BROOKINGS-HARBOR
PILOT -
Thurstla
BROOK ISG S. OREGON
i
»
Page 2
_ N ^
d epen dent
„.alter
A
Catered o >econd-cU«. patter
M arch T. IV*«-
¡The SKETCHBOOK
n ew spaper
a t the poatoiftce at Er<-»kinK«
'
-
Oregon.
the Act of M ar
R jv I’isarck, Joe Murphy
Editor* and Publisher*
h! ASCRIPTION
S3 «W
>3 4»
One Y ear in Advance On Curry Conty» .
One Year in Advance (outaide C urry County»
,<Z^
N t WS PAP I I
j
has the remarkable
N ew Parker development
you've heard about
RATES:
a u o u ai
L
PUBLISHERS
^A S S O C IA T IO N
------ national
J
——
T overtisino r epresen ta tiv e
by
W eekly N ew spapers R epresentatives , I n c .
New
York
Chleego
s tro ll
H u d PiAoAek
P b.ladelphia
An Important Position Is Open
e •
•
•
We need gtxwl people on the sehool lx Mid
a
basic fact — and this year we have an opjxirtunity to
select one of them. The schools arc strictly a local
affair. 'They are not run from Washington DC. or
a regional headquarters in some western city, hut by
us, the men and women we elect to do the job.
’Ihe great trouble with us is that we forget
this birthright often, and fail to take an active inter
est in school affairs with an eye towards making the
schools an intergrated part of the community. T<x>
often school affairs are regarded with tremendous apathy.
It is up to all of us to find exceptional cand
idates for the school board vacancy now open, as the
date of the election approaches, and then to take a con
structive interest in school work after lie is elected.
The Bnxikings 1 larbor School Board consists
of five directors. This year one new' director will lie-
elected for a five yeai term to succeed Virgil Gold-
Ix-rry, incumbent, who is not a candid.ite for re-election.
The election will lx? held on June 20. The name
of any qualified elector can lie placed on the ballet
as a candidate by filing with the District Clerk one
week before the election a nominating petition signed
by not less than io qualified voters. The nominee in
turn must file an acceptance of nomination five days
Ix-fore the election.
ART
W ell, a n o th e r A zalea E«*stival 1
has “blown out ,0 the pas, Many
of th e hard w orking joopl«- of the
show should !»«• com plim enh'd very
highly..
* * * * *
Of course, along w ith the com p
lim ents we h eard quite a few
com plaints and criticism s. .My ,«iea j
w ould Is- to ta k e down the nan •
of all thosv th a , have a com p
laint and appoint thiun to n -xt
y e a r’s com m ittee.
a
*
The
Revolutionary
s>
T he Eish F ry at th e P a rk o
Sunday w as w ell atten d ed
lh
Elks did a sw >1, job. Back horn
in th e land th a t Sehlitz m id
fam ous, a fish try w as jus, an
excusf' to have th a , fam ous foai ,5
suds in li, I«» brow n ho, ,1 s.
•
•
•
•
*
No, so, here in th e Ian 1 o'
Ilow ers 1, m ust he a dry sta te
so I though, until I s p ite d two
Elks, or they may have I en (Dm
duck into yonder hushes and ,u n
due • a well guarded and cool
bottle of th a t four le tte r stu il
that ryhm es w ith ear.
•
•
*
•
•
T he ‘‘Bud Ain’, No .Jerk” elut
is going gr«»a, guns although the
l.onorahli • but misled, ed ito r from
Gold Beach, is try in g valian tly to
bust it up.
L I Q U ID
» • • • •
I? r le tte r to m< explaining hei
letinition of a je rk com es from
her own. unahiidged. version oi
W e b rte r’s sacr«‘d book No worxDr
(he definition com es out B .l’.D
♦ ♦ ♦ ♦ ♦
I w on'tdan answ er h«»r • th-
in this colum n I can't deface tin
tine PILO T m in , w ith w hat g«
on in my mind in n ’gards to th
m a tte r. I'll jus, let th • th o u s u .i’.
and thousands <>l «aids she is re
«.iving I m - my answ vr.
* * ♦ ♦ * ,
(1.11 den (lul) Reports
¡Show W ax A Success
Th«’ A zalea Gard« 11 C lub , a ’ «'
'
m eans to ,' ank all those wh >
| exhibited flow ors and a rran g e-
I m ents, and also th ’ .Juniors who
J wer«» r ’ally 0 0 ,standing in th e i’’
I w ork this y e a r anti all o th e r th.it
I h» lp«‘d ,0 m ake «»nr flow er shoe
, suetvss an«l a rem in d er th a , the
G arden Club will m«»et next w k
Ju n e 9th at the V.E W. H all, at
W HAT IS M ODERN A R T ?
