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About Street roots. (Portland, OR) 1998-current | View Entire Issue (Jan. 1, 2016)
News Page 10 Street Roots • Jan. 1 - P H O T O B Y M A R IO A N Z U O N I / R E U T E R S Actor Paul Bettany, who’s appeared in film s such as “Avengers: Age ofU ltron”d n d “A B eautiful M ind,” made his directorial debut with “Shelter.” BY PAUL BETTANY In New York, homelessness has spiraled out of control in the last 10 to 15 years. Social housing - I need to say public housing didn’t start off wanting to make a film here because the word social gets about homelessness. I wanted to direct a everybody’s back up in America - has been movie, and then thought I might rather slashed by 32 percent. There are 60,000 like to make one about judgment. I have this homeless people in the municipal shelter worry that in a world full of increasing gray system every night - and 24,000 of those areas, we’re becoming more entrenched in are children. black and white positions. Last year in New York, the first apartment I live in New York, on for $100 million was sold - yet thousands the Hudson River. There are in the municipal shelter system every is a tiny triangular park on night. That is untenable, but you’d be a fool the corner of Canal and Director and writer: Paul Bettany and a communist to draw a line between the West Side Highway rising rents and the lack of rising wages. Starring: Jennifer Connelly where this homeless Simply providing people with legal (Bettany's wife) and Anthony Mackie couple lived. I passed representation would stop a crazy amount of them every day on the , On Blu-ray and DVD Jan. 1 1 evictions. A homeless family is 80 percent school run and would try less likely to be evicted if the family has to talk to them. My kids counsel. Counsel costs the city $12,500, would say good morning. But more and while the average stay of a homeless family more, I’m ashamed to say, I began not to be in a shelter is $45,000. Morally it makes able to see them. Somehow they became sense, but it also makes sense politically. part of the landscape of the city I live in. The state of Utah has hugely reduced Then Hurricane Sandy happened. There homelessness by thinking outside the box. was a mandatory evacuation of downtown The local government worked out it was riverside Manhattan. In the madness of cheaper and more , effective to house getting my three kids, dog and cat and wife homeless people rather than keeping them in the car, I didn’t stop to think where they on the streets. That seems to be paying off. - my neighbors - would weather the storm. Of course, in a capitalist society, people are I never saw them again. I couldn’t stop screaming, “Nanny state!” and, “How can thinking about them. I’m sure they were fine someone get something for nothing?” and had moved on, but I imagined what their The problem is, it worked. It’s difficult to lives might have been and they became a ignore that fact. The reasons for template for a film about judgment. homelessness are myriad: the loss of a job, Why do we treat homelessness the way loss of a family member, a breakdown, and we do? I think it’s got something to do with yes, drug or alcohol addiction. Everybody fear, a terror that one might end up there, has a story, Who am I to judge? so an absolute, resolute, this-could-never- My father died recently. He was a very religious man. Whenever we passed a happen-to-me attitude - you must have done homeless person, he would always say, there something yourself to bring yourself so low. C O N T R IB U T IN G W R ITER I 'Shelter' but for the grace of God go I. And I love that sentiment. It’s an admission of how close we all are to slipping by the wayside. When I was about 17 years old, I had a family loss. I came down to London and ended up outside the boarding house where my sister was living. I used to throw a stone at her window, and when the woman who owned the rooms was asleep, she would let me sneak in and sleep on the floor. That was a huge period of time for me. I was not in my best mind. I was grieving. I was not well. There were times I didn’t get into that room and slept on a park bench. I never thought of myself as homeless, and I wouldn’t want to overstate that, but it absolutely felt that my safety and situation were precarious, I busked for two years, playing guitar and singing. If I took sick, I wasn’t able to earn my living or feed myself. It was really frightening at that age. I Went from having a house with parents who did everything for me to suddenly having to work if I wanted to e a t I was lucky enough to get one of the last grants and ended up going to school to study acting. An agent of mine, who will remain nameless, said you can’t make a romance about homeless people because nobody wants to see them kiss. I was so shocked by the awfulness of the statement. What I heard was how they were thinking of these people as something other. That was what I wanted to discuss and examine: To present two people who on paper are unforgivable, then make you love them because people are lovable when you get to know their stories. Courtesy o f IN SP News Service www.INSP. ngo / The B ig Issue