A Black national holiday would be useful, but I don’ t think it ’ s as significant as people make it out to be. My reason for saying that is, there are some other fundamen­ tal things that need to be done that are much more important. Observer: M artin Luther K in g ’s Birthday...? Little: It’ s alright, but there are much greater men in our history than M a rtin Luther King. For example, one can look at DuBoise; one can look at Garvey; one can look at T.T.Thomas Fortune and quite a few others that have made substantial contributions that are much greater in their ideas and philosophies. On the other hand, Martin Luther King is a present day hero, so it ’s alright to look at him because people, white and Black respect that. Malcom X is probably a more sig nificant in d ivid u a l to recognize, not so much because he evolved out o f the lower class, but because the philosophies that Malcom had w ill be the basis o f Black liberation in this country. Portland State University’ s Black Studies program is headed by W illiam “ B ill” L ittle , Ph.D. His field is Political Science. Prior to teaching he worked in construction and served five years in the U.S. Marines. Dr. L ittle is chairm an o f the Regional Ten C ouncil o f Black Studies. Following are his responses to questions posed by the Portland Observer during an interview. Observer: H hat is the difference between Black culture and Black studies? L ittle : Let me deal w ith the question o f d e fin itio n , because I think we have to deal w ith that before I can began to answer your question. The problem arises when we began to talk about Black culture. Black is a color, it’ s not a race of people. When we talk about Black hnd white, it evolves out of the European mentality that tends to define things by color as opposed to ancestry. Basically what you are talking about when you say Black culture is African culture. Culture and studies are not inseparable; they are defined parts o f the same thing, but because we live in an European dominated society, we have sort of separated these functions and there arises the maze. When people talk about cu ltu re , they are ta lk in g about history, art and the music. They aren’t talking about culture in terms o f politics and culture in ter­ ms o f social relationships, yet, those are cu ltu ra l things are as well. Because a person says he is in ­ terested in Black culture doesn’ t mean he is interested in understand­ ing the interactions and decisions and the behavior o f Black people. Observer: What does Black culture entail? Little: Black studies entails a total examination o f the tota lity o f the African and the African diaspora. Basically the Europeans have designed and developed notions that places Blacks in an inferior position. A position that’ s not reasonable or desirable. In fact, it’s inaccurate. So W IL LIA M to a large extent, we have to create an accurate picture o f the African past and present, which w ill provide a stronger identity of self. We are trying to get rid o f the distortions and the omissions that whites have perpetuated against people o f African descent. Observer: What are your views about education, grade and college level? Little: Education is a process of learning, developing, becoming aware o f facts and events o f the past BILL" LITTLE and understanding what your poten­ tials are. That is the process that education is suppose to do. But, when you began to look at the process o f education in America for people o f A fric a n descent, the education here is basically designed to facilitate a strong emotional at­ tachment to the American society whether you are racist or not. In other words, the education here is basically a propaganda sort o f thing to ensure that the people have some sort o f love attachment identifica­ tio n to the established society, where that society is just or unjust. But to carry it further, education Observer: What are some needed changes w ithin the Black com ­ munity? Little: The biggest problem that Black people have in this country is their welfare mentality. When 1 say welfare mentality, 1 don’ t mean that people have to be on welfare. It’s just like the notion that I have to have