, i
, ,
Wh.it an - Hi «• m odern
«_h...uKh M 'a.f by angel«, 1:30 p.m A report of th«* flower
show and in sla lla lio n of nt w off-
getting a t? Th »re a r as many ¡instead ,h»y w ere projected phys iet'is will b» held
ical
laws
th
at
accounted
for
cel
answers Io this question as there
nro artists. Each one is striving estial m o w merits.
I, w as through a series of sm all flat shaja» th at ch a ra c teriz e s art
for som ething d ifferent
concessions
that trad itio n al art to-day.
Each a rtist is try in g I«» express
T he m<»«lvrn hom e and office
of
the
high
Renaissance
«» th was
him self in some p artícula! w av
building dem ands an a r, tha
1
replaced
w
ith
secu
lar
a
rt.
Th«’
To say that each artist was trv in g ,
functions w ith and is a p a rt ol
to c re a te som ething Iw autitul above is only one, of m any con- the building.
siderat
ions
that
brought
about
w ould K» a half tru th For in
As industry atlvanced, the t,»!«•-
stance Goya (a pre-n n slern a rtist t a general decay of art
phones, highw ay s and air,»Ian» s
A
series
ol
industrial
rev
o
lu
t
did a serio« of cartoons on th«»
sh ru n k o u r w orld. pe«>ple Ix'com ■
lio rn a s of war, th at have h •- ions had great« «1 a n«»w «‘lass of m ore conscious of inter-«!«',*»n«l
come classics He w anted to con p»oplc T hey w ere th e rich m er- cue«’ «»n each other, anil this m
vey ugliness He did this by d e | ch a n ts who had givat w ealth but tu rn .cfft'c,«»«! th«’ a r tis ts ’ ou,l«M»k
picting demons and m u tilated bod I w ere lacking in c u ltu re This soc Social and econom ic conditions
ies, etc Yet the p ittc r n and tona! ial class iM’conie the judges of art
j'dd«'d ,«» th«' notion th a , th«’ valu
«pialitv was so supn'b, th«»y have Th«» a rt in tu rn becam e as coarxe of an a r,ic l” dejx'nds on its fu n c t
!
as
the
clientele
that
patronized
i,
classed w ith the great a r, of all
ion Th«* notion th a, ohj«»c,s had
tunes T he , o rtra lts he did, ear 'j* I Richly te x tu tv d fabrics, pink flesh an in trin sic value wax losing
md
win«’
hottKxs
l»ecanie
the
ar,
icr in lile, are by com parison, lists' them e Art had lost its noble g ro m u l Eins,« in s publication o'
shallow and trivial
the ,h«M»i'y of 1 la, v itx in«lir«’ctlv
Among the modern a rtists, purjK»se Th«» a r,is , in tu rn iM’canu» «•fbx’te«! the philo- »ph« r ami tlv
,1
slave
,0
th«’
sensual
appetit»?s
O ro/sco (th e Mexican ,Himber«
a r,is , alikv»
in n s a close second to Goya for 1 of this new class of patro n s In
Today we ar«» ca lgh, in a c u lt
the
«uni
th«’
a
rtist
luxxuue
tlegen-
both ,mint’s, subject matt« r and
u ral lag We cling ,<» a s«M’ial
■
e
ra
te
d
to
th«’
level
of
a
highly
quality of the pictorial pr«*sent-
c u ltu re th a , is on, o. pi ice in this
sk ilk ’d machin«»
at ion
s«’ien,ifie ag«> hi refoi • m«»s, h«»me.
By
the
end
ol
the
n
in
eteenth
Many a rtis ts an* prim arily eon-
have paintings th at lx»l«»ng to ,h »
century
tD»
cam
era
had
threat
cerned w ith unusual or interés»,
ninv,«’«»ntli century hanging on
«‘i,«’d
the
a
rtists
fu
tu
re
Since
art
ing arran g em en ts of color «un,
the w alls ot a tw e n tie th eentin
had
I
hm
’
ii
striped
of
e
v
e
ry
th
in
;
form
building, w ithout any kind o f
To t j ’t a fair idea as to why tile hut ix-alism, the cam era could do overall plan
1,
much
Is
U
te
r
Th«'
a
r,is,
c«»ul«l
modern a rtists paint the way
I have m in te d o n ’ only a t
they «io, we h a w to consider the not comi*e,e with the cam cra< of th«» infinite num N r «»I factei .
term
s
T
his
m
eans
th
a
t
the
a
r
t
a rtis t m relation to his en v iro n
ist had ,0 l«x'k tor a new direction that hav«> h«’l|H‘d jnold , .'.» motDi a
ment
1, ,»'«’<»me increasingly evident a rt of hxlay T he a rtis t is elm gm :
By the Iw’ginning of the nine
that
the a rtts , had to even,«' a to a e ra ,, th a , ’s all hu, lost ,«»
teen th een tu tv . the academ ic art
o u r nuxlern . ge It the a r,is ,
ist hail «legenvtated to the level new m arket tha, the cam« ta could Im p ’s ,0 m ake a living from his
¡not
com
pete
with,
or
g
o
.
up
all
of a m achine. He had become ueh
a r, Iv e ith e r has ,0 tu rn '»et m-
a slave to recording n a tu re as I to g eth er A t«'n«'W«'d uitenext 111
nn-nual” or er«’a ,e a ne«’d in nunl-
h? saw it th at bis a rt was void light hr«»ugh, alwuit a new kind
rn a rc h ite c tu re and industry
of
sea,«’lung
and
experininentati«»n
of any real feeling o r ptil»p'M*
F«» those w ho are s ta rtin g ’.»
