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About The Redmond spokesman. (Redmond, Crook County, Or.) 1910-current | View Entire Issue (Dec. 18, 1913)
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H u t lla m iid e n h ad th « k e y . 11» h u n g u p Ih » re c e iv e r A nd fo r a m o m e n t he a llo w e d hlmaelf lo lie h e a te u il/ iw ti I e a r l« .f ..r e a d a n g e r In u rr< *l In I he h e a l u f Im ttle a n d n o w iN 'coin« Im m in e n t , t e r r ib le , through th e f u lly o f a n o th e r , on « le d ru g » . M e re l» f » a t . I a iu k r u |i t r y . pnl<*l iN'fors th la new p e n a lly w h ic h he m u a | p a y And f e a r s te a d ie d h im , c le a re d h la b r a in H e w an te d no lim e In f u l l) « re g re ts . H la mind d a rte d li ll h e r a n d t h it h e r . ■ w i f i a m i c a lc u la t in g pondering a n d re je c t in g a h u n d re d a v e n u e s o f eaca|Mt fro m I he |n>r1l w h ic h m u s t Iw a v e r t e d lir f .t r » h a c o u ld «»t o u t lo re c o u p h la loaaea T h » r e * w a a no th o u g h t o f a a v lu g W a rre n l l l a k e o n ly h lm a e lf l .a t v In H ie d a y lie w e n t o u t —lo h»g ih e m e rc y he h ad n e v e r sh o w n K n llie r lu p H a m p d e n w a a alo n e th a t r r r id n g S h e w a a o fte n a lo n e n o w * d a y « , h u t not e n t ir e ly M -cauae, aa sh e lin d to ld J o h n D u u m e n d e . sh e h ad la-eu n aalg n e d a la -rth on III» a h e lf re « o r' i-d fo r iiiilu a r r ln g e a h le fe tn a le a . r h e r e w e re m a n y m en w ho w o u ld h a r e g la d ly u n d e rta k e n to re lie v e h e r s o li tu d e lin t il ir a » fo u n d h e r e t t r e m e ly u n n p p n is e b n h lp T h tw e whom sh e w o u ld h a r e w e lc o m e d moat g la d ly h ad I r a a | tim e fo r d a llia n c e lu d r a w in g m om s T h e t r u t h w a s . s h e w a s d is a p p o in te d M a tu re (w rc e p llo n . i|iilc k e n e d b y a g llm p a e o f a d iffe r e n t Id e a l o f li f e , h ad *•*■11 Iw ro tu l th e f a ls e a a 'llln g o f rr> mu tie r U d iln d w h ic h m en a»*'k to h id e th e tlg lltle * * o f th e g re e d y , u n a c n ip n - Iona a e rn tn h le f o r gold S h e w o u ld h a r e *lf you w i n t Vo kn ow , I votoH fu r him.* m a r r ie d « ire g g h a il II n o ! 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H ie g u « » rtio r A n d th la w a a m a tte r fo r p r iv a t io n * e v e n , th e luaa o f c a a le a m o n g g ta v » r o n rrr u I m il n e a rly m o rn in g a s e t l l m l m e a s u re d w o rth h y a to c k a I lia la n ilr r a d la r u a m il i a n .ll .l n l r « 1 h v a n d Im tu l* S o m e h o w Ih e p ic t u r e co u ld ta u n r o f I h r l r r o n r a r a a llo a a» »m ad to not p r o fo u n d ly a la r m . |> a n ly p e rh a p s i n i l l i a l » th a t \V a« h J p n k ln a w n a lin t I n * n u *e ah e k n e w too l i t t l e o f w a n t lo i..o r f - d u f Ih » M u r t li r ll a u |i|« irt- N o r d ra w c o n v in c in g ly S h e c o u ld n o t e v e n .tu t h r a»»in u n d u ly r r a r n t f u l ti«eau a» fe e l d e e p ly fo r tie r f a t h e r , a lth o u g h \ Y a * h w a a a u u K t»l ra uf Ih la f a r t ah e h a d f o r h im a g e n u in e d a u g h t e r ’* t a ln e r h u u ih ly w illin g to In k » w h a t he a ffe c tio n m id k n e w w h a t a b lo w f a ilu r e i-OUIfl g » l w o u ld tie to h im . I t w a a In 111« r o u r * » o f Ih la it la ru a " I 'o o r f n l h e r ! ” a h e s m ile d h a lf p ity alun th a t M fiia liir M u r r h r ll a a ld , ' I f In g ly . " I su p p o se n o th in g c a n |M *rauade Jo h n |iiin io » n d » w r r r n ' t an. Ii a a lu li h im th a t It Is n 't a h o r r ib le c a l a m it y I ta iru fo u l h e w o u ld l a Ju a l t h r m a n to o u g h t lo fe e l so. to o , h u t — H e lg b o ! m»«'l H r» n l w i t h ' 11» a |« ik » a n g r ily I * Ih la K a t h e r in e H n tu |N le n ? " I h r o l l i r r a g a r r r » a |a i I f u l I f a u rp n a fn l S h e w e n t o n t u r n in g Ih e |w g e n o f Ih e aaaant- I ui | te r u n til h e r c a s u a l g la n c e w a a a a a a a a a ■'aught liy a f a m il ia r n a m e In a a a t lr l lu th » ll n n i ir l a l d l a l r l r t o f th » H la a l c a l e d it o r ia l u n d e r th e c a p tio n " A K o o l I ’tty w a a no J u n e d a y r a l a t a t l o n In K rrn u t" T h # fo o l e r r a n t w a a J o h n Ih » a tt'h a n g a w n a a b o w lin g , fra u a lm t D u n m e u d e . r e c e n t ly —a n d h a p p ily . In m o b a lr u g g ilu c d r a |i» r a l» ly lo a | i m l llie e d it o r 's o p in io n - d la |a in e d u f a l th e n d i a ii r ln g fo rtu n » o r to r e t a in th a t p r im a r ie s w l i l r l i w a a r a n la h lu g In I II» A la b a m a H e r c o lo r d e c |n ‘ iie d s u d d e n ly a n d fo r Iro n a m t C o a l ». i h i t » a n o th e r re a so n M e m o ry h a il re c a lle d A g lu tto n hy ni.-t tiiwla th a t w o u ld lo h e r s o m e th in g s h e h ud o n c e a a ld In U n i» d o n a « r.w llt to t h r rohl>»r h a ro u a Ih la m u u " W h e n y o u w e re a b ro k e n lim l r i i | a i l ll i » trv u a o r v d in w lo |i» d h y d o w n , m id d le n ged f n llu r e . • • • I w ru k rr h r r llir r ii A n d n o w g r» n t» r s h o u ld I n * h a ik ln g u p a t th e m e n w h o hn ru n a, m o rv g ln llo n o u a , a p rln g ln g ti|H in w e re c o n q u e rin g • • • A n d 1 s h o u ld h im In a n m ig tin rilrd m o iti» n l. h y Ilk » re g re t. 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I t m ig h t he #o III It f e ll w it h a r r a a h A c le r k In m u c h w o rs e Y o u m ig h t h a v e tieen th e o u te r o fltre h e n n i th e nolne nm t ta k e n s ic k o r h a d a n a c c id e n t , o r —o r m a ile d In Im m e d ia t e ly , frig h t e n e d a n y t h in g I 'v e J u s t I n h ui t h in k in g h o w h y w t io l he » n w . h« w it h d r a w , c lo n in g n ic e It w o u ld tie to go h a c k h o rn * to th e iliM ir iN 'hlm t h im N e w C h e ls e a a n d a tn r t a ll o v e r a g a in S te p h e n ll a m |» le o w-an n o t gomt to In In s o m e th in g H in t w o u ld n 't t a k e n il look u p m i i i * he m a ile d u p a n d d o w n y o u r tim e I I 'd t>e no g la d to g et a c th e m o m . a t r lk lu g a n d k lr k ln g a t th e