someone do it for me. Black people have to get a sense of them­ selves. A sense o f people. A sense o f responsibility for our own destiny. And until we take control o f our destiny in the sense o f building relationships, networks, support bases, and take mutually benefical action among ourselves, we w ill continue to be in a deprived sort o f condition. Jump back w ith Oscar Brown, Jr. "From Jumpstreet: A story of Blade Music Oscar Brown, Jr spotlights black music in America His guests include Stevie Wonder, Carmen McRae, Dizzy Gillepsie and a dazzle o f super stars Public Television Entertains Sun. 6:30 P.M. Channel 10 Tbiv ,id made possane in part nv a grant troni me Corporation tor Public Broadcasting SEE SPORTS O N G IA N T SCREEN T V JOE’S PLACE 1801 N.E. Alberta iX lif .- 'f t E E K 1989/81 SEASON 8,(MX) of the luckiest people in the Northwest have already reserved I heir places for the inauguration of (kl,.her 26 27 28 JAMES DE PREIST. conductor. I.ORIN HOLLANDER, pianist. Berlioz Roman Carnival Overture, Rachmaninoff Piano Concerto No. 2. Shostakovich Symphony No 5. Nov 9 Id II JAMES HE I’ REIST.con doctor AARON ROSAND. violinist. A GREAT NEW Lee- I ’a'sacaglia, Tchaikovsky Violin Concerto, Beethoven Symphony No 5 Nov in He. 1 2 LAWRENCE SMITH, guest condihtor, MICHAEL EOXMAN. vio h n i't. DONALD Mcl.NNES, violist. Schumann Overture, Scherzo iV Finale: Mozart Sinfotua Concerlante. Copland Symphony No. 3 A fter com pleting a tw o -w ee k W est Coast tour w ith Cam eo, Fantsy re co rd in g g ro u p P leasu re v isite d rad io s ta tio n KGFJ in L A to prom ote their latest album , "Special Things," and their new single, "N o w You Choose M e ." Pictured from L. to R. are: Sherman Davis and Donald Hepburn of Pleasure. R obert S to ffe l, K IIS music librarian; M ik e W agner, KIIS program director; Ted H igashioka, C alifornia Records prom otion; M ichael H epburn and N athaniel Phillips of Pleasure; K IIS musical director Danny Lenon; Quincy M cC oy, Fantasy national prom otion director. Ian II 12 13 GI N I HER SCHI LLER ,' guest conductor, l.ll.l K R A I S, pianist, (itteg In Autumn. Mozart I’ tanoConcerto No 20, Schullei >even Studies on Themes of Paul Klee. Wagner Overture to T.mnhaeusei ERA in the historv of the OREGON SYMPHONY ORCHESTRA with new Music Dilector and Ginductor Jan 25 26 27 JAMES DE I’ KEIST, cot, ductor; FRANCO G E LI.I. violinist Mozart Symphony No. 5, Brahms Violin Concerto. Bartók Concerto for Orchestra. JAMES D ePR EIST Eeb. 1.5 16 I7JA M E S D E PREIST. con ductor. SHIRLE't VERKETT. soprano. Strauss Salome's Dance. Wagnei Wesendonck Songs. Strauss Em lleldenlt Item NO Mar 1.5 16 17 NO RM AN LEYDEN, inductor; JA N ()S S T AR KER , cellist Brahms Haydn Variations Bloch Schelomo, Haydn Cello Concerto in D. Rimsky Korsakov Capnccio Espagnol Mar 29 30 31 RAINER MIEDEL. guest conductor. JAIME LAREDO, violinist. Barbei Medea's Meditation and Dance of Vengeance. Dvorak Violin Concerto, Stravinsky Petrouchka. P.U .D .TA X Apt 12 13 I I NORM \N LEYDEN, con ductor. CARRICK ( HII.SSON, pianist. Toole Suite for Strings, Hanson Symphony No 2, Chopin Piano Concerto No. 1 Apr 26 27 26 MERRY SIDI.IN. guest conductor; S i I.VIA MARCOVICI, violinist. Ihisa Music for Prague, 1968; Bruch Violin Concerto No. 1, Elgar Enigma Variations. NO on 11 Peid by Portland Citizens Against The Government Takeover, 4242 SE Milwaukie, Portland OR 97202. D. E Abram. Treasurer. May 10 11 12JAMES DEPREIST. conductor Havdn Symphony No 88. Ravel Daphnis and Chloe. Nielsen Symphony No. 3. May 31 June 1 2 JAMES DE PREIST. conductor. IRENE GEBRED. soprano; H ILD A HARRIS, mezzo soprano; PORT­ LA N D SYMPHONIC CHOIR. Bruce Browne, director. Mahler Symphony No. 2 'Resurrectioni. Critics from Helsinki to Indiana polis. from Tel Aviv to Stockholm have acclaimed DePreist to be: Be among the Oregonians who w ill enjoy D e l’reist's great music making with the Oregon Symphony Orchestra and world renowned soloists. SUBSCRIBE NOW to the 1980 81 season in Portland Civic Auditorium ! 'em i \ln in, ly gift, ,1 musician" "convincing and captivating" "su. clip and mail to: Oregon Symphony. 1119 SW Park. Portland. 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