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About Eugene weekly. (Eugene, Oregon) 1993-current | View Entire Issue (Dec. 29, 2011)
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SAM SHEPARD 4:45 9:30 5:15 MELANCHOLIA 8:00 8:00 8:00 8:15 4:45 9:30 4:45 9:30 4:45 9:30 4:45 9:30 A LARS VON TRIER FILM starring KIRSTEN DUNST 8:00 8:00 8:00 8:00 COMING SOON: REVENGE OF THE ELECTRIC CAR A DANGEROUS METHOD A LONELY PLACE TO DIE HOUSE OF PLEASURES FULLMETAL ALCHEMIST *Adults—$7*Students w/ID—$6*Seniors—$5*Matinees—$5*Lates—$5*Miser Mondays—$3* TIX $2 Tix 21 & FOOD $5 Sun & Tues ovER MENU 762-1700 | 180 E. 5TH AVE Asian Food Market davidminortheater.com THURS DEC 29 – WED JAN 4 THU Largest Selection of Asian Groceries Seaweed, rice, noodles, frozen products, deli, snacks, drinks, sauces, spices, produce, housewares, and more. MIDNIGHT IN PARIS 5:15, 9:40* OUR IDIOT BROTHER 7:45 RISE OF THE PLANET OF THE APES 7:45 ROSE BOWL TAILGATER $10 ENTRY INCLUDES PIZZA & POPCORN 1:30PM DOORS 2:00PM GAME WARRIOR 5:15 COWBOYS & ALIENS 9:40* MAKE RESERVATIONS LIMITED SEATING CLOSED NEW YEAR’S AR’S S DAY • *12/31 S SHOW HO CANCELLED We carry groceries from Holland, India, Pakistan and Polynesia Sushi & Asian deli take-out NEW YEARS SPECIAL 10% OFF EVERYTHING IN THE STORE! * Excluding rice, case prices and phone cards. Offer expires 1/4/11 www.sunriseasianfood.com ORDER DRINKS & FOOD RIGHT FROM YOUR SEAT M-Th 9am-7pm•F 9am-8pm•Sa 9am-7pm•Su 10am-6pm “NO LONGER SNEAKING BEER INTO THE MOVIES SINCE 2008” 70 W. 29th Ave. Eugene • 541-343-3295 Adv. Tix on Sale CONTRABAND IMAX: THE ADVENTURES OF TINTIN IN 3D - EVENT PRICI (PG) ★ Fri. - Sat.1115 AM 145 PM IMAX: MISSION IMPOSSIBLE 4 - EVENT PRICING (PG-13) ★ Fri. - Sat.410 PM 710 PM 1015 PM HUGO (DIGITAL) PG 10:45,1:45,4:45,7:45,10:45 MISSION: IMPOSSIBLE GHOST PROTOCOL (DIGITAL) PG-13 10:35,12:55,1:50,2:55,4:05,5:05, 6:10,7:15,8:20,9:25,10:25 THE MUPPETS (DIGITAL) PG 2:20,7:20 NEW YEAR’S EVE (DIGITAL) PG-13 10:55,1:40,4:30,7:25,10:15 SHERLOCK HOLMES: A GAME OF SHADOWS (DIGITAL) PG-13 10:30,11:30,1:30,2:30,4:30,5:30, 7:30,8:30,10:30 THE SITTER (DIGITAL) R 9:51 TWILIGHT SAGA: BREAKING DAWN (DIGITAL) PG-13 10:55,1:40,4:25,7:10,9:55 WAR HORSE (DIGITAL) PG-13 12:30,3:45,7:00,10:15 WE BOUGHT A ZOO (DIGITAL) PG 10:20,1:15,4:10,7:05,10:00 WAR HORSE (PG-13) Fri. - Sat.(1230 235) 400 630 715 945 1025 WE BOUGHT A ZOO (PG) Fri. - Sat.(1220) 430 725 1020 THE DARKEST HOUR IN REAL D 3D - EVENT PRICING (PG-13) ★ Fri. - Sat.(1155 220) 510 745 1030 GIRL WITH THE DRAGON TATTOO (R) - ID REQ'D ★ Fri. - Sat.(1130 200 300) 520 635 900 1005 ADVENTURES OF TINTIN IN REALD 3D-EVENT PRICING (PG) ★ Fri. - Sat.(1125 210) 730 1010 ADVENTURES OF TINTIN (PG) Fri. - Sat.455 PM MISSION IMPOSSIBLE: GHOST PROTOCOL (PG-13) ★ Fri. - Sat.(1145 245) 640 955 SHERLOCK HOLMES: A GAME OF SHADOWS (PG-13) Fri. - Sat.(1215 140) 405 435 700 735 1000 1035 ALVIN AND THE CHIPMUNKS: CHIPWRECKED (G) Fri. - Sat.(1210 230) 440 650 915 YOUNG ADULT (R) - ID REQ'D NEW YEAR'S EVE (PG-13) Fri. - Sat.705 PM 930 PM Fri. - Sat.