BROOKINGS-HARBOR PILOT - Thurstla BROOK ISG S. OREGON i » Page 2 _ N ^ d epen dent „.alter A Catered o >econd-cU«. patter M arch T. IV*«- ¡The SKETCHBOOK n ew spaper a t the poatoiftce at Er<-»kinK« ' - Oregon. the Act of M ar R jv I’isarck, Joe Murphy Editor* and Publisher* h! ASCRIPTION S3 «W >3 4» One Y ear in Advance On Curry Conty» . One Year in Advance (outaide C urry County» , often school affairs are regarded with tremendous apathy. It is up to all of us to find exceptional cand­ idates for the school board vacancy now open, as the date of the election approaches, and then to take a con­ structive interest in school work after lie is elected. The Bnxikings 1 larbor School Board consists of five directors. This year one new' director will lie- elected for a five yeai term to succeed Virgil Gold- Ix-rry, incumbent, who is not a candid.ite for re-election. The election will lx? held on June 20. The name of any qualified elector can lie placed on the ballet as a candidate by filing with the District Clerk one week before the election a nominating petition signed by not less than io qualified voters. The nominee in turn must file an acceptance of nomination five days Ix-fore the election. ART W ell, a n o th e r A zalea E«*stival 1 has “blown out ,0 the pas, Many of th e hard w orking joopl«- of the show should !»«• com plim enh'd very highly.. * * * * * Of course, along w ith the com p­ lim ents we h eard quite a few com plaints and criticism s. .My ,«iea j w ould Is- to ta k e down the nan • of all thosv th a , have a com p­ laint and appoint thiun to n -xt y e a r’s com m ittee. a * The Revolutionary s> T he Eish F ry at th e P a rk o Sunday w as w ell atten d ed lh Elks did a sw >1, job. Back horn in th e land th a t Sehlitz m id fam ous, a fish try w as jus, an excusf' to have th a , fam ous foai ,5 suds in li, I«» brow n ho, ,1 s. • • • • * No, so, here in th e Ian 1 o' Ilow ers 1, m ust he a dry sta te so I though, until I s p ite d two Elks, or they may have I en (Dm duck into yonder hushes and ,u n ­ due • a well guarded and cool bottle of th a t four le tte r stu il that ryhm es w ith ear. • • * • • T he ‘‘Bud Ain’, No .Jerk” elut is going gr«»a, guns although the l.onorahli • but misled, ed ito r from Gold Beach, is try in g valian tly to bust it up. L I Q U ID » • • • • I? r le tte r to m< explaining hei letinition of a je rk com es from her own. unahiidged. version oi W e b rte r’s sacr«‘d book No worxDr (he definition com es out B .l’.D ♦ ♦ ♦ ♦ ♦ I w on'tdan answ er h«»r • th- in this colum n I can't deface tin tine PILO T m in , w ith w hat g« on in my mind in n ’gards to th m a tte r. I'll jus, let th • th o u s u .i’. and thousands <>l «aids she is re «.iving I m - my answ vr. * * ♦ ♦ * , (1.11 den (lul) Reports ¡Show W ax A Success Th«’ A zalea Gard« 11 C lub , a ’ «' ' m eans to ,' ank all those wh > | exhibited flow ors and a rran g e- I m ents, and also th ’ .Juniors who J wer«» r ’ally 0 0 ,standing in th e i’’ I w ork this y e a r anti all o th e r th.it I h» lp«‘d ,0 m ake «»nr flow er shoe , suetvss an«l a rem in d er th a , the G arden Club will m«»et next w k Ju n e 9th at the V.E W. H all, at W HAT IS M ODERN A R T ? , i , , Wh.it an - Hi «• m odern «_h...uKh M 'a.f by angel«, 1:30 p.m A report of th«* flower show and in sla lla lio n of nt w off- getting a t? Th »re a r as many ¡instead ,h»y w ere projected phys­ iet'is will b» held ical laws th at accounted for cel­ answers Io this question as there nro artists. Each one is striving estial m o w merits. I, w as through a series of sm all flat shaja» th at ch a ra c teriz e s art for som ething d ifferent concessions that trad itio n al art to-day. Each a rtist is try in g I«» express T he m<»«lvrn hom e and office of the high Renaissance «» th was him self in some p artícula! w av building dem ands an a r, tha 1 replaced w ith secu lar a rt. Th«’ To say that each artist was trv in g , functions w ith and is a p a rt ol to c re a te som ething Iw autitul above is only one, of m any con- the building. siderat ions that brought about w ould K» a half tru th For in As industry atlvanced, the t,»!«•- stance Goya (a pre-n n slern a rtist t a general decay of art phones, highw ay s and air,»Ian» s A series ol industrial rev o lu t­ did a serio« of cartoons on th«» sh ru n k o u r w orld. pe«>ple Ix'com ■ lio rn a s of war, th at have h •- ions had great« «1 a n«»w «‘lass of m ore conscious of inter-«!«',*»n«l come classics He w anted to con­ p»oplc T hey w ere th e rich m er- cue«’ «»n each other, anil this m vey ugliness He did this by d e ­ | ch a n ts who had givat w ealth but tu rn .cfft'c,«»«! th«’ a r tis ts ’ ou,l«M»k picting demons and m u tilated bod­ I w ere lacking in c u ltu re This soc­ Social and econom ic conditions ies, etc Yet the p ittc r n and tona! ial class iM’conie the judges of art j'dd«'d ,«» th«' notion th a , th«’ valu «pialitv was so supn'b, th«»y have Th«» a rt in tu rn becam e as coarxe of an a r,ic l” dejx'nds on its fu n c t­ ! as the clientele that patronized i, classed w ith the great a r, of all ion Th«* notion th a, ohj«»c,s had tunes T he , o rtra lts he did, ear 'j* I Richly te x tu tv d fabrics, pink flesh an in trin sic value wax losing md win«’ hottKxs l»ecanie the ar, icr in lile, are by com parison, lists' them e Art had lost its noble g ro m u l Eins,« in s publication o' shallow and trivial the ,h«M»i'y of 1 la, v itx in«lir«’ctlv Among the modern a rtists, purjK»se Th«» a r,is , in tu rn iM’canu» «•fbx’te«! the philo- »ph« r ami tlv ,1 slave ,0 th«’ sensual appetit»?s O ro/sco (th e Mexican ,Himber« a r,is , alikv» in n s a close second to Goya for 1 of this new class of patro n s In Today we ar«» ca lgh, in a c u lt­ the «uni th«’ a rtist luxxuue tlegen- both ,mint’s, subject matt« r and u ral lag We cling ,<» a s«M’ial ■ e ra te d to th«’ level of a highly quality of the pictorial pr«*sent- c u ltu re th a , is on, o. pi ice in this sk ilk ’d machin«» at ion s«’ien,ifie ag«> hi refoi • m«»s, h«»me. By the end ol the n in eteenth Many a rtis ts an* prim arily eon- have paintings th at lx»l«»ng to ,h » century tD» cam era had threat cerned w ith unusual or interés», ninv,«’«»ntli century hanging on «‘i,«’d the a rtists fu tu re Since art ing arran g em en ts of color «un, the w alls ot a tw e n tie th eentin had I hm ’ ii striped of e v e ry th in ; form building, w ithout any kind o f To t j ’t a fair idea as to why tile hut ix-alism, the cam era could do overall plan 1, much Is U te r Th«' a r,is, c«»ul«l modern a rtists paint the way I have m in te d o n ’ only a t they «io, we h a w to consider the not comi*e,e with the cam cra< of th«» infinite num N r «»I factei . term s T his m eans th a t the a r t ­ a rtis t m relation to his en v iro n ­ ist had ,0 l«x'k tor a new direction that hav«> h«’l|H‘d jnold , .'