Image provided by: Clackamas Community College; Oregon City, OR
About The Clackamas print. (Oregon City, Oregon) 1989-2019 | View Entire Issue (Oct. 12, 2016)
Artist becomes ancestors 1 AN MY WHITE ANCESTORS’ EXHIBIT AIMS TO RAISE QUESTIONS photo by Collin Berend BY E LI Z ABE T H K ESSEL A picture is worth a thousand words, which is exactly what Anne Mavor’s artwork proves. At the Oregon C ity campus, located in the Niemeyer Center, students and sta ff can find the Alexander Gallery filled w ith 13 p ho to grap hs o f M avor dressed as her ancestors. Her exhibit, “ I Am My W hite Ancestors: Claim ing the Legacy o f Oppression,” is sure to stir up conversations. In the gallery, the large photographs o f fem ales and males hang am ong a photo o f a m odern M avor. W hat was ju st an idea three years ago is now an exhibit for people to experience colorful pictures, with a story behind each one. Next to each photo, observers can read about her thoughts on the character and what it was like to be them . The artwork should allow for reflection on racism— how people used to treat each other and still do. M avor has been an artist sin ce she was a child. Art is w hat her fam ily did. Her m other was an artist, and projects were always ongoing for their fa m ily. From painting, to writing, photography, performance and others, Mavor has tried many different styles of art over the years. Mavor really envisioned how to be her ancestors by using the art of performance. She tried to understand the oppression th ey m ig h t have caused or endured. Contributing even more to her artwork, she also sewed m ost o f the costum es herself with help here and there. The characters d id n ’ t com e out o f nowhere. It took tim e to research each one, and to find ancestors that died close to her age. This was im portant to Mavor because she didn’t want to pretend to be a 25-year-old. She wanted to be able to relate better to them . Plus, the older they were, the more things they had done. Mavor explained her thought process for the project. Students examine Anne M avor’s artw ork in the Alexander Gallery currently displayed In the Niemeyer Center. The artwork can be viewed until October 28. “ I w anted to fin d o ut really the sources o f racism that didn’t com e out o f nowhere,” she said.“ It came from the centuries o f people hurting each other, and so where would we get the idea that we could hurt and oppress people based on their skin color? W here would that come from ?” In order to find out, she started her research with Europe, not even knowing for sure if she had ancestors there. Mavor found that she could relate better to the women compared to the men when she dressed up as her ancestors. It was easier for her to be the women, since most of the men had a part in oppression while they were alive. But still, she com mitted to posing for even the difficult photos. W hen posing as King Edward, she went w ithout food and w ater for the entire photo shoot and even started to faint. M avor w anted h er artw ork to be displayed in an educational environment, for classes to visit so that they could examine and think critically about the p hotograp hs. Clack am as C o m m u n ity College is the first to display her work. W h ile th ere is no set criteria fo r choosing exhibits for Alexander Gallery, the Art department does meet to decide what they would like to see each calendar year. Kate Sim m ons, the Alexander Gallery director and art instructor at the college, com mented about Mavor’ s artwork. “ In the media things can immediately be black and white per se, but what I really enjoyed learning about A n n e’ s work is that it’ s not so much black and w hite,” Sim m ons said ,“ That it also touches on the oppression aspect and how people have been put down or allowed limited resources through time in different ways. A nd it ’ s really neat to hear d ifferen t ancestors’ perspectives in that regard.” P raises w ere ech o ed fro m m an y students who attended the artist reception on Thursday, Oct.6. “ Her being all the same person in the costumes are really neat,” said student Angela Durant. Her friend, Aurora Varkey, nodded in agreem ent, and said that th e pictures were awesome. An evening reception will be held for the gallery on Thursday, O ct. 13, from 6:30-8:30 p .m . But don’ t fret if you can’ t make it. There will also be a gallery talk held on Tuesday, Oct. 25, from 7-8:30 p.m . If you would like to know more about Mavor and her ancestors’ stories, visit her website, annemavor.com. There, you can listen to her talk about each o f the ancestors for approximately five minutes each. W ith multiple opportunities to go see the exh ib it, there is still a chance to find out about M avor’s ancestors, and reflect on your own. But consider Mavor’s warning: “ Don’ t get stuck in the g u ilt.” Keeping that in m ind, would you claim your heritage too? Collin Berend contibuted to this article. 4 (Mamas M t OCTOBER 12.2016 thedaclanwitfom