(1200 PM) 420 PM MY WEEK WITH MARILYN (R) - ID REQ'D Fri. - Sat.(1120 155) 425 655 925 ARTHUR CHRISTMAS (PG) Fri. - Sat.(1135 AM) HUGO IN REAL D 3D - EVENT PRICING (PG) ★ Fri. - Sat.(1150 255) 640 935 THE TWILIGHT SAGA: BREAKING DAWN - PART 1 (PG-13) Fri. - Sat.(1140 AM) Call Theatre for Showtimes A VERY HAROLD & KUMAR CHRISTMAS R 11:55, 2:05, 4:15, 6:25, 8:35 A VERY HAROLD & KUMAR CHRISTMAS (3D) R SPECIAL EVENT PRICING: $2.00 UPCHARGE ALL TICKETS 1:00, 3:10, 5:20, 7:30, 9:45 COURAGEOUS PG-13 12:15, 3:30, 7:15,10:05 COWBOYS & ALIENS PG-13 12:25, 4:35, 7:35,10:25 DOLPHIN TALE PG 12:30, 4:00, 7:40,10:20 DRIVE R 3:50,10:10 FOOTLOOSE (2011) PG-13 12:35, 4:25, 7:45,10:30 THE HELP PG-13 12:10, 7:00 THE IDES OF MARCH R 12:00, 2:25, 4:50, 7:25, 9:50 MONEYBALL PG-13 12:05, 3:20, 7:05,10:00 PUSS IN BOOTS PG 1:55, 4:05, 6:15, 8:25 PUSS IN BOOTS (3D) PG 12:40, 3:00, 5:10, 7:20, 9:30 REAL STEEL PG-13 12:20, 3:40, 7:10,10:15 Adv. Tix on Sale CONTRABAND WAR HORSE (PG-13) Fri. - Sat.(100 PM) 430 PM 800 PM ALVIN AND THE CHIPMUNKS: CHIPWRECKED (G) Fri. - Sat.(100) 420 715 930 NEW YEAR'S EVE (PG-13) Fri. - Sat.(130 PM) 700 PM HUGO IN REAL D 3D - EVENT PRICING (PG) ★ Fri. - Sat.400 PM 650 PM HUGO (PG) Fri. - Sat.(115 PM) 940 PM THE TWILIGHT SAGA: BREAKING DAWN - PART 1 (PG-13) Fri. - Sat.410 PM 950 PM Times For 12/30 - 12/31 © 2011 22 DECEMBER 29. 2011 EUGENE WEEKLY Pretty Tintin won’t make new fans OPEN NEW YEARS DAY 11-4 “TEXT-A-BEER” 541-913-5733 ADVENTURES OF TINTIN (DIGITAL) PG 11:40AM ADVENTURES OF TINTIN (3D) PG SPECIAL EVENT PRICING: $3.00 UPCHARGE ALL TICKETS 11:20,2:00,4:40,7:20,10:00 ALVIN AND THE CHIUNKS: CHIPWRECKED (DIGITAL) G 11:00,11:50,1:30,2:20,4:00,4:50, 6:30,7:20,9:00 ARTHUR CHRISTMAS (DIGITAL) PG 11:55,4:55,9:55 THE DARKEST HOUR (3D) PG-13 SPECIAL EVENT PRICING: $3.00 UPCHARGE ALL TICKETS 12:45,5:15,9:45 THE DARKEST HOUR (DIGITAL) PG-13 10:30,3:00,7:30 GIRL WITH THE DRAGON TATTOO, THE (2011) (DIGITAL) R 12:00,1:45,3:30,5:15,7:00,8:45, 10:30 All Flash, No Heart THE ADVENTURES OF TINTIN: Directed by Steven Spielberg. Screenplay by Steven Moffat, Edgar Wright and Joe Cornish, based on the books by Hergé. Music, John Williams. Editor, Michael Kahn. Starring Jamie Bell, Andy Serkis, Daniel Craig, Simon Pegg, Nick Frost and Toby Jones. Paramount Pictures, 2011. PG. 107 minutes. 44211 H ow did professional heartstring- tugger Steven Spielberg and Peter Jackson — a man who said, “I read Tintin before I could read” — manage to make a Tintin movie with so little heart? Spielberg’s big, showy 3D holiday fi lm is exactly the opposite of Martin Scorsese’s: In Hugo, the technical beauty steps aside for a lovely story with quickly but effectively drawn characters. In The Adventures of Tintin, the beauty of the animation is compelling, yet it can’t buoy up the story or its one-note characters. Tintin (Jamie Bell) is intrepid; Captain Haddock (Andy Serkis) is drunk; Daniel Craig’s villainous Sakharine is ... determined? Tintin’s always-adorable