Image provided by: Clackamas Community College; Oregon City, OR
About The Clackamas print. (Oregon City, Oregon) 1989-2019 | View Entire Issue (March 6, 2019)
CULTURE ______________________L WINTER PLAY TELLS A FARCICAL TALE OF LYING, LOVE AND LAUGHTER STORY BY JAREÖ PREBLE DESIGN EDITOR As the few flecks of snow melt away and the flow ers prepare to bloom, Jim Eikrem’ s cast and crew at Clackamas Community C ollege’ s theater departm ent are ch an n elin g th eir inner Shakespeare, fasten in g their corsets and adjusting their wigs for their annual winter play. “ The Liar,” written by Pierre Cornelius and adapted for the Shakespeare Company by David Ives, tells the farcical tale of a compulsive liar with a yearning heart and a silver tongue. The play first took to the stage in 1644. This is the theater department’ s second performance of the three scheduled plays for the school. Set in France circa 1643, the tale begins with the arrival of Dorante, the aforem entioned bachelor who can ’ t seem to speak the truth to save his life. While stepping foot in the city of Paris he sw iftly encounters a handful of people, the first being C liton , who is a lone servant as unwillingly dedicated to telling the truth as Dorante is to abolishing it. The pair encounter two upper- c la s s w om en , C la rice and Lucrece, who catch the eyes of Dorante. He decides to spin faux war stories and slaps a fictionalmilitary title on himself in order to win over the pair, to which he avails. He falls for Lucrece, though due to his own dimwittedness he mistakes her for Clarice, who is dating his longtime friend Alcippe. Confusion ensues and destroys as this group attempts to unravel the truth. CCC student James Van Eaton plays the role of Dorante, and w hile he doesn ’ t partake in frequent fibbing like his stage ego, he finds Dorante’ s approach to life endearing. , “ I’ m the farthest thing from a lia r,” Van Eaton said. “ I’ve always appreciated blunt truth and to ta l candor, but I can certainly appreciate Dorante’ s fla ir for the dram atic, his exhilarated storytelling and his bright-eyed glee in coming up with new ideas.” Van Eaiton has dwelled in the realm of theater and fine arts for a long time, and it was 20i7’ s staging of “ A Streetcar Named Desire” at CCC that convinced him to turn it into a career. Eaton endured a trial and error process with the play’ s iambic pentameter. “ For me, during the early stages of m em orization, the rhyme and meter seemed like a godsend. Not just in connecting my own lines, but in queuing off others,” Van Eaton said. “ But as I progressed it became something to lean on, reach for and predict to the overall detrim ent of an organic character portrayal.” Student Talulabel Gilpin makes her acting debut as Lucrece, Dorante’ s true love. She built up the courage to audition after making her way through acting classes at the college. “ I really like the character because she?s a romantic,” Gilpin said. “ She wants everything to be beautiful and be just right and be a story.” Gilpin has taken to her cast over the course of rehearsals and attributes the stellar acting to Eikrem’ s lead. “ [The play] started out kind of two dimensional and over time as Jim directed us and we figured out the depth o f our characters, even though it’ s a farce there’ s still depth there,” Gilpin said. “ The dynamic between all the characters flows m uch better now. We all get along really w ell.” x Dylan Croonquist has devoted much of his time to the stage, taking part in five plays during his high school tenure. This play marks the -first of his college career, and while different from highschool, Croonquist was able to flourish w ith his cast and crew. “ I wanted to give this school’ s program a shot and so far this has been a welcoming experience,” Croonquist said. “Jim has been a great director who is particular with what he envisions for his plays, and it’ s very helpful for his actors.” The production of the play is a sight to behold. Every detail from the set to the costuming paints "the picture of an old fashioned France. A chandelier hangs from the highest visible point on stage, and it revolves slowly as the story unravels. The numerous locales of the play are portrayed perfectly, and the ever-changing lighting paints many pictures in a single scene. The pacing is a sight to behold, especially with iambic pentameter in the mix. O vera ll, “ The L ia r” is a w onderful production w ith a solid cast leading the way. The play con tin u es from March 7 to March 10, for more inform ation v isit the school website.
