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About Street roots. (Portland, OR) 1998-current | View Entire Issue (April 13, 2012)
street roots 3 April 13, 2012 Life after war Portland photographer Jim Lommasson leads a discussion about returning veterans and their need to be heard today ROBERT BRITT C O N T R IB U T IN G W R IT E R t took 60 years for local photographer Jim Lommasson’s father to share his stories from combat in World War II, and now the son is working to ensure that veterans of Iraq and Afghanistan do not wait to share their experiences with war. Lommasson — a photographer, oral historian and author — is leading a public discussion on April 25 about veterans’ combat experiences as part of the Oregon Humanities’ Conversation Project. Life After War: Photography and Oral Histories of Coming Home is being hosted by REACH Community Development at the Ritzdorf Court Apartments in Southeast Portland. Lommasson, 60, is the son of a veteran of the famous Battle of the Bulge, the bloody winter clash in the Ardennes that claimed more than 35,000 lives and saw another 140,000 wounded, captured or go missing. “When I was a kid, I heard the same stories that all my fellow 8-year-olds heard in the ‘50s and ‘60s from our fathers — the things that kind of agreed with the choppy newsreels that we’d see on TV and in the movies,” Lommasson said. “But that was all I knew from his experience.” I His fa th e r received th re e P u rp le H e a rts and a B ronze Star, b u t L om m asson said it wasn’t until his dad w as in his 80s and losing some of his cognitive abilities when he began to open up about his WWII experience as the two walked around Portland together. “He would start telling me completely different stories than what he told me when I was eight,” Lommasson said. “As we were walking, him with his walker and me just kind of holding onto his arm, he would go into these moments of silence and then come up for air, basically, and start telling me these stories. I realized that he was reliving those war stories, and he’s been holding these stories in for 60 years, and I think that was a real tragedy.” With that, Lommasson understood the connection to the current generation of veterans. “He was basically protecting me and my mother and everyone around him, but I knew that today’s soldiers need to tell their stories now. And we need to hear them now. Lommasson began interviewing returning service members in 2007 and soon they were giving him items from their deployments. One of the first was a copy of a Baghdad newspaper printed before the fall of Saddam Hussein’s regime. Then came thousands of photographs taken by veterans while in Iraq and Afghanistan. From those pictures and interviews, ght: M andy lin and her ghter Katrina, v does a mother goodbye to her five- old child? What ’ o f goodbye is it? Is e last goodbye? be, could be, maybe I don’t know. So her while she )s, pa t her vberry blond hair, last take-it-all-in ice. Turn around- ’t look back-keep ig and walk out the r. For the last time? ibe-could be-maybe -I don’t know. ” P H O T O S B Y J IM L O M M A S S O N A t top Christopher Arendt is a form er G uantanam o guard. “People look at the N azi concentration camps a n d wonder somethin!! like that? I t ’s really easy. I t ’s a simple thing. You make one wrong decision and you spend the rest o f your life explaining that T d s ^ I P e b f e l y m ld P a n y choices in my tife, and then I ended up working in a concentration camp. You wake up every day. p u t your boots on a nd 'go to work a t the concentration camp." Abov and below right, two o f the hundreds o f veterans Jim Lommasson is chrontcallmg fo r his book, “E xit Wounds. ” Lommasson created the traveling art exhibition Exit Wounds, a collection of more than 1,500 photographs and written texts? provided by Iraq and Afghanistan veterans. Lommasson supplemented the candid pictures with his own emotional portraits of veterans and allowed the work to serve as an oral and visual history project. “In a lot of the photographs you can see in people’s eyes the pain that they experienced and are still experiencing,” he said. “During WWII, every American knew a soldier at war,” he said. “During the Vietnam war, almost every American knew a soldier at war. But During the Iraq and Afghanistan wars, we only know two or three percent of the soldiers at war. My goal was for American people to get to know the soldiers that we send to war.” This month’s discussion series is largely based on the Exit Wounds exhibit, which Lommasson is turning into a book project. “The talk is really me retelling the soldiers’ saying, ‘America is not at war. The Marine Corps is at war; America is at the mall.’ We stories,” he said. “I’m not professing were told to go to the mall and that’s what we anything; I’m not making any political did. And we just kind of let everybody hang statement. But one of the things that comes out to dry,” he said. “We should never do that from storytelling is it transfers the again. We should ask more questions next responsibility from the individual to the time.” group. Lommasson said Exit Wounds has been “Some of the things I do want to get across well received, especially by veterans and their are: How do we move a nation to care? Who families. is served by mythologizing war and warriors? “I’ve had mothers and fathers tell me that And what can we do as a community? That’s after the veteran has talked to me they are where the discussion comes in,” he said. “I finally coming around and talking to their don’t come in with the answers. Since this is parents and telling them things that they an Oregon Humanities Conversation Project, hadn’t,” he said. “So it really has been an one of the main motives is to get the people amazing journey for me, and I’m humbled by in the room to have a conversation with me the experience.” and with each other.” Lommasson cautioned that some people The Life After War discussion is free and want to simply sweep the wars under the rug, open to the public. Those interested in “because it’s troubling and they need to attending can R SV P by calling Debbie watch “Dancing With the Stars.” It reminds Lowder at 503 501-5725. me of that photo on the Internet with a sign P H O T O S B Y J IM L O M M A S S O N