q u a in te d w it h yo u a g a i n ” S h e g a r # a o b je c ta In Ida w a y III* fa re w aa p u r lit t le la u g h pie c o n n i toed l i e p o n re il o u t u n ln " Y o u t a lk li k e a f o o l!” h e re p lie d te d ig itile Im p re c a tio n * on th e ••cura." ro u g h ly " W h a t c o u ld I do In t h a t r u t s ' d ie e r ia ik n ." th e " I r a l l o r a ’' w h o h ad to w n r u n a g ro c e ry » lo r e ? H e r e ’» b ro k e n h im l i e h a il no th o u g h t fo r « h e re I can m n ke m oney. A nd I can ih o a » i i | n » i i w h o m he In n la t u r n h ad m a k e a lt w e n eed , o n c e I get t h in g s f a lle n l i e w a a oh aeaaeil b y th # paa- s tra ig h te n e d o u t I 'v e b een tiro k e tie alou o f h i* d e fe a t. SPOKESMAN dor#. PAOE SEVEN Tile Immediate question ta to te e p o u t o f Je tt.“ S h e s t a r t e d h a r k fro m h im w it h a |a«l> " O u t o f - J a i l I K a t h e r '" " O u t o f J a il . I » a id I'm I n t o ' th e N'ew C h e ls e a h a n k a n d I ' v * n o th in g le f t ■o p a y w it h ." “ I * Is It m u c h ? “ " I t w a a n ’t . b u t It la n o w ." " H u t w a m u s t p a y It h a c k . T h e r e a r » •he iMinda y o u g a v e m e A n d th # N « w 'h e la e * h o u se s I l i a ! m o th e r o w n s - s h e 'l l g ive Hum « u p A n d " - “ N ot a t h ir d e n o u g h .“ S h e d m p iN st w e a k ly In to a c h a ir , » t a r in g a l h im f o o lis h ly Hha w a a v e ry m l* , d a z e d h y H ie su d d e n n e w c a la m it y l l m l h a d f a lle n . " H u t s u r e ly ." ah e In s is t e d a n x io u s ly . T h e Im iik w o n 't p r e s * y o u . T h e y k n o w y o u 'll p a y It a ll h a c k w h e n y o u r a n ." " W h a t do y o u k n o w a b o u t I t ? It la n ’t Ih e b a n k ; l l ' a th e g o v e rn m e n t th a t »•III m a k e th « tro u b le T h a i fo o l It la k e la In w o ra e I li a n I a m T h s b a n k ’a gut- • » d . c le a n e d o u t. A n d Ih # h a n k e x a m in e r Is o v e rd u e . I f he c o m e s a ro u n d n o w " — W it h a g e a tu r* h a s k e tc h e d Ih e Im p e n d in g ru ta a tro p h e ' S te p h e n , w h a t la Ih e m a t t e r n o w ? " c a m e a la n g u id v o le * fro m I li a d o o r w ay " A n d p le a s e , f o r m y s a k e , lo w e r y o u r v o ic e . I t ’s ao v u lg a r to t a lk lo ud ly b e fo re s e r v a n t s " M r* ll a i n [ s |e n e n te re d a u d . w it h a n a i r o f u t t e r e x h a u s tio n . d e p o a lte d tie r s u b s t a n t ia l » » If In a u e a s y r h a l r . “ K a t h e r ." K a t h e r in e e x p la in e d , w it h c r u e l b r e v it y , "h a # lo at h la m o n e y ." I t w a * a n u n e x p e c te d to n ic . T b e I n v a lid s u d d e n ly a a t b o lt u p rig h t a n d al- m o » l s h r ie k e d ''In ia t o u r m o n e y ? I>o yo u m e a n to » a y . S te p h e n H a m p d e n . H in t y o u 'v e been a e lfls h e n o u g h to g a m h ie o u r m o n e y a w a y a f t e r a l l I 'v e s u f fe re d a n d d e n ie d m y s e lf " — S h e t h r e w h e r h a n d s a lo f t a n d f e ll hm k m o a n in g " O h . In m y w e a k con- illt t o n . w h e n m y h e a r t " - " M