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About Portland observer. (Portland, Or.) 1970-current | View Entire Issue (Jan. 27, 1972)
Observer’s Periscope Portland/Observer ■Section A Supplement Thursday, January 27, 1972 Photographer’s first book portrays 'Black Woman Chester Higgins, J r , is a young black man. He Is young in the most dynamic sense of that word — alternately vol uble and reflective, confident •nd questioning, playful and serious. And 1« is black in tl« finest sense of that word —undefenslvely proud, un mistakably sincere, unabash edly outspoken in discussing the qualities he values in the women of his race. " I acknowledge the fact that there Is a kind of beauty that white Western man sees in his woman. 1 also acknow ledge the fact that there is a standard of beauty that black men see in th e ir women, these standards of beauty are in their own waysdlfferentand have no need to be defensive of each other. There Is a certain kind of beauty In black women that appeals to black «yes. That beauty Is a func tion of our liv in g .” During his Alabama boy hood, says Higgins, he came to appreciate "th e joy of liv ing among black people, the love, die s e n s itiv ity ." Three years ago while studying at Tuskegee Institute, he discov ered photography, and found it offered him a way of sharing with others his strong sense of "th e inheientgracefulness, beauty, pride in being black." Eighty of his photographs taken in Harlem and through out the South and portraying the many faces and lifestyles of "B la c k Woman,” aie pub lis h » ! by the McCall Book D iv ision in both hard and soft f irs t O ffice r F re d e rick P itcher m command of a W covet editions. The accom estern jet panying text, combining a bi lef introductoiy essaywithcandid quotes from the women them selves, was w ritten by Harold McDougall, a student at Vale Law School and magna cum laude gradute of H arvard. The two men spent some tim e last summer going around Harlem, taking pic tures, asking questions, hold ing smalldiscussion sessions. "B oth of us learned a hell of a lo t,” comments M r. M a n y new types of employment are opening up fo r B I a c k s McDougall. The questions through Equal Opportunity programs. T h r o u g h onesuchpro- they asked — about identity, mon- Zmm * “ h “ “ a iriin « comPan» s has become com love, ch ild ie n , strength, re mon. common, that is, in the availability of jobs, not in the tvoe spect, beauty — brought forth of work done or the unique advantages offered many responses they fou.id of ferwStbiaffk 7 r |Fr<K!erKk PitChCr ° f Western A lr,ln « « one "enlightening. Indeed, libera few blacks who command their own jets. As s u c h he five ting” and that "made us a maximum of fo rty hour, per month in Western’ s " W o ’r H ” of change our thinking dras fo rty -s ix states. Canada and Mexico. tic a lly .” .stewan.less Janice D arling also flie s in this are , but that is I he women featured in Hig gins’ photographs range from selves 7 7 , " CertaU1 numbe‘ o ffre e F*5* 5 for ther - young m ilita n ts to the unde selves and their immediate fam ily during a v e .r. V a - a i i feated old women of the South, possibilities fo r them are almost unlimited. but a ll, he feels, "a re of a new breed - Black Breed.” The term signifies to him that each women - " la c i a l !’ ; ;.le in being black ind hum in we In neing a woman.” Higgins tried to e tc his subject in candid situ..: , believing that's the test w iv to find "W fiat's really th e re ." He thinks there is a great m arket fo r "th e kind of con- Black pilot flies with Western I positive neede ' fre i that fm not m o ie , I leel , les i l e . ue, hopeless, alone. woman lik e s lo (eel alone.” statement.' at tire Corco: an Ca A rt in Washington, L the George Washmgtoi larve Museum at Tuskegee. In his introduction to "B lue (L ie , V f