Miclielangido h adtused tho h u m I he jx»intelists a,,«'mp,e«l to Cro
study a r, ax a profession, 1 sug-
at?
the
illusion
of
light
by
a
jux
an figure to esp iv ss the stru g g le
gex, tak in g a g«xxl Im k a, the
tietw een the binding na tun» of , «|x>si,ion o, pure color.
facts, ami then deciile <»n a d.r-
A
new
mter«'s,
in
aes,h«'ttes
earthly goods and the ns,»¡rations
I’ction th a , is in keeping w ith t h ’
gave
a
1
v'w
in|M'tus
to
the
a
il
tow a id a spirit,m l lite The hum .in
tim es Since we can no, halt pro g
h g u to was hut a symbol used to m«»vem«'nts th a t w are taking n»«»t
ress the Los, we can hop» to do
throughout
the
w
orld
The
a
rtist
te ll a story of th e dual n a tu re
ts to keep up w ith it
ef m an's stru g g le l ikewise El »«ought a fte r a pur»' art th a , was
fret»
from
subj«vt
content,
w
ith
Greco v «i pi »«xuipied w ith a
sp iritu a l m essage regarding th ” th e premis«' th a t m usic d«*.*. no'
tran sitio n s and conflicts betw een n«*e»l w«>rds «1 literary m eaning
extossiv«» ph a su n s ol the flesh to th« m eaningtui or beautiful
Many a rtis ts N 'c o n v c<»mp,«»t«»ly
and th e C h ristian ideals
During this tins'», th e churches pre-«»ccupi«'d w ith sh a jo and e«»,o:
»en» th. m an, support fo, the «♦rchextrati on
The “m u ltip le -1 mage*’ tth a t is
a itis t Ar, during this tim e had
a m essage. an«l the r«-?,]isn, w e- tr y in g ,«» show m ore than one
only part of the to tal m eans ,»» i point of view at once» t*eeame th »
to convey th at m essage 1, w as ,a«l S , l i p p i n g the pictu re of m ean
when the m eans to an end b e ing ”»ss dt'coralions an«t m a n n e r
cam e an end itself th«, n p te s - isms Ds <»m«‘ an o th e r movement
e n ta tio n a l art »uftciod it» g n a t- Th.» com bination of m ultip le-im
age an«l sto rk form in the xtw»i,
eat set-buck
W’lth a m iu
ot scuntiti« «lis Jived hut influeneial movement
covenes, tía* 2». n , batí h e ,ja d c a lk ’d cubism
Sim ple a rc h ite c iu tv did aw».»
to d estroy m an
u th in sujtei
n a u ra i pow eis St. n men as Cop w ith th«» Roroque d«xx»ratlons. and
e rn icu s and N ew ton point «xl out tlw d a rk brow n and black colois
s r e ts w ere not heuig t i n its place emerge«! the simple
t!'“*
IN EVERYDAY LIFE
By Clyde Wood
ART SUPPLIES
YELTONS
ILL
h Bi
Writes a clean
erasable line
miles long!
ILL
♦ U . POINT
Point
never breaks,
never needs
sharpening!
NEVER BREAKS,
NEVER NEEDS
sharp :.
ii'-QiS. -—
v
ILL
\ - VA***K
‘’ ' ’;
;
;
,x-5. ‘
| L L LINE
NEVER VARIES,
Liquid Lead
will not
smudge!
NEVER SMUDGES!
ill
| L L WRITES A CLEAN
TRY
ERASABLE LINE
. . . MiLES LONG!
This unusual writing
tnntrum ent. . . and be convinced!
U S [ THIS H AN D Y OR DER FO R M . . . 1 0
COME IN TODAY
.
Please send me
New Parker ♦ LL LIQUID LEAD Pencils
at $3.95 each.
(or use this mail order coupon)
Please send me _ „
New Parker ♦ LL LIQUID LEAD Pencils
at $3.95 each.
Nome
Address
Name.
City.
Address
Color 3; Turquoise, _ Red, Q Purple, Q Grdy,
□ Black.
City.
.„S ta fo __
I
Q Check or A4 0
State
□ C harge
Color; Q Turquois«, Hj Red, F j Pvrpl*¡
□
Cray; □
Q Check or A4. O.
Black.
C ^ orS*
ARRELLS REXALL CHETCÜ DRUG
W'c Give S ài H Green Slump»'»
* I
i