a r l a , y o u 'r e a f r a u d . E v e n w it h y o u r la z ln e a a a n d In d illg e n e e a y o u 'r e Ih e p ic t u r e o f v u lg n r h e a lt h .” M r s lln m |M le n ro se S h e m anaged a s ta g g e r ll m l w o u ld h a v e d o n e c re d tt lo lle r n h n r d t . r l u t r h l n g a t t a b le * a u d c h a ir s f o r th e d o u b t f u lly n e c e s s a ry • u p |K irt o u t o f th e roo m . H a m p d e n g ro w le d a g a in , u n in t e l lig ib ly " K a t h e r . la u I t h e r e s o m e th in g to b e doner " M u r e h e ll I 'v e a n a p p o in tm e n t w it h h im In N e w C h e la e * to m o r ro w Som e o f h la r a s m l l y |N > llti(ia n a a r e tn a s d e e p a * l l l a k » a n d 1.” “ C a n h e h e lp T * “ H e ra n A n d be'a g o t t o ." "l> o y o u ro ltid I f I g o u p w it h y o u t o m o r ro w T* “ A ll r ig h t A n d I w is h ." h e e x c la i m ed q u e r u lo u s ly , " y o u 'd go a w a y a n d le t m e a lo n e ” I n h e r d a r k e n e d ro o m K a t h e r i n e a a t h y th e w in d o w f o r a lo n g tim e , th ln k - F REE AI K FREE AI K Central Oregon Garage 66 R E E D Y ’S ” Now I n the proper time to consider buying thoHe NON- SKID TIKES for your car. I.et um g iv e you prices on any make. These tires will jjive you an increased mileage plus the safety factor. PHONE 701 F K E E A 1 K FREE AI R If you want to SELL your property List it with “That Man McCaffery” He doesn't ask an exclusive right; he can sell it anyway Furniture YOU WILL BUY YOUR FURNITURE AT REDMOND. YOU CAN DO NO BETTER ANYWHERE. COME IN AND BE CONVINCED. DON’ T WAIT TILL YOU NEED THE GOODS. C. H. IRVIN, Furniture & Undertaking S. D. FOX & CO. Fine Wines, Liquors and Cigars Hotel Redmond Bar the S ta rte d B a c k F ro m C aap . H im W ith a lu g w it h a f e e lin g o f s ic k e n in g d is g u s t o u th e s o rd id s c e n e l> etw e»n h e r p a r e n t * Ju a t e n a c te d T h la w a a th e o th e r a b le , th e u n lo v e ly o th e r a id e , o f t h a t a p lc n d ld l i f e o f c o o q iie a t f o r w h ic h « h e h ad p u t th e beat o f a ll » a b le T h u s It m a d e v i d i m a o f It s v o t a r le * . Sb* th o u g h t o f Jo h n . Anderson Bros.’ Saw Mill MANUFACTURERS OF ROUGH AND DRESSED PINE LUMBER. OUR MILL IS THE NEAREST POINT'THAT YOU CAN GET HIGH-GRADE LUMBER. OUR PRICES ARE RIGHT. 4 1 y Miles Southwest of Laidlaw. ( T o b e c o n t in u e d .) J. F. HOSCH, M. D. PH YSICIAN and SURGEON OFFICE: N. E. Corner 6th and E Sts. Oregon Kedmond. A L REINFORCED CONCRETE BUILDING BLOCKS These blocks are made by the wet process, giving them three times the strength of a machine made block. P e r s o n a going to build should see our material before placing orders for any other kind. It will pay them. Estimates furn ished on application. Call on or write to HEQAUDT, ELLIOTT A CO., REDMOND. ORE. F. H. RODEMEYER PH YSICIAN and SURGEON Eyes Tested, (¡lasses Properly Kittl'd Office in Ehret Bros, block Kedmond, - Oregon C. H. BAGGOTT’S ? Quick Delivery Express and Transfer Line AU Order* Given Prompt Attention. Phones: House, 2603; Stand, 713. Leave Order* at the Redmond Pharmacy. V