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About Eugene weekly. (Eugene, Oregon) 1993-current | View Entire Issue (Jan. 13, 2005)
BY VANESSA SALVIA DJ Tekneek Blues Power to the People Will you continue the collab- oration with the other Guy Davises in 2005? Well, not necessarily, I was happy to do that but that’s not what I do. So I will not close my mind to it but if that happens that’s fine and if that doesn’t happen that’s fine too. This is my seventh album that’s out now and as I go, we’ll just have to see what adventure comes next. The only thing I stick with that I’ve been with for 37 years is the guitar. That’s the only thing that’s been consistent in my life. In other ways I’ve been kind of flaky. So I’ll continue to stick with the guitar. Guy Davis tours to support Legacy. I f good things come in threes, then it must be darn good to be named Guy Davis. Bluesman Guy Davis released his seventh album Legacy last summer, which showcases his commitment to acoustic blues and his lifelong influences of Blind Willie McTell, Skip James, Mississippi John Hurt, Elizabeth Cotton, Buddy Guy and others. Davis teamed up with two other men named Guy Davis throughout 2004 and now he’s bringing his bluesy, groovy thing to Eugene. One Guy Davis illustrated a comic for 22 JANUARY 13, 2005 Legacy’s CD booklet about the musician Davis meeting the Devil at the crossroads. Another Guy Davis, a vintner from California, supplied his wines at select Davis concerts. I spoke to the bluesman Guy Davis to find out more. How did you find the other Guy Davises? It was actually my manager who spends a lot of time on the Internet. He Googled my name, found these other fellows, got in con- tact with a few of them and he burst this Guy Davis project on me! demnation of police, but I am saying some of these things still are here. Do you have any plans past Legacy at this point? Just like all my CDs I support them and I continue to work on new music, that’s my M.O. Legacy is what’s current but when I do a concert, I play all my music, not just what’s on the last one. I play everything. The idea is when people come to see the show the music is highlighted and the stories and the feelings are highlighted. Legacy is my latest offering and I’m happy with it. Tell me about the other Guys. One is a vino maker who lives in California. What a pleasant guy. I’ve tasted his wares. I’m a red wine kind of guy and I like the taste How do you feel the blues has of what he’s doing. And the Guy who is the influenced the cultures of rap illustrator, well, this is something that’s kind and hip hop or how do you feel they can relate to one another? if close to me because I won’t call myself an illustrator as much as I am a picture-drawer. I Blues is an ancestor, an ancestor love to draw. My son also loves to draw. So to what you hear now. The blues seeing what the other Guy Davis can do and rap seem to talk about the same things. makes me a teeny bit envious, They talk about men, women, but I admire his work. I think they talk about hard times, Guy Davis there’s something about us Guy they talk about trouble with the Cafe Paradiso, 8 pm law. The blues is no longer cut- 1/15, $13.50 advance Davises, we find something we like to do and we stick with it! ting edge music but you find 484-9933 that the conditions that the blues came out of, some of them are still Do you have a favorite song you never here now. It might not be direct Jim Crow tire of playing? kind of stuff but you still have situations Whoa, that’s a hard one. Well, right now where there are, say, disproportionate num- that song is “Loneliest Road I Know” bers of black kids running into bullets fired which was derived from Fred McDowell’s by cops. And I’m not making some con- “61 Highway.” ew