dog, Snowy, has more charm and depth than these human characters put together. The Adventures of Tintin uses plot elements from a few of Hergé’s books, primarily The Secret of the Unicorn. It’s not an origin story, though it does introduce Tintin, already a famous boy reporter, to Haddock. Tintin’s pals Thomson and Thompson (Nick Frost and Simon Pegg) show up, as does Bianca Castafi ore (Kim Stengel). There are several visual references to other Tintin adventures, all of which are crammed into a whiz-bang story that, despite crossing oceans and deserts, begins to drag fairly early. The movie is a bit like Raiders of the Lost Ark, minus any attempt to get you emotionally invested. If it didn’t work for me — who, as a kid, devoured Hergé’s books in repeated readings — how hollow must it feel to those just meeting Tintin? You can’t coast on an audience’s existing affection for a character when there is no affection, and Tintin just isn’t a household name in the U.S. I’m not sure at whose feet to lay the blame for Tintin’s blandness. Spielberg has his fl aws, but he’s shown again and again that he can hook audiences, whether we’re cheering for Indiana Jones or tearing up at the end of E.T. His writing team is a cross-section of British talent: Edgar Wright (Shaun of the Dead), Joe Cornish (the stellar Attack the Block) and Steven Moffat, the man behind the frustrating but affecting recent seasons of Doctor Who. Jamie Bell has the perfect voice for Tintin, plucky and stubborn; the invaluable Andy Serkis disappears into Haddock; and the other characters have so little to do that it’s diffi cult to credit or fault them for much. The fi lm feels overpadded; a subplot about a pickpocket is lifted straight from the books, but adds nothing to Tintin’s bustling story. At fi rst the style is distracting, the images caught in an awkward space between cartoon and live- action. But it’s tricksy; after 15 minutes or so, you may fi nd you’ve stopped thinking about it, other than to admire how realistically Tintin’s goofy hair blows in the ocean breeze or to note how diffi cult the elaborate action sequences would have been had the fi lmmakers worked with real people and real physics. These are the things I want to be thinking about after the fi lm, not during it, and this is why Tintin fails: There’s nothing beyond the lovely surface. Rather than caring what happens, I cared — a little — about the pretty waves, the painstaking attention to detail, the deep, shadowy lighting, the way the design refl ected and enhanced images I remembered from the books. Everything’s there on the screen, but to what end? If Spielberg and Jackson hoped to induce a new generation to fall in love with Tintin, their fi lm falls far short. On the plus side, you’ll probably get to see the trailer for the fi rst of Jackson’s two Hobbit fi lms, which succeeds in a few minutes in every way Tintin fails in almost two hours. Here’s to next year’s adventures. ew WWW.EUGENEWEEKLY.COM • BLOGS.EUGENEWEEKLY.COM