.» motDi a ment 1, ,»'«’<»me increasingly evident a rt of hxlay T he a rtis t is elm gm : By the Iw’ginning of the nine­ that the a rtts , had to even,«' a to a e ra ,, th a , ’s all hu, lost ,«» teen th een tu tv . the academ ic art o u r nuxlern . ge It the a r,is , ist hail «legenvtated to the level new m arket tha, the cam« ta could Im p ’s ,0 m ake a living from his ¡not com pete with, or g o . up all of a m achine. He had become ueh a r, Iv e ith e r has ,0 tu rn '»et m- a slave to recording n a tu re as I to g eth er A t«'n«'W«'d uitenext 111 nn-nual” or er«’a ,e a ne«’d in nunl- h? saw it th at bis a rt was void light hr«»ugh, alwuit a new kind rn a rc h ite c tu re and industry of sea,«’lung and experininentati«»n of any real feeling o r ptil»p'M* F«» those w ho are s ta rtin g ’.» Miclielangido h adtused tho h u m ­ I he jx»intelists a,,«'mp,e«l to Cro­ study a r, ax a profession, 1 sug- at? the illusion of light by a jux an figure to esp iv ss the stru g g le gex, tak in g a g«xxl Im k a, the tietw een the binding na tun» of , «|x>si,ion o, pure color. facts, ami then deciile <»n a d.r- A new mter«'s, in aes,h«'ttes earthly goods and the ns,»¡rations I’ction th a , is in keeping w ith t h ’ gave a 1 v'w in|M'tus to the a il tow a id a spirit,m l lite The hum .in tim es Since we can no, halt pro g ­ h g u to was hut a symbol used to m«»vem«'nts th a t w are taking n»«»t ress the Los, we can hop» to do throughout the w orld The a rtist te ll a story of th e dual n a tu re ts to keep up w ith it ef m an's stru g g le l ikewise El »«ought a fte r a pur»' art th a , was fret» from subj«vt content, w ith Greco v «i pi »«xuipied w ith a sp iritu a l m essage regarding th ” th e premis«' th a t m usic d«*.*. no' tran sitio n s and conflicts betw een n«*e»l w«>rds «1 literary m eaning extossiv«» ph a su n s ol the flesh to th« m eaningtui or beautiful Many a rtis ts N 'c o n v c<»mp,«»t«»ly and th e C h ristian ideals During this tins'», th e churches pre-«»ccupi«'d w ith sh a jo and e«»,o: »en» th. m an, support fo, the «♦rchextrati on The “m u ltip le -1 mage*’ tth a t is a itis t Ar, during this tim e had a m essage. an«l the r«-?,]isn, w e- tr y in g ,«» show m ore than one only part of the to tal m eans ,»» i point of view at once» t*eeame th » to convey th at m essage 1, w as ,a«l S , l i p p i n g the pictu re of m ean when the m eans to an end b e­ ing ”»ss dt'coralions an«t m a n n e r­ cam e an end itself th«, n p te s - isms Ds <»m«‘ an o th e r movement e n ta tio n a l art »uftciod it» g n a t- Th.» com bination of m ultip le-im ­ age an«l sto rk form in the xtw»i, eat set-buck W’lth a m iu ot scuntiti« «lis Jived hut influeneial movement covenes, tía* 2». n , batí h e ,ja d c a lk ’d cubism Sim ple a rc h ite c iu tv did aw».» to d estroy m an u th in sujtei n a u ra i pow eis St. n men as Cop­ w ith th«» Roroque d«xx»ratlons. and e rn icu s and N ew ton point «xl out tlw d a rk brow n and black colois s r e ts w ere not heuig t i n its place emerge«! the simple t!'“* IN EVERYDAY LIFE By Clyde Wood ART SUPPLIES YELTONS ILL h Bi Writes a clean erasable line miles long! 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