Image provided by: Clackamas Community College; Oregon City, OR
About The Clackamas print. (Oregon City, Oregon) 1989-2019 | View Entire Issue (April 20, 2016)
COLLEGE CELEBRATES 50 YEARS OUTDOOR ART FREE AND OPEN TO PUBLIC BY STEPHANIE FAJARDO If you stick with som ething long enough, anniversaries are part of life. If you’re lucky, you get to celebrate your accomplishments in a big, colorful way for everyone to see. C la ck a m a s C o m m u n ity C o lle g e is m a rk in g its fiftieth year w ith festivities like the Outdoor Sculpture In v ita tio n a l. For the n ext 10 w eeks, large outdoor sculptures are dotting the Oregon City campus to help celebrate the college’s birthday. The exhibit showcases emerging and established artists in our region who work in a variety of mediums and ideas. The idea for the event came from retired instructor, Rick True, w ho taught art at Clackam as for 26 years and is a form er departm ent chair. True’ s iconic NW sculpture, a two-story, blue copper fish mobile of a trout, sturgeon, W hitefish, bluegill, bass and a catfish can be seen sw im m ing high in the breeze next to Rook H all. The fis h m obile pays hom age to True’ s firs t love, fly -fish in g . Nathan Orosco’s sculpture, located by the com munity center is called “ B reaking G round and Sh arin g Our Colors. ” Made up o f colorful plastic strips on top of a tall pole, the structure looks like a flag. It’s long, translucent strips o f colorful plastic sparkle and swirl like prisms in the sun. Orozco said he used primary colors so when the strips overlap, they’d give viewers a different shade with each gust o f wind. "I like public art because people can “ happen” upon m y work, unlike having to go inside a gallery. My flag represents the ever changing landscape o f our culture and society,” said Orosco. Lee Im onen’s giant rusted “ Burner” sculpture, located in front o f Randall, is a giant rusted tower on massive log legs is inspired by structures seen at logging m ills. Now, we often see their remnants h alf deteriorated and covered by blackberry briars. In Vicki Lynn W ilson’s “ Propagate” on the lawn in front o f Dye Learning Center, is a large circular garden that looks like a ripple effect caused by taking a first step. The sm aller gardens are created by other unseen thinkers doing the sam e. Where the gardens overlap, she said, “ Something new is created.” Wilson considered its environment and the people who will see it. “ I think public art can give viewers a sense o f belonging. Art can m ake them pause and consider the place where they stand and w hat it means for them to be there,” said W ilson. “ It would be nice if someone felt inspired to dip their toe and cross p ollinate their ideas w ith others,” she said. Kate S im m o n s, C C C a rtis t, teach er and director o f the A lexander G allery oversees this year’s event. You’ve probably been greeted by her perky “ Gretta” dog sculpture, inspired by her own rat terrier, sitting on high alert at the bench across from the Com m unity Center. “ A rt has played a major role at o u r school over the years and we’re proud to be a part o f our com m unity’ s creative developm ent,” said Sim m ons. The anniversary celebration on May 21 is free and open to the public. The artist’ s reception w ill feature light refreshm ents, a guided tour o f the sculptures to hear about the artist’ s process. Performance troupe Pendulum will perform. A ll the sculptures are on loan from the artists until June 3, but this year, Clackam as will take a peoples’ choice vote on w hich piece w ill take up perm anent residence on cam pus. Voting can be done online or in person at the A SG office starting M ay 1. Left: See “ Nest” by Jesse Swickard, displayed near the Niemeyer building. Right: K piece titled “Anna” by Julian Voss Andreae is displayed by the Dye Learning Center. (lademas hh APtt M 20K tt«dadQ(rasiv«tam S